| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Who Am I / Atomic Dogg (What’s My Name) | Snoop Dogg | | 4:05 |
| 2 | Gangsta’s Paradise | Coolio feat. L.V. | 3.95 | 4:02 |
| 3 | Hard Knock Life (The Ghetto Anthem)- recording engineer:
- Paul Falcon
- Produzent(in):
- The 45 King
- Mix:
- Ken “DURO” Ifill
- aufgenommen bei:
- The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
- mixed at:
- Platinum Island in New York, New York, Vereinigte Staaten
- Samples:
- It’s the Hard‐Knock Life von Andrea McArdle, Orphans
- recording of:
- Hard Knock Life (Ghetto Anthem)
- Verfasser(in):
- Martin Charnin, Mark Howard James , Shawn Carter und Charles Strouse
- publisher:
- 45 Music, EMI Blackwood Music Inc., Helene Blue Musique Ltd., Lil Lulu Music und MPL Communications Inc.
| JAY‐Z | 3.4 | 4:00 |
| 4 | Hypnotize- recording engineer:
- Axel Niehaus und Doug Wilson
- Techniker(in):
- Lorrenn Argumedes, Rasheed Goodlowe, Lynn Montrose und Steve Jones
- Produzent(in):
- Deric “D‐Dot” Angelettie, Ron “Amen‐Ra” Lawrence und Sean “Puffy” Combs
- zusätzliche(r) Produzent(in):
- Richard “Younglord” Frierson
- Mix:
- Lane Craven und Sean “Puffy” Combs
- Editing:
- Richard “Younglord” Frierson
- Hintergrundgesang:
- Pam Long
- Sologesang:
- The Notorious B.I.G.
- phonographisches Urheberrecht (℗) von:
- Bad Boy Records LLC (in 2007) und WEA International Inc. (in 2007)
- produced for:
- Bad Boy Entertainment, Inc. und The Mystery System, Inc.
- aufgenommen bei:
- Caribbean Sound Basin in Port of Spain, Trinidad und Tobago und Daddy’s House Recording Studios in New York, New York, Vereinigte Staaten
- mixed at:
- Daddy’s House Recording Studios in New York, New York, Vereinigte Staaten und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
- engineered at:
- Daddy’s House Recording Studios in New York, New York, Vereinigte Staaten
- Samples:
- Rise von Herb Alpert
- Teil von:
- BILLIONS CLUB
- recording of:
- Hypnotize
- Verfasser(in):
- Andy Armer, Christopher Wallace , Deric Angelettie, Ron Lawrence , Randy Alpert und Sean Combs
- publisher:
- Almo Music Corp. , B.I.G. Poppa Music, Badazz Music Company, EMI‐April Music Inc., Justin Combs Publishing und Mystery System Music
- quotes lyrics from:
- La Di Da Di
| The Notorious B.I.G. | 4.15 | 3:51 |
| 5 | Party Up (radio edit) | DMX | 3.7 | 4:33 |
| 6 | Let’s Get Dirty (I Can’t Get in da club) | Redman feat. DJ Kool | 4 | 3:57 |
| 7 | Put Your Hands Where My Eyes Could See- Assistent recording engineer:
- Tom Passetti
- recording engineer:
- Vinny Nicoletti
- Koproduzent(in):
- Epitome
- Produzent(in):
- Buddah und Shamello
- assistierende(r) Mix:
- Michael Tocci
- Mix:
- Busta Rhymes und Rick St. Hillaire
- Hintergrundgesang:
- Fabulous Fab
- arranger:
- Busta Rhymes
- gemixt für und arranged for:
- Flipmode Entertainment, Inc.
