Aus der Tieffen

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Annotation

Performed one voice per part

Annotation last modified on 2014-09-10 09:43 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": I. Sinfonia e Coro "Aus der Tiefen rufe ich, Herr, zu dir"
alto vocals:
Carlos Mena (counter-tenor) (in 2007-11)
bass vocals:
Stephan MacLeod (bass-baritone / conductor) (in 2007-11)
soprano vocals:
Katherine Fuge (in 2007-11)
tenor vocals:
Hans-Jörg Mammel (in 2007-11)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 2007-11)
conductor:
Philippe Pierlot (Belgian violist and conductor) (in 2007-11)
recorded at:
Eglise de Saint Loup sur Thouet in Poitou-Charentes (historical, until 2016), France (in 2007-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: I. Sinfonia und Chor „Aus der Tiefen rufe ich, Herr, zu dir“ (in 2007-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
4:34
2Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": II. Arioso (Bass) con Choral "So du willst, Herr, Sünde zurechnen"
bass vocals:
Stephan MacLeod (bass-baritone / conductor) (in 2007-11)
soprano vocals [Soprano choral]:
Katherine Fuge (in 2007-11)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 2007-11)
conductor:
Philippe Pierlot (Belgian violist and conductor) (in 2007-11)
recorded at:
Eglise de Saint Loup sur Thouet in Poitou-Charentes (historical, until 2016), France (in 2007-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: II. Arioso (Bass) und Choral „So du willst, Herr, Sünde zurechnen“ (in 2007-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
4:10
3Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": III. Coro "Ich harre des Herrn, meine Seele harret"
alto vocals:
Carlos Mena (counter-tenor) (in 2007-11)
bass vocals:
Stephan MacLeod (bass-baritone / conductor) (in 2007-11)
tenor vocals:
Hans-Jörg Mammel (in 2007-11)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 2007-11)
conductor:
Philippe Pierlot (Belgian violist and conductor) (in 2007-11)
recorded at:
Eglise de Saint Loup sur Thouet in Poitou-Charentes (historical, until 2016), France (in 2007-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: III. Chor „Ich harre des Herrn, meine Seele harret“ (in 2007-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
3:43
4Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": IV. Aria (Tenor) con Choral "Meine Seele wartet auf den Herrn"
tenor vocals:
Hans-Jörg Mammel (in 2007-11)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 2007-11)
conductor:
Philippe Pierlot (Belgian violist and conductor) (in 2007-11)
recorded at:
Eglise de Saint Loup sur Thouet in Poitou-Charentes (historical, until 2016), France (in 2007-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: IV. Arie (Tenor) und Choral „Meine Seele wartet auf den Herrn“ (in 2007-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
5:19
5Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": V. Coro "Israel hoffe auf den Herrn"
alto vocals:
Carlos Mena (counter-tenor) (in 2007-11)
bass vocals:
Stephan MacLeod (bass-baritone / conductor) (in 2007-11)
soprano vocals:
Katherine Fuge (in 2007-11)
tenor vocals:
Hans-Jörg Mammel (in 2007-11)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 2007-11)
conductor:
Philippe Pierlot (Belgian violist and conductor) (in 2007-11)
recorded at:
Eglise de Saint Loup sur Thouet in Poitou-Charentes (historical, until 2016), France (in 2007-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: V. Chor „Israel hoffe auf den Herrn“ (in 2007-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
3:47
6Kantate, BWV 182 "Himmelskönig, sei willkommen": I. Sonata
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 2007-11)
conductor:
Philippe Pierlot (Belgian violist and conductor) (in 2007-11)
recorded at:
Eglise de Saint Loup sur Thouet in Poitou-Charentes (historical, until 2016), France (in 2007-11)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: I. Sonata (in 2007-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
2:01
7Kantate, BWV 182 "Himmelskönig, sei willkommen": II. Coro "Himmelskönig, sei willkommen"
alto vocals:
Carlos Mena (counter-tenor) (in 2007-11)
bass vocals:
Stephan MacLeod (bass-baritone / conductor) (in 2007-11)
soprano vocals:
Katherine Fuge (in 2007-11)
tenor vocals:
Hans-Jörg Mammel (in 2007-11)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 2007-11)
conductor:
Philippe Pierlot (Belgian violist and conductor) (in 2007-11)
recorded at:
Eglise de Saint Loup sur Thouet in Poitou-Charentes (historical, until 2016), France (in 2007-11)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: II. Chor „Himmelskönig, sei willkommen“ (in 2007-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
3:01
8Kantate, BWV 182 "Himmelskönig, sei willkommen": III. Recitativo (Bass) "Siehe, ich komme"
bass vocals:
Stephan MacLeod (bass-baritone / conductor) (in 2007-11)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 2007-11)
conductor:
Philippe Pierlot (Belgian violist and conductor) (in 2007-11)
recorded at:
Eglise de Saint Loup sur Thouet in Poitou-Charentes (historical, until 2016), France (in 2007-11)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: III. Rezitativ (Bass) „Siehe, ich komme“ (in 2007-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
0:41
9Kantate, BWV 182 "Himmelskönig, sei willkommen": IV. Aria (Bass) "Starkes Lieben"
bass vocals:
Stephan MacLeod (bass-baritone / conductor) (in 2007-11)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 2007-11)
conductor:
Philippe Pierlot (Belgian violist and conductor) (in 2007-11)
recorded at:
Eglise de Saint Loup sur Thouet in Poitou-Charentes (historical, until 2016), France (in 2007-11)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: IV. Arie (Bass) „Starkes Lieben“ (in 2007-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
2:46
10Kantate, BWV 182 "Himmelskönig, sei willkommen": V. Aria (Alt) "Leget euch dem Heiland unter"
alto vocals:
Carlos Mena (counter-tenor) (in 2007-11)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 2007-11)
conductor:
Philippe Pierlot (Belgian violist and conductor) (in 2007-11)
recorded at:
Eglise de Saint Loup sur Thouet in Poitou-Charentes (historical, until 2016), France (in 2007-11)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: V. Arie (Alt) „Leget euch dem Heiland unter“ (in 2007-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
9:18
11Kantate, BWV 182 "Himmelskönig, sei willkommen": VI. Aria (Tenor) "Jesus, laß durch Wohl und Weh"
tenor vocals:
Hans-Jörg Mammel (in 2007-11)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 2007-11)
conductor:
Philippe Pierlot (Belgian violist and conductor) (in 2007-11)
recorded at:
Eglise de Saint Loup sur Thouet in Poitou-Charentes (historical, until 2016), France (in 2007-11)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VI. Arie (Tenor) „Jesu, laß durch Wohl und Weh“ (in 2007-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
3:28
12Kantate, BWV 182 "Himmelskönig, sei willkommen": VII. Choral "Jesu, deine Passion"
alto vocals:
Carlos Mena (counter-tenor) (in 2007-11)
bass vocals:
Stephan MacLeod (bass-baritone / conductor) (in 2007-11)
soprano vocals:
Katherine Fuge (in 2007-11)
tenor vocals:
Hans-Jörg Mammel (in 2007-11)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 2007-11)
conductor:
Philippe Pierlot (Belgian violist and conductor) (in 2007-11)
recorded at:
Eglise de Saint Loup sur Thouet in Poitou-Charentes (historical, until 2016), France (in 2007-11)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VII. Choral „Jesu, deine Passion“ (in 2007-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Paul Stockmann (in 1633)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: VII. Choral "Jesu, deine Passion"
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
2:46
13Kantate, BWV 182 "Himmelskönig, sei willkommen": VIII. Coro "So lasset uns gehen in Salem der Freuden"
alto vocals:
Carlos Mena (counter-tenor) (in 2007-11)
bass vocals:
Stephan MacLeod (bass-baritone / conductor) (in 2007-11)
soprano vocals:
Katherine Fuge (in 2007-11)
tenor vocals:
Hans-Jörg Mammel (in 2007-11)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 2007-11)
conductor:
Philippe Pierlot (Belgian violist and conductor) (in 2007-11)
recorded at:
Eglise de Saint Loup sur Thouet in Poitou-Charentes (historical, until 2016), France (in 2007-11)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VIII. Chor „So lasset uns gehen in Salem der Freuden“ (in 2007-11)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
3:54
14Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 2007-11)
conductor:
Philippe Pierlot (Belgian violist and conductor) (in 2007-11)
recorded at:
Eglise de Saint Loup sur Thouet in Poitou-Charentes (historical, until 2016), France (in 2007-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (in 2007-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
1:04
15Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden"
alto vocals:
Carlos Mena (counter-tenor) (in 2007-11)
bass vocals:
Stephan MacLeod (bass-baritone / conductor) (in 2007-11)
soprano vocals:
Katherine Fuge (in 2007-11)
tenor vocals:
Hans-Jörg Mammel (in 2007-11)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 2007-11)
conductor:
Philippe Pierlot (Belgian violist and conductor) (in 2007-11)
recorded at:
Eglise de Saint Loup sur Thouet in Poitou-Charentes (historical, until 2016), France (in 2007-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ (in 2007-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
3:43
16Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt"
alto vocals:
Carlos Mena (counter-tenor) (in 2007-11)
soprano vocals:
Katherine Fuge (in 2007-11)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 2007-11)
conductor:
Philippe Pierlot (Belgian violist and conductor) (in 2007-11)
recorded at:
Eglise de Saint Loup sur Thouet in Poitou-Charentes (historical, until 2016), France (in 2007-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ (in 2007-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
4:20
17Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn"
tenor vocals:
Hans-Jörg Mammel (in 2007-11)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 2007-11)
conductor:
Philippe Pierlot (Belgian violist and conductor) (in 2007-11)
recorded at:
Eglise de Saint Loup sur Thouet in Poitou-Charentes (historical, until 2016), France (in 2007-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (in 2007-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
1:57
18Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg"
alto vocals:
Carlos Mena (counter-tenor) (in 2007-11)
bass vocals:
Stephan MacLeod (bass-baritone / conductor) (in 2007-11)
soprano vocals:
Katherine Fuge (in 2007-11)
tenor vocals:
Hans-Jörg Mammel (in 2007-11)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 2007-11)
conductor:
Philippe Pierlot (Belgian violist and conductor) (in 2007-11)
recorded at:
Eglise de Saint Loup sur Thouet in Poitou-Charentes (historical, until 2016), France (in 2007-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (in 2007-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
2:10
19Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm"
bass vocals:
Stephan MacLeod (bass-baritone / conductor) (in 2007-11)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 2007-11)
conductor:
Philippe Pierlot (Belgian violist and conductor) (in 2007-11)
recorded at:
Eglise de Saint Loup sur Thouet in Poitou-Charentes (historical, until 2016), France (in 2007-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (in 2007-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
2:38
20Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest"
soprano vocals:
Katherine Fuge (in 2007-11)
tenor vocals:
Hans-Jörg Mammel (in 2007-11)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 2007-11)
conductor:
Philippe Pierlot (Belgian violist and conductor) (in 2007-11)
recorded at:
Eglise de Saint Loup sur Thouet in Poitou-Charentes (historical, until 2016), France (in 2007-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (in 2007-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
1:38
21Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl"
alto vocals:
Carlos Mena (counter-tenor) (in 2007-11)
bass vocals:
Stephan MacLeod (bass-baritone / conductor) (in 2007-11)
soprano vocals:
Katherine Fuge (in 2007-11)
tenor vocals:
Hans-Jörg Mammel (in 2007-11)
orchestra:
Ricercar Consort (Belgian classical music ensemble) (in 2007-11)
conductor:
Philippe Pierlot (Belgian violist and conductor) (in 2007-11)
recorded at:
Eglise de Saint Loup sur Thouet in Poitou-Charentes (historical, until 2016), France (in 2007-11)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (in 2007-11)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
1:10

Credits

Release

ASIN:US: B001LJL684 [info]