Seventies Top 100, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1After Midnight
Produzent(in):
Delaney Bramlett
Bassgitarre:
Carl Radle
elektronische Orgel:
Bobby Whitlock
Gitarre:
Eric Clapton
Gitarre [rhythm guitar]:
Delaney Bramlett
Klavier:
Leon Russell
Saxophon:
Bobby Keys (American saxophonist)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
Trompete:
Jim Price (horn session musician)
vocals:
Eric Clapton und Bobby Whitlock
arranger:
Delaney Bramlett
phonographisches Urheberrecht (℗) von:
Robert Stigwood Group Ltd. (in 1970), RSO Records Ltd. (in 1970) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1970)
cover recording of:
After Midnight
Texter und Komponist(in):
J.J. Cale
publisher:
Mijac Music, Robert Stigwood Organisation Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Eric Clapton33:06
2Long Cool Woman (In a Black Dress)
Techniker(in):
John Punter
Produzent(in):
The Hollies und Ron Richards
phonographisches Urheberrecht (℗) von:
The Hollies Ltd. (in 1971) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1971-07-16, von 1971-07-27 bis 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (von 1971-07-16 bis 1971-07-30)
Verfasser(in):
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
The Hollies4.153:17
3Feelin' Alright
Produzent(in):
Denny Cordell
Mix:
Tony Visconti
Bass:
Carol Kaye
Gitarre:
David Cohen (British guitarist)
Klavier:
Artie Butler
Maracas / Rumba-Rasseln und tumbi:
Laudir de Oliveira
membranophone:
Paul Humphries (drums)
Hintergrundgesang:
Merry Clayton, Brenda Holloway und Patrice Holloway
cover recording of:
Feelin’ Alright
Texter und Komponist(in):
Dave Mason (co‐founder of Traffic)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
Joe Cocker34:16
4Don't Go Breaking My Heart
recorded in:
Toronto, Ontario, Kanada (in 1976-05)
Produzent(in):
Gus Dudgeon
Bongos, Conga und Tamburin:
Ray Cooper (percussionist) (in 1976-05)
E-Bass:
Kenny Passarelli (Bass, piano) (in 1976-05)
E-Gitarre:
Davey Johnstone (in 1976-05)
Rhodes Piano [Fender Rhodes electric piano]:
James Newton Howard (American score composer) (in 1976-05)
Schlagzeug:
Roger Pope (in 1976-05)
Gast vocals:
Kiki Dee (in 1976-05)
Hintergrundgesang:
Curt Boettcher (in 1976-05), Cidny Bullens (American singer-songwriter) (in 1976-05) und Kiki Dee (in 1976-05)
Sologesang:
Elton John (English singer, songwriter, pianist, and composer) (in 1976-05)
Orchestrator(in):
James Newton Howard (American score composer)
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder)
recording of:
Don’t Go Breaking My Heart (in 1976-05)
Texter:
Carte Blanche (aka. Bernie Taupin, Onions)
Komponist(in):
Ann Orson (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher), Rocket Music Ltd. (publisher), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal–Songs of PolyGram International, Inc.
Elton John & Kiki Dee3.74:30
5In Zaire
recording of:
In Zaire
Verfasser(in):
Johnny Wakelin
Johnny Wakelin23:20
6My Brother Jake
recording of:
My Brother Jake
Verfasser(in):
Andy Fraser (English bassist, member of Free) und Paul Rodgers
Free2:56
7Winter in America
recording of:
Winter in America (Leave Love Enough Alone)
Verfasser(in):
Doug Ashdown und Jimmy Stewart (British songwriter, producer, who wrote songs with Gerry Langley and Doug Ashdown.)
Doug Ashdown3.54:09
8Get It On
Techniker(in):
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen und Martin Rushent
Produzent(in):
Tony Visconti
E-Bass:
Steve Currie (von 1971-03 bis 1971-06)
E-Gitarre und Sologesang:
Marc Bolan (von 1971-03 bis 1971-06)
Keyboard:
Rick Wakeman (von 1971-03 bis 1971-06)
Perkussion:
Mickey Finn (musician and T. Rex member) (von 1971-03 bis 1971-06)
Schlagzeug:
Bill Legend (von 1971-03 bis 1971-06)
Hintergrundgesang:
Howard Kaylan (von 1971-03 bis 1971-06) und Mark Volman (von 1971-03 bis 1971-06)
phonographisches Urheberrecht (℗) von:
Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) und Tarantula Productions (in 1971)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 41)
recording of:
Get It On (Bang a Gong) (von 1971-03 bis 1971-06)
Texter und Komponist(in):
Marc Bolan
publisher:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget (Swedish subsidiary of Essex Music), Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. und Westminster Music Ltd.
