Lulu’s Back in Town

~ Release by Mel Tormé & The Marty Paich Dek‐Tette (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Lulu’s Back in Town
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
3:06
2They Can’t Take That Away From Me
recorded in:
Los Angeles, California, United States (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack Dulong (in 1956-11)
double bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
drums (drum set):
Alvin Stoller (in 1956-11)
French horn:
Vince de Rosa (in 1956-11)
piano:
Marty Paich (in 1956-11)
tenor saxophone:
Jack Montrose (in 1956-11)
trumpet:
Pete Candoli (in 1956-11) and Don Fagerquist (in 1956-11)
tuba:
Albert Pollan (in 1956-11)
valve trombone:
Bob Enevoldsen (in 1956-11)
3:02
3Nice Work If You Can Get It
recorded in:
Los Angeles, California, United States (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack Dulong (in 1956-11)
double bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
drums (drum set):
Alvin Stoller (in 1956-11)
French horn:
Vince de Rosa (in 1956-11)
piano:
Marty Paich (in 1956-11)
tenor saxophone:
Jack Montrose (in 1956-11)
trumpet:
Pete Candoli (in 1956-11) and Don Fagerquist (in 1956-11)
tuba:
Albert Pollan (in 1956-11)
valve trombone:
Bob Enevoldsen (in 1956-11)
3:09
4The Way You Look Tonight
recorded in:
Los Angeles, California, United States (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack Dulong (in 1956-11)
double bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
drums (drum set):
Alvin Stoller (in 1956-11)
French horn:
Vince de Rosa (in 1956-11)
piano:
Marty Paich (in 1956-11)
tenor saxophone:
Jack Montrose (in 1956-11)
trumpet:
Pete Candoli (in 1956-11) and Don Fagerquist (in 1956-11)
tuba:
Albert Pollan (in 1956-11)
valve trombone:
Bob Enevoldsen (in 1956-11)
2:23
5A Foggy Day
recorded in:
Los Angeles, California, United States (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack Dulong (in 1956-11)
double bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
drums (drum set):
Alvin Stoller (in 1956-11)
French horn:
Vince de Rosa (in 1956-11)
piano:
Marty Paich (in 1956-11)
tenor saxophone:
Jack Montrose (in 1956-11)
trumpet:
Pete Candoli (in 1956-11) and Don Fagerquist (in 1956-11)
tuba:
Albert Pollan (in 1956-11)
valve trombone:
Bob Enevoldsen (in 1956-11)
2:44
6Lullaby of Birdland
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
4:53
7The Lady Is a Tramp
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
2:52
8Let’s Call the Whole Thing Off
recorded in:
Los Angeles, California, United States (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack Dulong (in 1956-11)
double bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
drums (drum set):
Alvin Stoller (in 1956-11)
French horn:
Vince de Rosa (in 1956-11)
piano:
Marty Paich (in 1956-11)
tenor saxophone:
Jack Montrose (in 1956-11)
trumpet:
Pete Candoli (in 1956-11) and Don Fagerquist (in 1956-11)
tuba:
Albert Pollan (in 1956-11)
valve trombone:
Bob Enevoldsen (in 1956-11)
3:28
9When April Comes Again
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
2:59
10A Fine Romance
recorded in:
Los Angeles, California, United States (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack Dulong (in 1956-11)
double bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
drums (drum set):
Alvin Stoller (in 1956-11)
French horn:
Vince de Rosa (in 1956-11)
piano:
Marty Paich (in 1956-11)
tenor saxophone:
Jack Montrose (in 1956-11)
trumpet:
Pete Candoli (in 1956-11) and Don Fagerquist (in 1956-11)
tuba:
Albert Pollan (in 1956-11)
valve trombone:
Bob Enevoldsen (in 1956-11)
3:03
11Cheek to Cheek
recorded in:
Los Angeles, California, United States (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack Dulong (in 1956-11)
double bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
drums (drum set):
Alvin Stoller (in 1956-11)
French horn:
Vince de Rosa (in 1956-11)
piano:
Marty Paich (in 1956-11)
tenor saxophone:
Jack Montrose (in 1956-11)
trumpet:
Pete Candoli (in 1956-11) and Don Fagerquist (in 1956-11)
tuba:
Albert Pollan (in 1956-11)
valve trombone:
Bob Enevoldsen (in 1956-11)
3:00
12Let’s Face the Music and Dance
recorded in:
Los Angeles, California, United States (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack Dulong (in 1956-11)
double bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
drums (drum set):
Alvin Stoller (in 1956-11)
French horn:
Vince de Rosa (in 1956-11)
piano:
Marty Paich (in 1956-11)
tenor saxophone:
Jack Montrose (in 1956-11)
trumpet:
Pete Candoli (in 1956-11) and Don Fagerquist (in 1956-11)
tuba:
Albert Pollan (in 1956-11)
valve trombone:
Bob Enevoldsen (in 1956-11)
2:18
13The Piccolino
recorded in:
Los Angeles, California, United States (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack Dulong (in 1956-11)
double bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
drums (drum set):
Alvin Stoller (in 1956-11)
French horn:
Vince de Rosa (in 1956-11)
piano:
Marty Paich (in 1956-11)
tenor saxophone:
Jack Montrose (in 1956-11)
trumpet:
Pete Candoli (in 1956-11) and Don Fagerquist (in 1956-11)
tuba:
Albert Pollan (in 1956-11)
valve trombone:
Bob Enevoldsen (in 1956-11)
2:34
14The Blues
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
3:32
15Top Hat, White Tie and Tails
recorded in:
Los Angeles, California, United States (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack Dulong (in 1956-11)
double bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
drums (drum set):
Alvin Stoller (in 1956-11)
French horn:
Vince de Rosa (in 1956-11)
piano:
Marty Paich (in 1956-11)
tenor saxophone:
Jack Montrose (in 1956-11)
trumpet:
Pete Candoli (in 1956-11) and Don Fagerquist (in 1956-11)
tuba:
Albert Pollan (in 1956-11)
valve trombone:
Bob Enevoldsen (in 1956-11)
3:09
16Something’s Gotta Give
recorded in:
Los Angeles, California, United States (in 1956-11)
alto saxophone:
Herb Geller (in 1956-11)
baritone saxophone:
Jack Dulong (in 1956-11)
double bass:
Max Bennett (US jazz bassist and session musician) (in 1956-11)
drums (drum set):
Alvin Stoller (in 1956-11)
French horn:
Vince de Rosa (in 1956-11)
piano:
Marty Paich (in 1956-11)
tenor saxophone:
Jack Montrose (in 1956-11)
trumpet:
Pete Candoli (in 1956-11) and Don Fagerquist (in 1956-11)
tuba:
Albert Pollan (in 1956-11)
valve trombone:
Bob Enevoldsen (in 1956-11)
3:56
17The Carioca
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
3:18
18Sing for Your Supper
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
2:24
19When the Sun Comes Out
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
3:18
20I Love to Watch the Moonlight
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
2:51
21I Like to Recognize the Tune
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
recording of:
I Like to Recognize the Tune
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
3:15
22Keeping Myself for You
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
recording of:
Keepin’ Myself for You
lyricist:
Sidney Clare
composer:
Vincent Youmans
part of:
Hit the Deck (1955 movie)
3:43
23Fascinatin’ Rhythm
recorded in:
Los Angeles, California, United States (on 1956-01-20)
alto saxophone:
Bud Shank (on 1956-01-20)
baritone saxophone:
Jack Dulong (on 1956-01-20)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-01-20)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-01-20)
French horn:
John Cave (french horn) (on 1956-01-20) and Vince de Rosa (on 1956-01-20)
piano:
Marty Paich (on 1956-01-20)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-01-20) and Jack Montrose (on 1956-01-20)
trumpet:
Pete Candoli (on 1956-01-20) and Don Fagerquist (on 1956-01-20)
tuba:
Al Pollan (on 1956-01-20)
valve trombone:
Bob Enevoldsen (on 1956-01-20)
vocals:
Mel Tormé (“The Velvet Fog”) (on 1956-01-20)
orchestra:
The Marty Paich Dek‐Tette (on 1956-01-20)
2:28