Matthäus-Passion

~ Release by Bach; Sunhae Im, Bernarda Fink, Werner Güra, Topi Lehtipuu, Johannes Weisser, Konstantin Wolff, RIAS Kammerchor, Staats‐ und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs (see all versions of this release, 3 available)

Tracklist

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2▼SACD
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1Matthäus-Passion, Zweiter Teil - 38a. Evangelista, Ancilla I und II, Petrus Petrus aber saß draußen im Palast 38b. Chorus II - Evangelista, Petrus Wahrlich, du bist auch einer von denen
alto vocals:
Ulrike Bartsch (German Alto Singer) (from 2012-08 until 2012-09)
bass vocals [Petrus]:
Andrew Redmond (Irish bass singer) (from 2012-08 until 2012-09)
choir vocals:
RIAS Kammerchor (German chamber choir) (from 2012-08 until 2012-09)
soprano vocals:
Katharina Hohlfeld (German Sopran Singer) (from 2012-08 until 2012-09)
tenor vocals [Evangelista]:
Werner Güra (German classical tenor) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:10
2Matthäus-Passion, Zweiter Teil - 39. Aria (Alt) Erbarme dich
alto vocals:
Bernarda Fink (mezzo-soprano) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 2012-08 until 2012-09)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:45
3Matthäus-Passion, Zweiter Teil - 40. Choral Bin ich gleich von dir gewichen
choir vocals:
RIAS Kammerchor (German chamber choir) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (from 2012-08 until 2012-09)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:09
4Matthäus-Passion, Zweiter Teil - 41a. Evangelista, Judas Des Morgens aber hielten alle Hohenpriester 41b. Chorus I und II Was gehet uns das an 41c. Evangelista, Pontifex I und II, er warf die Silberlinge in den Tempel
bass vocals [Judas]:
Johannes D. Schendel (German Baritone Singer) (from 2012-08 until 2012-09)
choir vocals:
RIAS Kammerchor (German chamber choir) (from 2012-08 until 2012-09)
tenor vocals [Evangelista]:
Werner Güra (German classical tenor) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:35
5Matthäus-Passion, Zweiter Teil - 42. Aria (Baß) Gebt mir meinen Jesum wieder
bass vocals:
Arttu Kataja (baritone) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:51
6Matthäus-Passion, Zweiter Teil - 43. Evangelista, Pilatus, Jesus Sie hielten aber einen Rat
bass vocals [Jesus]:
Johannes Weisser (Norwegian baritone) (from 2012-08 until 2012-09)
bass vocals [Pilatus]:
Konstantin Wolff (bass / baritone) (from 2012-08 until 2012-09)
choir vocals:
RIAS Kammerchor (German chamber choir) (from 2012-08 until 2012-09)
tenor vocals [Evangelista]:
Werner Güra (German classical tenor) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:54
7Matthäus-Passion, Zweiter Teil - 44. Choral Befiehl du deine Wege
choir vocals:
RIAS Kammerchor (German chamber choir) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (from 2012-08 until 2012-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:13
8Matthäus-Passion, Zweiter Teil - 45a. Evangelista, Pilatus, Uxor Pilati, Chorus I und II Auf das Fest aber hatte der Landpfleger 45b. Chorus I und II Laß ihn kreuzigen!
bass vocals [Pilatus]:
Konstantin Wolff (bass / baritone) (from 2012-08 until 2012-09)
choir vocals:
RIAS Kammerchor (German chamber choir) (from 2012-08 until 2012-09)
tenor vocals [Evangelista]:
Werner Güra (German classical tenor) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen" (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:17
9Matthäus-Passion, Zweiter Teil - 46. Choral Wie wunderbarlich ist doch diese Strafe
choir vocals:
RIAS Kammerchor (German chamber choir) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (from 2012-08 until 2012-09)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:55
10Matthäus-Passion, Zweiter Teil - 47. Evangelista, Pilatus Der Landpfleger sagte
bass vocals [Pilatus]:
Konstantin Wolff (bass / baritone) (from 2012-08 until 2012-09)
tenor vocals [Evangelista]:
Werner Güra (German classical tenor) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:16
11Matthäus-Passion, Zweiter Teil - 48. Recitativo (Sopran) Er hat uns allen wohlgetan
soprano vocals:
Sunhae Im (soprano) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:56
12Matthäus-Passion, Zweiter Teil - 49. Aria (Sopran) Aus Liebe will mein Heiland sterben
soprano vocals:
Sunhae Im (soprano) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:41
13Matthäus-Passion, Zweiter Teil - 50. a. Evangelista Sie schrieen aber noch mehr
bass vocals [Pilatus]:
Konstantin Wolff (bass / baritone) (from 2012-08 until 2012-09)
choir vocals:
RIAS Kammerchor (German chamber choir) (from 2012-08 until 2012-09)
tenor vocals [Evangelista]:
Werner Güra (German classical tenor) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los" (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:53
14Matthäus-Passion, Zweiter Teil - 51. Recitativo (Alt) Erbarm es Gott
alto vocals:
Marie‐Claude Chappuis (mezzo-soprano) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:50
15Matthäus-Passion, Zweiter Teil - 52. Aria (Alt) Können Tränen meiner Wangen
alto vocals:
Marie‐Claude Chappuis (mezzo-soprano) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:25
16Matthäus-Passion, Zweiter Teil - 53a. Evangelista Da nahmen die Kriegsknechte 53b. Chorus I und II Gegrüßet seist du, Judenkönig 53c. Evangelista, speieten ihn an
choir vocals:
RIAS Kammerchor (German chamber choir) (from 2012-08 until 2012-09)
tenor vocals [Evangelista]:
Werner Güra (German classical tenor) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista) (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:57
17Matthäus-Passion, Zweiter Teil - 54. Choral O Haupt voll Blut, Wunden
choir vocals:
RIAS Kammerchor (German chamber choir) (from 2012-08 until 2012-09) and Staats‐ und Domchor Berlin (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 2012-08 until 2012-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:30
18Matthäus-Passion, Zweiter Teil - 55. Evangelista, da sie ihn verspottet hatten
tenor vocals [Evangelista]:
Werner Güra (German classical tenor) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:43
19Matthäus-Passion, Zweiter Teil - 56. Recitativo (Baß) Ja! freilich will in uns das Fleisch, Blut
bass vocals:
Konstantin Wolff (bass / baritone) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:29
20Matthäus-Passion, Zweiter Teil - 57. Aria (Baß) Komm, süßes Kreuz
bass vocals:
Konstantin Wolff (bass / baritone) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:27
21Matthäus-Passion, Zweiter Teil - 58a. Evangelista, da sie an die Stätte kamen
choir vocals:
RIAS Kammerchor (German chamber choir) (from 2012-08 until 2012-09)
tenor vocals [Evangelista]:
Werner Güra (German classical tenor) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]" (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:20
22Matthäus-Passion, Zweiter Teil - 59. Recitativo (Alt) Ach, Golgatha, unsel'ges Golgatha
alto vocals:
Bernarda Fink (mezzo-soprano) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:24
23Matthäus-Passion, Zweiter Teil - 60. Aria (Alt, Chorus II) Sehet Jesus hat die Hand
alto vocals:
Bernarda Fink (mezzo-soprano) (from 2012-08 until 2012-09)
choir vocals:
RIAS Kammerchor (German chamber choir) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:23
24Matthäus-Passion, Zweiter Teil - 61a. Evangelista, Jesus, von der sechsten Stunde
bass vocals [Jesus]:
Johannes Weisser (Norwegian baritone) (from 2012-08 until 2012-09)
choir vocals:
RIAS Kammerchor (German chamber choir) (from 2012-08 until 2012-09)
tenor vocals [Evangelista]:
Werner Güra (German classical tenor) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal" (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:04
25Matthäus-Passion, Zweiter Teil - 62. Choral Wenn ich einmal soll scheiden
choir vocals:
RIAS Kammerchor (German chamber choir) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (from 2012-08 until 2012-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:20
26Matthäus-Passion, Zweiter Teil - 63a. Evangelista, siehe da, der Vorhang im Tempel zerriß 63b. Chorus I und II Wahrlich, dieser ist Gottes Sohn gewesen 63c. Evangelista, es waren viel Weiber da
choir vocals:
RIAS Kammerchor (German chamber choir) (from 2012-08 until 2012-09)
tenor vocals [Evangelista]:
Werner Güra (German classical tenor) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista) (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:17
27Matthäus-Passion, Zweiter Teil - 64. Recitativo (Baß) Am Abend da es kühle war
bass vocals:
Konstantin Wolff (bass / baritone) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:52
28Matthäus-Passion, Zweiter Teil - 65. Aria (Baß) Mache dich, mein Herze, rein
bass vocals:
Konstantin Wolff (bass / baritone) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:00
29Matthäus-Passion, Zweiter Teil - 66a. Evangelista, Joseph nahm den Leib
bass vocals [Pilatus]:
Konstantin Wolff (bass / baritone) (from 2012-08 until 2012-09)
choir vocals:
RIAS Kammerchor (German chamber choir) (from 2012-08 until 2012-09)
tenor vocals [Evangelista]:
Werner Güra (German classical tenor) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:16
30Matthäus-Passion, Zweiter Teil - 67. Recitativo (Sopran, Alt, Tenor, Baß, Chorus I und II) Nun ist der Herr zur Ruh gebracht
alto vocals:
Bernarda Fink (mezzo-soprano) (from 2012-08 until 2012-09)
bass vocals:
Konstantin Wolff (bass / baritone) (from 2012-08 until 2012-09)
choir vocals:
RIAS Kammerchor (German chamber choir) (from 2012-08 until 2012-09)
soprano vocals:
Sunhae Im (soprano) (from 2012-08 until 2012-09)
tenor vocals:
Topi Lehtipuu (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:58
31Matthäus-Passion, Zweiter Teil - 68. Chorus I und II Wir setzen uns mit Tränen nieder
choir vocals:
RIAS Kammerchor (German chamber choir) (from 2012-08 until 2012-09) and Staats‐ und Domchor Berlin (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:56
32Matthäus-Passion, Anhang 56. Recitativo Ja! freilich will in uns (Fassung für Gambe)
bass vocals:
Konstantin Wolff (bass / baritone) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (from 2012-08 until 2012-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:32
33Matthäus-Passion, Anhang 57. Aria Komm, süßes Kreuz (Fassung für Gambe)
bass vocals:
Konstantin Wolff (bass / baritone) (from 2012-08 until 2012-09)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (from 2012-08 until 2012-09)
conductor:
René Jacobs (conductor) (from 2012-08 until 2012-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2012-08 until 2012-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (in 2012-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:54