Seventies Music

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2019 Warner Music Group - X5 Music Group»

Countries where available (Spotify + Deezer)

(This is all of them, as of 2020-04-04).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us) 🇺🇲 United States Outlying Islands (um)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇩🇴 Dominican Republic (do) 🇦🇬 Antigua and Barbuda (ag) 🇦🇮 Anguilla (ai) 🇧🇧 Barbados (bb) 🇩🇲 Dominica (dm) 🇬🇩 Grenada (gd) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇰🇾 Cayman Islands (ky) 🇱🇨 Saint Lucia (lc) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇨 Saint Vincent and Grenadines (vc) 🇻🇬 Virgin Islands, British (vg) 🇻🇮 Virgin Islands, U.S. (vi)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy) 🇫🇰 Falkland Islands (Malvinas) (fk) 🇬🇸 South Georgia and Sandwich Isl. (gs) 🇻🇪 Venezuela (ve)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇮 Liechtenstein (li) 🇱🇺 Luxembourg (lu) 🇲🇨 Monaco (mc) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se) 🇸🇯 Svalbard and Jan Mayen (sj)
  • Southern Europe: 🇦🇩 Andorra (ad) 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇮🇹 Italy (it) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇦🇱 Albania (al) 🇧🇦 Bosnia and Herzegovina (ba) 🇭🇷 Croatia (hr) 🇲🇪 Montenegro (me) 🇲🇰 Macedonia (mk) 🇷🇸 Serbia (rs) 🇸🇮 Slovenia (si)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇸🇰 Slovakia (sk) 🇧🇾 Belarus (by) 🇲🇩 Moldova (md) 🇷🇺 Russian Federation (ru) 🇺🇦 Ukraine (ua)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇲🇦 Morocco (ma) 🇹🇳 Tunisia (tn) 🇪🇭 Western Sahara (eh) 🇱🇾 Libyan Arab Jamahiriya (ly) 🇸🇩 Sudan (sd)
  • Western Africa: 🇧🇫 Burkina Faso (bf) 🇧🇯 Benin (bj) 🇨🇮 Cote D’Ivoire (ci) 🇨🇻 Cape Verde (cv) 🇬🇭 Ghana (gh) 🇬🇲 Gambia (gm) 🇬🇳 Guinea (gn) 🇬🇼 Guinea-Bissau (gw) 🇱🇷 Liberia (lr) 🇲🇱 Mali (ml) 🇲🇷 Mauritania (mr) 🇳🇪 Niger (ne) 🇳🇬 Nigeria (ng) 🇸🇱 Sierra Leone (sl) 🇸🇳 Senegal (sn) 🇹🇬 Togo (tg)
  • Eastern Africa: 🇧🇮 Burundi (bi) 🇩🇯 Djibouti (dj) 🇪🇷 Eritrea (er) 🇪🇹 Ethiopia (et) 🇮🇴 British Indian Ocean Territory (io) 🇰🇪 Kenya (ke) 🇰🇲 Comoros (km) 🇲🇬 Madagascar (mg) 🇲🇺 Mauritius (mu) 🇲🇼 Malawi (mw) 🇲🇿 Mozambique (mz) 🇷🇼 Rwanda (rw) 🇸🇨 Seychelles (sc) 🇸🇴 Somalia (so) 🇹🇿 Tanzania (tz) 🇺🇬 Uganda (ug) 🇿🇲 Zambia (zm) 🇿🇼 Zimbabwe (zw)
  • Middle Africa: 🇦🇴 Angola (ao) 🇨🇩 Congo, Democratic Republic (cd) 🇨🇫 Central African Republic (cf) 🇨🇬 Congo (cg) 🇨🇲 Cameroon (cm) 🇬🇦 Gabon (ga) 🇬🇶 Equatorial Guinea (gq) 🇸🇹 Sao Tome and Principe (st) 🇹🇩 Chad (td)
  • Southern Africa: 🇿🇦 South Africa (za) 🇧🇼 Botswana (bw) 🇱🇸 Lesotho (ls) 🇳🇦 Namibia (na) 🇸🇿 Swaziland (sz)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇯🇴 Jordan (jo) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇵🇸 Palestinian Territory, Occupied (ps) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr) 🇦🇲 Armenia (am) 🇦🇿 Azerbaijan (az) 🇬🇪 Georgia (ge) 🇮🇶 Iraq (iq) 🇸🇾 Syrian Arab Republic (sy) 🇾🇪 Yemen (ye)
  • Central Asia: 🇰🇬 Kyrgyzstan (kg) 🇰🇿 Kazakhstan (kz) 🇹🇯 Tajikistan (tj) 🇹🇲 Turkmenistan (tm) 🇺🇿 Uzbekistan (uz)
