| # | Title | Artist | Rating | Length |
|---|
| 1 | Imagine | John Lennon | 4.2 | 3:08 |
| 2 | Don’t Look Back in Anger | Oasis | 4.35 | 4:50 |
| 3 | Beautiful Day- miscellaneous support:
- Cheryl Engels (task: audio post production manager and technical guru), Rab McAllister (task: studio tech) and Sam O’Sullivan (task: studio manager)
- programming:
- Brian Eno
- additional engineer:
- Stephen Harris and Tim Palmer
- assistant engineer:
- Chris Heaney
- engineer:
- Richard Rainey
- additional producer:
- Steve Lillywhite
- producer:
- Brian Eno and Daniel Lanois
- mixer:
- Steve Lillywhite
- bass guitar:
- Adam Clayton
- drums (drum set) and percussion:
- Larry Mullen
- guitar:
- Bono and The Edge
- keyboard [keyboards]:
- The Edge and Brian Eno
- piano:
- The Edge
- synthesizer:
- Brian Eno
- background vocals:
- The Edge and Daniel Lanois
- vocals:
- Bono and The Edge
- drums (drum set) technician:
- Sam O’Sullivan
- guitar technician:
- Fraser McAlister
- phonographic copyright (℗) by:
- Universal Music International BV (in 2000)
- recorded at:
- HQ in Dublin, County Dublin, Leinster, Ireland, Totally Wired in Dublin, County Dublin, Leinster, Ireland, Westland Studios in Dublin, County Dublin, Leinster, Ireland and Windmill Lane Studios in Dublin, County Dublin, Leinster, Ireland
- music videos:
- Beautiful Day by U2 , Beautiful Day by U2 and Beautiful Day (Eze version) by U2
- part of:
- My VH1 Music Awards - Damn I Wish I Wrote That! (song of the year) Nominees
- recording of:
- Beautiful Day
- lyricist:
- Bono
- composer:
- Bono , Adam Clayton, The Edge and Larry Mullen, Jr.
- publisher:
- Blue Mountain Music Ltd., Mother Music, PolyGram International Music Publishing B.V., Sony/ATV Music Publishing LLC , Universal Music Publishing BV , Universal Music Publishing International BV and Universal Music Publishing International Ltd.
- revision of:
- Always
| U2 | 3.75 | 4:08 |
| 4 | Viva la vida- producer:
- Markus Dravs, Brian Eno, Jon Hopkins and Rik Simpson
- mixer:
- Michael Brauer , Markus Dravs, Rik Simpson and Andy Wallace
- bass:
- Guy Berryman
- drums (drum set) and percussion:
- Will Champion
- guitar:
- Jonny Buckland
- piano and lead vocals:
- Chris Martin
- strings:
- Davide Rossi
- synthesizer:
- Brian Eno
- background vocals:
- Guy Berryman, Jonny Buckland, Will Champion and Brian Eno
- music videos:
- Viva la Vida by Coldplay and Viva la Vida by Coldplay
- part of:
- Billboard Year-End Hot 100 singles of 2008 (number: 13), Billboard Year-End Hot 100 singles of 2009 (number: 55), Indie 88: Top 500 Indie Rock Songs (number: 71), Billboard: The 500 Best Pop Songs (number: 144) and BILLIONS CLUB
- recording of:
- Viva la Vida
- writer:
- Guy Berryman, Jonny Buckland, Will Champion and Chris Martin
- publisher:
- Universal Music Publishing MGB Ltd.
