Tracklist

1CD: Vol 1. Kantaten - Cantatas
2CD: Vol 2. Kantaten - Cantatas
3CD: Vol 3. Kantaten - Cantatas
4CD: Vol 4. Kantaten - Cantatas
5CD: Vol 5. Kantaten - Cantatas
6CD: Vol 6. Kantaten - Cantatas
7CD: Vol 7. Kantaten - Cantatas
8CD: Vol 8. Kantaten - Cantatas
9CD: Vol 9. Kantaten - Cantatas
10CD: Vol 10. Kantaten - Cantatas
11CD: Vol 11. Kantaten - Cantatas
12CD: Vol 12. Kantaten - Cantatas
13CD: Vol 13. Kantaten - Cantatas
14CD: Vol 14. Kantaten - Cantatas
15CD: Vol 15. Kantaten - Cantatas
16CD: Vol 16. Kantaten - Cantatas
17CD: Vol 17. Kantaten - Cantatas
18CD: Vol 18. Kantaten - Cantatas
19CD: Vol 19. Kantaten - Cantatas
20CD: Vol 20. Kantaten - Cantatas
21CD: Vol 21. Kantaten - Cantatas
22CD: Vol 22. Kantaten - Cantatas
23CD: Vol 23. Kantaten - Cantatas
24CD: Vol 24. Kantaten - Cantatas
25CD: Vol 25. Kantaten - Cantatas
26CD: Vol 26. Kantaten - Cantatas
27CD: Vol 27. Kantaten - Cantatas
28CD: Vol 28. Kantaten - Cantatas
29CD: Vol 29. Kantaten - Cantatas
30CD: Vol 30. Kantaten - Cantatas
31CD: Vol 31. Kantaten - Cantatas
32CD: Vol 32. Kantaten - Cantatas
33CD: Vol 33. Kantaten - Cantatas
34CD: Vol 34. Kantaten - Cantatas
35CD: Vol 35. Kantaten - Cantatas
36CD: Vol 36. Kantaten - Cantatas
37CD: Vol 37. Kantaten - Cantatas
38CD: Vol 38. Kantaten - Cantatas
39CD: Vol 39. Kantaten - Cantatas
40CD: Vol 40. Kantaten - Cantatas
41CD: Vol 41. Kantaten - Cantatas
42CD: Vol 42. Kantaten - Cantatas
43CD: Vol 43. Kantaten - Cantatas
44CD: Vol 44. Kantaten - Cantatas
45CD: Vol 45. Kantaten - Cantatas
46CD: Vol 46. Kantaten - Cantatas
47CD: Vol 47. Kantaten - Cantatas
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1Kantate, BWV 152 "Tritt auf die Glaubensbahn": I. Sinfonia
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-04)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": I. Sinfonia (from 1976-03 until 1976-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
3:36
2Kantate, BWV 152 "Tritt auf die Glaubensbahn": II. Aria (Bass) "Tritt auf die Glaubensbahn"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-04)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": II. Aria (Basso) "Tritt auf die Glaubensbahn" (from 1976-03 until 1976-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
3:07
3Kantate, BWV 152 "Tritt auf die Glaubensbahn": III. Recitativo (Bass) "Der Heiland ist gesetzt"
vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-04)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": III. Recitativo (Basso) "Der Heiland ist gesetzt" (from 1976-03 until 1976-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
1:58
4Kantate, BWV 152 "Tritt auf die Glaubensbahn": IV. Aria (Sopran) "Stein, der über alle Schätze"
soprano vocals:
Arleen Augér (soprano)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-04)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": IV. Aria (Sopran) "Stein, der über alle Schätze" (from 1976-03 until 1976-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
3:57
5Kantate, BWV 152 "Tritt auf die Glaubensbahn": V. Recitativo (Sopran, Bass) "Es ärgre sich die kluge Welt"
bass vocals:
Wolfgang Schöne (bass-baritone)
soprano vocals:
Arleen Augér (soprano)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-04)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": V. Recitativo (Bass) "Es ärgre sich die kluge Welt" (from 1976-03 until 1976-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
1:30
6Kantate, BWV 152 "Tritt auf die Glaubensbahn": VI. Duetto "Wie soll ich dich, Liebster der Seelen, umfassen?"
