100 Soul Classics

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1What’s Going On
registrazione di:
What’s Going On
paroliere e compositore:
Renaldo Benson, Al Cleveland (songwriter 1930-1996) e Marvin Gaye
editore:
EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. e Stone Agate Music Corp.
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Marvin Gaye3:48
2If I Were a Carpenter
registrazione di:
If I Were a Carpenter
paroliere e compositore:
Tim Hardin
editore:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Faithful Virtue Music
Four Tops2:50
3I’ve Got Dreams to Remember
registrazione di:
I’ve Got Dreams to Remember
autore:
Otis Redding, Zelma Redding e Joe Rock (US songwriter/band manager)
editore:
GMB Unlimited Publishing (ASCAP) e Irving Music, Inc.
Otis Redding3:39
4Behind a Painted Smile
registrazione di:
Behind a Painted Smile
autore:
Ivy Jo Hunter e Beatrice Verdi
editore:
EMI Music Publishing (do not use as a release label!)
The Isley Brothers2:47
5My Guy
pubblicazioni successive:
My Guy di Mary Wells (Motown singer)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 24)
registrazione di:
My Guy
paroliere e compositore:
Smokey Robinson
editore:
Jobette Music (UK) Ltd.
registrazione cover di:
My Guy
paroliere e compositore:
Smokey Robinson
editore:
Jobette Music (UK) Ltd.
Mary Wells2:43
6Me and Mrs. Jones
registrazione di:
Me and Mrs. Jones
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Yamaha Music Entertainment (Japanese label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4:33
7I Want You Back
registrazione di:
I Want You Back
paroliere e compositore:
The Corporation (Motown songwriters)
editore:
EMI April Music Inc. e Jobete Music Co., Inc.
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
MJ: The Musical
The Jackson 52:51
8Get Up (I Feel Like Being a) Sex Machine
produttore:
James Brown (The Godfather of Soul)
batteria :
John Starks
chitarra :
Catfish Collins
chitarra basso :
Bootsy Collins (US funk musician & songwriter)
organo :
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
pianoforte :
James Brown (The Godfather of Soul)
sassofono tenore :
Robert McCollough
tromba :
Clayton Gunnells e Darryl Hassan Jamison
voce:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
voce principale:
James Brown (The Godfather of Soul) (il 1970-04-25)
esecutore:
The J.B.’s
diritti fonografici (℗) detenuti da:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1970)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 196) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 326)
registrazione di:
Get Up (I Feel Like Being Like a) Sex Machine (il 1970-04-25)
autore:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) e Ron Lenhoff
editore:
Dynatone Publishing Co. e Intersong Music Ltd.
James Brown45:17
9I’ll Come Running Back to You
registrazione di:
I’ll Come Running Back to You
paroliere e compositore:
Bill Cook (American songwriter)
Sam Cooke2:13
10My Girl
produttore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
archi :
Detroit Symphony Orchestra (dal 1964-09-25 al 1964-11-17)
basso :
James Jamerson (dal 1964-09-25 al 1964-11-17)
batteria :
Benny Benjamin (US drummer) (dal 1964-09-25 al 1964-11-17)
chitarra :
Robert White (US funk/soul guitarist) (dal 1964-09-25 al 1964-11-17)
strumenti:
The Funk Brothers (dal 1964-09-25 al 1964-11-17)
voce di accompagnamento:
Eddie Kendricks (dal 1964-09-25 al 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (dal 1964-09-25 al 1964-11-17) e Paul Williams (member of The Temptations) (dal 1964-09-25 al 1964-11-17)
voce principale:
David Ruffin (soul singer, member of The Temptations) (dal 1964-09-25 al 1964-11-17)
esecutore:
The Temptations (Motown soul vocal group) (dal 1964-09-25 al 1964-11-17)
arrangiatore archi :
Paul Riser
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1964-09-25 al 1964-11-17)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 43) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 88)
registrazione di:
My Girl (dal 1964-09-25 al 1964-11-17)
paroliere:
Smokey Robinson
compositore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Temptations4.452:41
11Mad About the Boy
registrata a:
Chicago, Illinois, Stati Uniti (il 1961-12-04)
pianoforte :
Jack Wilson (jazz pianist) (il 1961-12-04)
tromba :
Joe Newman (US jazz trumpeter) (il 1961-12-04)
trombone :
Billy Byers (il 1961-12-04)
voce:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (il 1961-12-04)
arrangiatore:
Quincy Jones (il 1961-12-04)
registrazione cover di:
Mad About the Boy (nel 1961)
paroliere e compositore:
Noël Coward
editore:
Chappell & Co. e Chappell Music Ltd.
parte di:
Words and Music
Dinah Washington52:47
12What Becomes of the Brokenhearted
registrazione di:
What Becomes of the Brokenhearted
autore:
James Dean (US soul songwriter), Paul Riser e William Weatherspoon
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music (UK)
Jimmy Ruffin2:51
13He Was Really Sayin’ Something
registrazione di:
He Was Really Sayin’ Somethin’ (il 1964-12-07)
autore:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team), William Stevenson (Motown songwriter) e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music (appears also as: Jobete Msc.)
