Tracklist

1CD
#TitleArtistRatingLength
1Peter and the Wolf: Introduction
spoken vocals:
Michael Flanders (English actor and singer) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
partial recording of:
Peter and the Wolf, op. 67 (in 1959)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Sergei Prokofiev2:03
2Peter and the Wolf: Once upon a time...
spoken vocals:
Michael Flanders (English actor and singer) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
partial recording of:
Peter and the Wolf, op. 67 (in 1959)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Sergei Prokofiev8:45
3Peter and the Wolf: The Wolf
spoken vocals:
Michael Flanders (English actor and singer) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
partial recording of:
Peter and the Wolf, op. 67 (in 1959)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Sergei Prokofiev8:35
4Peter and the Wolf: The Hunters
spoken vocals:
Michael Flanders (English actor and singer) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
partial recording of:
Peter and the Wolf, op. 67 (in 1959)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Sergei Prokofiev2:22
5Peter and the Wolf: Procession
spoken vocals:
Michael Flanders (English actor and singer) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
partial recording of:
Peter and the Wolf, op. 67 (in 1959)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Sergei Prokofiev4:32
6The Carnival of the Animals: Introduction and Royal March of the Lion
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : I. Introduction et marche royale du lion (The Carnival of the Animals: I. Introduction and Royal March of the Lion, strings and two pianos) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:58
7The Carnival of the Animals: Hens and Cocks
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : II. Poules et coqs (The Carnival of the Animals: II. Hens and Cocks, violins, viola, two pianos and clarinet) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:49
8The Carnival of the Animals: Wild Asses
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : III. Hémiones (Animaux véloces) (The Carnival of the Animals: III. Wild Asses, two pianos) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:33
9The Carnival of the Animals: Tortoises
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : IV. Tortues (The Carnival of the Animals: IV. Tortoises, strings and piano) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
quotes music from:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in the Underworld: Infernal Galop, widely known as “Can-can”)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:48
10The Carnival of the Animals: The Elephant
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : V. L’Éléphant (The Carnival of the Animals: V. The Elephant, double bass and piano) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:14
11The Carnival of the Animals: Kangaroos
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : VI. Kangourous (The Carnival of the Animals: VI. Kangaroos, two pianos) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:58
12The Carnival of the Animals: The Aquarium
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:24
13The Carnival of the Animals: Persons with Long Ears
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : VIII. Personnages à longues oreilles (The Carnival of the Animals: VIII. Personages With Long Ears, two violins) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:46
14The Carnival of the Animals: Cuckoo in the Heart of the Wood
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : IX. Le Coucou au fond des bois (The Carnival of the Animals: IX. The Cuckoo in the Heart of the Woods, two pianos and clarinet) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:55
15The Carnival of the Animals: The Aviary
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : X. Volière (The Carnival of the Animals: X. Aviary, strings, pianos and flute) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:16
16The Carnival of the Animals: Pianists
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : XI. Pianistes (The Carnival of the Animals: XI. Pianists, strings and two pianos) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:38
17The Carnival of the Animals: Fossils
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : XII. Fossiles (The Carnival of the Animals: XII. Fossils, strings, two pianos, clarinet, and xylophone) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:15
18The Carnival of the Animals: The Swan
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:53
19The Carnival of the Animals: Finale
piano:
Hephzibah Menuhin (pianist) (in 1959) and Abbey Simon (pianist) (in 1959)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1959)
conductor:
Efrem Kurtz (conductor) (in 1959)
performer:
Hephzibah Menuhin (pianist) and Abbey Simon (pianist)
recording of:
Le Carnaval des animaux : XIV. Finale (The Carnival of the Animals: XIV. Finale, full ensemble) (in 1959)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:00
20Dolly Suite: I. Berceuse
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Sir Thomas Beecham (conductor)
recording of:
Dolly Suite, op. 56: I. Berceuse (orchestrated by Rabaud)
orchestrator:
Henri Rabaud (French composer and conductor)
composer:
Gabriel Fauré (French composer)
orchestration of:
Dolly, op. 56 : I. Berceuse (for piano four hands)
part of:
Dolly Suite, op. 56 (orchestrated by Rabaud)
Gabriel Fauré3:25
21Dolly Suite: II. Le Jardin de Dolly
orchestra:
Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France)
conductor:
Sir Thomas Beecham (conductor)
recording of:
Dolly Suite, op. 56: III. Le Jardin de Dolly (orchestrated by Rabaud)
orchestrator:
Henri Rabaud (French composer and conductor)
composer:
Gabriel Fauré (French composer)
orchestration of:
Dolly, op. 56 : III. Le Jardin de Dolly (for piano four hands)
part of:
Dolly Suite, op. 56 (orchestrated by Rabaud)
Gabriel Fauré3:18
22The Young Person's Guide to the Orchestra: Theme: Allegro maestoso e lagremente
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:25
23The Young Person's Guide to the Orchestra: Woodwind
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:23
24The Young Person's Guide to the Orchestra: Brass
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:19
25The Young Person's Guide to the Orchestra: Strings
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:18
26The Young Person's Guide to the Orchestra: Percussion
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:16
27The Young Person's Guide to the Orchestra: Full orchestra
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:20
28The Young Person's Guide to the Orchestra: A. Flutes and piccolo
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: II. Variation A. Presto (flute and piccolo) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:33
29The Young Person's Guide to the Orchestra: B. Oboes - Lento
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: III. Variation B. Lento (oboe) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:58
30The Young Person's Guide to the Orchestra: C. Clarinets - Moderato
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IV. Variation C. Moderato (clarinet) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:36
31The Young Person's Guide to the Orchestra: D. Bassons - Allegro alla marcia
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: V. Variation D. Allegro alla marcia (bassoon) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:54
32The Young Person's Guide to the Orchestra: E. Violins - Brillante: all polacca
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VI. Variation E. Brillante - Alla polacca (violin) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:37
33The Young Person's Guide to the Orchestra: F. Violas - Meno mosso
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VII. Variation F. Meno mosso (viola) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:01
34The Young Person's Guide to the Orchestra: G. Cellos
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VIII. Variation G. (cello) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:12
35The Young Person's Guide to the Orchestra: H. Double basses - Comminciando lento ma poco a poco accelerando al allegroBenjamin Britten1:09
36The Young Person's Guide to the Orchestra: I. Harp - Maestoso
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: X. Variation I. Maestoso (harp) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:52
37The Young Person's Guide to the Orchestra: J. Horns - L'istesso tempo
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XI. Variation J. L’istesso tempo (horn) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:54
38The Young Person's Guide to the Orchestra: K. Trumpets - Vivace
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XII. Variation K. Vivace (trumpet) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten0:30
39The Young Person's Guide to the Orchestra: L. Trombones & bass tuba - Allegro pomposo
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIII. Variation L. Allegro pomposo (trombone) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:04
40The Young Person's Guide to the Orchestra: M. Percussion - Moderato
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIV. Variation M. Moderato (percussion) (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten1:50
41The Young Person's Guide to the Orchestra: Fugue: Allegro molto
orchestra:
Royal Liverpool Philharmonic Orchestra (in 1977)
conductor:
Sir Charles Groves (conductor) (in 1977)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XV. Fugue. Allegro molto (in 1977)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34 (Variations and Fugue on a Theme of Purcell)
Benjamin Britten2:54

Credits

Release

ASIN:UK: B000027KEG [info]