Tal's Blues

~ Release by Tal Farlow (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Strike Up the Band
recorded in:
Hollywood, Los Angeles, California, United States (from 1954-11-15 until 1954-11-16)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (in 1954-11)
drums (drum set):
Chico Hamilton (in 1954-11)
guitar:
Tal Farlow (jazz guitarist) (in 1954-11)
piano:
Gerald Wiggins (in 1954-11)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
instrumental recording of:
Strike Up the Band (1927 Gershwin song) (in 1954-11)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Strike up the Band (1927 Gershwin musical)
3:27
2Skylark
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1951-10-16)
guitar:
Tal Farlow (jazz guitarist) (on 1951-10-16)
vibraphone:
Red Norvo (on 1951-10-16)
instrumental recording of:
Skylark (on 1951-10-16)
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael (in 1941)
publisher:
Frank Music Corp., George Simon Music Co., George Simon, Inc., Hoagy Publishing Co., Songs of Peer, Ltd. (ASCAP), The Johnny Mercer Foundation, Warner Bros. Music (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:17
3Have You Met Miss Jones
recorded in:
Hollywood, Los Angeles, California, United States (from 1954-11-15 until 1954-11-16)
producer:
Norman Granz
bass and double bass:
Ray Brown (jazz bassist) (in 1954-11)
drums (drum set):
Chico Hamilton (in 1954-11)
guitar:
Tal Farlow (jazz guitarist) (in 1954-11)
piano:
Gerald Wiggins (in 1954-11)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (in 1954-11)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
4:57
4Tenderly
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1952-07-01)
guitar:
Tal Farlow (jazz guitarist) (on 1952-07-01)
vibraphone:
Red Norvo (on 1952-07-01)
instrumental recording of:
Tenderly (on 1952-07-01)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
2:53
5And She Remembers Me
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (in 1954-11)
drums (drum set):
Chico Hamilton (in 1954-11)
guitar:
Tal Farlow (jazz guitarist) (in 1954-11)
piano:
Gerald Wiggins (in 1954-11)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
4:23
6My Old Flame
double bass:
Oscar Pettiford (on 1954-06-02)
drums (drum set):
Joe Morello (on 1954-06-02)
guitar:
Tal Farlow (jazz guitarist) (on 1954-06-02) and Barry Galbraith (on 1954-06-02)
instrumental recording of:
My Old Flame (on 1954-06-02)
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:34
7Cherokee
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (in 1954-11)
drums (drum set):
Chico Hamilton (in 1954-11)
guitar:
Tal Farlow (jazz guitarist) (in 1954-11)
piano:
Gerald Wiggins (in 1954-11)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
instrumental recording of:
Cherokee (in 1954-11)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
4:51
8Autumn in New York
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1954-11-15 until 1954-11-16)
drums (drum set):
Chico Hamilton (from 1954-11-15 until 1954-11-16)
electric guitar [guitar]:
Tal Farlow (jazz guitarist) (from 1954-11-15 until 1954-11-16)
piano:
Gerald Wiggins (from 1954-11-15 until 1954-11-16)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
instrumental recording of:
Autumn in New York (1934) (from 1954-11-15 until 1954-11-16)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
5:03
9Tal's Blues
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (in 1954-11)
drums (drum set):
Chico Hamilton (in 1954-11)
guitar:
Tal Farlow (jazz guitarist) (in 1954-11)
piano:
Gerald Wiggins (in 1954-11)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
5:11
10I Like to Recognize the Tune
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (in 1954-11)
drums (drum set):
Chico Hamilton (in 1954-11)
guitar:
Tal Farlow (jazz guitarist) (in 1954-11)
piano:
Gerald Wiggins (in 1954-11)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
instrumental recording of:
I Like to Recognize the Tune (in 1954-11)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
3:10
11There Will Never Be Another You
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
recording of:
There Will Never Be Another You (on 1955-01-17)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, volume I)
instrumental recording of:
There Will Never Be Another You (on 1955-01-17)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, volume I)
3:47
12Just One of Those Things
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
Just One of Those Things (on 1955-01-17)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:02
13Tenderly
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
Tenderly (on 1955-01-17)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
4:35
14It's You or No One
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
It’s You or No One (on 1955-01-17)
lyricist:
Sammy Cahn
composer:
Sammy Cahn and Jule Styne
part of:
Romance on the High Seas
3:24