All the Best - The Hits

~ Veröffentlichung von Tina Turner (alle Versionen dieser Veröffentlichung ansehen, 9 vorhanden)

Titelliste

1CD
Nr.TitelBewertungLänge
1I Don't Wanna Fight
Produzent(in):
Roger Davies (producer) und Chris Lord‐Alge
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
I Don’t Wanna Fight
Verfasser(in):
Steve DuBerry, Billy Lawrie und Lulu (Scottish singer and actress, best known for “To Sir With Love”)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Warner/Chappell Music Ltd. (1996–2019)
34:26
2What's Love Got To Do With It
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Gitarre:
Terry Britten
Keyboard:
Nick Glennie‐Smith und Billy Livsey
Perkussion:
Simon Morton
Schlagzeug:
Graham Jarvis (UK session drummer)
Hintergrundgesang:
Terry Britten und Tessa Niles
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 160) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 309)
recording of:
What’s Love Got to Do With It
Verfasser(in):
Graham Lyle und Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (von 1984 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
recording of:
What’s Love Got to Do With It (Kygo version)
Verfasser(in):
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) und Graham Lyle
publisher:
Kobalt Music (publisher) (vom 2020 bis heute) und WC Music Corp. (vom 2020 bis heute)
basiert auf:
What’s Love Got to Do With It
4.153:48
3Proud Mary
Produzent(in):
Roger Davies (producer) und Chris Lord‐Alge
Sologesang:
Tim Cappello und Tina Turner
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
cover recording of:
Proud Mary
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (am 1968-12-27) und Jondora Musikverlag (publisher) (in 1970)
3.655:27
4Open Arms
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004) und Teamwork Productions Inc. (in 2004)
recording of:
Open Arms
Verfasser(in):
Benjamin Barson (songwriter), Martin Brammer (English singer-songwriter, composer, record producer, vocalist and lyricist) und Colette Van Sertima
publisher:
EMI Blackwood Music (Canada) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Lots of Hits Music Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
34:02
5Private Dancer
Produzent(in):
Carter
Solo-Gitarre:
Jeff Beck (English rock guitarist)
Sologesang:
Tina Turner
remixer:
Humberto Gatica
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Private Dancer
Texter und Komponist(in):
Mark Knopfler
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., Shinko Music Entertainment Co., Ltd., Straitjacket Songs Ltd., Universal Music Publishing France (not for release label use!) und Universal Music Publishing, Synch Division
3.54:02
6The Best
Produzent(in):
Dan Hartman und Tina Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 4) und Cachitos Nochevieja 2022 (Nummer: 154)
cover recording of:
The Best
Verfasser(in):
Holly Knight und Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
45:30
7Better Be Good To Me
Perkussion-Programmierung:
Rupert Hine
Produzent(in):
Rupert Hine
Bass und Keyboard:
Rupert Hine
Gitarre:
Jamie West‐Oram
Schlagzeug:
Trevor Morais
Hintergrundgesang:
Cy Curnin und Rupert Hine
Hintergrundgesang und Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Farmyard Studios in Amersham, Buckinghamshire, England, Vereinigtes Königreich
cover recording of:
Better Be Good to Me
Verfasser(in):
Mike Chapman (Australian producer and songwriter), Nicky Chinn und Holly Knight
publisher:
Arista Music, Inc. (beendet), Careers Music, Inc. (beendet), Land of Dreams Music Inc. (beendet), BMG Music Publishing Ltd. und Universal Music–MGB Songs
recording of:
Better Be Good to Me
Verfasser(in):
Mike Chapman (Australian producer and songwriter), Nicky Chinn und Holly Knight
publisher:
Arista Music, Inc. (beendet), Careers Music, Inc. (beendet), Land of Dreams Music Inc. (beendet), BMG Music Publishing Ltd. und Universal Music–MGB Songs
3.755:10
8Let's Stay Together
drum machine-Programmierung:
Martyn Ware
Sampler-Programmierung:
Greg Walsh (producer and engineer)
Techniker(in):
Walter Samuel (engineer) und Greg Walsh (producer and engineer)
Produzent(in):
Greg Walsh (producer and engineer) und Martyn Ware
Gitarre:
Ray Russell (guitar, composer, producer)
Klavier und Synthesizer:
Nick Plytas
Perkussion:
Frank Ricotti (percussionist)
Saxophon:
Gary Barnacle
Hintergrundgesang:
Glenn Gregory und Martyn Ware
Sologesang:
Tina Turner
arranger:
Greg Walsh (producer and engineer) und Martyn Ware
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich und CBS Studios (London, 1967 - 1972) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
Let’s Stay Together
Verfasser(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. und Irving Music, Inc.
recording of:
Let’s Stay Together
Verfasser(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. und Irving Music, Inc.
3.85:17
9Nutbush City Limits
Produzent(in):
Ike Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973), United Artists (in 1973) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
Texter und Komponist(in):
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music und Valley Spring Music Corp.
3.752:58
10Missing You
recorded in:
London (Greater London), England, Vereinigtes Königreich
