Strauss

~ Release by Strauss; Gewandhausorchester Leipzig, Boston Symphony Orchestra, Andris Nelsons, Yuja Wang, Yo‐Yo Ma (see all versions of this release, 3 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Salome, op. 54, TrV 215: Dance of the Seven Veils
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-05)
conductor:
Andris Nelsons (conductor) (in 2021-05)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-05)
recording of:
Salome: Vierte Szene. Tanz der sieben Schleier (in 2021-05)
composer:
Richard Strauss (German composer) (from 1903 until 1905)
part of:
Salome (op. 54; TrV 215)
Richard Strauss10:17
2Vier sinfonische Zwischenspiele aus Intermezzo, TrV 246a: I. Reisefieber und Walzerszene
assistant recording engineer:
Cole Barbour (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
orchestra:
Boston Symphony Orchestra (in 2021-03)
conductor:
Andris Nelsons (conductor) (in 2021-03)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2021-03)
recording of:
Four Symphonic Interludes from Intermezzo: No. 1. Reisefieber und Walzerszene: Lebhaft – Walzer: ruhig beginnend (in 2021-03)
composer:
Richard Strauss (German composer)
part of:
Four Symphonic Interludes from Intermezzo, TrV 246a
Richard Strauss10:37
3Vier sinfonische Zwischenspiele aus Intermezzo, TrV 246a: II. Träumerei am Kamin
assistant recording engineer:
Cole Barbour (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
orchestra:
Boston Symphony Orchestra (in 2021-03)
conductor:
Andris Nelsons (conductor) (in 2021-03)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2021-03)
recording of:
Four Symphonic Interludes from Intermezzo: No. 2. Träumerei am Kamin: Ruhig schwebend (in 2021-03)
composer:
Richard Strauss (German composer)
part of:
Four Symphonic Interludes from Intermezzo, TrV 246a
Richard Strauss8:41
4Vier sinfonische Zwischenspiele aus Intermezzo, TrV 246a: III. Am Spieltisch
assistant recording engineer:
Cole Barbour (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
orchestra:
Boston Symphony Orchestra (in 2021-03)
conductor:
Andris Nelsons (conductor) (in 2021-03)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2021-03)
recording of:
Four Symphonic Interludes from Intermezzo: No. 3. Am Spieltisch: Sehr gemächlich – Gemächlich fließend (in 2021-03)
composer:
Richard Strauss (German composer)
part of:
Four Symphonic Interludes from Intermezzo, TrV 246a
Richard Strauss4:00
5Vier sinfonische Zwischenspiele aus Intermezzo, TrV 246a: IV. Fröhlicher Beschluß
assistant recording engineer:
Cole Barbour (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
orchestra:
Boston Symphony Orchestra (in 2021-03)
conductor:
Andris Nelsons (conductor) (in 2021-03)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2021-03)
recording of:
Four Symphonic Interludes from Intermezzo: No. 4. Fröhlicher Beschluß: Sehr lebhaft und fröhlich (in 2021-03)
composer:
Richard Strauss (German composer)
part of:
Four Symphonic Interludes from Intermezzo, TrV 246a
Richard Strauss2:33
6Der Rosenkavalier – Concert Suite for Orchestra, WoO 145, TrV 227d: I. Con moto agitato
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-05)
conductor:
Andris Nelsons (conductor) (in 2021-05)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-05)
recording of:
Der Rosenkavalier (Suite), TrV 227d, AV 145: 1. Prelude (in 2021-05)
composer:
Richard Strauss (German composer)
is based on:
Der Rosenkavalier, op. 59: Akt I. Einleitung (The Rose-knight, Act 1: Introduction)
part of:
Der Rosenkavalier (Suite), TrV 227d, AV 145
Richard Strauss9:35
7Der Rosenkavalier – Concert Suite for Orchestra, WoO 145, TrV 227d: II. Allegro molto
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-05)
conductor:
Andris Nelsons (conductor) (in 2021-05)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-05)
recording of:
Der Rosenkavalier (Suite), TrV 227d, AV 145: 2. Presentation of the Silver Rose (in 2021-05)
composer:
Richard Strauss (German composer)
is based on:
Der Rosenkavalier: Act II. Überreichung der silbernen Rose (The Rose-knight, Act II: Presentation of the Silver Rose)
part of:
Der Rosenkavalier (Suite), TrV 227d, AV 145
Richard Strauss0:49
8Der Rosenkavalier – Concert Suite for Orchestra, WoO 145, TrV 227d: III. Tempo di Valse, assai comodo da primo
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-05)
conductor:
Andris Nelsons (conductor) (in 2021-05)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-05)
recording of:
Der Rosenkavalier (Suite), TrV 227d, AV 145: 3. Baron Ochs' Waltz (in 2021-05)
composer:
Richard Strauss (German composer)
is based on:
Der Rosenkavalier, op. 59: Akt II. "Da lieg' ich!" (Baron, Die Lerchenauschen, Annina)
part of:
Der Rosenkavalier (Suite), TrV 227d, AV 145
Richard Strauss5:55
9Der Rosenkavalier – Concert Suite for Orchestra, WoO 145, TrV 227d: IV. Moderato molto sostenuto
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-05)
conductor:
Andris Nelsons (conductor) (in 2021-05)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-05)
recording of:
Der Rosenkavalier (Suite), TrV 227d, AV 145: 4. Ist ein Traum (in 2021-05)
composer:
Richard Strauss (German composer)
is based on:
Der Rosenkavalier, op. 59: Akt III. "Ist ein Traum" … "Spür nur dich" (Sophie, Octavian)
part of:
Der Rosenkavalier (Suite), TrV 227d, AV 145
Richard Strauss6:33
10Der Rosenkavalier – Concert Suite for Orchestra, WoO 145, TrV 227d: V. Quick Waltz. Molto con moto
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-05)
conductor:
Andris Nelsons (conductor) (in 2021-05)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-05)
recording of:
Der Rosenkavalier (Suite), TrV 227d, AV 145: 5. Waltz (reprise) (in 2021-05)
composer:
Richard Strauss (German composer)
is based on:
Der Rosenkavalier, op. 59: Akt II. "Da lieg' ich!" (Baron, Die Lerchenauschen, Annina)
part of:
Der Rosenkavalier (Suite), TrV 227d, AV 145
Richard Strauss2:25
11Feuersnot, op. 50, TrV 203: Love Scene
assistant recording engineer:
Cole Barbour (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
orchestra:
Boston Symphony Orchestra (in 2021-10)
conductor:
Andris Nelsons (conductor) (in 2021-10)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2021-10)
recording of:
Love Scene from "Feuersnot", op. 50, TrV 203 (in 2021-10)
composer:
Richard Strauss (German composer) (from 1900 until 1901)
Richard Strauss7:12
12Schlagobers Suite, TrV 243a: IV. Schlagoberswalzer
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-06)
conductor:
Andris Nelsons (conductor) (in 2021-06)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-06)
recording of:
Suite from Schlagobers: IV. Schlagoberswalzer (in 2021-06)
composer:
Richard Strauss (German composer)
part of:
Schlagobers (suite from the ballet; op. 70; TrV 243a)
Richard Strauss6:42
13Till Eulenspiegels lustige Streiche, op. 28, TrV 171: I. Es war einmal ein Schalksnarr
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
orchestra:
Boston Symphony Orchestra (in 2019-05)
conductor:
Andris Nelsons (conductor) (in 2019-05)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2019-05)
partial recording of:
Till Eulenspiegels lustige Streiche (Till Eulenspiegel’s Merry Pranks, op. 28; TrV 171) (in 2019-05)
composer:
Richard Strauss (German composer) (from 1894 until 1895)
part of:
Works of Richard Strauss by opus number (number: op. 28) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 171)
Richard Strauss1:10
14Till Eulenspiegels lustige Streiche, op. 28, TrV 171: II. Tills Streiche
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
orchestra:
Boston Symphony Orchestra (in 2019-05)
conductor:
Andris Nelsons (conductor) (in 2019-05)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2019-05)
partial recording of:
Till Eulenspiegels lustige Streiche (Till Eulenspiegel’s Merry Pranks, op. 28; TrV 171) (in 2019-05)
composer:
Richard Strauss (German composer) (from 1894 until 1895)
part of:
Works of Richard Strauss by opus number (number: op. 28) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 171)
Richard Strauss10:20
15Till Eulenspiegels lustige Streiche, op. 28, TrV 171: III. Das Gericht
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
orchestra:
Boston Symphony Orchestra (in 2019-05)
conductor:
Andris Nelsons (conductor) (in 2019-05)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2019-05)
partial recording of:
Till Eulenspiegels lustige Streiche (Till Eulenspiegel’s Merry Pranks, op. 28; TrV 171) (in 2019-05)
composer:
Richard Strauss (German composer) (from 1894 until 1895)
part of:
Works of Richard Strauss by opus number (number: op. 28) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 171)
Richard Strauss1:19
16Till Eulenspiegels lustige Streiche, op. 28, TrV 171: IV. Urteil und Hinrichtung
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
orchestra:
Boston Symphony Orchestra (in 2019-05)
conductor:
Andris Nelsons (conductor) (in 2019-05)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2019-05)
partial recording of:
Till Eulenspiegels lustige Streiche (Till Eulenspiegel’s Merry Pranks, op. 28; TrV 171) (in 2019-05)
composer:
Richard Strauss (German composer) (from 1894 until 1895)
part of:
Works of Richard Strauss by opus number (number: op. 28) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 171)
Richard Strauss1:52
17Till Eulenspiegels lustige Streiche, op. 28, TrV 171: V. Epilog
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
orchestra:
Boston Symphony Orchestra (in 2019-05)
conductor:
Andris Nelsons (conductor) (in 2019-05)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2019-05)
partial recording of:
Till Eulenspiegels lustige Streiche (Till Eulenspiegel’s Merry Pranks, op. 28; TrV 171) (in 2019-05)
composer:
Richard Strauss (German composer) (from 1894 until 1895)
part of:
Works of Richard Strauss by opus number (number: op. 28) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 171)
Richard Strauss1:30
18Don Juan, op. 20, TrV 156
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-06)
conductor:
Andris Nelsons (conductor) (in 2021-06)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-06)
recording of:
Don Juan (op. 20; TrV 156) (in 2021-06)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1889-11-11)
composer:
Richard Strauss (German composer) (in 1888)
part of:
Works of Richard Strauss by opus number (number: op. 20) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 156)
Richard Strauss20:14
19Burleske, TrV 145
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
piano:
Yuja Wang (pianist) (in 2021-06)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-06)
conductor:
Andris Nelsons (conductor) (in 2021-06)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-06)
recording of:
Burleske in D minor, TrV 145 (in 2021-06)
premiered in:
Eisenach, Thüringen (Thuringia), Germany (on 1890-06-21)
composer:
Richard Strauss (German composer) (from 1885 until 1886)
dedicated to:
Eugen d’Albert (Scottish-German composer)
premiered at:
[Convention of the General German Music Association] (1890-06-21)
publisher:
Steingräber (in 1894)
part of:
Werkverzeichnis (Richard Strauss TrV) (number: TrV 145)
Richard Strauss20:39
20Don Quixote, op. 35, TrV 184: I. Introduktion. Mäßiges Zeitmaß
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
orchestra:
Boston Symphony Orchestra (from 2018-03 until 2018-04)
conductor:
Andris Nelsons (conductor) (from 2018-03 until 2018-04)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2018-03 until 2018-04)
recording of:
Don Quixote, op. 35: I. Introduction (from 2018-03 until 2018-04)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote (op 35; TrV 184)
Richard Strauss6:32
21Don Quixote, op. 35, TrV 184: II. Thema. Mäßig. “Don Quixote, der Ritter von der trauigen Gestalt”
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
cello:
Yo‐Yo Ma (cellist) (from 2018-03 until 2018-04)
orchestra:
Boston Symphony Orchestra (from 2018-03 until 2018-04)
conductor:
Andris Nelsons (conductor) (from 2018-03 until 2018-04)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2018-03 until 2018-04)
recording of:
Don Quixote, op. 35: Thema: Mäßig. "Don Quichotte, der Ritter von der traurigen Gestalt" (Don Quixote, op. 35: 2. Theme: Mäßig. "Don Quixote, the Knight of the Sorrowful Countenance") (from 2018-03 until 2018-04)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:12
22Don Quixote, op. 35, TrV 184: III. “Sancho Panza”. Maggiore
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
viola:
Steven Ansell (violist, Boston Symphony Orchestra) (from 2018-03 until 2018-04)
orchestra:
Boston Symphony Orchestra (from 2018-03 until 2018-04)
conductor:
Andris Nelsons (conductor) (from 2018-03 until 2018-04)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2018-03 until 2018-04)
recording of:
Don Quixote, op. 35: Maggiore. Sancho Panza (from 2018-03 until 2018-04)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:12
23Don Quixote, op. 35, TrV 184: IV. Var. 1. Gemächlich
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
cello:
Yo‐Yo Ma (cellist) (from 2018-03 until 2018-04)
viola:
Steven Ansell (violist, Boston Symphony Orchestra) (from 2018-03 until 2018-04)
orchestra:
Boston Symphony Orchestra (from 2018-03 until 2018-04)
conductor:
Andris Nelsons (conductor) (from 2018-03 until 2018-04)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2018-03 until 2018-04)
recording of:
Don Quixote, op. 35: Variation I: Departure. The Adventure of the Windmills (from 2018-03 until 2018-04)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss2:34
24Don Quixote, op. 35, TrV 184: V. Var. 2. Kriegerisch
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
orchestra:
Boston Symphony Orchestra (from 2018-03 until 2018-04)
conductor:
Andris Nelsons (conductor) (from 2018-03 until 2018-04)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2018-03 until 2018-04)
recording of:
Don Quixote, op. 35: Variation II: The Battle With the Sheep (from 2018-03 until 2018-04)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:43
25Don Quixote, op. 35, TrV 184: VI. Var. 3. Mäßiges Zeitmaß
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
cello:
Yo‐Yo Ma (cellist) (from 2018-03 until 2018-04)
viola:
Steven Ansell (violist, Boston Symphony Orchestra) (from 2018-03 until 2018-04)
orchestra:
Boston Symphony Orchestra (from 2018-03 until 2018-04)
conductor:
Andris Nelsons (conductor) (from 2018-03 until 2018-04)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2018-03 until 2018-04)
recording of:
Don Quixote, op. 35: Variation III: Sancho's Wishes, Peculiarities of Speech and Maxims (from 2018-03 until 2018-04)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss9:18
26Don Quixote, op. 35, TrV 184: VII. Var. 4. Etwas breiter
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
cello:
Yo‐Yo Ma (cellist) (from 2018-03 until 2018-04)
viola:
Steven Ansell (violist, Boston Symphony Orchestra) (from 2018-03 until 2018-04)
orchestra:
Boston Symphony Orchestra (from 2018-03 until 2018-04)
conductor:
Andris Nelsons (conductor) (from 2018-03 until 2018-04)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2018-03 until 2018-04)
recording of:
Don Quixote, op. 35: Variation IV: The Adventure With the Procession of Penitents (from 2018-03 until 2018-04)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:51
27Don Quixote, op. 35, TrV 184: VIII. Var. 5. Sehr langsam
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
cello:
Yo‐Yo Ma (cellist) (from 2018-03 until 2018-04)
orchestra:
Boston Symphony Orchestra (from 2018-03 until 2018-04)
conductor:
Andris Nelsons (conductor) (from 2018-03 until 2018-04)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2018-03 until 2018-04)
recording of:
Don Quixote, op. 35: Variation V: Don Quixote's Vigil During the Summer Night (from 2018-03 until 2018-04)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss4:33
28Don Quixote, op. 35, TrV 184: IX. Var. 6. Schnell
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
cello:
Yo‐Yo Ma (cellist) (from 2018-03 until 2018-04)
viola:
Steven Ansell (violist, Boston Symphony Orchestra) (from 2018-03 until 2018-04)
orchestra:
Boston Symphony Orchestra (from 2018-03 until 2018-04)
conductor:
Andris Nelsons (conductor) (from 2018-03 until 2018-04)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2018-03 until 2018-04)
recording of:
Don Quixote, op. 35: Variation VI: Dulcinea (from 2018-03 until 2018-04)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:22
29Don Quixote, op. 35, TrV 184: X. Var. 7. Ein wenig ruhiger als vorher
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
orchestra:
Boston Symphony Orchestra (from 2018-03 until 2018-04)
conductor:
Andris Nelsons (conductor) (from 2018-03 until 2018-04)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2018-03 until 2018-04)
recording of:
Don Quixote, op. 35: Variation VII: Don Quixote's Ride Through the Air (from 2018-03 until 2018-04)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:14
30Don Quixote, op. 35, TrV 184: XI. Var. 8. Gemächlich
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
cello:
Yo‐Yo Ma (cellist) (from 2018-03 until 2018-04)
viola:
Steven Ansell (violist, Boston Symphony Orchestra) (from 2018-03 until 2018-04)
orchestra:
Boston Symphony Orchestra (from 2018-03 until 2018-04)
conductor:
Andris Nelsons (conductor) (from 2018-03 until 2018-04)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2018-03 until 2018-04)
recording of:
Don Quixote, op. 35: Variation VIII: The Trip on the Enchanted Boat (from 2018-03 until 2018-04)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:41
31Don Quixote, op. 35, TrV 184: XII. Var. 9. Schnell und stürmisch
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
orchestra:
Boston Symphony Orchestra (from 2018-03 until 2018-04)
conductor:
Andris Nelsons (conductor) (from 2018-03 until 2018-04)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2018-03 until 2018-04)
recording of:
Don Quixote, op. 35: Variation IX: The Attack on the Mendicant Friars (from 2018-03 until 2018-04)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss1:10
32Don Quixote, op. 35, TrV 184: XIII. Var. 10. Viel breiter
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
cello:
Yo‐Yo Ma (cellist) (from 2018-03 until 2018-04)
viola:
Steven Ansell (violist, Boston Symphony Orchestra) (from 2018-03 until 2018-04)
orchestra:
Boston Symphony Orchestra (from 2018-03 until 2018-04)
conductor:
Andris Nelsons (conductor) (from 2018-03 until 2018-04)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2018-03 until 2018-04)
recording of:
Don Quixote, op. 35: Variation X: The Duel and Return Home (from 2018-03 until 2018-04)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote, op. 35: II. Theme and Variations
Richard Strauss4:49
33Don Quixote, op. 35, TrV 184: XIV. Finale. Sehr ruhig
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
cello:
Yo‐Yo Ma (cellist) (from 2018-03 until 2018-04)
orchestra:
Boston Symphony Orchestra (from 2018-03 until 2018-04)
conductor:
Andris Nelsons (conductor) (from 2018-03 until 2018-04)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2018-03 until 2018-04)
recording of:
Don Quixote, op. 35: III. Epilogue: Don Quixote's Mind Clears. Death of Don Quixote (Don Quixote, op. 35: Epilogue: Don Quixote's Mind Clears. Death of Don Quixote) (from 2018-03 until 2018-04)
composer:
Richard Strauss (German composer) (in 1897)
part of:
Don Quixote (op 35; TrV 184)
Richard Strauss6:47
34Also sprach Zarathustra, op. 30, TrV 176: I. Prelude (Sonnenaufgang)
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-05)
conductor:
Andris Nelsons (conductor) (in 2021-05)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-05)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (in 2021-05)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:47