  • Southern Asia: 🇮🇳 India (in) 🇦🇫 Afghanistan (af) 🇧🇩 Bangladesh (bd) 🇧🇹 Bhutan (bt) 🇱🇰 Sri Lanka (lk) 🇲🇻 Maldives (mv) 🇳🇵 Nepal (np) 🇵🇰 Pakistan (pk)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇹🇼 Taiwan (tw) 🇨🇳 China (cn) 🇰🇷 Korea (kr) 🇲🇳 Mongolia (mn)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn) 🇧🇳 Brunei Darussalam (bn) 🇰🇭 Cambodia (kh) 🇱🇦 Lao People’s Democratic Republic (la) 🇹🇱 Timor-Leste (tl)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz) 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇭🇲 Heard Island & Mcdonald Islands (hm) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇦🇸 American Samoa (as) 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇵🇳 Pitcairn (pn) 🇹🇰 Tokelau (tk) 🇹🇴 Tonga (to) 🇹🇻 Tuvalu (tv) 🇼🇸 Samoa (ws)
  • Melanesia: 🇫🇯 Fiji (fj) 🇵🇬 Papua New Guinea (pg) 🇸🇧 Solomon Islands (sb) 🇻🇺 Vanuatu (vu)
  • Micronesia: 🇫🇲 Micronesia, Federated States of (fm) 🇬🇺 Guam (gu) 🇰🇮 Kiribati (ki) 🇲🇭 Marshall Islands (mh) 🇲🇵 Northern Mariana Islands (mp) 🇳🇷 Nauru (nr) 🇵🇼 Palau (pw)
  • Antarctica: 🇦🇶 Antarctica (aq) 🇧🇻 Bouvet Island (bv)
Anmerkung zuletzt geändert am 2020-04-04 09:01 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Express Yourself I & II
recording of:
Express Yourself
Texter und Komponist(in):
Charles Wright (in 1970)
Charles Wright & the Watts 103rd Street Rhythm Band10:15
2Could It Be I’m Falling in Love
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
Bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
Klavier:
Thom Bell (keyboards, songwriter, producer) (in 1973)
Perkussion [vibraphone, marimba]:
Vince Montana (in 1973)
Schlagzeug:
Earl Young (in 1973)
Baritongesang:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
Bass-Gesang:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
Hintergrundgesang:
Yvette Benson (in 1973), Carla Benton (in 1973) und Barbara Ingram (in 1973)
Tenor-Gesang:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) und Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 221)
recording of:
Could It Be I’m Falling in Love (in 1973)
Verfasser(in):
Melvin Steals und Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4.54:09
3I Saw the Light
Produzent(in):
Todd Rundgren
Instrumente und vocals:
Todd Rundgren
arranger:
Todd Rundgren
phonographisches Urheberrecht (℗) von:
Bearsville Records (in 1972)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 452)
recording of:
I Saw the Light
Texter und Komponist(in):
Todd Rundgren
publisher:
Earmark Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Todd Rundgren53:00
4Take Me Back to Chicago
Assistent recording engineer:
Armin Steiner (Saiteninstrumente)
assistierende(r) Techniker(in):
Tom Likes
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Synthesizer:
David “Hawk” Wolinski (in 1977)
Hintergrundgesang:
Chaka Khan (in 1977)
Blechblasinstrumente arranger:
James Pankow
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 2002)
aufgenommen bei:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten und Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten
recording of:
Take Me Back to Chicago (in 1977)
Texter:
Danny Seraphine und David “Hawk” Wolinski
Komponist(in):
Danny Seraphine (in 1977) und David “Hawk” Wolinski (in 1977)
publisher:
Balloon Head Music, Big Elk Music und Island Music Ltd.
