Prom 2026

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Copyright: © 2026 UMG Recordings, Inc.
℗ 2026 UMG Recordings, Inc.

Anmerkung zuletzt geändert am 2026-06-11 19:00 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Let's Get It Started (Spike mix)
Programmierung:
Lee Groves (game/film music composer/producer/engineer)
assistierende(r) Techniker(in):
Rob Haggett
Techniker(in):
Dylan Dresdow (Sologesang [vocals]) und will.i.am (American rapper and producer)
Produzent(in):
will.i.am (American rapper and producer)
assistierende(r) Mix:
David Treahearn
Mix:
Mark “Spike” Stent (producer, engineer)
Bassgitarre [bass]:
Mike Fratantuno
Gitarre:
George Pajon, Jr.
Schlagzeug:
Terence Yoshiaki
Hintergrundgesang:
Dante Santiago und Noelle Scaggs
vocals:
apl.de.ap, Fergie (American singer), Taboo (member of Black Eyed Peas) und will.i.am (American rapper and producer)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2004) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2004)
aufgenommen bei:
The Stewchia in Los Feliz, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Let’s Get It Started
Verfasser(in):
Allan Pineda, Mike Fratantuno, Jaime Gomez (member of Black Eyed Peas), George Pajon, Jr., William Adams (American rapper and producer) und Terence Yoshiaki
Revision von:
Let’s Get Retarded
Black Eyed Peas33:38
2Tears
Assistent recording engineer:
Bobby Hawk und Lorenzo Wolff
recording engineer:
Jeff Gunnell und John Ryan (American pop singer/producer a/k/a “John the Blind”)
Programmierung:
John Ryan (American pop singer/producer a/k/a “John the Blind”)
Techniker(in):
Bryce Bordone
Produzent(in):
Sabrina Carpenter und John Ryan (American pop singer/producer a/k/a “John the Blind”)
Mix:
Serban Ghenea
Bassgitarre, Gitarre, Keyboard, Perkussion und Schlagzeug:
John Ryan (American pop singer/producer a/k/a “John the Blind”)
Saiteninstrumente:
Bobby Hawk
Hintergrundgesang:
Amy Allen (US indie-pop songwriter), Sabrina Carpenter und John Ryan (American pop singer/producer a/k/a “John the Blind”)
Sologesang:
Sabrina Carpenter
Musikvideos:
Tears (music video) von Sabrina Carpenter
Teil von:
Billboard Hot 100: 2025-09-13 (Nummer: 3), Billboard Hot 100: 2025-09-20 (Nummer: 6), Billboard Hot 100: 2025-09-27 (Nummer: 12), Billboard Hot 100: 2025-10-04 (Nummer: 17), Billboard Hot 100: 2025-11-15 (Nummer: 17), Billboard Hot 100: 2025-11-22 (Nummer: 18), Billboard Hot 100: 2025-11-08 (Nummer: 20), Billboard Hot 100: 2025-11-29 (Nummer: 22), Billboard Hot 100: 2025-10-11 (Nummer: 24), Billboard Hot 100: 2025-11-01 (Nummer: 27), Billboard Hot 100: 2025-10-25 (Nummer: 29), Billboard Hot 100: 2025-10-18 (Nummer: 32), Billboard Hot 100: 2025-12-06 (Nummer: 33), Billboard Hot 100: 2026-01-10 (Nummer: 37), Billboard Hot 100: 2026-01-17 (Nummer: 53), Billboard Hot 100: 2025-12-27 (Nummer: 67) und Billboard Hot 100: 2026-01-24 (Nummer: 74)
recording of:
Tears
Texter und Komponist(in):
Amy Allen (US indie-pop songwriter), Sabrina Carpenter und John Ryan (American pop singer/producer a/k/a “John the Blind”)
Sabrina Carpenter3.352:40
3Man I Need
Techniker(in) und Produzent(in):
Zach Nahome
Mix:
Charlie Holmes (UK mix engineer / producer)
Bassgitarre, E-Gitarre, Perkussion und Schlagzeug:
Zach Nahome
Keyboard, Klavier und Sologesang:
Olivia Dean
Synthesizer:
Olivia Dean und Zach Nahome
Teil von:
Billboard Hot 100: 2026-01-31 (Nummer: 2), Billboard Hot 100: 2026-02-14 (Nummer: 2), Billboard Hot 100: 2026-03-07 (Nummer: 2), Billboard Hot 100: 2026-03-21 (Nummer: 2), Billboard Hot 100: 2026-03-28 (Nummer: 2), Billboard Hot 100: 2026-04-18 (Nummer: 2), Billboard Hot 100: 2026-04-25 (Nummer: 2), Billboard Hot 100: 2026-01-24 (Nummer: 3), Billboard Hot 100: 2026-02-07 (Nummer: 3), Billboard Hot 100: 2026-02-21 (Nummer: 3), Billboard Hot 100: 2026-02-28 (Nummer: 3), Billboard Hot 100: 2026-03-14 (Nummer: 3), Billboard Hot 100: 2026-04-04 (Nummer: 3), Billboard Hot 100: 2026-04-11 (Nummer: 3), Billboard Hot 100: 2026-05-09 (Nummer: 3), Billboard Hot 100: 2026-05-23 (Nummer: 3), Billboard Hot 100: 2025-11-22 (Nummer: 4), Billboard Hot 100: 2025-11-29 (Nummer: 4), Billboard Hot 100: 2025-12-06 (Nummer: 4), Billboard Hot 100: 2026-01-10 (Nummer: 4), Billboard Hot 100: 2026-01-17 (Nummer: 4), Billboard Hot 100: 2026-05-02 (Nummer: 4), Billboard Hot 100: 2026-05-16 (Nummer: 4), Todd in the Shadows: The Top Ten Best Hit Songs of 2025 (Nummer: 4), Billboard Hot 100: 2025-11-08 (Nummer: 5), Billboard Hot 100: 2025-11-15 (Nummer: 5), Billboard Hot 100: 2026-07-11 (Nummer: 5), Billboard Hot 100: 2026-06-13 (Nummer: 6), Billboard Hot 100: 2026-06-20 (Nummer: 7), Billboard Hot 100: 2025-11-01 (Nummer: 8), Billboard Hot 100: 2026-07-04 (Nummer: 8), Billboard Hot 100: 2026-06-06 (Nummer: 10), Billboard Hot 100: 2026-06-27 (Nummer: 10), Billboard Hot 100: 2025-10-11 (Nummer: 12), Billboard Hot 100: 2025-12-13 (Nummer: 12), Rolling Stone - The 100 Best Songs of 2025 (Nummer: 15), Billboard Hot 100: 2025-10-25 (Nummer: 17), Billboard Hot 100: 2025-12-20 (Nummer: 17), Billboard Hot 100: 2026-05-30 (Nummer: 17), Billboard Hot 100: 2025-12-27 (Nummer: 18), Billboard Hot 100: 2025-10-18 (Nummer: 20), Billboard Hot 100: 2025-10-04 (Nummer: 25), Billboard Hot 100: 2025-09-27 (Nummer: 30), Billboard Hot 100: 2026-01-03 (Nummer: 36), Billboard Hot 100: 2025-09-20 (Nummer: 37) und Billboard Hot 100: 2025-09-06 (Nummer: 82)
recording of:
Man I Need
Verfasser(in):
Olivia Dean, Tobias Jesso Jr. und Zach Nahome
Olivia Dean23:04
4Dancing Queen
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Bass:
Rutger Gunnarsson (von 1976-08-04 bis 1976-08-05)
Bratsche / Viola:
Åke Arvinder (Swedish violist) (am 1976-09-12), Lars Brolin (am 1976-09-12) und Håkan Roos (Swedish violist) (am 1976-09-12)
Cello:
Hans‐Göran Eketorp (Swedish cellist) (am 1976-09-12) und Åke Olofsson (Swedish cellist) (am 1976-09-12)
Clavinet und Keyboard:
Benny Andersson (ABBA) (von 1976-08-04 bis 1976-08-05)
Geige / Violine:
Martin Bylund (Swedish violinist) (am 1976-09-12), Anders Dahl (Swedish violinist) (am 1976-09-12), Lars Stegenberg (Swedish violinist) (am 1976-09-12), Gunnar Michols (Swedish violinist) (am 1976-09-12), Claes Nilsson (Swedish violinist) (am 1976-09-12), Bertil Orsin (Swedish violinist) (am 1976-09-12), Sixten Strömvall (Swedish violinist) (am 1976-09-12), Harry Teike (am 1976-09-12) und Krzysztof Zdrzalka (Swedish violinist) (am 1976-09-12)
Schlagzeug:
Roger Palm (von 1976-08-04 bis 1976-08-05, am 1976-12-03)
Sologesang:
Agnetha Fältskog (in 1976-09) und Frida (Swedish singer and member of ABBA) (in 1976-09)
Saiteninstrumente arranger:
Sven-Olof Walldoff
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music AB (in 1976) und Polar Music International AB (in 1976)
