It Is Finished

~ Release by Nina Simone (see all versions of this release, 5 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1The Pusher
recording engineer:
Ed Begley (sound engineer in RCA Victor)
executive producer:
Bruce Somerfeld
producer:
Nina Simone
acoustic guitar, bass, classical guitar [Spanish guitar] and sitar:
Avram Schackman
other instruments [Guinee Kuna], other instruments [Madagascar harp], other instruments [Mama-Likembi] and other instruments [Tal Viha]:
Nadi Qamar (American jazz pianist and ethnomusicologist.)
piano and lead vocals:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-06-24)
cover recording of:
The Pusher (on 1971-06-24)
lyricist and composer:
Hoyt Axton
publisher:
Lady Jane Music, Warner Chappell Music (publisher as Warner/Chappell Music), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
55:12
A2Com’ by H’Yere – Good Lord
recording engineer:
Ed Begley (sound engineer in RCA Victor)
executive producer:
Bruce Somerfeld
producer:
Nina Simone
acoustic guitar, bass, classical guitar [Spanish guitar] and sitar:
Avram Schackman
other instruments [Guinee Kuna], other instruments [Madagascar harp], other instruments [Mama-Likembi] and other instruments [Tal Viha]:
Nadi Qamar (American jazz pianist and ethnomusicologist.)
piano and lead vocals:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1973-06-28)
5:51
A3Funkier Than a Mosquito’s Tweeter
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1971-06-24)
executive producer:
Bruce Somerfeld
producer:
Nina Simone
bass:
Gene A Perla (on 1971-06-24)
guitar:
David Spinozza (on 1971-06-24)
other instruments [Guinee Kuna], other instruments [Madagascar harp], other instruments [Mama-Likembi] and other instruments [Tal Viha]:
Nadi Qamar (American jazz pianist and ethnomusicologist.) (on 1971-06-24)
piano and lead vocals:
Nina Simone (on 1971-06-24)
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-06-24)
edit of:
Funkier Than a Mosquito’s Tweeter (‘It Is Finished’ recording without the added applause) by Nina Simone
cover recording of:
Funkier Than a Mosquito's Tweeter (on 1971-06-24)
lyricist and composer:
Aillene Bullock
publisher:
United Artists Musikverlag (publisher) (in 1970)
2.655:21
A4Mr. Bojangles
recording engineer:
Ed Begley (sound engineer in RCA Victor)
executive producer:
Bruce Somerfeld
producer:
Nina Simone
acoustic guitar, bass, classical guitar [Spanish guitar] and sitar:
Avram Schackman
other instruments [Guinee Kuna], other instruments [Madagascar harp], other instruments [Mama-Likembi] and other instruments [Tal Viha]:
Nadi Qamar (American jazz pianist and ethnomusicologist.)
piano and lead vocals:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1973-06-28)
live cover recording of:
Mr. Bojangles (on 1973-06-28)
lyricist and composer:
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell Music Australia Pty. Ltd.
4:53
B1I Want a Little Sugar in My Bowl
recording engineer:
Ed Begley (sound engineer in RCA Victor)
executive producer:
Bruce Somerfeld
producer:
Nina Simone
acoustic guitar, bass, classical guitar [Spanish guitar] and sitar:
Avram Schackman
other instruments [Guinee Kuna], other instruments [Madagascar harp], other instruments [Mama-Likembi] and other instruments [Tal Viha]:
Nadi Qamar (American jazz pianist and ethnomusicologist.)
piano and lead vocals:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1973-06-28)
live recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version) (on 1973-06-28)
writer:
James “Tim” Brymn, Nina Simone, Dally Small and Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
5:54
B2Dambala
recording engineer:
Ed Begley (sound engineer in RCA Victor)
executive producer:
Bruce Somerfeld
producer:
Nina Simone
acoustic guitar, bass, classical guitar [Spanish guitar] and sitar:
Avram Schackman
other instruments [Guinee Kuna], other instruments [Madagascar harp], other instruments [Mama-Likembi] and other instruments [Tal Viha]:
Nadi Qamar (American jazz pianist and ethnomusicologist.)
piano and lead vocals:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1973-06-28)
live cover recording of:
Dambala (on 1973-06-28)
lyricist and composer:
Tony McKay
6:53
B3Let It Be Me
recording engineer:
Ed Begley (sound engineer in RCA Victor)
executive producer:
Bruce Somerfeld
producer:
Nat Shapiro, Nina Simone and Harold Wheeler
other instruments [harmonizing] and background vocals:
Sam Waymon
piano and lead vocals:
Nina Simone
conductor:
Harold Wheeler
arranger:
Nina Simone and Harold Wheeler
produced for:
C.F.N.S. Production
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1971-02-09)
cover recording of:
Let It Be Me (from 1971-02-02 until 1971-02-09)
lyricist:
Pierre Delanoë
composer:
Gilbert Bécaud
translator:
Mann Curtis
publisher:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
translated version of:
Je t’appartiens
3:35
B4Obeah Woman
recording engineer:
Ed Begley (sound engineer in RCA Victor)
executive producer:
Bruce Somerfeld
producer:
Nina Simone
acoustic guitar, bass, classical guitar [Spanish guitar] and sitar:
Avram Schackman
other instruments [Guinee Kuna], other instruments [Madagascar harp], other instruments [Mama-Likembi] and other instruments [Tal Viha]:
Nadi Qamar (American jazz pianist and ethnomusicologist.)
piano and lead vocals:
Nina Simone
arranger:
Nina Simone
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1973-06-28)
live cover recording of:
Obeah Man (Obeah Man) (on 1973-06-28)
lyricist and composer:
Exuma
6:17