The Velvelettes42:25
14People Get Ready
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 24), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 28) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 122)
registrazione di:
People Get Ready
paroliere e compositore:
Curtis Mayfield
editore:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Impressions42:40
15Rescue Me
registrazione di:
Rescue Me
autore:
Raynard Miner e Carl Smith (US songwriter and producer active in Chicago)
editore:
United Artists Music Co., Inc. (conclusa), Chevis Music Publ. Corp. e Reservoir 416
Fontella Bass2:54
16Help Me Make It Through the Night
registrazione cover di:
Help Me Make It Through the Night
paroliere e compositore:
Kris Kristofferson
editore:
BMG Songs Ltd., Combine Music Corp., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd. e KPM (music publisher)
sub-editore:
Air Music Scandinavia AB
Gladys Knight & the Pips4:20
17Theme From Shaft
edit di:
Theme From ‘Shaft’ di Isaac Hayes
registrazione di:
Theme From Shaft (Shaft, 1971)
paroliere e compositore:
Isaac Hayes
editore:
Irving Music, Inc.
parte di:
The 44th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1971 winner)
parte di:
Shaft (1971 film soundtrack)
Isaac Hayes3.353:18
18I’ll Take You There
edit di:
I’ll Take You There di The Staple Singers
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 186) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 276)
registrazione di:
I’ll Take You There
paroliere e compositore:
Alvertis Isbell
editore:
Music for Africa (South Africa)
The Staple Singers53:05
19Everybody Loves the Sunshine
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1976) e Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (nel 1976)
registrazione di:
Everybody Loves the Sunshine
paroliere e compositore:
Roy Ayers
editore:
Arlovol Music e BMG Monarch
Roy Ayers43:55
20I Put a Spell on You
registrata a:
New York, New York, Stati Uniti (il 1965-01-15)
produttore:
Hal Mooney
chitarra :
Rudy Stevenson (il 1965-01-15)
pianoforte :
Nina Simone (il 1965-01-15)
voce:
Nina Simone (il 1965-01-15)
direttore d'orchestra:
Hal Mooney (il 1965-01-15)
arrangiatore:
Hal Mooney
registrazione cover di:
I Put a Spell on You (il 1965-01-15)
paroliere e compositore:
Screamin’ Jay Hawkins
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (nel 1956) e EMI United Partnership Ltd. (nel 1956)
Nina Simone4.252:35
21Hey! Baby
Bruce Channel2:20
22Can’t Help Falling in Love
registrazione cover di:
Can’t Help Falling in Love
autore:
Luigi Creatore, Hugo Peretti e George David Weiss
editore:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) e The Manor Music Co. Ltd.
sub-editore:
日音 (NICHION INC.) (conclusa), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Plaisir d’amour (Romance du chevrier)
registrazione di:
Can’t Help Falling in Love
autore:
Luigi Creatore, Hugo Peretti e George David Weiss
editore:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) e The Manor Music Co. Ltd.
sub-editore:
日音 (NICHION INC.) (conclusa), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Plaisir d’amour (Romance du chevrier)
The Stylistics3:16
23Summertime
registrazione di:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Billy Stewart2:41
24Something’s Got a Hold on Me
registrata a:
Chicago, Illinois, Stati Uniti (nel 1961-12)
batteria :
Al Duncan (nel 1961-12)
chitarra :
Matt Murphy (US blues guitarist) (nel 1961-12)
chitarra basso [bass] :
Reggie Boyd (US blues guitarist/bassist) (nel 1961-12)
pianoforte :
John Young (jazz pianist) (nel 1961-12)
voce:
Etta James (nel 1961-12)
voce di accompagnamento [backing vocals]:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (nel 1961-12)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 40)
registrazione di:
Something’s Gotta Hold on Me (nel 1961-12)
autore:
Etta James, Leroy Kirkland e Pearl Woods (60s R&B)
Etta James42:46
25Who’s Making Love
produttore:
Donald Davis (American record producer) e Al Jackson, Jr. (Booker T & The MGs drummer)
basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1968)
chitarra :
Steve Cropper (nel 1968)
membranofono :
Al Jackson, Jr. (Booker T & The MGs drummer) (nel 1968)
organo e voce di accompagnamento:
Booker T. Jones (nel 1968)
pianoforte :
Isaac Hayes (nel 1968) e Allen Jones (producer/songwriter/musician/engineer) (nel 1968)
voce principale:
Johnnie Taylor (nel 1968)
registrazione di:
Who’s Making Love? (nel 1968)
autore:
Homer Banks (soul singer and songwriter), Bettye Crutcher, Don Davis (American record producer) e Raymond Jackson (songwriter, guitarist and producer)
Johnnie Taylor2:48
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