bass vocals:
Wolfgang Schöne (bass-baritone)
soprano vocals:
Arleen Augér (soprano)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-03 until 1976-04)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": VI. Duetto (Soprano, Basso) "Wie soll ich dich, Liebster der Seelen, umfassen?" (from 1976-03 until 1976-04)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
4:37
7Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": I. Choral "Schau lieber Gott, wie meine Feind"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": I. Choral "Schau lieber Gott, wie meine Feind" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
David Denicke
part of:
Breitkopf 389 Choralgesänge (number: 5)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
0:56
8Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": II. Recitativo (Alt) "Mein liebster Gott, ach laß dichs doch erbarmen"
alto vocals:
Ann Murray (Irish mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": II. Recitativo (Alt) "Mein liebster Gott, ach laß dichs doch erbarmen" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
0:43
9Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": III. Arioso (Bass) "Fürchte dich nicht, ich bin mit dir"
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": III. Arioso (Bass) "Fürchte dich nicht, ich bin mit dir" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Jesaja 41, 10 (Biblical personage)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:59
10Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IV. Recitativo (Tenor) "Du sprichst zwar, lieber Gott"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IV. Recitativo (Tenor) "Du sprichst zwar, lieber Gott" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:43
11Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": V. Choral "Und ob gleich alle Teufel"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": V. Choral "Und ob gleich alle Teufel" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Paul Gerhardt (17th century hymn writer)
part of:
Breitkopf 389 Choralgesänge (number: 160)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:02
12Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VI. Aria (Tenor) "Stürmt nur, stürmt, ihr Trübsalswetter"
vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VI. Aria (Tenor) "Stürmt nur, stürmt, ihr Trübsalswetter" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
2:34
13Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VII. Recitativo (Bass) "Getrost! mein Herz"
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VII. Recitativo (Bass) "Getrost! mein Herz" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:50
14Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VIII. Aria (Alt) "Soll ich meinen Lebenslauf"
alto vocals:
Ann Murray (Irish mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": VIII. Aria (Alt) "Soll ich meinen Lebenslauf" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
2:27
15Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IX. Choral "Drum will ich, weil ich lebe noch"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind": IX. Choral "Drum will ich, weil ich lebe noch" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Moller (german poet)
part of:
Breitkopf 389 Choralgesänge (number: 9)
part of:
Kantate, BWV 153 "Schau lieber Gott, wie meine Feind"
1:45
16Kantate, BWV 154 "Mein liebster Jesus ist verloren": I. Aria (Tenor) "Mein liebster Jesus ist verloren"
tenor vocals:
Aldo Baldin (tenor) and Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": I. Aria (Tenor) "Mein liebster Jesus ist verloren" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
1:58
17Kantate, BWV 154 "Mein liebster Jesus ist verloren": II. Recitativo (Tenor) "Wo treff ich meinen Jesum an"
tenor vocals:
Aldo Baldin (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": II. Recitativo (Tenor) "Wo treff ich meinen Jesum an" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
0:41
18Kantate, BWV 154 "Mein liebster Jesus ist verloren": III. Choral "Jesu, mein Hort und Erretter"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": III. Choral "Jesu, mein Hort und Erretter" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Jahn (German poet of the 17th century)
