From This Moment On

~ Veröffentlichung von Cole Porter (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD: Vol… 1
Nr.TitelKünstlerBewertungLänge
1Anything Goes
recording of:
Anything Goes
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
Cole Porter3:10
2Don’t Look at Me That Way
recording of:
Don’t Look at Me That Way (Paris musical) (am 1928-06-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Teil von:
Paris (1928 musical)
Irene Bordoni3:32
3Let’s Misbehave
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1928-03-01)
vocals:
Phil Saxe & chorus (am 1928-03-01)
recording of:
Let’s Misbehave (Paris musical) (am 1928-03-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1927)
Teil von:
Anything Goes
Irving Aaronson and His Commanders2:52
4You’ve Got That Thing
recording of:
You’ve Got That Thing (Fifty Million Frenchmen musical comedy) (am 1930-01-28)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
Teil von:
Fifty Million Frenchmen
Teil von:
High Society (stage musical)
Maurice Chevalier2:51
5You Do Something to Me
Marion Harris3:19
6Love for Sale
recording of:
Love for Sale
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
Fred Waring & His Pennsylvanians3:34
7Night and Day
Geige / Violine:
Lew Conrad (am 1932-11-22) und Sammy Schklar (am 1932-11-22)
Posaune:
Ernie Gibbs (am 1932-11-22)
Rohrblattinstrumente:
Jess Smith (reeds in Leo Reisman & His Orchestra) (am 1932-11-22) und Burt Williams (am 1932-11-22)
Trompete:
Lew Sherwood (am 1932-11-22)
vocals:
Fred Astaire (am 1932-11-22)
Orchester:
Leo Reisman and His Orchestra (am 1932-11-22)
conductor:
Leo Reisman (violinist, bandleader, arranger) (am 1932-11-22)
aufgenommen bei:
Victor Studio #1 (Cherokee A) in New York, New York, Vereinigte Staaten (am 1932-11-22)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1932-11-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Fred Astaire53:27
8The Physician
recording of:
The Physician (from the musical “Nymph Errant”) (am 1933-10-18)
Texter und Komponist(in):
Cole Porter (composer) (in 1933)
Teil von:
Nymph Errant (Cole Porter Musical)
Gertrude Lawrence3:03
9Miss Otis Regrets
recorded in:
Paris, Île-de-France, Frankreich (am 1935-01-07)
Klavier:
Garland Wilson (early 1900s American jazz pianist) (am 1935-01-07)
vocals:
Jean Sablon (French actor, songwriter, jazz singer) (am 1935-01-07)
recording of:
Miss Otis regrette (am 1935-01-07)
Texter und Komponist(in):
Cole Porter (composer)
Übersetzer:
Louis Hennevé und Louis Palex (French 1930s lyricist)
übersetzte Version von:
Miss Otis Regrets
Alberta Hunter3:14
10I Get a Kick Out of You
recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Ethel Merman3:08
11You’re the Top
recording of:
You’re the Top
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
Teil von:
Anything Goes
Cole Porter3:27
12The Kling‐Kling Bird on the Divi‐Divi Three
Cole Porter3:37
13Begin the Beguine
recording of:
Begin the Beguine
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
Artie Shaw and His Orchestra3:14
14Jubilee Medley
Paul Whiteman & His Orchestra8:54
15Rap Tap on Wood
alto saxophone:
Jack Stacey (am 1936-08-03)
Gitarre:
Roc Hillman (songwriter, arranger) (am 1936-08-03)
Klavier:
Bobby Van Eps (American composer, arranger, jazz pianist) (am 1936-08-03)
Kontrabass:
Slim Taft (am 1936-08-03)
Posaune:
Bobby Byrne (am 1936-08-03), Don Matteson (am 1936-08-03) und Joe Yukl (am 1936-08-03)
Rohrblattinstrumente:
Jimmy Dorsey (am 1936-08-03)
Saxophon:
Fud Livingston (am 1936-08-03)
Schlagzeug:
Ray McKinley (am 1936-08-03)
Tenorsaxophon:
Skeets Herfurt (am 1936-08-03)
Trompete:
Tutti Camarata (am 1936-08-03) und George Thow (am 1936-08-03)
vocals:
Frances Langford (am 1936-08-03)
recording of:
Rap Tap on Wood (from MGM picture "Born to Dance") (am 1936-08-03)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Teil von:
Born to Dance
Frances Langford2:31
16I’ve Got You Under My Skin
Al Bowlly2:59
17Down in the Depths
recording of:
Down in the Depths (on the Ninetieth Floor) (from "Red Hot & Blue")
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Ethel Merman3:09
18My Heart Belongs to Daddy
vocals:
Mary Martin (US film and musical actor/singer) (am 1940-01-25)
conductor:
Ray Sinatra (am 1940-01-25)
recording of:
My Heart Belongs to Daddy (am 1940-01-25)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. und Chappell Music Ltd.
Mary Martin2:35
19Most Gentlemen Don’t Like Love
recording of:
Most Gentlemen Don't Like Love
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
Teil von:
Leave It to Me!
Mary Martin2:19
2▶CD: Vol..2
3▶CD: Vol… 3
4▶CD: Vol… 4

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