aufgenommen bei:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Schweden (in 1976), Glen Studio in Stockholms län (Stockholm county), Schweden (von 1976-08-04 bis 1976-08-05) und KMH Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1976-12-03)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 2), SWR1 Hitparade 2006 (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2003 (Baden-Württemberg) (Nummer: 7), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 9), Q50 – December 2005 (Nummer: 37), BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 171) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 286)
recording of:
Dancing Queen (in 1976)
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., EMI Waterford Music (vom 1976 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1976 bis heute) und Universal/Union Songs Musikförlag AB (vom 1976 bis heute)
Premiere bei:
Kungliga Operan (Royal Swedish Opera) in Stockholm, Stockholms län (Stockholm county), Schweden (am 1976-06-18)
Teil von:
Mamma Mia! (1999 musical)
ABBA4.053:51
5Papaoutai (Afro Soul)
Produzent(in):
Felix Lindskog, Mikeeysmind und Unjaps
cover recording of:
Papaoutai
Verfasser(in):
Stromae
mikeeysmind, Chill77 & Unjaps14:40
6Firework
recording engineer:
Mikkel S. Eriksen und Miles Walker (engineer)
assistierende(r) Techniker(in):
Josh Houghkirk
zusätzliche(r) Techniker(in):
Damien Lewis und Carlos Oyanedel
Produzent(in):
StarGate (Norwegian production/songwriting team) und Sandy Vee
Mix:
Phil Tan (Malaysian-American audio engineer) und Sandy Vee
Instrumente:
Erik Hermansen, Mikkel S. Eriksen und Sandy Vee
vocals:
Katy Perry
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
aufgenommen bei:
Roc the Mic Studios in New York, New York, Vereinigte Staaten
mixed at:
Soapbox Studios in Atlanta, Georgia, Vereinigte Staaten und The Bunker Studios in Paris, Île-de-France, Frankreich
Musikvideos:
Firework von Katy Perry
Teil von:
Billboard Year-End Hot 100 singles of 2011 (Nummer: 3), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 30) und BILLIONS CLUB
recording of:
Firework
Verfasser(in):
Ester Dean, Mikkel Storleer Eriksen, Tor Erik Hermansen, Katy Perry und Sandy Wilhelm (French electro DJ/producer, key track “Promised Land”)
publisher:
Dat Damn Dean Music, EMI Music Publishing Ltd. (PRS‐affiliated), Victor Music Arts, ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Di Piu S R L (in 2010), EMI Music Publishing (do not use as a release label!) (in 2010), Peermusic III, Ltd. (BMI) (in 2010), Ultra Tunes (in 2010), When I’m Rich You’ll Be My Bitch (in 2010) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
Moulin Rouge! The Musical: Act 1
Katy Perry3.953:49
7Royals
Techniker(in), Produzent(in) und Mix:
Joel Little
Instrumente:
Joel Little
Sologesang:
Ella Yelich O’Connor (Lorde, New Zealand singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Universal Music New Zealand (in 2013) und Universal Music New Zealand Limited (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (in 2013)
aufgenommen bei:
Golden Age in Auckland, Auckland (Region Auckland), North Island, Neuseeland
Musikvideos:
Royals von Lorde (New Zealand singer‐songwriter) und Royals von Lorde (New Zealand singer‐songwriter)
Teil von:
Grammy Award: Best Pop Solo Performance nominees (Nummer: 2014 winner), Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 11), Billboard Year-End Hot 100 singles of 2013 (Nummer: 15), Billboard Year-End Hot 100 singles of 2014 (Nummer: 20), Stereogum: The 200 Best Songs of the 2010s (Nummer: 23), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 30), Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 35), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 77), Indie 88: Top 500 Indie Rock Songs (Nummer: 98), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 111) und Pitchfork: The 200 Best Songs of the 2010s (Nummer: 129)
recording of:
Royals
Verfasser(in):
Ella Yelich O’Connor (Lorde, New Zealand singer‐songwriter) und Joel Little
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc. und Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), イーエムアイ音楽出版 (EMI Music Publishing Japan) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
Matuschkes Lieblinge 2013 und APRA Silver Scroll Awards Winners (Nummer: 2013)
Lorde3.83:10
8Die on This Hill
recording engineer:
Omer Fedi
Techniker(in):
Rob Moose (Saiteninstrumente)
Produzent(in):
Omer Fedi, Michael Pollack (songwriter) und Blake Slatkin
Mix:
Tom Elmhirst (mixing engineer)
Bassgitarre und Gitarre:
Omer Fedi
Bratsche / Viola und Geige / Violine:
Rob Moose
Keyboard:
Omer Fedi und Michael Pollack (songwriter)
Klavier:
Michael Pollack (songwriter)
Sologesang:
Sienna Spiro
Teil von:
Billboard Hot 100: 2026-02-07 (Nummer: 19), Billboard Hot 100: 2026-01-31 (Nummer: 20), Billboard Hot 100: 2026-01-24 (Nummer: 21), Billboard Hot 100: 2026-02-14 (Nummer: 26), Billboard Hot 100: 2026-03-07 (Nummer: 28), Billboard Hot 100: 2026-03-28 (Nummer: 28), Billboard Hot 100: 2026-04-18 (Nummer: 28), Billboard Hot 100: 2026-02-28 (Nummer: 29), Billboard Hot 100: 2026-04-04 (Nummer: 29), Billboard Hot 100: 2026-04-11 (Nummer: 29), Billboard Hot 100: 2026-03-14 (Nummer: 31), Billboard Hot 100: 2026-07-11 (Nummer: 33), Billboard Hot 100: 2026-02-21 (Nummer: 35), Billboard Hot 100: 2026-03-21 (Nummer: 36), Billboard Hot 100: 2026-04-25 (Nummer: 36), Billboard Hot 100: 2026-05-02 (Nummer: 38), Billboard Hot 100: 2026-07-04 (Nummer: 40), Billboard Hot 100: 2026-05-23 (Nummer: 41), Billboard Hot 100: 2026-06-20 (Nummer: 44), Billboard Hot 100: 2026-05-16 (Nummer: 48), Billboard Hot 100: 2026-01-03 (Nummer: 100), Billboard Hot 100: 2026-06-13 (Nummer: 52), Billboard Hot 100: 2026-06-27 (Nummer: 52), Billboard Hot 100: 2026-01-17 (Nummer: 54), Billboard Hot 100: 2026-05-09 (Nummer: 54), Billboard Hot 100: 2026-06-06 (Nummer: 60), Billboard Hot 100: 2026-01-10 (Nummer: 69) und Billboard Hot 100: 2026-05-30 (Nummer: 70)
recording of:
Die On This Hill
Verfasser(in):
Omer Fedi, Michael Pollack (songwriter) und Sienna Spiro
SIENNA SPIRO33:37
9Mr. Brightside
recording engineer:
Jeff Saltzman (music attorney and record producer)
Produzent(in):
Jeff Saltzman (music attorney and record producer) und The Killers (American rock band)
Mix:
Mark Needham
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2004) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2017)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 4), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 33), Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 51), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 90) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 378)
recording of:
Mr. Brightside
Verfasser(in):
Brandon Flowers und Dave Keuning
publisher:
The Killers Publishing und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Killers4.33:44
10Girls
recording engineer, Programmierung und Produzent(in):
Harrison Patrick Smith (New York multiinstrumentalist)
Mix:
Ben Shirken (founder of 29 Speedway, a.k.a Ex Wiish)
Hintergrundgesang:
May Rio und shallowhalo
vocals:
The Dare (New York singer and producer)
a cappella versions:
