The Year 1917: Music in Turbulent Times

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Fountains of Rome, P. 106: III. La fontana di Trevi al meriggio
orchestra:
New York Philharmonic
conductor:
Giuseppe Sinopoli (conductor)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1991-04)
recording of:
Fontane di Roma, P 106: III. La fontana di Trevi al meriggio
composer:
Ottorino Respighi (composer) (from 1915 until 1916)
part of:
Fontane di Roma, P 106 (Fountains of Rome)
Ottorino Respighi3:52
2The Wooden Prince, Sz. 60: 4th Dance: “Dance of the Princess with the Wooden Doll”
orchestra:
Chicago Symphony Orchestra
conductor:
Pierre Boulez (composer and conductor)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1991-12)
edit of:
The Wooden Prince: Fourth Dance: Dance of the Princess With the Wooden Prince by Chicago Symphony Orchestra, Pierre Boulez (composer and conductor)
partial recording of:
The Wooden Prince, Sz. 60: V. Dance 4: Dance of the Princess With the Wooden Doll (in 1991-12)
composer:
Bartók Béla (Béla Bartók, composer) (from 1914 until 1917)
part of:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók5:29
3El sombrero de tres picos, part I: III. Dance of the Miller’s Wife
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El sombrero de tres picos, suite no. 1: II. Danza de la molinera (The Three Cornered Hat, Suite No. 1: II. Dance of the Miller's Wife) (in 1965-06)
composer:
Manuel de Falla (Spanish composer) (in 1919)
part of:
El sombrero de tres picos, suite no. 1 (The Three Cornered Hat, Suite No. 1)
Manuel de Falla8:00
4The Planets, op. 32: V. Saturn, the Bringer of Old Age
orchestra:
Boston Symphony Orchestra (in 1970-10)
conductor:
William Steinberg (conductor) (in 1970-10)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1970-10)
recording of:
The Planets, op. 32: V. Saturn, the Bringer of Old Age (in 1970-10)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: V. Saturn, the Bringer of Old Age (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:48
5To Gratiana Dancing and Singing
piano:
Julius Drake (pianist) (from 1999-02 until 1999-03)
tenor vocals:
Ian Bostridge (tenor) (from 1999-02 until 1999-03)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1999-02 until 1999-03)
recording of:
To Gratiana Dancing and Singing (from 1999-02 until 1999-03)
lyricist:
Richard Lovelace
composer:
William Denis Browne
William Denis Browne3:53
6Three Songs of the War: I. In Flanders Fields
recording engineer:
Peter Urban (sound engineer)
assistant engineer:
Monika Graul
producer:
Bernhard Albrecht (classical engineer/producer)
piano:
Eric Schneider (pianist) (in 2014-02)
soprano vocals:
Anna Prohaska (soprano) (in 2014-02)
recorded at:
Bavarian Radio: Studio 2 in München (Munich), Bayern (Bavaria), Germany (in 2014-02)
recording of:
In Flanders Fields, S. 277 (in 2014-02)
lyricist:
John McCrae (poet) (on 1915-12-08)
composer:
Charles Ives (American composer) (in 1917)
part of:
A Descriptive Catalogue of the Music of Charles Ives (number: S. 277)
is based on:
In Flanders Fields
Charles Ives2:23
7The Hollywood Songbook no. 19: Panzerschlacht
recording engineer:
Peter Urban (sound engineer)
assistant engineer:
Monika Graul
producer:
Bernhard Albrecht (classical engineer/producer)
piano:
Eric Schneider (pianist) (in 2014-02)
soprano vocals:
Anna Prohaska (soprano) (in 2014-02)
recorded at:
Bayerischer Rundfunk, Studio 2 in München (Munich), Bayern (Bavaria), Germany (in 2014-02)
recording of:
Panzerschlacht (in 2014-02)
lyricist:
Bertolt Brecht
composer:
Hanns Eisler (German-Austrian composer)
part of:
Hollywooder Liederbuch
Hanns Eisler0:48
8The Hollywood Songbook no. 16: Die letzte Elegie
recording engineer:
Peter Urban (sound engineer)
assistant engineer:
Monika Graul
producer:
Bernhard Albrecht (classical engineer/producer)
piano:
Eric Schneider (pianist) (in 2014-02)
soprano vocals:
Anna Prohaska (soprano) (in 2014-02)
recorded at:
Bayerischer Rundfunk, Studio 2 in München (Munich), Bayern (Bavaria), Germany (in 2014-02)
recording of:
Die letzte Elegie (in 2014-02)
lyricist:
Bertolt Brecht
composer:
Hanns Eisler (German-Austrian composer)
part of:
Hollywooder Liederbuch
Hanns Eisler1:18
9The Hollywood Songbook no. 26: Die Heimkehr
recording engineer:
Peter Urban (sound engineer)
assistant engineer:
Monika Graul
producer:
Bernhard Albrecht (classical engineer/producer)
piano:
Eric Schneider (pianist) (in 2014-02)
soprano vocals:
Anna Prohaska (soprano) (in 2014-02)
recorded at:
Bayerischer Rundfunk, Studio 2 in München (Munich), Bayern (Bavaria), Germany (in 2014-02)