part of:
Breitkopf 389 Choralgesänge (number: 365)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
1:02
19Kantate, BWV 154 "Mein liebster Jesus ist verloren": IV. Aria (Alt) "Jesu, laß dich finden"
alto vocals:
Ann Murray (Irish mezzo-soprano) and Helen Watts (contralto)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": IV. Aria (Alt) "Jesu, laß dich finden" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
3:32
20Kantate, BWV 154 "Mein liebster Jesus ist verloren": V. Arioso (Bass) "Wisset ihr nicht, daß ich sein muß"
bass vocals:
Walter Heldwein
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": V. Arioso (Bass) "Wisset ihr nicht, daß ich sein muß" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
1:37
21Kantate, BWV 154 "Mein liebster Jesus ist verloren": VI. Recitativo (Tenor) "Dies ist die Stimme meines Freundes"
tenor vocals:
Aldo Baldin (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VI. Recitativo (Tenor) "Dies ist die Stimme meines Freundes" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
2:16
22Kantate, BWV 154 "Mein liebster Jesus ist verloren": VII. Aria (Duetto Alt, Tenor) "Wohl mir, Jesus ist gefunden"
alto vocals:
Ann Murray (Irish mezzo-soprano) and Helen Watts (contralto)
tenor vocals:
Aldo Baldin (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VII. Aria (Duetto Alt, Tenor) "Wohl mir, Jesus ist gefunden" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
3:44
23Kantate, BWV 154 "Mein liebster Jesus ist verloren": VIII. Choral "Meinen Jesum Laß ich nicht"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren": VIII. Choral "Meinen Jesum Laß ich nicht" (in 1978-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-01-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Christian Keymann (17th century hymnwriter)
part of:
Breitkopf 389 Choralgesänge (number: 244)
part of:
Kantate, BWV 154 "Mein liebster Jesus ist verloren"
0:59
24Kantate, BWV 155 "Mein Gott, wie lang, ach lange": I. Recitativo "Mein Gott, wie lang, ach lange"
soprano vocals:
Ingeborg Reichelt (German soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": I. Recitativo "Mein Gott, wie lang, ach lange" (in 1971-02)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
2:00
25Kantate, BWV 155 "Mein Gott, wie lang, ach lange": II. Aria (Duetto Alt, Tenor) "Du mußt glauben, du mußt hoffen"
alto vocals:
Norma Lerer (contralto)
tenor vocals:
Friedreich Melzer (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": II. Aria (Duetto Alt, Tenor) "Du mußt glauben, du mußt hoffen" (in 1971-02)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
4:35
26Kantate, BWV 155 "Mein Gott, wie lang, ach lange": III. Recitativo (Bass) "So sei, o Seele! sei zufrieden!"
bass vocals:
Hanns-Friedrich Kunz (German bass and conductor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": III. Recitativo (Bass) "So sei, o Seele! sei zufrieden!" (in 1971-02)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
2:27
27Kantate, BWV 155 "Mein Gott, wie lang, ach lange": IV. Aria (Sopran) "Wirf, mein Herze, wirf dich noch"
soprano vocals:
Ingeborg Reichelt (German soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": IV. Aria (Sopran) "Wirf, mein Herze, wirf dich noch" (in 1971-02)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
2:58
28Kantate, BWV 155 "Mein Gott, wie lang, ach lange": V. Choral "Ob sichs anließ, als wollt er nicht"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1971-02)
recording of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange": V. Choral "Ob sichs anließ, als wollt er nicht" (in 1971-02)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-01-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1716)
librettist:
Paul Speratus (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 88)
part of:
Kantate, BWV 155 "Mein Gott, wie lang, ach lange"
1:02
48CD: Vol 48. Kantaten - Cantatas
49CD: Vol 49. Kantaten - Cantatas
50CD: Vol 50. Kantaten - Cantatas
51CD: Vol 51. Kantaten - Cantatas
52CD: Vol 52. Kantaten - Cantatas
53CD: Vol 53. Kantaten - Cantatas
54CD: Vol 54. Kantaten - Cantatas