Girls (a cappella) von The Dare (New York singer and producer)
instrumental versions:
Girls (instrumental) von The Dare (New York singer and producer)
The Dare2:00
11Espresso
Programmierung und Produzent(in):
Julian Bunetta
assistierende(r) Techniker(in):
Harrison Tate (Aufgabe: mastering)
Techniker(in):
Julian Bunetta, Nathan Dantzler (mastering engineer) (Aufgabe: mastering) und Jeff Gunnell
Mix:
Julian Bunetta und Jeff Gunnell
Bassgitarre [bass], drum machine [drums], Gitarre, Keyboard [keyboards] und Perkussion:
Julian Bunetta
Hintergrundgesang:
Amy Allen (US indie-pop songwriter) und Steph Jones (US country/pop-rock songwriter)
Sologesang:
Sabrina Carpenter
vocals:
Sabrina Carpenter
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2024, in 2025)
Musikvideos:
Espresso von Sabrina Carpenter und Espresso (lyric video) von Sabrina Carpenter
commentary:
Espresso (track by track commentary) von Sabrina Carpenter
Teil von:
Best of 2024: Today’s Hits (Nummer: 2), Top Songs of 2024: Global (Nummer: 3), Billboard Year-End Hot 100 singles of 2024 (Nummer: 7), Billboard Year-End Hot 100 singles of 2025 (Nummer: 12), Billboard Hot 100: 2025-04-26 (Nummer: 15), Billboard Hot 100: 2025-06-28 (Nummer: 16), Billboard Hot 100: 2025-07-12 (Nummer: 16), Billboard Hot 100: 2025-04-19 (Nummer: 17), Billboard Hot 100: 2025-06-21 (Nummer: 17), Billboard Hot 100: 2025-03-22 (Nummer: 18), Billboard Hot 100: 2025-04-05 (Nummer: 18), Billboard Hot 100: 2025-07-05 (Nummer: 18), Billboard Hot 100: 2025-05-03 (Nummer: 19), Billboard Hot 100: 2025-05-10 (Nummer: 19), Billboard Hot 100: 2025-05-17 (Nummer: 19), Billboard Hot 100: 2025-07-19 (Nummer: 19), MTV Video Music Award for Song of the Year nominees (Nummer: 2024 winner), Billboard Hot 100: 2025-04-12 (Nummer: 20), Billboard Hot 100: 2025-06-14 (Nummer: 20), Billboard Hot 100: 2025-05-24 (Nummer: 21), Billboard Hot 100: 2025-06-07 (Nummer: 21), Billboard Hot 100: 2025-03-29 (Nummer: 22), Billboard Hot 100: 2025-05-31 (Nummer: 24), Pitchfork: The 100 Best Songs of the 2020s So Far (Nummer: 30), Grammy Award: Best Pop Solo Performance nominees (Nummer: 2025 winner), Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 36), Grammy Award: Record of the Year nominees (Nummer: 2025) und BILLIONS CLUB
recording of:
Espresso
Verfasser(in):
Amy Allen (US indie-pop songwriter), Julian Bunetta, Sabrina Carpenter und Steph Jones (US country/pop-rock songwriter)
Teil von:
Prix de l’œuvre internationale de l’année (Nummer: 2025)
Sabrina Carpenter42:55
12Good 4 U
Assistent recording engineer:
Ryan Linvill
recording engineer:
Daniel Nigro (songwriter and instrumentalist)
drum machine-Programmierung:
Alexander 23 und Daniel Nigro (songwriter and instrumentalist)
Koproduzent(in):
Alexander 23
Produzent(in):
Alexander 23 und Daniel Nigro (songwriter and instrumentalist)
Mix:
Mitch McCarthy (mixer)
Akustikgitarre und Synthesizer:
Daniel Nigro (songwriter and instrumentalist)
Bassgitarre, E-Gitarre und Hintergrundgesang:
Alexander 23 und Daniel Nigro (songwriter and instrumentalist)
vocals:
Olivia Rodrigo (US singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Olivia Rodrigo (US singer‐songwriter) (in 2021)
aufgenommen bei:
Amusement Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten und Funk Studios, Salt Lake City in Salt Lake City, Utah, Vereinigte Staaten
mixed at:
Amusement Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
good 4 u (explicit music video) von Olivia Rodrigo (US singer‐songwriter) und good 4 u (music video & behind the scenes) von Olivia Rodrigo (US singer‐songwriter)
Teil von:
Billboard Year-End Hot 100 singles of 2021 (Nummer: 5), Billboard Hot 100: 2022-02-05 (Nummer: 25), Pitchfork: The 100 Best Songs of the 2020s So Far (Nummer: 28), Billboard Year-End Hot 100 singles of 2022 (Nummer: 31) und BILLIONS CLUB
recording of:
good 4 u
Texter:
Daniel Leonard Nigro (songwriter and instrumentalist) und Olivia Rodrigo (US singer‐songwriter)
Verfasser(in):
Josh Farro, Daniel Nigro (songwriter and instrumentalist), Olivia Rodrigo (US singer‐songwriter) und Hayley Williams (Paramore vocalist)
Komponist(in):
Daniel Leonard Nigro (songwriter and instrumentalist), Josh Farro, Olivia Rodrigo (US singer‐songwriter) und Hayley Williams (Paramore vocalist)
publisher:
But Father, I Just Want to Sing Music (publishing company of Hayley Williams of Paramore), Daniel Leonard Nigro Music, Liv Laf Luv, Sony/ATV Allegro, Sony/ATV Tunes LLC (ASCAP), Warner Chappell Music, Hong Kong Limited (華納音樂出版有限公司, 2019–) und Sony Music Publishing (Hong Kong) Limited (2021–) (vom 2021 bis heute)
quotes music from:
Misery Business
Olivia Rodrigo3.652:58
13Murder on the Dancefloor
recording engineer:
Marco Rakascan
assistierende(r) Techniker(in):
Laurence Brazil (production music composer)
Techniker(in):
James Loughrey
Produzent(in):
Gregg Alexander und Matt Rowe
Mix:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Bassgitarre:
Guy Pratt
Gitarre:
John Themis
Saiteninstrumente:
Wired Strings
Sologesang:
Sophie Ellis‐Bextor
conductor:
Rosie Wetters
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2001)
aufgenommen bei:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Townhouse Studios in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Murder on the Dancefloor von Sophie Ellis‐Bextor
Teil von:
Best of 2024: Viral Hits (Nummer: 26)
recording of:
Murder on the Dancefloor
Verfasser(in):
Gregg Alexander und Sophie Ellis‐Bextor
publisher:
Keepin’ It Real, How ’Bout You?, Rondor Music (London) Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Sophie Ellis‐Bextor4.153:51
14Waterfalls
recording of:
Waterfalls
James Hype, Sam Harper & Bobby Harvey22:01
15The Hardest Part
Programmierung:
Felix Joseph
Techniker(in):
Carassius Gold (Danish producer and songwriter) und Felix Joseph
Produzent(in):
Carassius Gold (Danish producer and songwriter) und Cameron Gower Poole (Aufgabe: vocal)
zusätzliche(r) Produzent(in):
Felix Joseph
Mix:
Nathan Boddy (British mixing engineer & music producer)
Bassgitarre und Gitarre:
Max Wolfgang
Keyboard:
Carassius Gold (Danish producer and songwriter) und Max Wolfgang
Schlagzeug:
Dan See
vocals:
Olivia Dean
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2020)
recording of:
The Hardest Part
Verfasser(in):
Bastian Langebæk (Danish producer and songwriter), Olivia Dean und Max Wolfgang
Olivia Dean3.52:56
16Ain't No Mountain High Enough (mono version)
recording of:
Ain’t No Mountain High Enough
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
sub-publisher:
EMI Songs Australia Pty. Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye & Tammi Terrell52:33
17Celebration
Hintergrundgesang:
Kelly Barretto, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dee Dee Bryant, Gwen Hester, Cynthia Huggins, Joan Motley, Meekaeel Muhammad, Robert Bell, Robert Mickens, Elaine Sims, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Cedric Toon und Earl Toon, Jr.