| Coldplay | 4.1 | 4:01 |
| 5 | So What | P!NK | 4 | 3:35 |
| 6 | Roar- programming and producer:
- Cirkut, Dr. Luke and Max Martin
- assistant engineer:
- Rachael Findlen , Justin Fox and Elliott Lanam
- engineer:
- Peter Carlsson , Clint Gibbs, John Hanes , Sam Holland and Michael Ilbert
- additional assistant producer:
- Irene Richter
- mixer:
- Serban Ghenea
- instruments:
- Cirkut, Dr. Luke and Max Martin
- vocals:
- Katy Perry
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 2013)
- recorded at:
- Luke’s in the Boo in Malibu, California, United States, MXM Studios in Stockholm, Stockholms län , Sweden, Playback Recording Studio in Santa Barbara, California, United States and Secret Garden Studios in Montecito, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- part of:
- Billboard Year-End Hot 100 singles of 2013 (number: 10), RuPaul’s Drag Race Lip Sync Performances (number: 10), Billboard Decade End Chart: Adult Contemporary Songs (number: 20), Billboard Year-End Hot 100 singles of 2014 (number: 46) and BILLIONS CLUB
- recording of:
- Roar
- writer:
- Łukasz Gottwald, Henry Walter, Martin Karl Sandberg , Bonnie McKee and Katy Perry
- publisher:
- KMR Music Royalties II SCSp, Kobalt Music Copyrights SARL, Sony Music Publishing (Japan) Inc. , ヤマハミュージックEH(CM) , ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 (until 2014-12-31), Bonnie McKee Music (in 2013), Kasz Money Publishing (in 2013), MXM (in 2013), Oneirology Publishing (in 2013), Prescription Songs (in 2013), Songs of Pulse Recording (in 2013), When I’m Rich You’ll Be My Bitch (in 2013), Where da Kasz At (in 2013) and フジパシフィックミュージック (from 2015-01-01 to present)
| Katy Perry | 3.55 | 3:44 |
| 7 | Wrecking Ball- programming and producer:
- Cirkut and Dr. Luke
- engineer:
- Mike Caffery , Clint Gibbs and Sven Heidinga
- mixer:
- Serban Ghenea
- cello:
- Suzie Katayama
- instruments:
- Cirkut and Dr. Luke
- strings:
- David Richard Campbell
- viola:
- Andrew Duckles and Darrin McCann
- violin:
- Charlie Bisberat , Kevin Connolly and Songa Lee
- lead vocals:
- Miley Cyrus
- phonographic copyright (℗) by:
- RCA Records (in 2013)
- music videos:
- Wrecking Ball (official video) by Miley Cyrus
- part of:
- Billboard Decade End Chart: Streaming Songs (number: 18), Billboard Year-End Hot 100 singles of 2013 (number: 18), Stereogum: The 200 Best Songs of the 2010s (number: 30), Billboard Year-End Hot 100 singles of 2014 (number: 44), Pitchfork: The 200 Best Songs of the 2010s (number: 152), Billboard: The 500 Best Pop Songs (number: 156) and BILLIONS CLUB
- recording of:
- Wrecking Ball
- writer:
- Łukasz Gottwald, Henry Walter, Kiyanu Kim, Maureen “Mozella” McDonald , Stephan Moccio and Sacha Skarbek
- publisher:
- BMG Platinum Songs, BMG Rights Management (US) LLC , BMG Rights Management GmbH , Downtown DMP Songs, EMI April Music Inc., EMI Blackwood Music Inc., Kasz Money Publishing , Kobalt Music Publishing Ltd. Canada, Mo Zella Mo Music, Oneirology Publishing, Prescription Songs, Sing Little Penguin, Songs Of 3PM Publishing, Songs of Universal, Inc. , Sony/ATV Tunes LLC and Universal Music Publishing Canada II
| Miley Cyrus | 3.7 | 3:41 |
| 8 | Drivers License | Olivia Rodrigo | 3.65 | 4:02 |
| 9 | Crazy | Gnarls Barkley | | 2:58 |
| 10 | Blinding Lights- programming and producer:
- Oscar Holter, Max Martin and The Weeknd
- assistant engineer:
- Cory Bice, Sean Klein and Jeremy Lertola
- engineer:
- Shin Kamiyama
- assistant mixer:
- John Hanes
- mixer:
- Serban Ghenea
- bass, drums (drum set), guitar and keyboard [keyboards]:
- Oscar Holter, Max Martin and The Weeknd
- background vocals:
- Abel Tesfaye
- phonographic copyright (℗) by:
- The Weeknd XO, Inc. (in 2019)
- produced for:
- MXM Productions and Wolf Cousins Productions
- recorded at:
- Jungle City Studios in New York, New York, United States and MXM Studios in Los Angeles, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- music videos:
- Blinding Lights by The Weeknd
- part of:
- Billboard Year-End Hot 100 singles of 2020 (number: 1), Billboard: Greatest of All Time Hot 100 Songs (number: 1), Billboard Year-End Hot 100 singles of 2021 (number: 3), Stereogum Readers’ Top 10 Songs of 2020 (number: 6), iHeartRadio Music Awards: Song of the Year nominees (number: 2021 winner), BILLIONS CLUB, Helsingin Sanomat: 100 maailman parasta laulua (number: 51), Top Songs of 2024: Global (number: 65) and Billboard: The 500 Best Pop Songs (number: 79)
- recording of:
- Blinding Lights (from 2019-06 until 2019-11)
- writer:
- Abel “The Weeknd” Tesfaye , Ahmad Balshe , Oscar Holter, Jason “DaHeala” Quenneville and Karl Martin Sandberg
- publisher:
- BOTA Publishing II, HiFi Music IP Issuer, L.P., KMR Music Royalties II SCSp, MXM, SAL&CO, Songs of Wolf Cousins, Universal Music Corp. , Warner Chappell Music Scand , WB Music Corp. , WC Music Corp. and Wolf Cousins
- sub-publisher:
- Kobalt Music Publishing Ltd. , Neue Welt Musikverlag GmbH and Universal/MCA Music Publishing GmbH
- part of:
- Prix de l’œuvre internationale de l’année (number: 2021)
| The Weeknd | 4.2 | 3:20 |
| 11 | MONTERO (Call Me by Your Name) | Lil Nas X | 3.25 | 2:18 |
| 12 | Killing Me Softly With His Song | Fugees | | 4:59 |
| 13 | Back to Life (However Do You Want Me) | Soul II Soul & Caron Wheeler | 4.15 | 3:48 |
| 14 | Bleeding Love | Leona Lewis | 4.15 | 4:24 |
| 15 | Never Ever | All Saints | 3.25 | 5:12 |
| 16 | Positions | Ariana Grande | 3.5 | 2:52 |
| 17 | Band of Gold | Freda Payne | 4.5 | 2:57 |
| 18 | Baby Love | The Supremes | 4.35 | 2:35 |
| 19 | Reach Out I’ll Be There- producer:
- Lamont Dozier and Brian Holland
- instruments:
- The Funk Brothers (in 1966)
- background vocals:
- The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) and Lawrence Payton (in 1966)
- lead vocals:
- Levi Stubbs (in 1966)
- phonographic copyright (℗) by:
- Motown Record Company (in 1966)
- recorded at:
- Hitsville in Detroit, Michigan, United States (in 1966)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 78) and Rolling Stone: 500 Greatest Songs of All Time (number: 206)
- recording of:
- Reach Out, I’ll Be There (in 1966)
- lyricist:
- Eddie Holland
- composer:
- Lamont Dozier and Brian Holland
- publisher:
- EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Four Tops | 4 | 2:55 |
| 20 | I Heard It Through the Grapevine- producer:
- Norman Whitfield
- bass [1962 Fender Precision Bass]:
- James Jamerson (from 1967-02-03 until 1967-04-10)
- congas and tambourine:
- Jack Ashford (from 1967-02-03 until 1967-04-10)
- drums (drum set):
- Uriel Jones (from 1967-02-03 until 1967-04-10)
- French horn:
- Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
- guitar [1964 Gibson Firebird III]:
- Eddie Willis (from 1967-02-03 until 1967-04-10)
- guitar [Fender Telecaster with Jazzmaster Neck]:
- Joe Messina (from 1967-02-03 until 1967-04-10)
- Hammond organ [B-3]:
- Earl Van Dyke (from 1967-02-03 until 1967-04-10)
- instruments:
- The Funk Brothers (from 1967-02-03 until 1967-04-10)
- tom-tom:
- Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
- Wurlitzer electric piano:
- Johnny Griffith (from 1967-02-03 until 1967-04-10)
- background vocals:
- The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
- lead vocals:
- Marvin Gaye (from 1967-02-03 until 1967-04-10)
- orchestra:
- Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
- strings arranger:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- orchestrator:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- phonographic copyright (℗) by:
- Motown Record Company (in 1968)
- recorded at and mixed at:
- Hitsville in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (number: 307)
- cover recording of:
- I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
- writer:
- Barrett Strong and Norman Whitfield
- publisher:
- EMI Music Publishing Ltd. , EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
| Marvin Gaye | 3.7 | 3:14 |
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