sonstige Unterstützung:
Gavyn Wright (UK violinist, conductor) (Aufgabe: orchestra leader)
Programmierung:
Garry Hughes
Techniker(in):
Mike Higham (British score composer) (Aufgabe: pro-tools) und Tim Weidner (engineer)
Produzent(in):
Trevor Horn
Mix:
Steve MacMillan
Gitarre:
Trevor Rabin (South African musician and score composer)
Keyboard:
Garry Hughes
Schlagzeug:
Keith Le Blanc
Hintergrundgesang:
Trevor Horn und Trevor Rabin (South African musician and score composer)
Saiteninstrumente [orchestra] arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
cover recording of:
Missing You
Texter:
John Waite
Komponist(in):
Mark Leonard, Chas Sandford und John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) und WC Music Corp. (vom 2019-05-28 bis heute)
34:39
11Complicated Disaster
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Complicated Disaster
Verfasser(in):
Michelle Escoffery und Stephen Robson (English songwriter, record producer & multi-instrumentalist)
43:43
12It's Only Love
assistierende(r) Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov und Michael Sauvage
Techniker(in):
Roger Monk und Bob Clearmountain (von 1984-03-27 bis 1984-09-23)
Partner-Produzent(in):
Jim Vallance
Produzent(in):
Bryan Adams (Canadian singer/songwriter) und Bob Clearmountain
Mix:
Bob Clearmountain (am 1984-09-23)
E-Bass [bass]:
Dave (Bass player (Bryan Adams) and engineer) (von 1984-03-27 bis 1984-09-23)
Gitarre [lead guitar]:
Keith (Canadian guitarist) (von 1984-03-27 bis 1984-09-23)
Gitarre [rhythm guitar] und Sologesang [vocals]:
BA (Canadian singer/songwriter) (von 1984-03-27 bis 1984-09-23)
Keyboard [keyboards]:
Tommy (von 1984-03-27 bis 1984-09-23)
Schlagzeug [drums]:
Mickey (von 1984-03-27 bis 1984-09-23)
Sologesang:
Tina Turner (am 1984-06-29)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1984) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1984, in 1988)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada (von 1984-03-27 bis 1984-09-23, am 1984-06-29)
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (am 1984-09-23)
Teil von:
The Downloader’s Music Source Book (Nummer: 184)
recording of:
It’s Only Love (von 1984-03-27 bis 1984-09-23)
komponiert in und Liedtext geschrieben in:
Vancouver, British Columbia, Kanada (in 1983-12)
Verfasser(in):
Bryan Adams (Canadian singer/songwriter) (am 1983-12-30) und Jim Vallance (am 1983-12-30)
publisher:
Adams Communications Inc. (, in 1984), Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Testatyme Music, Calypso Toonz (in 1984) und Rondor Music (London) Ltd. (in 1984)
3.83:16
13Look Me in the Heart
Techniker(in):
Chris Lord‐Alge
Produzent(in):
Dan Hartman
Solo-Saxophon:
Tim Cappello
cover recording of:
Look Me in the Heart
Verfasser(in):
Tom Kelly (songwriter) und Billy Steinberg
recording of:
Look Me in the Heart
Verfasser(in):
Tom Kelly (songwriter) und Billy Steinberg
4.53:44
14On Silent Wings
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
On Silent Wings
Verfasser(in):
James Ralston (US guitarist, songwriter) und Tony Joe White
24:20
15Two People
recording engineer und Mix:
John Hudson (producer, recording and mixing engineer)
zusätzliche(r) Techniker(in):
Mike Ging
Produzent(in):
Terry Britten
Bass und Gitarre und Hintergrundgesang:
Terry Britten
Keyboard:
Nick Glennie‐Smith und Billy Livsey
membranophone:
Jack Bruno (drummer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Two People
Texter und Komponist(in):
Terry Britten und Graham Lyle
publisher:
Goodsingle Ltd. (publisher)
4:10
16Typical Male
recording engineer und Mix:
John Hudson (producer, recording and mixing engineer)
zusätzliche(r) Techniker(in):
Mike Ging
Produzent(in):
Terry Britten
Bass und Gitarre:
Terry Britten
Keyboard:
Nick Glennie‐Smith
Schlagzeug:
Phil Collins (of Genesis)
Solo-Saxophon:
Tim Cappello
Hintergrundgesang:
Terry Britten und Tessa Niles
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Typical Male
Verfasser(in):
Terry Britten und Graham Lyle
3.24:17
17We Don't Need Another Hero (Thunderdome)
assistierende(r) Techniker(in):
Mike Ging
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Saxophon:
Tim Cappello
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1985), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
Musikvideos:
We Don’t Need Another Hero von Tina Turner
recording of:
We Don’t Need Another Hero
Texter und Komponist(in):
Terry Britten und Graham Lyle
publisher:
Goodsingle Ltd. (publisher), Hornall Brothers Music Ltd. (limited company), Myaxe Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music Ltd. (1996–2019)
3.554:17
18What You Get Is What You See
recording engineer, Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Programmierung und Produzent(in):
Terry Britten
zusätzliche(r) Techniker(in):
Mike Ging
Bass und Gitarre:
Terry Britten
Keyboard:
Nick Glennie‐Smith
Mandoline:
Graham Lyle
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
What You Get Is What You See (Some boys got the look of a Greek Adonis…)
Verfasser(in):
Terry Britten und Graham Lyle
publisher:
Goodsingle Ltd. (publisher), Myaxe Music Ltd., Rondor Music, Taiyō Music, Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
4.354:27