- produced for:
- Prophecy Prod
- aufgenommen bei:
- Soundtrack Studios, NY in New York, New York, Vereinigte Staaten
- mixed at:
- Electric Lady Studios, NY in Greenwich Village, New York, New York, Vereinigte Staaten
- Samples:
- Sweet Green Fields von Seals & Crofts
- recording of:
- Put Your Hands Where My Eyes Could See
- Verfasser(in):
- D. Durant , J. Seals, R. Munroe und T. Smith
- publisher:
- Alshamighty Music , Big Baller Music , Sony/ATV Acuff Rose Music und T’ziah’s Music
| Busta Rhymes | 4.4 | 3:16 |
| 8 | Fu-Gee-La | Fugees | 3.8 | 4:22 |
| 9 | I Got 5 on It- Produzent(in):
- Tone Capone
- phonographisches Urheberrecht (℗) von:
- No̅o̅ Trybe Records, Inc. (in 1995)
- Samples:
- Jungle Boogie von Kool & the Gang, Top Billin’ von Audio Two und Why You Treat Me So Bad von Club Nouveau
- recording of:
- I Got 5 on It
- Verfasser(in):
- Anthony Gillmour, Robert “Kool” Bell, Ronald Bell, Don Boyce, George Brown , Denzil Foster , Garrick Husband, Jerold Ellis Jr. , Jay King, Michael Marshall , Thomas McElroy , Robert Spike Mickens, Claydes Smith, Dennis “D.T.” Thomas und Ricky West
| Luniz feat. Michael Marshall | 4.5 | 4:14 |
| 10 | Regulate | Warren G & Nate Dogg | 4.45 | 4:10 |
| 11 | I Wish (radio edit) | Skee‐Lo | | 4:12 |
| 12 | Gravel Pit | Wu‐Tang Clan | | 4:18 |
| 13 | Déjà Vu (Uptown Baby) | Lord Tariq & Peter Gunz | | 4:44 |
| 14 | Crush on You | Lil’ Kim | | 4:37 |
| 15 | Flava in ya Ear (remix) | Craig Mack feat. The Notorious B.I.G., LL Cool J, Busta Rhymes & Rampage | 5 | 5:04 |
| 16 | Whoa! | Black Rob | | 4:08 |
| 17 | Shimmy Shimmy Ya | Ol’ Dirty Bastard | 5 | 2:43 |
| 18 | Worst Comes to Worst | Dilated Peoples | | 3:37 |
| 19 | Ms. Jackson | OutKast | 3.75 | 4:00 |
| 20 | Hip Hop | Dead Prez | | 3:45 |
| 21 | Get Ur Freak On | Missy Elliott | | 3:31 |
| 22 | Livin’ It Up | Ja Rule feat. Case | 5 | 4:20 |
| 23 | Pump It Up (radio edit) | Joe Budden | 2.75 | 3:59 |
| 24 | Feel So Good | Mase | | 3:26 |
| 25 | Tipsy (club mix) | J‐Kwon | 4 | 4:05 |
| 26 | Lean Back | Terror Squad feat. Fat Joe & Remy | | 4:09 |
| 27 | Phenomenon | LL Cool J | | 4:06 |
| 28 | Ridin’ | Chamillionaire feat. Krayzie Bone | 3.75 | 5:05 |
| 29 | Oh Boy | Cam’ron feat. Juelz Santana | 4 | 3:27 |
| 30 | In da Club- recording engineer:
- Mauricio “Veto” Iragorri und Sha Money XL
- assistierende(r) Techniker(in):
- Francis Forde, James “Flea” McCrone und Ruben Rivera
- Koproduzent(in):
- Mike Elizondo
- Produzent(in) und Mix:
- Dr. Dre
- Bass, Gitarre und Keyboard:
- Mike Elizondo
- vocals:
- 50 Cent
- phonographisches Urheberrecht (℗) von:
- Aftermath Records (in 2003, in 2015), Interscope Records (in 2003, in 2015) und Shady Records (in 2003, in 2015)
- aufgenommen bei:
- Encore Recording Studios in Burbank, California , Vereinigte Staaten und Teamwork Studios in Long Island, New York, Vereinigte Staaten
- mixed at:
- Encore Recording Studios in Burbank, California , Vereinigte Staaten
- Teil von:
- Sean Michaels: The Top 30 Songs of 2003 (Nummer: 9), VH1’s Big Song of 2003 (Nummer: 28), Billboard: The 500 Best Pop Songs (Nummer: 58), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 444)
- recording of:
- In da Club
- Verfasser(in):
- Andre R. Young , Curtis Jackson und Mike Elizondo
- publisher:
- Ain’t Nuthin’ Goin’ On but F*****’ Music , Blotter, Elvismambo Music, High on Life Music, Music of Windswept und WB Music Corp.
