Adagio: Let the World Be Still

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Kyrie
choir vocals:
The Sixteen (UK choir)
recording of:
Missa Papae Marcelli: I. Kyrie
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa Papae Marcelli
Giovanni Pierluigi da Palestrina4:11
2Crucifixus
choir vocals:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
recording of:
Crucifixus a 8
composer:
Antonio Lotti (Italian baroque composer, 1667-1740)
Antonio Lotti3:04
3Miserere
choir vocals:
The Sixteen (UK choir)
recording of:
Miserere mei, Deus
composer:
Gregorio Allegri (composer)
part of:
ABC Classic 100 (2001) (number: 9)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri11:56
4Adagio
choir vocals:
London Voices
conductor:
Terry Edwards (British choir director)
arranger:
Daryl Runswick
recording of:
Adagio for Strings (catch‐all for arrangements)
composer:
Samuel Barber (American composer) (in 1936)
arrangement of:
Adagio for Strings
Samuel Barber5:34
5O nata lux
choir vocals:
The Sixteen (UK choir)
recording of:
O nata lux (à 5, Cantiones sacrae (1575))
composer:
Thomas Tallis (composer)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
Thomas Tallis1:49
6Ave verum corpus
choir vocals:
The Sixteen (UK choir)
recording of:
Ave verum corpus, T 92 (à 4, Gradualia I (1605))
composer:
William Byrd (English composer)
publisher:
Oxford University Press
part of:
William Byrd: A Research and Information Guide, 3rd ed. (Turbet [T]) (number: T 92)
part of:
Gradualia ac cantiones sacrae, Liber 1 (1605)
William Byrd4:26
7Veni Creator Spiritus
producer:
Anna Barry (classical producer) (from 2008-03-31 until 2008-04-03)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
The Cistercian Monks of Stift Heiligenkreuz (from 2008-03-31 until 2008-04-03)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Sanctuary of the Relic of the Holy Cross (Stift Heiligenkreuz) in Baden bei Wien, Niederösterreich (Lower Austria), Austria (from 2008-03-31 until 2008-04-03)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
[unknown]2:32
8Locus iste
choir vocals:
The Sixteen (UK choir)
recording of:
Locus iste, WAB 23
composer:
Anton Bruckner (Austrian composer) (in 1869)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 23)
Anton Bruckner2:53
9Salve regina
choir vocals:
The Sixteen (UK choir)
recording of:
Salve regina
composer:
Diogo Dias Melgás
Diogo Dias Melgás4:19
10The Blue Bird
choir vocals:
Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000)
recording of:
Eight Partsongs, op. 119: No. 3. The blue bird
lyricist:
Mary Elizabeth Coleridge
composer:
Sir Charles Villiers Stanford (Irish composer)
publisher:
Stainer & Bell Ltd.
part of:
Eight Partsongs, op. 119
Sir Charles Villiers Stanford3:25
11Ave Verum Corpus
producer:
Christopher Hazell
organ:
James Vivian (organist) (from 1996-07-01 until 1996-07-05)
choir vocals:
Choir of King’s College, Cambridge (from 1996-07-01 until 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (from 1996-07-01 until 1996-07-05)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1996-07-01 until 1996-07-05)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (from 1996-07-01 until 1996-07-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart3:39
12Ave Maria
harp:
Helen Tunstall
choir vocals:
Choir of New College Oxford
tenor vocals:
Benjamin Hulett (tenor)
conductor:
Edward Higginbottom (keyboardist, organist)
arranger:
Edward Higginbottom (keyboardist, organist)
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer)
publisher:
Lam Larghetto Music (from 1993 to present)
arrangement of:
Ave Maria (Bach/Gounod)
Charles‐François Gounod2:52
13Pavane, Op. 50
producer:
Paul Myers (classical record producer)
choir vocals:
Chœur de l’Orchestre symphonique de Montréal (Orchestre Symphonique de Montréal Chorus) (in 1987-10)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1987-10)
conductor:
Charles Dutoit (conductor) (in 1987-10)
chorus master:
Iwan Edwards (in 1987-10)
balance engineer:
John Dunkerley (engineer) (in 1987-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1987-10)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1987-10)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:41
14Exhortation
choir vocals:
The Sixteen (UK choir)
conductor:
Harry Christophers (conductor)
recording of:
Exhortation
composer:
John Tavener (20th century composer)
part of:
Exhortation and Kohima
John Tavener3:22
15Pavane pour une infante defunte
choir vocals:
London Voices
conductor:
Terry Edwards (British choir director)
arranger:
Daryl Runswick
recording of:
Pavane pour une infante défunte (catch-all for arrangements)
composer:
Maurice Ravel (French composer) (in 1899)
arrangement of:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel5:23
16Crux Fidelis
instruments:
Capricorn (UK classical ensemble)
choir vocals:
Choir of New College Oxford
conductor:
Edward Higginbottom (keyboardist, organist)
recording of:
Crux fidelis
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Edward Higginbottom (keyboardist, organist)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Georg Friedrich Händel2:31
17In Paradisum
producer:
Paul Myers (classical record producer)
choir vocals:
Chœur de l’Orchestre symphonique de Montréal (Orchestre Symphonique de Montréal Chorus) (in 1987-10)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1987-10)
conductor:
Charles Dutoit (conductor) (in 1987-10)
chorus master:
Iwan Edwards (in 1987-10)
balance engineer:
John Dunkerley (engineer) (in 1987-10)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1987-10)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (in 1987-10)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:21
18Sancte Deus
choir vocals:
All Angels
Sir Edward Elgar3:26

Credits

Release

manufactured in:Europe
rights society:BIEM (international rights organization representing member societies from 58 countries)
SABAM (Belgium rights society; do not use this as a label or work publisher!)
copyrighted (©) by and phonographic copyright (℗) by:Universal Classics & Jazz (UK – "a division of Universal Music Operations Ltd." use only for copyrights, licensing and/or distribution) (in 2009)
ASIN:UK: B0020HR9W8 [info]