Chicago5:15
5Dismal Day
Techniker(in):
Bruce Botnick
recording of:
Dismal Day
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Screen Gems–Columbia Music, Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread2:16
6We Are Family
recording of:
We Are Family
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge3:19
72-4-6-8 Motorway
Produzent(in):
Vic Maile
Bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
Gitarre:
Danny Kustow (am 1977-09-14)
Klavier und Orgel:
Mark Ambler (am 1977-09-14)
Schlagzeug:
Dolphin Taylor (am 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
aufgenommen bei:
Berwick Street Studios in Westminster, London (Greater London), England, Vereinigtes Königreich (am 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (am 1977-09-14)
Texter und Komponist(in):
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:17
8Little Ghetto Boy (alternate version)
Donny Hathaway3:42
9Somewhere
recording engineer:
Phil Schier (in 1972-04)
Techniker(in):
Phil Schier
Produzent(in):
Aretha Franklin und Quincy Jones
Mix:
Quincy Jones und Phil Schier
alto saxophone:
Phil Woods (US jazz woodwind player) (in 1972-04)
Klavier:
Aretha Franklin (in 1972-04)
conductor:
Quincy Jones
remixer:
Quincy Jones und Phil Schier
arranger:
Aretha Franklin und Quincy Jones
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1972-04)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (in 1972-04)
Texter:
Stephen Sondheim
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Teil von:
West Side Story: Ballet Sequence
Aretha Franklin6:15
10Fall in Philadelphia
recorded in:
New York, New York, Vereinigte Staaten (in 1972)
Techniker(in):
Gene Paul
Produzent(in):
Arif Mardin
Bass:
Michael McCarthy (bass) (in 1972) und Mike Patto (English singer, in Spooky Tooth, Patto, Timebox, Boxer) (in 1972)
Gitarre:
John Oates (in 1972) und Jerry Ricks (in 1972)
Holzblasinstrumente, Horn und Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1972)
Keyboard und Mandoline:
Daryl Hall (in 1972)
Perkussion, Perkussion [drums, percussion] und Schlagzeug:
Jim Helmer (Drums) (in 1972)
vocals:
Daryl Hall (in 1972) und John Oates (in 1972)
arranger:
Daryl Hall & John Oates und Arif Mardin
recording of:
Fall in Philadelphia (in 1972)
Texter:
John Oates
Komponist(in):
Daryl Hall
publisher:
Young Ideas Publishing Company
Daryl Hall & John Oates3:58
11Cat’s in the Cradle
Produzent(in):
Paul Leka
arranger:
Paul Leka
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead), Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1974)
aufgenommen bei:
Connecticut Recording Studios in Connecticut, Vereinigte Staaten
recording of:
Cat’s in the Cradle
Verfasser(in):
Sandra Campbell Chapin und Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin3.83:46
12Music Speaks Louder Than Words
recording of:
Music Speaks Louder Than Words
Verfasser(in):
Harold Payne (Songwriter), Ed Pease (American Songwriter) und Scarpiello (American songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crank Music (BMI-affiliated) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Candi Staton4:08
13I Like to Do It
KC and the Sunshine Band2:56
14Under the Moon of Love (rerecorded)
cover recording of:
Under the Moon of Love
Verfasser(in):
Tommy Boyce (US songwriter of Boyce and Hart) und Curtis Lee (US rock & roll singer, had single “Pretty Little Angel Eyes”)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it)
Showaddywaddy3:15
15Dance, Dance, Dance (Yowsah, Yowsah, Yowsah) (12″ version)
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
recording of:
Dance, Dance, Dance (Yowsah, Yowsah, Yowsah) (in 1977)
Verfasser(in):
Bernard Edwards (American bassist and record producer), Kenny Lehman und Nile Rodgers
Chic48:23
16The Singer’s Become a Dancer
Peter Brown43:55
17You’ll Wake Up Wiser (single version)
Bettye LaVette2:11
18In the Mood
recording engineer:
Lew Hahn und Gene Paul
Produzent(in):
Barry Manilow und Arif Mardin
Mix:
Lew Hahn und Arif Mardin
Sologesang:
Bette Midler
vocals:
Bette Midler
conductor:
Barry Manilow
Blechblasinstrumente [horns] arranger:
Arif Mardin
arranger und vocals arranger:
Barry Manilow
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
In the Mood (with additional lyrics by Bette Midler and Barry Manilow)
Texter:
Andy Razaf
zusätzlicher Texter:
Barry Manilow und Bette Midler
Komponist(in):
Wingy Manone
publisher:
Shapiro, Bernstein & Co., Inc. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Version von:
In the Mood
Bette Midler52:42
19That’s Where the Happy People Go
recording of:
That’s Where the Happy People Go
Verfasser(in):
Ron Baker (record producer, bassist, arranger and songwriter)
publisher:
Burma East Music Company
The Trammps7:54
20Until the Next Time
Carole Bayer Sager53:33
21Sure Thing
Dionne Warwick3:11
22Basic Lady
Produzent(in):
Marshall E. Sehorn und Allen Toussaint
Bass:
George Porter, Jr.