Sologesang:
James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
Interpret(in):
Kool & the Gang
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980, in 2020)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 298)
recording of:
Celebration
Verfasser(in):
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) und Earl Toon, Jr.
publisher:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1980) und WB Music Corp. (1929–2019) (in 1980)
Kool & The Gang4.44:59
18Sailor Song
phonographisches Urheberrecht (℗) von:
Gigi Perez (Indie-rock singer/songwriter) (in 2024)
phonographisches Urheberrecht (℗) von:
Outtahere, LLC (in 2024)
Teil von:
Best of 2024: ALT CTRL (Nummer: 22), Best of 2024: Viral Hits (Nummer: 28), Billboard Hot 100: 2025-04-26 (Nummer: 35), Billboard Hot 100: 2025-04-19 (Nummer: 36), Billboard Year-End Hot 100 singles of 2025 (Nummer: 36), Billboard Hot 100: 2025-03-22 (Nummer: 38), Billboard Hot 100: 2025-05-03 (Nummer: 38), Billboard Hot 100: 2025-04-05 (Nummer: 39), Billboard Hot 100: 2025-04-12 (Nummer: 39), Billboard Hot 100: 2025-05-10 (Nummer: 42), Billboard Hot 100: 2025-03-29 (Nummer: 50) und Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 77)
recording of:
Sailor Song
Texter und Komponist(in):
Gianna Perez (Gigi Perez, Indie-rock singer/songwriter)
publisher:
Outtahere LLC
Gigi Perez3:32
19Nice to Each Other
recording engineer:
Adele Phillips
drum machine-Programmierung:
Zach Nahome
Techniker(in):
Dan Ewins und Jan Trafas
Produzent(in):
Zach Nahome
Mix:
Charlie Holmes (UK mix engineer / producer)
Akustikgitarre und E-Gitarre:
Zach Nahome und Daniel Rogerson
Bassgitarre:
Zach Nahome und Finn Zeferino-Birchall (UK session bass & guitar player)
Keyboard:
Deschanel Gordon
Klavier:
Olivia Dean und Deschanel Gordon
Lap-Steel-Gitarre und Synthesizer:
Zach Nahome
Perkussion:
Joel Waters
Hintergrundgesang:
Olivia Dean, Deschanel Gordon, Daniel Rogerson, Joel Waters und Finn Zeferino-Birchall (UK session bass & guitar player)
Sologesang:
Olivia Dean
Teil von:
Musikexpress – Die Songs des Jahres 2025 (Nummer: 49), Billboard Hot 100: 2026-02-07 (Nummer: 65), Billboard Hot 100: 2026-01-17 (Nummer: 69), Billboard Hot 100: 2026-02-28 (Nummer: 70), Billboard Hot 100: 2026-02-14 (Nummer: 72), Billboard Hot 100: 2026-01-10 (Nummer: 74), Billboard Hot 100: 2026-03-14 (Nummer: 74), Billboard Hot 100: 2026-01-31 (Nummer: 77), Billboard Hot 100: 2025-12-06 (Nummer: 78), Billboard Hot 100: 2026-03-21 (Nummer: 79), Billboard Hot 100: 2026-01-24 (Nummer: 81), Billboard Hot 100: 2025-11-29 (Nummer: 82), Billboard Hot 100: 2026-03-07 (Nummer: 87), Billboard Hot 100: 2025-11-01 (Nummer: 88), Billboard Hot 100: 2025-11-08 (Nummer: 94), Billboard Hot 100: 2026-02-21 (Nummer: 96), Billboard Hot 100: 2025-10-11 (Nummer: 97) und Billboard Hot 100: 2025-11-15 (Nummer: 100)
recording of:
Nice To Each Other
Verfasser(in):
Olivia Dean und Matt Hales (English songwriter, musician & record producer Matt Hales)
Olivia Dean33:29
20We Don't Care
Akon34:16
21Boy You Turn Me
Felix Jaehn & Cascada3:12
22Bad Idea Right?
drum machine [drum]-Programmierung:
Daniel Nigro (songwriter and instrumentalist)
assistierende(r) Techniker(in):
Austen Healey (engineer)
Techniker(in):
Sterling Laws, Daniel Nigro (songwriter and instrumentalist), Sam Stewart (English musician, in Blondelle, Lo Moon, Nightmare and the Cat) und Dan Viafore
Produzent(in):
Daniel Nigro (songwriter and instrumentalist) und Daniel Nigro (songwriter and instrumentalist) (Sologesang)
assistierende(r) Mix:
Matt Wolach
Mix:
Mark “Spike” Stent (producer, engineer)
Bassgitarre [bass], Gitarre und Perkussion:
Daniel Nigro (songwriter and instrumentalist)
Schlagzeug:
Sterling Laws
Solo-E-Gitarre:
Sam Stewart (English musician, in Blondelle, Lo Moon, Nightmare and the Cat)
Hintergrundgesang [backing vocals]:
Daniel Nigro (songwriter and instrumentalist) und Olivia Rodrigo (US singer‐songwriter)
Sologesang:
Olivia Rodrigo (US singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Olivia Rodrigo (US singer‐songwriter) (in 2023)
aufgenommen bei:
Amusement Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
SLS Studios in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
bad idea right? (explicit) von Olivia Rodrigo (US singer‐songwriter)
Teil von:
Stereogum Readers’ Top 10 Songs of 2023 (Nummer: 8)
recording of:
bad idea right?
