| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Afraid to Die | The World Is a Beautiful Place & I Am No Longer Afraid to Die | | 3:09 |
| 2 | Alabama | together PANGEA | | 4:05 |
| 3 | Aliens | GUPPY | | 2:52 |
| 4 | An Acre Lost | Sleigh Bells | 3 | 3:26 |
| 5 | Anybody Else but Me | FUR | | 3:31 |
| 6 | As I Try Not to Fall Apart | White Lies | | 3:45 |
| 7 | Bang | Sir Sly | | 2:11 |
| 8 | Battles | Jaguwar | | 2:38 |
| 9 | Beach Ball | Cults | | 2:26 |
| 10 | Beautiful James | Placebo | | 4:09 |
| 11 | Blindsided | Hovvdy | | 3:43 |
| 12 | Boys | Hippo Campus | | 4:14 |
| 13 | BROKEN LADDER | Lil Ugly Mane | | 3:14 |
| 14 | Burn The Empire | The Snuts | | 3:07 |
| 15 | Chaos Space Marine- assistierende(r) Techniker(in):
- Tony Fagg (Aufgabe: at Fish Factory)
- Techniker(in) und Mix:
- David Granshaw und Sergio Maschetzko
- Produzent(in):
- Sergio Maschetzko
- Banjo:
- Tony Fagg
- phonographisches Urheberrecht (℗) von:
- Ninja Tune (in 2021)
- aufgenommen bei:
- Chale Abbey Studios in Isle of Wight, England, Vereinigtes Königreich
- mixed at:
- Chale Abbey Studios in Isle of Wight, England, Vereinigtes Königreich und Fish Factory in London , England, Vereinigtes Königreich
- recording of:
- Chaos Space Marine
- Texter:
- Lewis Evans , Luke Mark, Tyler Hyde und Isaac Wood
- Komponist(in):
- Georgia Ellery, Lewis Evans , May Kershaw, Luke Mark, Tyler Hyde, Charlie Wayne und Isaac Wood
| Black Country, New Road | 3 | 3:37 |
| 16 | Crutch | Band of Horses | 5 | 3:43 |
| 17 | Draw Down the Moon | Foxing | | 4:22 |
| 18 | dumb dumb | mazie | | 2:05 |
| 19 | Everybody’s dead! | underscores | | 1:53 |
| 20 | Fisher Island Sound | Beirut | | 2:45 |
| 21 | Forward Is the Way Out | Tribe Friday | | 2:37 |
| 22 | FULL CIRCLE BACK | MNNQNS | | 3:46 |
| 23 | Grump | Yucky Duster | | 2:31 |
| 24 | Have You Heard | Penelope Isles | | 2:47 |
| 25 | Heaven | Hobsons Bay Coast Guard | | 2:58 |
| 26 | I Am Water | July Talk | | 4:08 |
| 27 | I Don’t Want to Talk | Wallows | 3 | 3:44 |
| 28 | I Won’t Lie | The Lathums | | 2:49 |
| 29 | IDC | carpetgarden | | 3:45 |
| 30 | If You Ever Leave, I’m Coming With You | The Wombats | 2.5 | 2:49 |
| 31 | I’m Fine, I’ve Said Too Much, but How Are You | Le Shiv | | 3:46 |
| 32 | In Another Life | The Killers | 1 | 3:14 |
| 33 | It’s a Dream! | Hembree | | 2:58 |
| 34 | Joni LA’s No. 1 Health Goth | illuminati hotties | | 3:38 |
| 35 | joyrider | second thoughts | | 3:08 |
| 36 | LaLaLa It’s the Good Life | audiobooks | | 2:18 |
| 37 | Life | Mother Mother | | 3:07 |
| 38 | Make Out | The Greeting Committee | | 2:22 |
| 39 | Mar V | Phantom Isle | | 3:56 |
| 40 | Maybe It’s a Fantasy | Johnny Goth | | 3:08 |
| 41 | mememe | 100 gecs | 4.75 | 2:45 |
| 42 | Nothingness | San Fermin feat. The Districts | | 2:57 |
| 43 | Orbit | Good Kid | | 2:20 |
| 44 | Phantom Throb | Hymie's Basement, WHY?, Fog | | 3:54 |
| 45 | Reach Out | Sufjan Stevens & Angelo De Augustine | 3.55 | 3:43 |
| 46 | Second Nature | Bon Iver | | 4:02 |
| 47 | Shadowplay | Muscle Soul | | 4:21 |
| 48 | Skint Eastwood | The Rills | | 3:10 |
| 49 | Smile Real Nice- phonographisches Urheberrecht (℗) von:
- Mom+Pop (in 2021)
| Courtney Barnett | | 2:07 |
| 50 | Something Something | No Star | | 2:33 |
| 51 | Song for a Drummer | Team Me | | 3:55 |
| 52 | Song for Agnes | Pond | | 4:13 |
| 53 | Spilled Coffee | Dentist | | 3:19 |
| 54 | Strange One | Findlay | | 4:45 |
| 55 | Sunny Boy | Ritt Momney | | 3:44 |
| 56 | Sunscreen | Ball Park Music | | 4:10 |
| 57 | Superstar | Beach House | 3.75 | 6:09 |
| 58 | Sword Store | Smol Data | | 3:05 |
| 59 | Take a Swing | Tiny Little Houses | | 3:08 |
| 60 | Talkin’ Bout | Thumpasaurus | | 3:16 |
| 61 | That’s the Way I Like It | Lily Konigsberg | | 2:03 |
| 62 | The Beachland Ballroom- recording engineer und Produzent(in):
- Kenneth Blume und Mark Bowen
- assistierende(r) Mix:
- Dani Bennett Spragg
- Mix:
- Craig Silvey
- aufgenommen bei:
- Real World Studios in Box, Wiltshire, England, Vereinigtes Königreich
- mixed at:
- Toast Studios in San Francisco, California , Vereinigte Staaten
- produced at:
- Real World Studios in Box, Wiltshire, England, Vereinigtes Königreich
- recording of:
- The Beachland Ballroom
- Verfasser(in):
- Mark Bowen , Adam Devonshire , Jonathan Beavis , Joseph Talbot und Lee Kiernan
| IDLES | 3.65 | 4:01 |
| 63 | The First Day | Villagers | | 4:11 |
| 64 | The Grey Commute | Nation of Language | | 3:38 |
| 65 | The Hum | This Heel | | 3:10 |
| 66 | The Madness | Foreign Air | | 3:07 |
| 67 | The Overload | Yard Act | 5 | 3:16 |
| 68 | The Wishing Well | ovlov | | 1:59 |
| 69 | Too Late Now | Wet Leg | 3.5 | 3:29 |
| 70 | Traps | Bloc Party | 4 | 2:54 |
| 71 | U&ME | alt‐J | 3 | 3:17 |
| 72 | Um Um | Sega Bodega | | 4:07 |
| 73 | Under the Rolling Moon | Ducks Ltd. | 4 | 3:27 |
| 74 | Up Granville | Peach Pit | | 3:51 |
| 75 | wait a minute | Arlie | | 3:23 |
| 76 | Where Do You Go | Day Wave | | 3:22 |
| 77 | Wisdom Tooth | Wallice | | 2:36 |
| 78 | With a Guitar | The Dodos | | 3:46 |
| 79 | Yesterday & ’93 | Loose Buttons | | 4:24 |
| 80 | Youth | Mini Trees | | 4:08 |
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