recording of:
Die Heimkehr (in 2014-02)
lyricist:
Bertolt Brecht
composer:
Hanns Eisler (German-Austrian composer)
part of:
Hollywooder Liederbuch
Hanns Eisler1:36
10Cello Sonata, H. 125: II. Allegro ma non troppo – Molto allegro e agitato
cello:
Mstislav Rostropovich (cellist/conductor) (in 1968-07)
piano:
Benjamin Britten (English composer, conductor, and pianist) (in 1968-07)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1968-07)
recording of:
Sonata in D minor for Violoncello and Piano, H. 125: II. Adagio ma non troppo – Molto allegro e agitato (in 1968-07)
composer:
Frank Bridge (composer) (from 1913 until 1917)
part of:
Sonata in D minor for Violoncello and Piano, H. 125
Frank Bridge12:54
11Les soirs illuminés par l’ardeur du charbon, L. 150
engineer:
Frédéric Briant
producer:
Étienne Collard
piano:
Philippe Cassard (pianist) (on 2011-07-03)
recorded at:
Maison de la Culture de Grenoble (MC2) in Grenoble, Isère, Auvergne-Rhône-Alpes, France (on 2011-07-03)
recording of:
Les Soirs illuminés par l'ardeur du charbon, CD 150 (on 2011-07-03)
composer:
Claude Debussy (French composer) (from 1917-02 until 1917-03)
dedicated to:
M. Tronquin (coal merchant)
publisher:
Éditions Durand (1947–present) (in 2003)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 150)
Claude Debussy2:15
12Le tombeau de Couperin, M. 68: I. Prélude
piano:
Monique Haas (pianist)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1955-01)
recording of:
Le tombeau de Couperin: I. Prélude (for solo piano)
composer:
Maurice Ravel (French composer)
part of:
Le tombeau de Couperin (for solo piano)
Maurice Ravel2:59
13Le tombeau de Couperin, M. 68: II. Fugue
piano:
Monique Haas (pianist)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1955-01)
recording of:
Le tombeau de Couperin: II. Fugue (for solo piano)
composer:
Maurice Ravel (French composer)
part of:
Le tombeau de Couperin (for solo piano)
Maurice Ravel3:17
14Le tombeau de Couperin, M. 68: III. Forlane
piano:
Monique Haas (pianist)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1955-01)
recording of:
Le tombeau de Couperin: III. Forlane (for solo piano)
composer:
Maurice Ravel (French composer)
part of:
Le tombeau de Couperin (for solo piano)
Maurice Ravel4:50
15Le tombeau de Couperin, M. 68: IV. Rigaudon
piano:
Monique Haas (pianist)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1955-01)
recording of:
Le tombeau de Couperin: IV. Rigaudon (for solo piano)
composer:
Maurice Ravel (French composer)
part of:
Le tombeau de Couperin (for solo piano)
Maurice Ravel2:33
16Le tombeau de Couperin, M. 68: V. Menuet
piano:
Monique Haas (pianist)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1955-01)
recording of:
Le tombeau de Couperin: V. Menuet (for solo piano)
composer:
Maurice Ravel (French composer)
part of:
Le tombeau de Couperin (for solo piano)
Maurice Ravel3:59
17Le tombeau de Couperin, M. 68: VI. Toccata
piano:
Monique Haas (pianist)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1955-01)
recording of:
Le tombeau de Couperin: VI. Toccata (for solo piano)
composer:
Maurice Ravel (French composer)
dedicated to:
Joseph de Marliave
part of:
Le tombeau de Couperin (for solo piano)
Maurice Ravel4:00
18Symphony no. 3 “Pastoral”: II. Lento moderato
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Roger Norrington (conductor)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1997-09)
recording of:
Symphony no. 3, “A Pastoral Symphony”: II. Lento moderato
composer:
Ralph Vaughan Williams (English composer) (in 1922)
part of:
Symphony no. 3 “A Pastoral Symphony”
Ralph Vaughan Williams8:55
19Parade (Ballet realiste)
orchestra:
Orchestre National de l’Opéra de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra)
performer:
Louis Frémaux (conductor)
recorded at:
Salle Alcazar in Monte-Carlo (Monte Carlo), Monaco (in 1961-07)
recording of:
Parade
composer:
Erik Satie (French composer) (in 1917)
premiered at:
Théâtre du Châtelet in Paris, Île-de-France, France (on 1917-05-18)
Erik Satie, Jean Cocteau14:16
20Violin Sonata in G minor, L. 140: I. Allegro vivo
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
violin:
Augustin Dumay (violinist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (from 1993-09 until 1993-10)
recording of:
Sonate pour violon et piano en sol mineur, L. 140 : I. Allegro vivo (from 1993-09 until 1993-10)
composer:
Claude Debussy (French composer) (from 1916-10 until 1917-04)
part of:
Sonate pour violon et piano en sol mineur, L. 140
Claude Debussy4:57
