Classical Masterpieces

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#	Title	Artist	Rating	Length
1	Overture to the Marriage of Figaro orchestra: Berlin Symphony Orchestra (almost certainly a Scholz fake artist), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym) and Philharmonia Slovanica Orchester (Alfred Scholz pseudonym) conductor: Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Laurence Gordon Siegel (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz recording of: Le nozze di Figaro, K. 492: Sinfonia composer: Wolfgang Amadeus Mozart (classical composer) (in 1786) part of: Die Hochzeit des Figaro (German translation) part of: Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)	Wolfgang Amadeus Mozart	4	4:19
2	Piano Concerto No. 1 in B-flat minor, Op. 23: Allegro non troppo e molto maestoso partial recording of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed) composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02) part of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed) revision of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed) revision of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)	Пётр Ильич Чайковский		4:17
3	Halleluja Chorus From Messiah choir vocals: Westminister Choir and Westminster Church Choir (connected to Kenneth Dowley) orchestra: Westminister Orchestra and Westminster Church Orchestra (connected to Kenneth Dowley) conductor: Kenneth Dowley (conductor) recording of: Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II recording of: The Messiah: Hallelujah Chorus (for band, Longfield) composer: George Frideric Handel (German‐British baroque composer) (in 1741) arranger: Robert Longfield (American composer) arrangement of: Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”	Georg Friedrich Händel		4:22
4	Rosamunde Entr'acte Music recording of: Rosamunde, D. 797: V. Entr'acte Nr. 3 B-Dur. Andantino composer: Franz Schubert (composer) (in 1823) part of: Rosamunde, D. 797	Franz Schubert		7:03
5	Rondo alla Turca from Piano Sonata No. 11 in A major, K. 300i/331 piano: Margarete Babinsky (pianist), Silvia Čápová (pianist), Marián Pivka (pianist) and Svetlana Stanceva (pianist, an Alfred Scholz pseudonym) piano [Klavier]: Marian Pivka (pianist) recording of: Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto composed in: Paris, Île-de-France, France (in 1778) composer: Wolfgang Amadeus Mozart (classical composer) (in 1783) part of: Classic 100: Piano (2025) (number: 32) part of: Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”	Wolfgang Amadeus Mozart		3:36
6	The Carnival of the Animals: Fossils recording of: Le Carnaval des animaux : XII. Fossiles (The Carnival of the Animals: XII. Fossils, strings, two pianos, clarinet, and xylophone) composer: Camille Saint‐Saëns (composer) (in 1886-02) part of: Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)	Camille Saint‐Saëns		1:18
7	The Carnival of the Animals: The Swan instruments and orchestra: Amsterdam Symphony Orchestra (Alfred Scholz pseudonym) conductor: Peter Stern (fictitious conductor, Alfred Scholz pseudonym) recording of: Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello) composer: Camille Saint‐Saëns (composer) (in 1886-02) arranger: Pege Aladár part of: Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125) recording of: Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements) composer: Camille Saint‐Saëns (composer) arrangement of: Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello) part of: Le Carnaval des animaux (catch-all for arrangements)	Camille Saint‐Saëns		2:44
8	The Carnival of the Animals: Finale instruments and orchestra: Amsterdam Symphony Orchestra (Alfred Scholz pseudonym) conductor: Peter Stern (fictitious conductor, Alfred Scholz pseudonym) recording of: Le Carnaval des animaux : XIV. Finale (The Carnival of the Animals: XIV. Finale, full ensemble) composer: Camille Saint‐Saëns (composer) (in 1886-02) part of: Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)	Camille Saint‐Saëns		1:58
9	Dance of the Blessed Spirits	Christoph Willibald Gluck		6:29
10	Symphony No. 4, "Italian": IV. Saltarello. Presto orchestra: Bamberger Symphoniker (Bamberg Symphony), London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra, London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), ORF Radio‐Symphonieorchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym) recording of: Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto composer: Felix Mendelssohn (composer) (in 1833) part of: Symphony no. 4 in A major, op. 90 “Italian”	Felix Mendelssohn		5:59
11	Meditation from Thaïs recording of: Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) composer: Jules Massenet (French Romantic composer) (in 1894) part of: Classic 100: Music of France (2012) (number: 14) part of: Thaïs: Acte II	Jules Massenet		5:07
12	Hungarian Dance No 5 (Allegro) orchestra: Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), Festivalový orchestr Praha (Prague Festival Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Symphonique de Dresde (Dresden Philharmonic Orchestra) and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Julian Armstrong (conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Edvard Kronau (an Alfred Scholz pseudonym), Alfred Scholz and Pavel Urbanek (an Alfred Scholz pseudonym) performer: London Festival Orchestra (Alfred Scholz pseudonym) recording of: 21 Hungarian Dances for Orchestra, WoO 1: No. 5 in G minor (Allegro) (catch-all for unknown and one-off orchestrations) composer: Johannes Brahms (German composer) (from 1858 until 1868) orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace part of: 21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations) recording of: Hungarian Dance no. 5 (catch-all for arrangements) composer: Johannes Brahms (German composer) (from 1858 until 1868) arrangement of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace recording of: Hungarian Dances for orchestra, WoO 1, Book 1, No. 5 in G minor: Allegro - Vivace (Hungarian Dance No. 5, orch. Schmeling) orchestrator: Martin Schmeling composer: Johannes Brahms (German composer) publisher: Breitkopf & Härtel orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace part of: Hungarian Dances for orchestra (Schmeling orchestration) recording of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace composer: Johannes Brahms (German composer) (from 1858 until 1868) part of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1	Johannes Brahms		2:24
13	Etude Revolution piano: Silvia Čápová (pianist), Vitalij Margulis and Marián Pivka (pianist) solo piano: Marián Pivka (pianist) recording of: Étude in C minor, op. 10 no. 12 “Revolutionary”: Allegro con fuoco composer: Fryderyk Chopin (Frédéric Chopin, composer) (in 1831) part of: Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 25) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 67) part of: Études, op. 10	Frédéric Chopin		2:48
14	Morgenstimmung from Peer Gynt Suite No. 1, Op. 46 orchestra: Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Bratislava Radio Symphony Orchestra (Slovak Radio Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Philharmonique de la Slovaquie (Slovak State Philharmonic Orchestra, Košice), Slowakische Staatsphilharmonie (Slovak Philharmonic) and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym) conductor: Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pesek (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Róbert Stankovský and Peter Stern (fictitious conductor, Alfred Scholz pseudonym) recording of: Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1888) version of: Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning part of: Peer Gynt Suite no. 1, op. 46	Edvard Grieg		3:56
15	Nabucco Chorus of the Hebrew Slaves Act 3 choir vocals: Consortium Musicum Ljubljana orchestra: Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) conductor: Marko Munih (conductor) recording of: Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) composer: Giuseppe Verdi (Italian opera composer) (in 1841) librettist: Temistocle Solera part of: Nabucco: Parte III. La profezia	Giuseppe Verdi		4:21
16	Trumpet Voluntary orchestra: Royal Philharmonic Orchestra conductor: Frank Shipway (British conductor) recording of: The Prince of Denmark’s March (erroneously called “Trumpet Voluntary” - catch-all for arrangements) composer: Jeremiah Clarke (English baroque composer and organist) arrangement of: The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)	Jeremiah Clarke		2:54

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