| 50 Cent | 4.15 | 3:15 |
| 31 | Ugly | Bubba Sparxxx | 4.65 | 4:27 |
| 32 | Get Low- recording engineer:
- Billy Hume, Brett Liebermann und Taj Tilghman
- Produzent(in):
- Lil Jon
- Mix:
- John Frye , Lil Jon und Ray Seay
- Keyboard [keys]:
- L-Roc und Lil Jon
- Interpret(in):
- Lil Jon und Ying Yang Twins
- produced for:
- BME Enterprises
- aufgenommen bei:
- Audio Vision Studios in Miami, Florida, Vereinigte Staaten, Soundlabs Studio in Atlanta, Georgia, Vereinigte Staaten und The Zone in Norcross, Georgia, Vereinigte Staaten
- mixed at:
- Audio Vision Studios in Miami, Florida, Vereinigte Staaten und Stankonia Recording in Atlanta, Georgia, Vereinigte Staaten
- Musikvideos:
- Get Low von Lil Jon & The East Side Boyz feat. Ying Yang Twins
- instrumental versions:
- Get Low (instrumental) von Lil Jon & The East Side Boyz
- Teil von:
- Billboard: The 500 Best Pop Songs (Nummer: 360)
- recording of:
- Get Low
- Texter:
- Eric Jackson , Deongelo Holmes , Jonathan Smith und Sam Norris
- Komponist(in):
- Jonathan Smith
- publisher:
- ColliPark Music, Da Crippler Publishing , EWC Publishing, Swole Music , TVT Music und White Rhino Music
| Lil Jon & The East Side Boyz feat. Ying Yang Twins | 4 | 5:35 |
| 33 | Stand Up- recording engineer:
- Robert Hannon, Eddie Hernandez und Jason Rome
- Koproduzent(in):
- Ludacris
- Produzent(in):
- Kanye West
- Mix:
- Jimmy Douglass
- Sologesang:
- Ludacris
- sonstiger Gesang:
- Shawnna
- phonographisches Urheberrecht (℗) von:
- The Island Def Jam Music Group (in 2003)
- aufgenommen bei:
- Audio Vision Studios in Miami, Florida, Vereinigte Staaten, Doppler Studios in Atlanta, Georgia, Vereinigte Staaten und Tree Sound Studios in Norcross, Georgia, Vereinigte Staaten
- mixed at:
- Manhattan Center Studios in Midtown Manhattan, New York, New York, Vereinigte Staaten
- Samples:
- Piano Picker von Carpenters
- recording of:
- Stand Up
- Texter:
- Christopher Bridges
- Komponist(in):
- Kanye West
- publisher:
- 50,000%, EMI April Music, Ludacris Music Publishing und Ye World Music
| Ludacris feat. Shawnna | 4.2 | 3:35 |
| 34 | Grindin’ | Clipse | 4.5 | 4:26 |
| 35 | Nothin’- recording engineer:
- Carlos Bedoya und Andrew Coleman
- Produzent(in):
- The Neptunes
- Mix:
- Pat Viala
- vocals:
- N.O.R.E.