Verfasser(in):
Daniel Nigro (songwriter and instrumentalist) und Olivia Rodrigo (US singer‐songwriter)
publisher:
Daniel Leonard Nigro Music, Liv Laf Luv, Sony/ATV Allegro und Sony/ATV Tunes LLC (ASCAP)
Olivia Rodrigo4.153:05
23The One That Got Away
Programmierung und Produzent(in):
Dr. Luke und Max Martin (Swedish record producer)
assistierende(r) Techniker(in):
Tatiana Gottwald und Tim Roberts (engineer)
Techniker(in):
John Hanes (audio engineer, mixer), Sam Holland (sound engineer) und Emily Wright
Mix:
Serban Ghenea
Keyboard und Schlagzeug:
Dr. Luke und Max Martin (Swedish record producer)
vocals:
Katy Perry
conductor:
L. Leon Pendarvis
arranger:
L. Leon Pendarvis
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2010, in 2012)
aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
The One That Got Away von Katy Perry und The One That Got Away (director’s cut) von Katy Perry
Teil von:
Billboard Year-End Hot 100 singles of 2012 (Nummer: 41) und BILLIONS CLUB
recording of:
The One That Got Away
Verfasser(in):
Łukasz Gottwald, Max Martin (Swedish record producer) und Katy Perry
publisher:
Maratone, Kasz Money Publishing (ASCAP affiliated) (in 2010, in 2012), Maratone AB (in 2010, in 2012) und When I’m Rich You’ll Be My Bitch (in 2010, in 2012)
Katy Perry4.33:47
24MUTT
Teil von:
Billboard Hot 100: 2025-11-29 (Nummer: 6), Billboard Hot 100: 2025-11-22 (Nummer: 7), Billboard Hot 100: 2025-11-15 (Nummer: 8), Billboard Hot 100: 2025-12-06 (Nummer: 9), Billboard Hot 100: 2026-01-10 (Nummer: 9), Billboard Hot 100: 2025-11-01 (Nummer: 10), Billboard Hot 100: 2025-11-08 (Nummer: 10), Billboard Hot 100: 2026-01-17 (Nummer: 10), Billboard Hot 100: 2025-10-11 (Nummer: 11), Billboard Hot 100: 2026-01-24 (Nummer: 11), Billboard Hot 100: 2026-01-31 (Nummer: 11), Billboard Hot 100: 2025-06-28 (Nummer: 12), Billboard Hot 100: 2025-10-04 (Nummer: 12), Billboard Hot 100: 2026-02-07 (Nummer: 12), Billboard Hot 100: 2025-05-17 (Nummer: 13), Billboard Hot 100: 2025-06-14 (Nummer: 14), Billboard Hot 100: 2025-06-21 (Nummer: 14), Billboard Hot 100: 2025-07-12 (Nummer: 14), Billboard Hot 100: 2025-09-20 (Nummer: 14), Billboard Hot 100: 2025-09-27 (Nummer: 14), Billboard Hot 100: 2025-05-10 (Nummer: 15), Billboard Hot 100: 2025-07-05 (Nummer: 15), Billboard Hot 100: 2025-08-30 (Nummer: 15), Billboard Hot 100: 2025-09-06 (Nummer: 15), Billboard Hot 100: 2026-02-14 (Nummer: 15), Billboard Hot 100: 2025-04-26 (Nummer: 16), Billboard Hot 100: 2025-05-24 (Nummer: 17), Billboard Hot 100: 2025-07-19 (Nummer: 17), Billboard Hot 100: 2025-08-23 (Nummer: 17), Billboard Hot 100: 2025-05-03 (Nummer: 18), Billboard Hot 100: 2025-05-31 (Nummer: 18), Billboard Hot 100: 2025-06-07 (Nummer: 18), Billboard Hot 100: 2025-08-09 (Nummer: 18), Billboard Hot 100: 2025-10-18 (Nummer: 18), Billboard Hot 100: 2025-10-25 (Nummer: 18), Billboard Hot 100: 2025-07-26 (Nummer: 20), Billboard Hot 100: 2025-08-02 (Nummer: 20), Billboard Hot 100: 2025-08-16 (Nummer: 20), Billboard Hot 100: 2025-12-13 (Nummer: 20), Billboard Hot 100: 2025-04-12 (Nummer: 21), Billboard Hot 100: 2025-04-19 (Nummer: 21), Billboard Hot 100: 2025-09-13 (Nummer: 21), Billboard Year-End Hot 100 singles of 2025 (Nummer: 22), Billboard Hot 100: 2025-12-20 (Nummer: 24), Billboard Hot 100: 2025-04-05 (Nummer: 28), Billboard Hot 100: 2025-12-27 (Nummer: 31), Billboard Hot 100: 2026-02-21 (Nummer: 42) und Billboard Hot 100: 2025-03-29 (Nummer: 77)
recording of:
MUTT
Verfasser(in):
Leon Thomas (Contemporary US R&B/soul musician, actor)
Leon Thomas3:13
25Golden
recording engineer:
Andy Dudman (Saiteninstrumente), Noah Hubbell (Sologesang) und Derik Lee (engineer) (Sologesang)
sonstige Unterstützung:
Mike Casteel (Aufgabe: music preparation), Josh Fried (music associate) (Aufgabe: music associate), Sandra Park (vocal contractor) (Aufgabe: vocal contractor) und Jill Streater (Aufgabe: music preparation)
Produzent(in):
24 (South Korean composer), Ian Eisendrath, IDO (South Korean producer) und TEDDY (Korean rapper/producer, 1TYM)
Mix:
Curtis Douglas
Editing:
Oren Yaacoby
Sologesang [Mira]:
AUDREY NUNA (Korean American R&B artist)
Sologesang [Rumi]:
EJAE (K-pop writer)
Sologesang [Zoey]:
REI AMI
conductor:
Ian Eisendrath (Saiteninstrumente)
Saiteninstrumente arranger:
Rob Mathes
vocals arranger:
Ian Eisendrath und EJAE (K-pop writer)
phonographisches Urheberrecht (℗) von:
Netflix Music, LLC (in 2025)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (Saiteninstrumente), Igloo Music in Burbank, California (Kalifornien), Vereinigte Staaten (Sologesang) und Power Station at Berklee NYC (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (Sologesang)
mixed at:
Kapax Studios
Musikvideos:
Golden (official lyric video) von KPop Demon Hunters
a cappella versions:
Golden (a cappella) von HUNTR/X (fictional group from the animated movie "KPop Demon Hunters"), EJAE (K-pop writer), AUDREY NUNA (Korean American R&B artist), REI AMI & KPop Demon Hunters Cast
instrumental versions:
Golden (instrumental) von HUNTR/X (fictional group from the animated movie "KPop Demon Hunters"), EJAE (K-pop writer), AUDREY NUNA (Korean American R&B artist), REI AMI, KPop Demon Hunters Cast
Teil von:
Billboard Hot 100: 2025-08-16 (Nummer: 1), Billboard Hot 100: 2025-08-30 (Nummer: 1), Billboard Hot 100: 2025-09-06 (Nummer: 1), Billboard Hot 100: 2025-09-13 (Nummer: 1), Billboard Hot 100: 2025-09-20 (Nummer: 1), Billboard Hot 100: 2025-09-27 (Nummer: 1), Billboard Hot 100: 2025-10-04 (Nummer: 1), Billboard Hot 100: 2025-10-11 (Nummer: 1), Billboard Hot 100: 2025-08-02 (Nummer: 2), Billboard Hot 100: 2025-08-09 (Nummer: 2), Billboard Hot 100: 2025-08-23 (Nummer: 2), Billboard Hot 100: 2025-11-01 (Nummer: 2), Billboard Hot 100: 2025-11-08 (Nummer: 2), Billboard Hot 100: 2025-11-15 (Nummer: 2), Billboard Hot 100: 2025-11-22 (Nummer: 2), Billboard Hot 100: 2025-11-29 (Nummer: 2), Billboard Hot 100: 2025-12-06 (Nummer: 2), Billboard Hot 100: 2026-01-10 (Nummer: 2), Billboard Hot 100: 2025-10-25 (Nummer: 3), Billboard Hot 100: 2026-01-17 (Nummer: 3), Rolling Stone - The 100 Best Songs of 2025 (Nummer: 3), Billboard Hot 100: 2025-07-26 (Nummer: 4), Billboard Hot 100: 2026-01-24 (Nummer: 4), Billboard Hot 100: 2026-01-31 (Nummer: 4), Billboard Hot 100: 2026-02-07 (Nummer: 4), Billboard Hot 100: 2025-12-13 (Nummer: 5), Billboard Hot 100: 2026-02-14 (Nummer: 5), Billboard Hot 100: 2026-03-28 (Nummer: 5), Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 5), Billboard Hot 100: 2025-07-19 (Nummer: 6), Billboard Hot 100: 2025-12-20 (Nummer: 6), Billboard Hot 100: 2026-03-07 (Nummer: 6), Billboard Hot 100: 2026-04-04 (Nummer: 6), Billboard Hot 100: 2026-04-18 (Nummer: 6), Billboard Hot 100: 2026-02-28 (Nummer: 7), Billboard Hot 100: 2026-03-21 (Nummer: 7), Billboard Hot 100: 2026-04-11 (Nummer: 7), Billboard Hot 100: 2026-04-25 (Nummer: 7), Billboard Hot 100: 2026-03-14 (Nummer: 8), Billboard Hot 100: 2026-02-21 (Nummer: 9), Billboard Hot 100: 2026-05-02 (Nummer: 9), Billboard Hot 100: 2025-12-27 (Nummer: 11), Billboard Hot 100: 2026-05-16 (Nummer: 11), Billboard Hot 100: 2025-10-18 (Nummer: 13), Billboard Hot 100: 2026-05-09 (Nummer: 13), Billboard Hot 100: 2026-05-23 (Nummer: 13), Billboard Hot 100: 2025-07-12 (Nummer: 23), Billboard Hot 100: 2026-01-03 (Nummer: 25), Billboard Year-End Hot 100 singles of 2025 (Nummer: 25), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2026) und Billboard Hot 100: 2025-07-05 (Nummer: 81)