35Also sprach Zarathustra, op. 30, TrV 176: II. Von den Hinterweltlern
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-05)
conductor:
Andris Nelsons (conductor) (in 2021-05)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-05)
recording of:
Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern (in 2021-05)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss4:16
36Also sprach Zarathustra, op. 30, TrV 176: III. Von der großen Sehnsucht
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-05)
conductor:
Andris Nelsons (conductor) (in 2021-05)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-05)
recording of:
Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht (in 2021-05)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:49
37Also sprach Zarathustra, op. 30, TrV 176: IV. Von den Freuden und Leidenschaften
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-05)
conductor:
Andris Nelsons (conductor) (in 2021-05)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-05)
recording of:
Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften (in 2021-05)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss2:04
38Also sprach Zarathustra, op. 30, TrV 176: V. Das Grablied
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-05)
conductor:
Andris Nelsons (conductor) (in 2021-05)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-05)
recording of:
Also sprach Zarathustra, op. 30: V. Das Grablied (in 2021-05)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss2:28
39Also sprach Zarathustra, op. 30, TrV 176: VI. Von der Wissenschaft
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-05)
conductor:
Andris Nelsons (conductor) (in 2021-05)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-05)
recording of:
Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft (in 2021-05)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss4:19
40Also sprach Zarathustra, op. 30, TrV 176: VII. Der Genesende
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-05)
conductor:
Andris Nelsons (conductor) (in 2021-05)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-05)
recording of:
Also sprach Zarathustra, op. 30: VII. Der Genesende (in 2021-05)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss5:12
41Also sprach Zarathustra, op. 30, TrV 176: VIII. Das Tanzlied
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-05)
conductor:
Andris Nelsons (conductor) (in 2021-05)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-05)
recording of:
Also sprach Zarathustra, op. 30: VIII. Das Tanzlied (in 2021-05)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss7:56
42Also sprach Zarathustra, op. 30, TrV 176: IX. Das Nachtwandlerlied
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-05)
conductor:
Andris Nelsons (conductor) (in 2021-05)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-05)
recording of:
Also sprach Zarathustra, op. 30: IX. Nachtwandlerlied (in 2021-05)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss4:49
43Eine Alpensinfonie, op. 64, TrV 233: No. 1, Nacht
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Tim Martyn (engineer)
orchestra:
Boston Symphony Orchestra (from 2017-11 until 2017-12)
conductor:
Andris Nelsons (conductor) (from 2017-11 until 2017-12)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2017-11 until 2017-12)
recording of:
Eine Alpensinfonie, op. 64: I. Nacht (An Alpine Symphony, op. 64: 1. Night) (from 2017-11 until 2017-12)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss3:13
44Eine Alpensinfonie, op. 64, TrV 233: No. 2, Sonnenaufgang
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Tim Martyn (engineer)
orchestra:
Boston Symphony Orchestra (from 2017-11 until 2017-12)
conductor:
Andris Nelsons (conductor) (from 2017-11 until 2017-12)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2017-11 until 2017-12)
recording of:
Eine Alpensinfonie, op. 64: II. Sonnenaufgang (An Alpine Symphony, op. 64: 2. Sunrise) (from 2017-11 until 2017-12)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss1:30
45Eine Alpensinfonie, op. 64, TrV 233: No. 3, Der Anstieg
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Tim Martyn (engineer)
orchestra:
Boston Symphony Orchestra (from 2017-11 until 2017-12)
conductor:
Andris Nelsons (conductor) (from 2017-11 until 2017-12)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2017-11 until 2017-12)
recording of:
Eine Alpensinfonie, op. 64: III. Der Anstieg (An Alpine Symphony, op. 64: 3. The Ascent) (from 2017-11 until 2017-12)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss2:19
46Eine Alpensinfonie, op. 64, TrV 233: No. 4, Eintritt in den Wald
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Tim Martyn (engineer)
orchestra:
Boston Symphony Orchestra (from 2017-11 until 2017-12)
conductor:
Andris Nelsons (conductor) (from 2017-11 until 2017-12)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2017-11 until 2017-12)
recording of:
Eine Alpensinfonie, op. 64: IV. Der Eintritt in der Wald (An Alpine Symphony, op. 64: 4. Entering the Forest) (from 2017-11 until 2017-12)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss5:36
47Eine Alpensinfonie, op. 64, TrV 233: No. 5, Wanderung neben dem Bache
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Tim Martyn (engineer)
orchestra:
Boston Symphony Orchestra (from 2017-11 until 2017-12)
conductor:
Andris Nelsons (conductor) (from 2017-11 until 2017-12)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2017-11 until 2017-12)
recording of:
Eine Alpensinfonie, op. 64: V. Wanderung neben dem Bache (An Alpine Symphony, op. 64: 5. Wandering by the Brook) (from 2017-11 until 2017-12)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss0:49
48Eine Alpensinfonie, op. 64, TrV 233: No. 6, Am Wasserfall
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Tim Martyn (engineer)
orchestra:
Boston Symphony Orchestra (from 2017-11 until 2017-12)
conductor:
Andris Nelsons (conductor) (from 2017-11 until 2017-12)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2017-11 until 2017-12)
recording of:
Eine Alpensinfonie, op. 64: VI. Am Wasserfall (An Alpine Symphony, op. 64: 6. At the Waterfall) (from 2017-11 until 2017-12)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss0:16
49Eine Alpensinfonie, op. 64, TrV 233: No. 7, Erscheinung
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Tim Martyn (engineer)
orchestra:
Boston Symphony Orchestra (from 2017-11 until 2017-12)
conductor:
Andris Nelsons (conductor) (from 2017-11 until 2017-12)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2017-11 until 2017-12)
