Sir John Alot

~ Release by John Renbourn (see all versions of this release, 5 available)

Tracklist

1CD
#TitleRatingLength
1The Earle of Salisbury
engineer:
John Wood (UK producer)
producer:
Nathan Joseph (Producer)
acoustic guitar:
John Renbourn
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
51:23
2The Trees They Do Grow High
engineer:
John Wood (UK producer)
producer:
Nathan Joseph (Producer)
acoustic guitar:
John Renbourn
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
53:37
3Lady Goes to Church
engineer:
John Wood (UK producer)
producer:
Nathan Joseph (Producer)
acoustic guitar:
John Renbourn
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
52:54
4Morgana
engineer:
John Wood (UK producer)
producer:
Nathan Joseph (Producer)
acoustic guitar:
John Renbourn
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
57:29
5Transfusion
52:02
6Forty-Eight
52:55
7My Dear Boy
engineer:
John Wood (UK producer)
producer:
Nathan Joseph (Producer)
acoustic guitar:
John Renbourn
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
51:20
8White Fishes
52:51
9Sweet Potato
engineer:
John Wood (UK producer)
producer:
Nathan Joseph (Producer)
acoustic guitar:
John Renbourn
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
cover recording of:
My Sweet Potato
composer:
Steve Cropper, Al Jackson, Jr. (Booker T & The MGs drummer) and Booker T. Jones
publisher:
Al Jackson Jr. Music
53:23
10Seven Up
engineer:
John Wood (UK producer)
producer:
Nathan Joseph (Producer)
acoustic guitar:
John Renbourn
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
53:49