T. Rex4.654:25
9House of the King
recording of:
House of the King
Verfasser(in):
Jan Akkerman
Focus2:23
10Juke Box Jive
recording of:
Juke Box Jive
Komponist(in):
Wayne Bickerton und Tony Waddington
The Rubettes3:03
11Baretta's Theme
recording of:
Keep Your Eye on the Sparrow (Baretta’s Theme)
Texter:
Morgan Ames
Komponist(in):
Morgan Ames und Dave Grusin (American pianist and score composer)
publisher:
Universal Duchess Music Corp., Universal-On Backstreet Music, Inc., USI A Music Publishing, USI B Music Publishing, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sammy Davis Jr.2:27
12Loving You
Produzent(in):
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) und Stevie Wonder
Bassgitarre:
Reggie McBride
Becken, Klavier, Mundharmonika und Schlagzeug:
El Toro Negro
Conga:
Kwasi "Rocki" Dzidzornu
Gitarre:
Marlo Henderson und Michael Sembello
Schlagzeug [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) und El Toro Negro
Hintergrundgesang:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) und Yvonne Wright
vocals:
Minnie Riperton
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
Verfasser(in):
Minnie Riperton und Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:22
13Walk on the Wild Side
Produzent(in):
David Bowie (English singer‐songwriter), Lou Reed und Mick Ronson (British guitarist)
baritone saxophone:
Ronnie Ross (in 1972-08)
E-Bass und Kontrabass:
Herbie Flowers (in 1972-08)
Schlagzeug:
John Halsey (in 1972-08)
Hintergrundgesang:
The Thunder Thighs (70s UK vocal group) (in 1972-08)
Sologesang:
Lou Reed (in 1972-08)
Blechblasinstrumente arranger und Saiteninstrumente arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed und Mick Ronson (British guitarist)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Samples von:
Lexicon Valley #150, “Why Language Can’t Be Tamed” von John McWhorter
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 180) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 221)
recording of:
Walk on the Wild Side (in 1972-08)
Texter und Komponist(in):
Lou Reed
publisher:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Six Continents Music Publishing Inc.
Lou Reed4.254:14
14Superstar
recorded in:
England, Vereinigtes Königreich
recording engineer:
Jeremy Gee, Anton Matthews, Alan O’Duffy und Stephen Vaughan (engineer)
Techniker(in):
Tony Bridge (mastering engineer) und Martin Rushent
Produzent(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre) und Tim Rice
Chorgesang:
The Trinidad Singers
Sologesang:
Murray Head
conductor:
Alan Doggett
chorus master:
Horace James
phonographisches Urheberrecht (℗) von:
Decca Label Group (not for release label use! defunct North American label group) (in 1970) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1970)
recording of:
Superstar (in 1970)
Texter:
Tim Rice
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Leeds Music Ltd., MCA Music Ltd., Universal/MCA Music (music publisher; do not use as release label!) und Universal/MCA Music Ltd. (not for release label use!)
Teil von:
Jesus Christ Superstar (Andrew Lloyd Webber musical)
Murray Head44:18
15She's a Lady
phonographisches Urheberrecht (℗) von:
Decca Records Co. Ltd. (Decca Records) (in 1971) und Tom Jones Enterprises Ltd. (in 1971)
cover recording of:
She’s a Lady (in 1971)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. und Spanka Music Corp.
recording of:
She’s a Lady
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. und Spanka Music Corp.
Tom Jones3.92:54
16Ruby Is the One
recording of:
Ruby Is the One
Texter und Komponist(in):
Chris Koerts
Earth and Fire3:28
17(Like a) Locomotion
recording of:
(Like a) Locomotion
Texter und Komponist(in):
Peter Koelewijn
Left Side4:00
18The Morning After
recording of:
The Morning After (from "The Poseidon Adventure")
Verfasser(in):
Joel Hirschhorn (songwriter) und Al Kasha (composer, songwriter and arranger)
publisher:
Fox Fanfare Music und Twentieth Century Music Corp.
Teil von:
The 45th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1972 winner)
Maureen McGovern2:18
19I'll Be There
Produzent(in):
Nickolas Ashford, Hal Davis und Valerie Simpson
arranger:
Bob West (US session bassist, producer & songwriter)
recording of:
I’ll Be There (in 1970-06)
Verfasser(in):
Bob West (US session bassist, producer & songwriter), Hal Davis, Berry Gordy und Willie Hutch
publisher:
EMI April Music Inc., EMI Songs Australia, Jobete Music Co., Inc. und Stone Diamond Music Corporation
Teil von:
MJ: The Musical
The Jackson 54.353:58
20Love Will Keep Us Together
recording engineer und Mix:
Dennis Dragon
Partner-Produzent(in):
Toni Tennille
Produzent(in):
The Captain
Celesta, Clavinet, E-Bass [Fender], Hammond-Orgel, Keyboard [Clavietta], Klavier, Minimoog [Mini-moog], Synthesizer [Arp String Ensemble], Synthesizer [Odyssey], Windspiel und Wurlitzer Electric Piano:
The Captain
Conga, Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Geige / Violine:
Kenneth Yerke
Hintergrundgesang:
Melissa Tennille und Toni Tennille
Saiteninstrumente arranger:
Kenneth Yerke
arranger:
The Captain
phonographisches Urheberrecht (℗) von:
A&M Records (in 1975), A&M Records, Inc. (in 1975) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
produced for:
Moonlight and Magnolia Productions
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 337)
cover recording of:
Love Will Keep Us Together
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
publisher:
Don Kirshner Music Inc., Kirshner-Warner Bros Music Ltd. und Neil Sedaka Music (BMI-affiliated)
Captain & Tennille43:25
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