recording of:
Golden (KPop Demon Hunters)
Verfasser(in):
24 (South Korean composer), EJAE (K-pop writer), IDO (South Korean producer), Mark Sonnenblick und TEDDY (Korean rapper/producer, 1TYM)
publisher:
Maisie Anthems
Teil von:
Grammy Award: Best Song Written for Visual Media nominees (Nummer: 2026 winner) und Grammy Award: Song of the Year nominees (Nummer: 2026)
Teil von:
KPop Demon Hunters
HUNTR/X, EJAE, AUDREY NUNA, REI AMI & KPop Demon Hunters Cast3.53:15
26So Easy (To Fall in Love)
Programmierung:
John Ryan (American pop singer/producer a/k/a “John the Blind”)
Techniker(in):
Jeff Gunnell und John Ryan (American pop singer/producer a/k/a “John the Blind”)
Produzent(in):
Julian Bunetta, Zach Nahome, John Ryan (American pop singer/producer a/k/a “John the Blind”) und Max Wolfgang (Aufgabe: vocal)
zusätzliche(r) Produzent(in):
Amy Allen (US indie-pop songwriter)
Mix:
Charlie Holmes (UK mix engineer / producer)
Bassgitarre und Gitarre:
John Ryan (American pop singer/producer a/k/a “John the Blind”)
Horn:
Mark Rudin (trumpetist and hornist) und John Ryan (American pop singer/producer a/k/a “John the Blind”)
Klavier:
Olivia Dean und John Ryan (American pop singer/producer a/k/a “John the Blind”)
Schlagzeug:
Julian Bunetta
Sologesang:
Olivia Dean
Teil von:
Billboard Hot 100: 2026-05-23 (Nummer: 5), Billboard Hot 100: 2026-04-11 (Nummer: 6), Billboard Hot 100: 2026-04-25 (Nummer: 6), Billboard Hot 100: 2026-05-09 (Nummer: 6), Billboard Hot 100: 2026-05-16 (Nummer: 6), Billboard Hot 100: 2026-04-04 (Nummer: 7), Billboard Hot 100: 2026-05-02 (Nummer: 7), Billboard Hot 100: 2026-06-06 (Nummer: 7), Billboard Hot 100: 2026-06-13 (Nummer: 7), Billboard Hot 100: 2026-06-20 (Nummer: 8), Billboard Hot 100: 2026-03-28 (Nummer: 9), Billboard Hot 100: 2026-04-18 (Nummer: 9), Billboard Hot 100: 2026-03-07 (Nummer: 11), Billboard Hot 100: 2026-03-21 (Nummer: 11), Billboard Hot 100: 2026-07-04 (Nummer: 11), Billboard Hot 100: 2026-07-11 (Nummer: 12), Billboard Hot 100: 2026-02-14 (Nummer: 13), Billboard Hot 100: 2026-03-14 (Nummer: 13), Billboard Hot 100: 2026-06-27 (Nummer: 13), Billboard Hot 100: 2026-01-10 (Nummer: 14), Billboard Hot 100: 2026-02-28 (Nummer: 14), Billboard Hot 100: 2026-01-17 (Nummer: 15), Billboard Hot 100: 2026-01-24 (Nummer: 16), Billboard Hot 100: 2026-02-07 (Nummer: 16), Billboard Hot 100: 2026-01-31 (Nummer: 17), Billboard Hot 100: 2026-02-21 (Nummer: 17), Billboard Hot 100: 2025-11-29 (Nummer: 18), Billboard Hot 100: 2026-05-30 (Nummer: 20), Billboard Hot 100: 2025-12-06 (Nummer: 27), Billboard Hot 100: 2025-11-22 (Nummer: 29), Billboard Hot 100: 2025-11-01 (Nummer: 44), Billboard Hot 100: 2025-11-08 (Nummer: 44), Billboard Hot 100: 2025-11-15 (Nummer: 46), Billboard Hot 100: 2025-10-25 (Nummer: 53), Billboard Hot 100: 2025-12-27 (Nummer: 54) und Billboard Hot 100: 2025-10-11 (Nummer: 98)
recording of:
So Easy (To Fall in Love)
Verfasser(in):
Amy Allen (US indie-pop songwriter), Olivia Dean, John Ryan (American pop singer/producer a/k/a “John the Blind”) und Max Wolfgang
Olivia Dean3.52:49
27Dame Un Grrr
Fantomel & Kate Linn2:13
28Imma Be
Produzent(in):
Keith Harris (00s US producer & musician) und will.i.am (American rapper and producer)
Samples:
Ride or Die von The Budos Band (US instrumental band)
a cappella versions:
Imma Be Rocking That Body von Tufts Beelzebubs (Tufts University all-male a cappella group)
recording of:
Imma Be
Verfasser(in):
Allan Pineda, Thomas Brenneck, Michael Deller (Writes "Imma Be" by Black Eyed Peas), D. Foder, Keith Harris (00s US producer & musician), Jaime Gomez (member of Black Eyed Peas), Stacy Ferguson (American singer), Jared Tankel und William Adams (American rapper and producer)
Black Eyed Peas3.154:18
29Wannabe
Assistent recording engineer:
Patrick McGovern
recording engineer:
Adrian Bushby
Programmierung und Produzent(in):
Richard Stannard und Matt Rowe
Mix:
Mark “Spike” Stent (producer, engineer)
Keyboard:
Richard Stannard und Matt Rowe
Herausgeber:
SSO
Musikvideos:
Wannabe (video) von Spice Girls
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 36)
recording of:
Wannabe
Verfasser(in):
Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe und Victoria Beckham (née Adams)
publisher:
PolyGram Music Publishing Ltd. und Windswept Pacific Music Ltd.
Spice Girls3.852:53
30Walk Walk Walk
Mix:
Dan Grech
recording of:
Walk Walk Walk
Verfasser(in):
Oli Fox, Scott Verrill und Justin Tranter (singer and songwriter)
Good Neighbours2:57
31Good Luck, Babe!
recording engineer, Programmierung und Produzent(in):
Dan Nirgo (songwriter and instrumentalist)
Schlagzeug-Programmierung:
Dan Nirgo (songwriter and instrumentalist)
Techniker(in):
Paul Cartwright
Mix:
Mitch McCarthy (mixer)
Bass, Gitarre, Keyboard, Perkussion und Synthesizer:
Dan Nirgo (songwriter and instrumentalist)
Bratsche / Viola und Geige / Violine:
Paul Cartwright
Schlagzeug:
Sterling Laws
Hintergrundgesang:
Dan Nirgo (songwriter and instrumentalist) und Lily Elise (American singer-songwriter Lily Ēlise)
vocals:
Chappell Roan
phonographisches Urheberrecht (℗) von:
KRA International Inc. (in 2024)
Musikvideos:
Good Luck, Babe! (lyric video) von Chappell Roan
Teil von:
Stereogum Readers’ Top 10 Songs of 2024 (Nummer: 3), Best of 2024: Today’s Hits (Nummer: 17), Billboard Year-End Hot 100 singles of 2024 (Nummer: 18), Billboard Hot 100: 2025-03-22 (Nummer: 27), Grammy Award: Best Pop Solo Performance nominees (Nummer: 2025), Billboard Year-End Hot 100 singles of 2025 (Nummer: 31), Billboard Hot 100: 2025-04-05 (Nummer: 37), Billboard Hot 100: 2025-04-12 (Nummer: 37), Billboard Hot 100: 2025-03-29 (Nummer: 39), Billboard Hot 100: 2025-04-19 (Nummer: 39), Top Songs of 2024: Global (Nummer: 39), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2024), Pitchfork: The 100 Best Songs of the 2020s So Far (Nummer: 42), TheNeedleDrop: Top 50 Songs of 2024 (Nummer: 42), Grammy Award: Record of the Year nominees (Nummer: 2025) und BILLIONS CLUB
recording of:
Good Luck, Babe!