Conga:
Alfred Roberts (conga/percussion player, aka "Uganda")
Gitarre:
Leo Nocentelli
Orgel:
Art Neville
Schlagzeug:
Joseph Modeliste
Hintergrundgesang:
Joan Harmon und Deborah Paul
vocals:
Sharon Neborn
arranger:
Allen Toussaint
Allen Toussaint2:59
23Just Family
Techniker(in):
Ed Thacker
Produzent(in):
Stanley Clarke
Bass:
Stanley Clarke (in 1977-10)
Gitarre:
Raymond Gomez (in 1977-10)
Keyboard:
George Duke (in 1977-10)
membranophone:
Leon Ndugu Chancler (in 1977-10)
Perkussion:
Airto Moreira (percussionist) (in 1977-10)
vocals:
Dee Dee Bridgewater (in 1977-10)
arranger:
Stanley Clarke
aufgenommen bei:
Chateau Recorders in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1977-10)
mixed at:
Chateau Recorders in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Just Family (in 1977-10)
Verfasser(in):
Stanley Clarke, Richard Duncan und Gilbert Moses
Dee Dee Bridgewater5:00
24Hold On to This Feeling
recording of:
Hold On to This Feeling
Texter und Komponist(in):
Joni Sledge
Sister Sledge4:02
25She’s Gone
recorded in:
New York, New York, Vereinigte Staaten (in 1973)
Produzent(in):
Arif Mardin
Bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
E-Gitarre, mellotron und Synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
Gitarre:
John Oates (in 1973)
Hybrid-Piano:
Daryl Hall (in 1973)
Perkussion:
Ralph MacDonald (in 1973)
Schlagzeug:
Bernard “Pretty” Purdie (in 1973)
Tenorsaxophon:
Joe Farrell (in 1973)
Sologesang:
Daryl Hall (in 1973) und John Oates (in 1973)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 336)
recording of:
She’s Gone (in 1973)
Texter und Komponist(in):
Daryl Hall und John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:13
26Morning Sun Looks Blue
recording of:
Morning Sun Looks Blue
Texter und Komponist(in):
Michael Amitin (Bassist)
David Ruffin4:06
27Sometimes When We Touch
Barry Mann4:10
28Shake Some Action
leitende(r) Produzent(in):
Greg Shaw
Produzent(in):
Dave Edmunds
Schlagzeug:
Danny Mihm
produced at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Vereinigtes Königreich
recording of:
Shake Some Action
Verfasser(in):
Cyril Jordan und Chris Wilson (US guitarist, Ex- Flamin' Groovies)
publisher:
Bleu Disque Music Co., Inc. (publisher) und Chappell Music Ltd.