- zusätzlich vocals:
- Latricia Thompson
- aufgenommen bei:
- Master Sound Recording Studio in Virginia Beach, Virginia, Vereinigte Staaten und South Beach Studios in Miami Beach, Florida, Vereinigte Staaten
- mixed at:
- Right Track Studio in Midtown Manhattan, New York, New York, Vereinigte Staaten
- recording of:
- Nothin’
- Texter:
- Victor Santiago
- Verfasser(in):
- Greg Camp, Chad Hugo, Victor Santiago und Pharrell Williams
- Komponist(in):
- Chad Hugo und Pharrell Williams
- publisher:
- EMI Blackwood Music Inc., EMI Pop Music Publishing, Off Da Yelzabulb Music , Sno Cone Music Publishing , Squish Moth Music, Warner–Tamerlane Publishing Corp. und Waters of Nazareth Publishing
- quotes lyrics from:
- All Star
| N.O.R.E. | 4 | 4:25 |
| 36 | X | Xzibit | 4.65 | 4:15 |
| 37 | Bring Em Out | T.I. | 4 | 3:38 |
| 38 | You Can Do It | Ice Cube feat. Mack 10 & Ms. Toi | 3.75 | 4:21 |
| 39 | Ante Up (Robbin Hoodz Theory) | M.O.P. | | 3:54 |
| 40 | Full Clip | Gang Starr | 4.7 | 3:37 |
| 41 | It’s Like That | Run-DMC | | 4:49 |
| 42 | It Takes Two (radio edit) | Rob Base & D.J. E‐Z Rock | | 3:55 |
| 43 | Express Yourself (remix) | N.W.A | 4 | 4:24 |
| 44 | Juicy | The Notorious B.I.G. | | 4:47 |
| 45 | Gin and Juice | Snoop Dogg | | 3:33 |
| 46 | Can I Kick It? | A Tribe Called Quest | | 3:39 |
| 47 | O.P.P. | Naughty by Nature | 3.85 | 4:30 |
| 48 | Jump Around | House of Pain | | 3:38 |
| 49 | Insane in the Brain | Cypress Hill | 3.45 | 3:28 |
| 50 | Paid in Full | Eric B. & Rakim | 4.65 | 3:50 |
| 51 | The Message | Grandmaster Flash & The Furious Five | 4.35 | 3:12 |
| 52 | Rapper’s Delight | The Sugarhill Gang | 3.6 | 3:57 |
| 53 | It’s Tricky | Run-DMC | 4.15 | 3:04 |
| 54 | Push It | Salt‐N‐Pepa | 3.75 | 3:29 |
| 55 | Wild Thing | Tone-Loc | 3.85 | 4:24 |
| 56 | Bust a Move | Young MC | 4 | 4:25 |
| 57 | White Lines (Don’t Do It) | Grandmaster Flash & Melle Mel | 3 | 4:28 |
| 58 | Hip Hop Hooray- Samples:
- Don't Change Your Love von The Five Stairsteps & Cubie, Funky President (People It’s Bad) von James Brown , Make Me Say It Again Girl, Part 1 & 2 von The Isley Brothers, Sledgehammer von Peter Gabriel und You Can’t Turn Me Away von Sylvia Striplin
- recording of:
- Hip Hop Hooray
- Verfasser(in):
- Anthony Criss, Vincent Brown, Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley , Rudolph Isley, Chris Jasper und Keir Gist
| Naughty by Nature | 4.25 | 4:26 |
| 59 | The Message | Nas | 3 | 3:56 |
| 60 | C.R.E.A.M.- Programmierung:
- Prince Rakeem
- Techniker(in):
- Ethan Ryman
- leitende(r) Produzent(in):
- Dennis Coles, Mitchell Diggs , Oli Grant und Robert Diggs, Jr.
- Produzent(in) und Mix:
- Prince Rakeem “The RZA”
- Sologesang:
- Inspectah Deck , Method Man und Raekwon
- arranger:
- Prince Rakeem “The RZA”
- phonographisches Urheberrecht (℗) von:
- BMG Music (in 1993) und Sony Music Entertainment (in 1993)
- Samples:
- As Long as I’ve Got You von The Charmels und Money (Dollar Bill Y'all) von Jimmy Spicer
- Teil von:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 107)
- recording of:
- C.R.E.A.M.
- Verfasser(in):
- Clifford Smith , Corey Woods , Dennis Coles, Gary Grice , Isaac Hayes, Jason Hunter , Lamont Hawkins, David Porter , Robert Diggs, Jr. und Russell Jones
- basiert auf:
- Paper Trail$
| Wu‐Tang Clan | 4 | 4:12 |
| 61 | Throwback Hip Hop (continuous mix 1) | Various Artists | | 1:20:42 |
| 62 | Throwback Hip Hop (continuous mix 2) | Various Artists | | 1:19:56 |
| 63 | Throwback Hip Hop (continuous mix 3) | Various Artists | | 1:19:18 |
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