Verfasser(in):
Kayleigh Rose Amstutz, Daniel Nigro (songwriter and instrumentalist) und Justin Tranter (singer and songwriter)
publisher:
Daniel Leonard Nigro Music, Sony/ATV Allegro, Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
Canadiana Music, Sony/ATV Music Publishing Canada (SOCAN), Sony/ATV Songs (SOCAN) und Sony/ATV Tunes (SOCAN)
Teil von:
Grammy Award: Song of the Year nominees (Nummer: 2025)
Chappell Roan43:38
32Maui Wowie
Teil von:
Billboard Hot 100: 2025-10-25 (Nummer: 71), Billboard Hot 100: 2025-11-01 (Nummer: 76) und Billboard Hot 100: 2025-11-08 (Nummer: 91)
Kid Cudi22:23
33Cinnamon
phonographisches Urheberrecht (℗) von:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (in 2025)
BENEE2:42
34No Time to Talk
Programmierung:
Julian Bunetta
Techniker(in):
Julian Bunetta, Jeff Gunnell und Gabe Simon
zusätzliche(r) Techniker(in):
Desiree da Silva (sound engineer)
Produzent(in):
Julian Bunetta und Gabe Simon
Mix:
Serban Ghenea
Editing:
Anthony Yordanov (Sologesang)
Gitarre:
Kevin Jonas
vocals:
Joe Jonas (of the Jonas Brothers) und Nick Jonas
phonographisches Urheberrecht (℗) von:
Jonas Brothers Recording, Limited Liability Company (in 2025)
recording of:
No Time to Talk
Verfasser(in):
Julian Bunetta, Barry Gibb, Maurice Gibb, Robin Gibb, Steph Jones (US country/pop-rock songwriter), Nicholas Jonas und Gabe Simon
quotes music from:
Stayin’ Alive
Jonas Brothers2:35
35Dynamite
Assistent recording engineer:
Tatiana Gottwald
Programmierung:
benny blanco (producer Benjamin Levin), Taio Cruz und Dr. Luke
Techniker(in):
Emily Wright
Produzent(in):
benny blanco (producer Benjamin Levin) und Dr. Luke
Mix:
Serban Ghenea
Keyboard und Schlagzeug:
benny blanco (producer Benjamin Levin) und Dr. Luke
Hintergrundgesang und Sologesang:
Taio Cruz
phonographisches Urheberrecht (℗) von:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2010)
Musikvideos:
Dynamite von Taio Cruz
Teil von:
Billboard Year-End Hot 100 singles of 2010 (Nummer: 9), Billboard Year-End Hot 100 singles of 2011 (Nummer: 44) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 338)
recording of:
Dynamite
Verfasser(in):
Benjamin Levin (producer Benjamin Levin), Taio Cruz, Łukasz Gottwald, Max Martin (Swedish record producer) und Bonnie McKee
publisher:
Bonnie McKee Music, Songs of Pulse Recording (BMI) und Where da Kasz At
Taio Cruz3.43:23
36The Day That I Die
Lewis Capaldi32:55
37All Night Long (All Night) (single version)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1983)
Musikvideos:
All Night Long (All Night) von Lionel Richie
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 84) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 277)
recording of:
All Night Long (All Night)
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Music und Rondor Music (Australia) Pty Ltd
Lionel Richie4.16:23
38Upside Down
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
vocals:
Diana Ross
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980) und Motown Records (not for label use; use “Motown” instead) (in 1980)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 89)
recording of:
Upside Down
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC und Tommy Jymi Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross3.754:03
39All-American Bitch
drum machine [drum]-Programmierung:
Daniel Nigro (songwriter and instrumentalist)
assistierende(r) Techniker(in):
Austen Healey (engineer)
Techniker(in):
Jasmine Chen (engineer), Dave Schiffman (American producer/audio engineer), Sterling Laws, Daniel Nigro (songwriter and instrumentalist) und Sam Stewart (English musician, in Blondelle, Lo Moon, Nightmare and the Cat)
Produzent(in):
Daniel Nigro (songwriter and instrumentalist) und Daniel Nigro (songwriter and instrumentalist) (Sologesang)
assistierende(r) Mix:
Matt Wolach
Mix:
Mark “Spike” Stent (producer, engineer)
Akustikgitarre und E-Gitarre:
Daniel Nigro (songwriter and instrumentalist) und Sam Stewart (English musician, in Blondelle, Lo Moon, Nightmare and the Cat)
Bassgitarre [bass]:
Ryan Linvill und Daniel Nigro (songwriter and instrumentalist)
Perkussion, Solo-Gitarre und Synthesizer [synths]:
Daniel Nigro (songwriter and instrumentalist)
Schlagzeug:
Sterling Laws
Hintergrundgesang [backing vocals]:
Daniel Nigro (songwriter and instrumentalist) und Olivia Rodrigo (US singer‐songwriter)
Sologesang:
Olivia Rodrigo (US singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Olivia Rodrigo (US singer‐songwriter) (in 2023)
aufgenommen bei:
Amusement Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten und East West Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
SLS Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
all‐american bitch
Verfasser(in):
Daniel Nigro (songwriter and instrumentalist) und Olivia Rodrigo (US singer‐songwriter)
publisher:
Daniel Leonard Nigro Music, Liv Laf Luv, Sony/ATV Allegro und Sony/ATV Tunes LLC (ASCAP)
Olivia Rodrigo3.82:46
40Somewhere Only We Know
Programmierung und Techniker(in):
Andy Green (producer, engineer)
Produzent(in):
Andy Green (producer, engineer) und Keane
assistierende(r) Mix:
David Treahern und Rob Haggett
Mix:
Mark “Spike” Stent (producer, engineer)
Bass und Keyboard:
Tim Rice‐Oxley
Schlagzeug:
Richard Hughes (musician and multimedia composer based in Ireland)
phonographisches Urheberrecht (℗) von:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2004, in 2024)
aufgenommen bei:
Helioscentric Studios in Rye, East Sussex, England, Vereinigtes Königreich
recording of:
Somewhere Only We Know
Verfasser(in):
Tom Chaplin, Richard Hughes (Keane member) und Tim Rice‐Oxley
publisher:
BMG Music Publishing Ltd.
Keane4.453:56
41Thong Song
Musikvideos:
Thong Song (enhanced video track) ("MTV version") von Sisqó
recording of:
Thong Song
Komponist(in):
Desmond Child, Tim Kelley, Mark Andrews, Bob Robinson (US R&B producer/songwriter) und Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
quotes lyrics from:
Livin’ la Vida Loca (English version)
Sisqo34:13
42Man! I Feel Like a Woman!