21Violin Concerto no. 1 in D major, op. 19: I. Andantino
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1983-03)
orchestra:
Chicago Symphony Orchestra (in 1983-03)
conductor:
Claudio Abbado (conductor) (in 1983-03)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1983-03)
recording of:
Violin Concerto no. 1 in D major, op. 19: I. Andantino – Andante assai (in 1983-03)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Violin Concerto no. 1 in D major, op. 19
Sergei Prokofiev10:01
22Les noces, Première partie: “La tresse”
engineer:
Hans‐Peter Schweigmann (engineer)
executive producer:
Günther Breest (producer for classical music)
producer:
Hans Weber (producer/engineer)
piano:
Martha Argerich (Argentine pianist) (on 1977-03-22), Homero Francesch (pianist) (on 1977-03-22), Cyprien Katsaris (French-Cypriot pianist) (on 1977-03-22) and Krystian Zimerman (pianist) (on 1977-03-22)
bass vocals:
Paul Hudson (operatic bass singer and actor) (on 1977-03-22)
choir vocals:
English Bach Festival Chorus (on 1977-03-22)
mezzo-soprano vocals:
Patricia Parker (mezzo-soprano) (on 1977-03-22)
soprano vocals:
Anny Mory (soprano) (on 1977-03-22)
tenor vocals:
John Mitchinson (tenor) (on 1977-03-22)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1977-03-22)
chorus master:
Nicholas Cleobury (conductor)
performer:
English Bach Festival Percussion Ensemble
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (on 1977-03-20, on 1977-03-22)
recording of:
Les Noces: Part 1, Scene 1. The Bride's Chamber "The Tresses" (on 1977-03-22)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
publisher:
Chester Music Ltd.
part of:
Les Noces (1923 version, most often performed)
Igor Stravinsky5:26
23Symphony no. 12 in D minor, op. 112 “The Year 1917”: I. Revolutionary Petrograd. Moderato – Allegro – Più mosso – Allegro
producer:
Lennart Dehn
orchestra:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra) (in 1990-08)
conductor:
Neeme Järvi (Estonian conductor) (in 1990-08)
balance engineer:
Michael Bergek (in 1990-08)
recorded at:
Göteborgs konserthus (Gothenburg Concert Hall) in Gothenburg, Västra Götaland (Västra Götaland county), Sweden (in 1990-08)
recording of:
Symphony no. 12 in D minor, op. 112 "The Year 1917": I. Revolutionary Petrograd: Moderato - Allegro (in 1990-08)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1961)
part of:
Symphony no. 12 in D minor, op. 112 "The Year 1917"
Dmitri Shostakovich12:26
24Symphony no. 12 in D minor, op. 112 “The Year 1917”: II. Razliv. Allegro. L’istesso tempo – Adagio
producer:
Lennart Dehn
orchestra:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra) (in 1990-08)
conductor:
Neeme Järvi (Estonian conductor) (in 1990-08)
balance engineer:
Michael Bergek (in 1990-08)
recorded at:
Göteborgs konserthus (Gothenburg Concert Hall) in Gothenburg, Västra Götaland (Västra Götaland county), Sweden (in 1990-08)
recording of:
Symphony no. 12 in D minor, op. 112 "The Year 1917": II. Razliv: Allegro (in 1990-08)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1961)
part of:
Symphony no. 12 in D minor, op. 112 "The Year 1917"
Dmitri Shostakovich12:59
25Symphony no. 12 in D minor, op. 112 “The Year 1917”: III. Aurora. L’istesso tempo – Allegro
producer:
Lennart Dehn
orchestra:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra) (in 1990-08)
conductor:
Neeme Järvi (Estonian conductor) (in 1990-08)
balance engineer:
Michael Bergek (in 1990-08)
recorded at:
Göteborgs konserthus (Gothenburg Concert Hall) in Gothenburg, Västra Götaland (Västra Götaland county), Sweden (in 1990-08)
recording of:
Symphony no. 12 in D minor, op. 112 "The Year 1917": III. Aurora: Allegro (in 1990-08)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1961)
part of:
Symphony no. 12 in D minor, op. 112 "The Year 1917"
Dmitri Shostakovich4:27
26Symphony no. 12 in D minor, op. 112 “The Year 1917”: IV. Dawn of Humanity. L’istesso tempo – Allegretto – Allegro – Moderato
producer:
Lennart Dehn
orchestra:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra) (in 1990-08)
conductor:
Neeme Järvi (Estonian conductor) (in 1990-08)
balance engineer:
Michael Bergek (in 1990-08)
recorded at:
Göteborgs konserthus (Gothenburg Concert Hall) in Gothenburg, Västra Götaland (Västra Götaland county), Sweden (in 1990-08)
recording of:
Symphony no. 12 in D minor, op. 112 "The Year 1917": IV. Dawn of Humanity: Allegro - Allegretto (in 1990-08)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1961)
part of:
Symphony no. 12 in D minor, op. 112 "The Year 1917"
Dmitri Shostakovich9:21