sub-publisher:
Warner Chappell Music France
Flamin’ Groovies54:31
29The Light Is On
assistierende(r) Techniker(in):
Stuart Gitlin
Techniker(in) und Mix:
Chet Himes
Produzent(in):
Michael Omartian
Akustikgitarre, E-Gitarre und Sologesang:
Christopher Cross (US singer‐songwriter)
Bassgitarre:
Andy Salmon
Hybrid-Piano und Synthesizer:
Rob Meurer
Klavier:
Michael Omartian
Perkussion:
Lenny Castro und Victor Feldman (jazz musician)
Schlagzeug:
Tommy Taylor (US drummer)
Solo-Gitarre:
Larry Carlton
Hintergrundgesang:
Christopher Cross (US singer‐songwriter), Don Henley und J.D. Souther
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
aufgenommen bei:
Pecan Street Studios in Austin, Texas, Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Light Is On
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
Pop ’n’ Roll Music (US work publisher), Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross24:11
30Sandman
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Ian Samwell
zusätzliche(r) Produzent(in):
America (US folk/soft rock band) und Jeff Dexter
Akustikgitarre und Sologesang:
Dewey Bunnell
Bassgitarre:
Gerry Beckley
Schlagzeug:
Dave Atwood
zwölfsaitige Gitarre und E-Gitarre:
Dan Peek
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Sandman
Texter und Komponist(in):
Dewey Bunnell
publisher:
WB Music Corp. (1929–2019)
America3.555:10
31Hot Number
Foxy4:14
32Caroline
recording engineer:
Steve Mantoani (in 1974-07)
Produzent(in):
Jefferson Starship (in 1974-07)
Bass und Cembalo:
Pete Sears (in 1974-07)
Gitarre [lead]:
Craig Chaquico (in 1974-07)
Gitarre [rhythm]:
Paul Kantner (in 1974-07)
Keyboard:
David Freiberg (in 1974-07)
Perkussion und Schlagzeug:
John Barbata (in 1974-07)
Hintergrundgesang:
David Freiberg (in 1974-07), Paul Kantner (in 1974-07), Pete Sears (in 1974-07) und Grace Slick (in 1974-07)
Sologesang:
Marty Balin (in 1974-07)
aufgenommen bei und mixed at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (in 1974-07)
recording of:
Caroline (in 1974-07)
Texter:
Marty Balin
Komponist(in):
Paul Kantner
Jefferson Starship7:30
33Angel Woman
assistierende(r) Techniker(in):
Dennis Kirk und Greg Ladanyi
Techniker(in):
Val Garay
Produzent(in):
Peter Asher
Klavier:
Andrew Gold
vocals:
Andrew Gold
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1976-03 bis 1976-10)
recording of:
Angel Woman (von 1976-03 bis 1976-10)
Texter und Komponist(in):
Andrew Gold
publisher:
Luckyu Music
Andrew Gold51:37
34Caught Up in the Middle
England Dan & John Ford Coley4:10
35Proud Mary
Arif Mardin3:45
36(Where Do I Begin) Love Story
Produzent(in):
Johnny Harris (Scottish composer, conductor)
vocals:
Shirley Bassey (Welsh singer)
conductor:
Johnny Harris (Scottish composer, conductor)
arranger:
Johnny Harris (Scottish composer, conductor)
recording of:
(Where Do I Begin?) Love Story (Love Story)
Texter:
Carl Sigman
Komponist(in):
Francis Lai (French composer)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Melodie der Welt (publisher), Music Sales Corporation (American copyright holder in both popular and classical music), Sony/ATV Harmony und Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Windswept Music (London) Limited, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Version von:
Theme From Love Story (Instrumental)
Shirley Bassey3:15
37In My Eyes
recording of:
In My Eyes
Verfasser(in):
Bob Crewe und Kenny Nolan
Frankie Valli4:27
38When I’m Loving You
Al Hudson & the Soul Partners3:39
39More Today Than Yesterday
cover recording of:
More Today Than Yesterday
Texter und Komponist(in):
Pat Upton
publisher:
Regent Music Corporation (BMI)
Dee Dee Warwick4:22
40The Glow
recording engineer:
Val Garay (von 1979-04-26 bis 1979-07-12)
assistierende(r) Techniker(in):
Niko Bolas und George Ybarra
Produzent(in):
Peter Asher
Mix:
Val Garay
Bassgitarre:
Bob Magnusson (jazz, pop and classical bassist) (von 1979-04-26 bis 1979-07-12)
Klavier:
Don Grolnick (von 1979-04-26 bis 1979-07-12)
Schlagzeug:
John Guerin (von 1979-04-26 bis 1979-07-12)
vocals:
Bonnie Raitt (von 1979-04-26 bis 1979-07-12)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1979-04-26 bis 1979-07-12)
mixed at:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Glow (von 1979-04-26 bis 1979-07-12)
Texter und Komponist(in):
Veyler Hildebrand
publisher:
Veyler's Music (in 1979)
Bonnie Raitt4:11