Shania Twain3:53
43Mamma Mia
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Bassgitarre:
Mike Watson (English‐Swedish rock musician) (am 1975-03-12)
Bratsche / Viola:
Nils Heie (am 1975-03-15) und Håkan Roos (Swedish violist) (am 1975-03-15)
Cello:
Kjell Bjurling (Swedish cellist) (am 1975-03-15) und Olle Gustafsson (cellist) (am 1975-03-15)
E-Gitarre:
Finn Sjöberg (am 1975-03-12)
Geige / Violine:
Anders Dahl (Swedish media artist creates artworks and experimental sound) (am 1975-03-15), Inge Lindstedt (am 1975-03-15), Gunnar Michols (Swedish violinist) (am 1975-03-15), Sixten Strömvall (Swedish violinist) (am 1975-03-15), Harry Teike (am 1975-03-15) und Krzysztof Zdrzalka (Swedish violinist) (am 1975-03-15)
Gitarre und zusätzlich Gitarre:
Janne Schaffer (am 1975-03-16)
Marimba:
Benny Andersson (ABBA) (in 1975-03)
Oboe:
Lars-Erik Rönn (am 1975-03-15)
Schlagzeug:
Roger Palm (am 1975-03-12)
Sologesang:
Agnetha Fältskog (am 1975-03-12) und Frida (Swedish singer and member of ABBA) (am 1975-03-12)
Cello, Bratsche / Viola und Geige / Violine arranger:
Sven-Olof Walldoff
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music AB (in 1975) und Polar Music International AB (in 2001, in 2014)
aufgenommen bei:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Schweden (am 1975-03-12, am 1975-03-15, am 1975-03-16)
mixed at:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
Mamma Mia (von 1975-03-12 bis 1975-03-16)
geschrieben in:
Lidingö municipality (Lidingö), Stockholms län (Stockholm county), Schweden
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Polar Music AB (beendet), Union Songs AB (publisher) (beendet), EMI Grove Park Music, Inc., Universal–Songs of PolyGram International, Inc. und Universal/Union Songs Musikförlag AB
Teil von:
Mamma Mia! (1999 musical)
recording of:
Mamma Mia (Spanish version)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Übersetzer:
Buddy McCluskey (translator) und Mary McCluskey (translator)
übersetzte Version von:
Mamma Mia
ABBA3.83:33
44Same Mouth
Assistent recording engineer:
Jacob Tresidder
recording engineer und Mix:
Simon Todkill
Programmierung und Produzent(in):
Sam de Jong und Josh Scarbrow
Bassgitarre und Gitarre:
Sam de Jong und Josh Scarbrow
Perkussion:
Charlie Grimwood
vocals:
Alessi Rose
recording of:
Same Mouth
Verfasser(in):
Sam de Jong, Alessi Rose und Billy Walsh (American songwriter)
Alessi Rose2:36
45This Is How We Do It
Montell Jordan3:53
46One Thing
Lola Young3:29
47Promiscuous
recording engineer und Mix:
Demacio "Demo" Castellon
zusätzlich recording engineer:
Marcella "Ms. Lago" Araica (American songwriter, recording and mixing engineer)
zusätzliche Programmierung:
Demacio "Demo" Castellon
Techniker(in):
Vadim Chislov, Demacio "Demo" Castellon, Ben Jost (engineer), James Roach (engineer) und Kobla Tetey
Produzent(in):
Jim Beanz (Sologesang), Danja (US producer Nate Hills) und Timbaland
Keyboard [keyboards] und Schlagzeug [drums]:
Danja (US producer Nate Hills) und Timbaland
Gast vocals:
Timbaland
Hintergrundgesang:
Nelly Furtado
zusätzlich Hintergrundgesang:
Jim Beanz
phonographisches Urheberrecht (℗) von:
Mosley Music Group LLC (Do not use as a release company, use Mosley Music Group instead) und Geffen Records (in 2006)
gemixt für:
Storm Circle Entertainment
produced for:
Danja Handz Productions, Pettaway Music, Sunset Entertainment und Timbaland Productions
aufgenommen bei:
The Hit Factory Miami in Miami, Florida, Vereinigte Staaten
mixed at:
Thomas Crown Studios Virginia Beach in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 456)
recording of:
Promiscuous
Texter:
Attitude (US rapper/producer Tim Clayton), Nelly Furtado und Timbaland
Komponist(in):
Timothy Clayton, Nelly Furtado, Nate Hills (US producer Nate Hills) und Timothy Mosley
Nelly Furtado & Timbaland3.854:02
48House Tour
Assistent recording engineer:
Jozef Caldwell und Joey Miller (engineer)
recording engineer:
Jack Antonoff, Jeff Gunnell, Sean Hutchinson (Brooklyn‐based American drummer), Oli Jacobs (Oliver Jacobs - recording engineer, producer and mixer), Jack Manning (engineer), Michael Riddleberger (American drummer and percussionist), John Ryan (American pop singer/producer a/k/a “John the Blind”) und Laura Sisk
Programmierung:
Jack Antonoff, John Ryan (American pop singer/producer a/k/a “John the Blind”) und Laura Sisk
Techniker(in):
Bryce Bordone
Produzent(in):
Jack Antonoff, Sabrina Carpenter und John Ryan (American pop singer/producer a/k/a “John the Blind”)
Mix:
Serban Ghenea
Banjo, Rhodes Piano und zwölfsaitige Gitarre:
Jack Antonoff
Bassgitarre, Keyboard und Synthesizer:
Jack Antonoff und John Ryan (American pop singer/producer a/k/a “John the Blind”)
Geige / Violine:
Bobby Hawk
Gitarre:
John Ryan (American pop singer/producer a/k/a “John the Blind”)
Glocken:
Michael Riddleberger (American drummer and percussionist)
Perkussion:
Jack Antonoff, Michael Riddleberger (American drummer and percussionist) und John Ryan (American pop singer/producer a/k/a “John the Blind”)
Schlagzeug:
Jack Antonoff, Sean Hutchinson (Brooklyn‐based American drummer) und John Ryan (American pop singer/producer a/k/a “John the Blind”)
Hintergrundgesang:
Amy Allen (US indie-pop songwriter) und Sabrina Carpenter
Sologesang:
Sabrina Carpenter
Musikvideos:
House Tour von Sabrina Carpenter
Teil von:
Billboard Hot 100: 2025-09-13 (Nummer: 27), Billboard Hot 100: 2025-09-20 (Nummer: 39), Billboard Hot 100: 2026-07-04 (Nummer: 68), Billboard Hot 100: 2026-07-11 (Nummer: 82), Billboard Hot 100: 2025-10-11 (Nummer: 83), Billboard Hot 100: 2026-06-20 (Nummer: 87) und Billboard Hot 100: 2026-06-27 (Nummer: 89)
recording of:
House Tour
Verfasser(in):
Amy Allen (US indie-pop songwriter), Jack Antonoff, Sabrina Carpenter und John Ryan (American pop singer/producer a/k/a “John the Blind”)
Sabrina Carpenter2.352:49
49I Kissed a Girl
recording engineer:
Mike Caffrey (drum machine [drum])
sonstige Unterstützung:
Gary "G" Silver (Aufgabe: production coordinated)
Programmierung:
benny blanco (producer Benjamin Levin) und Dr. Luke
Techniker(in):
Nick Banns, Mike Caffrey, Aniela Gottwald, John Hanes (audio engineer, mixer), Sam Holland (sound engineer), Tina Kennedy und Emily Wright
Produzent(in):
Dr. Luke
zusätzliche(r) Produzent(in):
benny blanco (producer Benjamin Levin) und Mike Caffrey (drum machine [drum])
assistierende(r) Mix:
Tim Roberts (engineer)
Mix:
Serban Ghenea
Bassgitarre [bass] und Gitarre [guitars]:
Dr. Luke
Schlagzeug [drums]:
benny blanco (producer Benjamin Levin) und Dr. Luke
Schlagzeug [live drums]:
Steven Wolf (drummer from USA)
Hintergrundgesang:
Cathy Dennis
Sologesang:
Katy Perry
phonographisches Urheberrecht (℗) von:
Capitol Music Group (label group, not normally a release label) (in 2008)
produced for:
Kasz Money Productions, Inc.
aufgenommen bei:
Conway Recording Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Dr. Luke's in New York, New York, Vereinigte Staaten, Legacy Recording Studios (not to be confused with Legacy Studios, Canada) in Manhattan, New York, New York, Vereinigte Staaten und Monster Island in New York, New York, Vereinigte Staaten (drum machine [drum])
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2008 (Nummer: 14) und BILLIONS CLUB
recording of:
I Kissed a Girl
Verfasser(in):
Cathy Dennis, Lukasz Gottwald, Max Martin (Swedish record producer) und Katy Perry
publisher:
EMI April Music Inc., EMI Music Publishing UK, Kasz Money Publishing (ASCAP affiliated), Maratone, MXM Music AB, Prescription Songs, Toxic Songs Ltd., WB Music Corp. (1929–2019) und When I’m Rich You’ll Be My Bitch
Katy Perry3.953:01