recording of:
Eine Alpensinfonie, op. 64: VII. Erscheinung (An Alpine Symphony, op. 64: 7. Apparition) (from 2017-11 until 2017-12)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss0:51
50Eine Alpensinfonie, op. 64, TrV 233: No. 8, Auf blumige Wiesen
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Tim Martyn (engineer)
orchestra:
Boston Symphony Orchestra (from 2017-11 until 2017-12)
conductor:
Andris Nelsons (conductor) (from 2017-11 until 2017-12)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2017-11 until 2017-12)
recording of:
Eine Alpensinfonie, op. 64: VIII. Auf blumigen Wiesen (An Alpine Symphony, op. 64: 8. On Flower-Covered Meadows) (from 2017-11 until 2017-12)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss0:56
51Eine Alpensinfonie, op. 64, TrV 233: No. 9, Auf der Alm
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Tim Martyn (engineer)
orchestra:
Boston Symphony Orchestra (from 2017-11 until 2017-12)
conductor:
Andris Nelsons (conductor) (from 2017-11 until 2017-12)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2017-11 until 2017-12)
recording of:
Eine Alpensinfonie, op. 64: IX. Auf der Alm (An Alpine Symphony, op. 64: 9. On Alpine Pastures) (from 2017-11 until 2017-12)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss2:32
52Eine Alpensinfonie, op. 64, TrV 233: No. 10, Durch Dickicht und Gestrüpp auf Irrwegen
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Tim Martyn (engineer)
orchestra:
Boston Symphony Orchestra (from 2017-11 until 2017-12)
conductor:
Andris Nelsons (conductor) (from 2017-11 until 2017-12)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2017-11 until 2017-12)
recording of:
Eine Alpensinfonie, op. 64: X. Durch Dickicht und Gestrüpp auf Irrwegen (An Alpine Symphony, op. 64: 10. Lost in the Thicket and the Undergrowth) (from 2017-11 until 2017-12)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss1:31
53Eine Alpensinfonie, op. 64, TrV 233: No. 11, Auf dem Gletscher
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Tim Martyn (engineer)
orchestra:
Boston Symphony Orchestra (from 2017-11 until 2017-12)
conductor:
Andris Nelsons (conductor) (from 2017-11 until 2017-12)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2017-11 until 2017-12)
recording of:
Eine Alpensinfonie, op. 64: XI. Auf dem Gletscher (An Alpine Symphony, op. 64: 11. On the Glacier) (from 2017-11 until 2017-12)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss1:12
54Eine Alpensinfonie, op. 64, TrV 233: No. 12, Gefahrvolle Augenblicke
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Tim Martyn (engineer)
orchestra:
Boston Symphony Orchestra (from 2017-11 until 2017-12)
conductor:
Andris Nelsons (conductor) (from 2017-11 until 2017-12)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2017-11 until 2017-12)
recording of:
Eine Alpensinfonie, op. 64: XII. Gefahrvolle Augenblicke (An Alpine Symphony, op. 64: 12. Hazardous Moments) (from 2017-11 until 2017-12)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss1:34
55Eine Alpensinfonie, op. 64, TrV 233: No. 13, Auf dem Gipfel
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Tim Martyn (engineer)
orchestra:
Boston Symphony Orchestra (from 2017-11 until 2017-12)
conductor:
Andris Nelsons (conductor) (from 2017-11 until 2017-12)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2017-11 until 2017-12)
recording of:
Eine Alpensinfonie, op. 64: XIII. Auf dem Gipfel (An Alpine Symphony, op. 64: 13. On the Summit) (from 2017-11 until 2017-12)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss4:50
56Eine Alpensinfonie, op. 64, TrV 233: No. 14, Vision
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Tim Martyn (engineer)
orchestra:
Boston Symphony Orchestra (from 2017-11 until 2017-12)
conductor:
Andris Nelsons (conductor) (from 2017-11 until 2017-12)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2017-11 until 2017-12)
recording of:
Eine Alpensinfonie, op. 64: XIV. Vision (An Alpine Symphony, op. 64: 14. Vision) (from 2017-11 until 2017-12)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss3:13
57Eine Alpensinfonie, op. 64, TrV 233: No. 15, Nebel steigen auf
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Tim Martyn (engineer)
orchestra:
Boston Symphony Orchestra (from 2017-11 until 2017-12)
conductor:
Andris Nelsons (conductor) (from 2017-11 until 2017-12)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2017-11 until 2017-12)
recording of:
Eine Alpensinfonie, op. 64: XV. Nebel steigen auf (An Alpine Symphony, op. 64: 15. The Mist Rises) (from 2017-11 until 2017-12)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss0:21
58Eine Alpensinfonie, op. 64, TrV 233: No. 16, Die Sonne verdüstert sich allmählich
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Tim Martyn (engineer)
orchestra:
Boston Symphony Orchestra (from 2017-11 until 2017-12)
conductor:
Andris Nelsons (conductor) (from 2017-11 until 2017-12)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2017-11 until 2017-12)
recording of:
Eine Alpensinfonie, op. 64: XVI. Die Sonne verdüstert sich allmählich (An Alpine Symphony, op. 64: 16. The Sun Gradually Darkens) (from 2017-11 until 2017-12)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss0:49
59Eine Alpensinfonie, op. 64, TrV 233: No. 17, Elegie
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Tim Martyn (engineer)
orchestra:
Boston Symphony Orchestra (from 2017-11 until 2017-12)
conductor:
Andris Nelsons (conductor) (from 2017-11 until 2017-12)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2017-11 until 2017-12)
recording of:
Eine Alpensinfonie, op. 64: XVII. Elegie (An Alpine Symphony, op. 64: 17. Elegy) (from 2017-11 until 2017-12)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss2:06
60Eine Alpensinfonie, op. 64, TrV 233: No. 18, Stille vor dem Sturm
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Tim Martyn (engineer)
orchestra:
Boston Symphony Orchestra (from 2017-11 until 2017-12)
conductor:
Andris Nelsons (conductor) (from 2017-11 until 2017-12)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2017-11 until 2017-12)
recording of:
Eine Alpensinfonie, op. 64: XVIII. Stille vor dem Sturm (An Alpine Symphony, op. 64: 18. The Calm Before the Storm) (from 2017-11 until 2017-12)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss2:56
61Eine Alpensinfonie, op. 64, TrV 233: No. 19, Gewitter und Sturm, Abstieg
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Tim Martyn (engineer)
orchestra:
Boston Symphony Orchestra (from 2017-11 until 2017-12)
conductor:
Andris Nelsons (conductor) (from 2017-11 until 2017-12)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2017-11 until 2017-12)
recording of:
Eine Alpensinfonie, op. 64: XIX. Gewitter und Sturm, Abstieg (An Alpine Symphony, op. 64: 19. Thunderstorm, Descent) (from 2017-11 until 2017-12)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss3:46
62Eine Alpensinfonie, op. 64, TrV 233: No. 20, Sonnenuntergang
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Tim Martyn (engineer)
orchestra:
Boston Symphony Orchestra (from 2017-11 until 2017-12)
conductor:
Andris Nelsons (conductor) (from 2017-11 until 2017-12)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2017-11 until 2017-12)
recording of:
Eine Alpensinfonie, op. 64: XX. Sonnenuntergang (An Alpine Symphony, op. 64: 20. Sunset) (from 2017-11 until 2017-12)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss3:09
63Eine Alpensinfonie, op. 64, TrV 233: No. 21, Ausklang
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Tim Martyn (engineer)
orchestra:
Boston Symphony Orchestra (from 2017-11 until 2017-12)
conductor:
Andris Nelsons (conductor) (from 2017-11 until 2017-12)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2017-11 until 2017-12)
recording of:
Eine Alpensinfonie, op. 64: XXI. Ausklang (An Alpine Symphony, op. 64: 21. Conclusion) (from 2017-11 until 2017-12)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss7:06
64Eine Alpensinfonie, op. 64, TrV 233: No. 22, Nacht
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Tim Martyn (engineer)
orchestra:
Boston Symphony Orchestra (from 2017-11 until 2017-12)
conductor:
Andris Nelsons (conductor) (from 2017-11 until 2017-12)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2017-11 until 2017-12)
recording of:
Eine Alpensinfonie, op. 64: XXII. Nacht (An Alpine Symphony, op. 64: 22. Night) (from 2017-11 until 2017-12)
composer:
Richard Strauss (German composer) (in 1915)
part of:
Eine Alpensinfonie (An Alpine Symphony, op. 64; TrV 233)
Richard Strauss2:40
65Macbeth, op. 23, TrV 163: I. Allegro, un poco maestoso – Presto
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-03)
conductor:
Andris Nelsons (conductor) (in 2021-03)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-03)
partial recording of:
Macbeth (op. 23; TrV 163) (in 2021-03)
composer:
Richard Strauss (German composer) (from 1886 until 1888)
premiered at:
Hoftheater Weimar (reopened 1825 - replaced 1906) in Weimar, Thüringen (Thuringia), Germany (on 1890-10-13)
part of:
Works of Richard Strauss by opus number (number: op. 23) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 163)
Richard Strauss7:55
66Macbeth, op. 23, TrV 163: II. Moderato maestoso
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-03)
conductor:
Andris Nelsons (conductor) (in 2021-03)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-03)
partial recording of:
Macbeth (op. 23; TrV 163) (in 2021-03)
composer:
Richard Strauss (German composer) (from 1886 until 1888)
premiered at:
Hoftheater Weimar (reopened 1825 - replaced 1906) in Weimar, Thüringen (Thuringia), Germany (on 1890-10-13)
part of:
Works of Richard Strauss by opus number (number: op. 23) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 163)
Richard Strauss2:08
67Macbeth, op. 23, TrV 163: III. Allegro, un poco maestoso
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-03)
conductor:
Andris Nelsons (conductor) (in 2021-03)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-03)
partial recording of:
Macbeth (op. 23; TrV 163) (in 2021-03)
composer:
Richard Strauss (German composer) (from 1886 until 1888)
premiered at:
Hoftheater Weimar (reopened 1825 - replaced 1906) in Weimar, Thüringen (Thuringia), Germany (on 1890-10-13)
part of:
Works of Richard Strauss by opus number (number: op. 23) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 163)
Richard Strauss10:02
68Tod und Verklärung, op. 24, TrV 158: I. Largo
assistant recording engineer:
Cole Barbour (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
orchestra:
Boston Symphony Orchestra (in 2021-10)
conductor:
Andris Nelsons (conductor) (in 2021-10)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2021-10)
recording of:
Tod und Verklärung, op. 24: I. Largo (in 2021-10)
composer:
Richard Strauss (German composer) (from 1888 until 1889)
part of:
Tod und Verklärung, op. 24 (TrV 158)
Richard Strauss5:41
69Tod und Verklärung, op. 24, TrV 158: II. Allegro molto agitato
assistant recording engineer:
Cole Barbour (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
orchestra:
Boston Symphony Orchestra (in 2021-10)
conductor:
Andris Nelsons (conductor) (in 2021-10)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2021-10)
recording of:
Tod und Verklärung, op. 24: II. Allegro molto agitato (in 2021-10)
composer:
Richard Strauss (German composer) (from 1888 until 1889)
part of:
Tod und Verklärung, op. 24 (TrV 158)
Richard Strauss3:50
70Tod und Verklärung, op. 24, TrV 158: III. Meno mosso
assistant recording engineer:
Cole Barbour (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
orchestra:
Boston Symphony Orchestra (in 2021-10)
conductor:
Andris Nelsons (conductor) (in 2021-10)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2021-10)
recording of:
Tod und Verklärung, op. 24: III. Meno mosso (in 2021-10)
composer:
Richard Strauss (German composer) (from 1888 until 1889)
part of:
Tod und Verklärung, op. 24 (TrV 158)
Richard Strauss8:20
71Tod und Verklärung, op. 24, TrV 158: IV. Moderato
assistant recording engineer:
Cole Barbour (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
orchestra:
Boston Symphony Orchestra (in 2021-10)
conductor:
Andris Nelsons (conductor) (in 2021-10)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2021-10)
recording of:
Tod und Verklärung, op. 24: IV. Moderato (in 2021-10)
composer:
Richard Strauss (German composer) (from 1888 until 1889)
part of:
Tod und Verklärung, op. 24 (TrV 158)
Richard Strauss8:11
72Ein Heldenleben, op. 40, TrV 190: I. Der Held
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-05)
conductor:
Andris Nelsons (conductor) (in 2021-05)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-05)
recording of:
Ein Heldenleben, op. 40: I. Der Held (A Hero’s Life, op. 40: 1. The Hero) (in 2021-05)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Richard Strauss4:32
73Ein Heldenleben, op. 40, TrV 190: II. Des Helden Widersacher
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-05)
conductor:
Andris Nelsons (conductor) (in 2021-05)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-05)
recording of:
Ein Heldenleben, op. 40: II. Des Helden Widersacher (A Hero’s Life, op. 40: 2. The Hero’s Adversaries) (in 2021-05)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Richard Strauss3:25
74Ein Heldenleben, op. 40, TrV 190: III. Des Helden Gefährtin
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
solo violin:
Frank-Michael Erben (violinist) (in 2021-05)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-05)
conductor:
Andris Nelsons (conductor) (in 2021-05)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-05)
recording of:
Ein Heldenleben, op. 40: III. Des Helden Gefährtin (A Hero’s Life, op. 40: 3. The Hero’s Companion) (in 2021-05)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Richard Strauss13:43
75Ein Heldenleben, op. 40, TrV 190: IV. Des Helden Walstatt
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-05)
conductor:
Andris Nelsons (conductor) (in 2021-05)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-05)
recording of:
Ein Heldenleben, op. 40: IV. Des Helden Walstatt (A Hero’s Life, op. 40: 4. The Hero at Battle) (in 2021-05)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Richard Strauss7:37
76Ein Heldenleben, op. 40, TrV 190: V. Des Helden Friedenswerke
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
solo violin:
Frank-Michael Erben (violinist) (in 2021-05)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-05)
conductor:
Andris Nelsons (conductor) (in 2021-05)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-05)
recording of:
Ein Heldenleben, op. 40: V. Des Helden Friedenswerke (A Hero’s Life, op. 40: 5. The Hero’s Works of Peace) (in 2021-05)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Richard Strauss6:55
77Ein Heldenleben, op. 40, TrV 190: VI. Des Helden Weltflucht und Vollendung
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
solo violin:
Frank-Michael Erben (violinist) (in 2021-05)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-05)
conductor:
Andris Nelsons (conductor) (in 2021-05)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-05)
recording of:
Ein Heldenleben, op. 40: VI. Des Helden Weltflucht und Vollendung (A Hero’s Life, op. 40: 6. The Hero’s Retreat from the World and Fulfillment) (in 2021-05)
composer:
Richard Strauss (German composer) (in 1898)
part of:
Ein Heldenleben (op 40; TrV 190)
Richard Strauss12:22
78Metamorphosen, TrV 290: I. Adagio ma non troppo
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-02)
conductor:
Andris Nelsons (conductor) (in 2021-02)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-02)
partial recording of:
Metamorphosen, study for 23 solo strings (TrV 290; AV 142) (in 2021-02)
composer:
Richard Strauss (German composer) (from 1944-08 until 1945-03)
part of:
Thematisches Verzeichnis (Richard Strauss AV) (number: AV 142) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 290)
Richard Strauss11:04
79Metamorphosen, TrV 290: II. Agitato
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-02)
conductor:
Andris Nelsons (conductor) (in 2021-02)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-02)
partial recording of:
Metamorphosen, study for 23 solo strings (TrV 290; AV 142) (in 2021-02)
composer:
Richard Strauss (German composer) (from 1944-08 until 1945-03)
part of:
Thematisches Verzeichnis (Richard Strauss AV) (number: AV 142) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 290)
Richard Strauss6:04
80Metamorphosen, TrV 290: III. Adagio, tempo primo
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-02)
conductor:
Andris Nelsons (conductor) (in 2021-02)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-02)
partial recording of:
Metamorphosen, study for 23 solo strings (TrV 290; AV 142) (in 2021-02)
composer:
Richard Strauss (German composer) (from 1944-08 until 1945-03)
part of:
Thematisches Verzeichnis (Richard Strauss AV) (number: AV 142) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 290)
Richard Strauss9:22
81Sinfonia Domestica, op. 53, TrV 209: Ia. Thema. Bewegt
recording engineer:
Nick Squire (engineer)
engineer:
Shawn Murphy (producer/engineer)
producer:
Shawn Murphy (producer/engineer) and Carl Talbot (mastering engineer)
editor:
Carl Talbot (mastering engineer)
orchestra:
Boston Symphony Orchestra (from 2019-09 until 2019-10)
conductor:
Andris Nelsons (conductor) (from 2019-09 until 2019-10)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2019-09 until 2019-10)
partial recording of:
Symphonia Domestica, op. 53: I. Theme I. Bewegt - Theme II. Sehr lebhaft - Theme III. Ruhig (from 2019-09 until 2019-10)
composer:
Richard Strauss (German composer) (in 1903)
part of:
Symphonia Domestica (op. 53; TrV 209)
Richard Strauss1:04
82Sinfonia Domestica, op. 53, TrV 209: Ib. Thema. Sehr lebhaft
recording engineer:
Nick Squire (engineer)
engineer:
Shawn Murphy (producer/engineer)
producer:
Shawn Murphy (producer/engineer) and Carl Talbot (mastering engineer)
editor:
Carl Talbot (mastering engineer)
orchestra:
Boston Symphony Orchestra (from 2019-09 until 2019-10)
conductor:
Andris Nelsons (conductor) (from 2019-09 until 2019-10)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2019-09 until 2019-10)
partial recording of:
Symphonia Domestica, op. 53: I. Theme I. Bewegt - Theme II. Sehr lebhaft - Theme III. Ruhig (from 2019-09 until 2019-10)
composer:
Richard Strauss (German composer) (in 1903)
part of:
Symphonia Domestica (op. 53; TrV 209)
Richard Strauss2:36
83Sinfonia Domestica, op. 53, TrV 209: Ic. Thema. Ruhig
recording engineer:
Nick Squire (engineer)
engineer:
Shawn Murphy (producer/engineer)
producer:
Shawn Murphy (producer/engineer) and Carl Talbot (mastering engineer)
editor:
Carl Talbot (mastering engineer)
orchestra:
Boston Symphony Orchestra (from 2019-09 until 2019-10)
conductor:
Andris Nelsons (conductor) (from 2019-09 until 2019-10)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2019-09 until 2019-10)
partial recording of:
Symphonia Domestica, op. 53: I. Theme I. Bewegt - Theme II. Sehr lebhaft - Theme III. Ruhig (from 2019-09 until 2019-10)
composer:
Richard Strauss (German composer) (in 1903)
part of:
Symphonia Domestica (op. 53; TrV 209)
Richard Strauss1:45
84Sinfonia Domestica, op. 53, TrV 209: IIa. Scherzo. Munter
recording engineer:
Nick Squire (engineer)
engineer:
Shawn Murphy (producer/engineer)
producer:
Shawn Murphy (producer/engineer) and Carl Talbot (mastering engineer)
editor:
Carl Talbot (mastering engineer)
orchestra:
Boston Symphony Orchestra (from 2019-09 until 2019-10)
conductor:
Andris Nelsons (conductor) (from 2019-09 until 2019-10)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2019-09 until 2019-10)
recording of:
Symphonia Domestica, op. 53: II. Scherzo. Munter (from 2019-09 until 2019-10)
composer:
Richard Strauss (German composer) (in 1903)
part of:
Symphonia Domestica (op. 53; TrV 209)
Richard Strauss6:36
85Sinfonia Domestica, op. 53, TrV 209: IIb. Wiegenlied. Mässig langsam
recording engineer:
Nick Squire (engineer)
engineer:
Shawn Murphy (producer/engineer)
producer:
Shawn Murphy (producer/engineer) and Carl Talbot (mastering engineer)
editor:
Carl Talbot (mastering engineer)
orchestra:
Boston Symphony Orchestra (from 2019-09 until 2019-10)
conductor:
Andris Nelsons (conductor) (from 2019-09 until 2019-10)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2019-09 until 2019-10)
recording of:
Symphonia Domestica, op. 53: II. Wiegenlied: Mäßig langsam (from 2019-09 until 2019-10)
composer:
Richard Strauss (German composer) (in 1903)
part of:
Symphonia Domestica (op. 53; TrV 209)
Richard Strauss6:29
86Sinfonia Domestica, op. 53, TrV 209: III. Adagio. Langsam
recording engineer:
Nick Squire (engineer)
engineer:
Shawn Murphy (producer/engineer)
producer:
Shawn Murphy (producer/engineer) and Carl Talbot (mastering engineer)
editor:
Carl Talbot (mastering engineer)
orchestra:
Boston Symphony Orchestra (from 2019-09 until 2019-10)
conductor:
Andris Nelsons (conductor) (from 2019-09 until 2019-10)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2019-09 until 2019-10)
recording of:
Symphonia Domestica, op. 53: III. Adagio. Langsam (from 2019-09 until 2019-10)
composer:
Richard Strauss (German composer) (in 1903)
part of:
Symphonia Domestica (op. 53; TrV 209)
Richard Strauss12:29
87Sinfonia Domestica, op. 53, TrV 209: IV. Finale. Sehr lebhaft
recording engineer:
Nick Squire (engineer)
engineer:
Shawn Murphy (producer/engineer)
producer:
Shawn Murphy (producer/engineer) and Carl Talbot (mastering engineer)
editor:
Carl Talbot (mastering engineer)
orchestra:
Boston Symphony Orchestra (from 2019-09 until 2019-10)
conductor:
Andris Nelsons (conductor) (from 2019-09 until 2019-10)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2019-09 until 2019-10)
recording of:
Symphonia Domestica, op. 53: IV. Finale. Sehr lebhaft (from 2019-09 until 2019-10)
composer:
Richard Strauss (German composer) (in 1903)
part of:
Symphonia Domestica (op. 53; TrV 209)
Richard Strauss13:59
88Symphonische Fantasie aus Die Frau ohne Schatten, TrV 234a
assistant recording engineer:
Cole Barbour (engineer)
recording engineer:
Nick Squire (engineer)
engineer and producer:
Shawn Murphy (producer/engineer)
editor:
Robert Wolff (engineer)
orchestra:
Boston Symphony Orchestra (in 2021-10)
conductor:
Andris Nelsons (conductor) (in 2021-10)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 2021-10)
recording of:
Symphonische Fantasie aus “Die Frau ohne Schatten”, TrV 234a (in 2021-10)
composer:
Richard Strauss (German composer)
is based on:
Die Frau ohne Schatten (op. 65; TrV 234)
Richard Strauss21:34
89Aus Italien, op. 16, TrV 147: I. Auf der Campagna
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-03)
conductor:
Andris Nelsons (conductor) (in 2021-03)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-03)
recording of:
Aus Italien, op. 16: I. Andante. Auf der Campagna (in 2021-03)
composer:
Richard Strauss (German composer) (in 1886)
part of:
Aus Italien (op. 16; TrV 147)
Richard Strauss10:18
90Aus Italien, op. 16, TrV 147: II. In Roms Ruinen
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-03)
conductor:
Andris Nelsons (conductor) (in 2021-03)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-03)
recording of:
Aus Italien, op. 16: II. Allegro molto con brio. In Roms Ruinen (in 2021-03)
composer:
Richard Strauss (German composer) (in 1886)
part of:
Aus Italien (op. 16; TrV 147)
Richard Strauss12:17
91Aus Italien, op. 16, TrV 147: III. Am Strande von Sorrent
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-03)
conductor:
Andris Nelsons (conductor) (in 2021-03)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-03)
recording of:
Aus Italien, op. 16: III. Andantino. Am Strande von Sorrent (in 2021-03)
composer:
Richard Strauss (German composer) (in 1886)
part of:
Aus Italien (op. 16; TrV 147)
Richard Strauss13:02
92Aus Italien, op. 16, TrV 147: IV. Neapolitanisches Volksleben
recording engineer:
Eike Boehm, Thomas Bößl, René Möller, Sebastian Nattkemper and Toni Schlesinger (engineer)
producer:
Friedemann Engelbrecht
editor:
Thomas Bößl
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 2021-03)
conductor:
Andris Nelsons (conductor) (in 2021-03)
recorded at:
Gewandhaus (1981-) in Leipzig, Sachsen (Saxony), Germany (in 2021-03)
recording of:
Aus Italien, op. 16: IV. Finale: Allegro molto. Neapolitanisches Volksleben (in 2021-03)
composer:
Richard Strauss (German composer) (in 1886)
is based on:
Funiculì, funiculà
part of:
Aus Italien (op. 16; TrV 147)
Richard Strauss9:07
93Festliches Präludium, op. 61, TrV 229
assistant recording engineer:
Joel Watts (engineer)
recording engineer:
Nick Squire (engineer)
engineer:
Shawn Murphy (producer/engineer)
producer:
Shawn Murphy (producer/engineer) and Nick Squire (engineer)
editor:
Jennifer Nulsen (engineer)
organ:
Olivier Latry (organist) (from 2019-10 until 2019-11)
orchestra:
Boston Symphony Orchestra (from 2019-10 until 2019-11) and Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 2019-10 until 2019-11)
conductor:
Andris Nelsons (conductor) (from 2019-10 until 2019-11)
phonographic copyright (℗) by:
Boston Symphony Orchestra, Inc. (in 2022)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 2019-10 until 2019-11)
recording of:
Festliches Präludium (op. 61; TrV 229) (from 2019-10 until 2019-11)
composer:
Richard Strauss (German composer) (in 1913)
part of:
Works of Richard Strauss by opus number (number: op. 61) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 229)
Richard Strauss13:49

Credits

Release

photography:Marco Borggreve (photographer) (task: cover)
Hilary Scott (task: p. 9)
Winslow Townson (task: p. 2)
liner notes:Tobias Niederschlag (liner notes)
executive producer:Misha Aster
Sid McLauchlan (engineer/producer)
design:Florian Karg
booklet editor:Jochen Rudelt
copyrighted (©) by:Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2022)
purchase for download and streaming page:https://music.apple.com/us/album/1600474685 [info]

Release group

artist & repertoire support:Malene Hill (task: production manager)
Natalia Kononchuk (task: coordinator)
associated singles/EPs:Salome, op. 54, TrV 215: Dance of the Seven Veils by Strauss (Richard Strauss, German composer); Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra), Andris Nelsons (conductor)