55CD: Vol 55. Kantaten - Cantatas
56CD: Vol 56. Kantaten - Cantatas
57CD: Vol 57. Kantaten - Cantatas
58CD: Vol 58. Kantaten - Cantatas
59CD: Vol 59. Kantaten - Cantatas
60CD: Vol 60. Kantaten - Cantatas
61CD: Vol. 61 Weltliche Kantaten - Secular Cantatas
62CD: Vol. 62 Weltliche Kantaten - Secular Cantatas
63CD: Vol. 63 Weltliche Kantaten - Secular Cantatas
64CD: Vol. 64 Weltliche Kantaten - Secular Cantatas
65CD: Vol. 65 Weltliche Kantaten - Secular Cantatas
66CD: Vol. 66 Weltliche Kantaten - Secular Cantatas
67CD: Vol. 67 Weltliche Kantaten - Secular Cantatas
68CD: Vol. 68 Weltliche Kantaten - Secular Cantatas
69CD: Vol 69 Motetten - Motets
70CD: Vol 69 Motetten - Motets
71CD: Vol. 70 h-Moll-Messe - Mass in B Minor
72CD: Vol. 70 h-Moll-Messe - Mass in B Minor
73CD: Vol. 71 Lateinische Kirchenmusik 1 - Sacred Music in Latin 1
74CD: Vol. 72 Lateinische Kirchenmusik 2 - Sacred Music in Latin 2
75CD: Vol. 73 Magnificat D-Dur - Magnificat D Major
76CD: Vol. 74 Matthäus-Passion - St. Matthew Passion
77CD: Vol. 74 Matthäus-Passion - St. Matthew Passion
78CD: Vol. 74 Matthäus-Passion - St. Matthew Passion
79CD: Vol. 75 Johannes-Passion - St. John Passion
80CD: Vol. 75 Johannes-Passion - St. John Passion
81CD: Vol. 76 Weihnachts-Oratorium - Christmas Oratorio
82CD: Vol. 76 Weihnachts-Oratorium - Christmas Oratorio
83CD: Vol. 76 Weihnachts-Oratorium - Christmas Oratorio
84CD: Vol. 77 Oster-Oratorium - Easter Oratorio - Himmelfahrts-Oratorium - Ascension Oratorio
85CD: Vol. 78 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
86CD: Vol. 79 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
87CD: Vol. 80 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
88CD: Vol. 81 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
89CD: Vol. 82 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
90CD: Vol. 83 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
91CD: Vol. 84 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
92CD: Vol. 85 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
93CD: Vol. 85 Ein Choralbuch für Johann Sebastian - A Book of Chorale-Settings for Johann Sebastian
94CD: Vol. 86 Orgelwerke - Organ Works
95CD: Vol. 86 Orgelwerke - Organ Works
96CD: Vol. 87 Orgelwerke - Organ Works
97CD: Vol. 87 Orgelwerke - Organ Works
98CD: Vol. 88 Orgelwerke - Organ Works
99CD: Vol. 89 Orgelwerke - Organ Works
100CD: Vol. 90 Orgelwerke - Organ Works
101CD: Vol. 91 Orgelwerke - Organ Works
102CD: Vol. 92 Orgelwerke - Organ Works
103CD: Vol. 93 Orgelwerke - Organ Works
104CD: Vol. 94 Orgelwerke - Organ Works
105CD: Vol. 95 Orgelwerke - Organ Works
106CD: Vol. 96 Orgelwerke - Organ Works
107CD: Vol. 97 Orgelwerke - Organ Works
108CD: Vol. 97 Orgelwerke - Organ Works
109CD: Vol. 98 Orgelwerke - Organ Works
110CD: Vol. 99 Orgelwerke - Organ Works
111CD: Vol. 100 Orgelwerke - Organ Works
112CD: Vol. 101 Orgelwerke - Organ Works
113CD: Vol. 101 Orgelwerke - Organ Works
114CD: Vol. 102 Werke für Tasteninstrumente - Keyboard Works
115CD: Vol. 103 Werke für Tasteninstrumente - Keyboard Works
116CD: Vol. 103 Werke für Tasteninstrumente - Keyboard Works
117CD: Vol. 104 Werke für Tasteninstrumente - Keyboard Works
118CD: Vol. 105 Werke für Tasteninstrumente - Keyboard Works
119CD: Vol. 106 Werke für Tasteninstrumente - Keyboard Works
120CD: Vol. 107 Werke für Tasteninstrumente - Keyboard Works
121CD: Vol. 107 Werke für Tasteninstrumente - Keyboard Works
122CD: Vol. 108 Werke für Tasteninstrumente - Keyboard Works
123CD: Vol. 109 Werke für Tasteninstrumente - Keyboard Works
124CD: Vol. 110 Werke für Tasteninstrumente - Keyboard Works
125CD: Vol. 110 Werke für Tasteninstrumente - Keyboard Works
126CD: Vol. 111 Werke für Tasteninstrumente - Keyboard Works
127CD: Vol. 111 Werke für Tasteninstrumente - Keyboard Works
128CD: Vol. 112 Werke für Tasteninstrumente - Keyboard Works
129CD: Vol. 112 Werke für Tasteninstrumente - Keyboard Works
130CD: Vol. 113 Werke für Tasteninstrumente - Keyboard Works
131CD: Vol. 113 Werke für Tasteninstrumente - Keyboard Works
132CD: Vol. 114 Werke für Tasteninstrumente - Keyboard Works
133CD: Vol. 114 Werke für Tasteninstrumente - Keyboard Works
134CD: Vol. 115 Werke für Tasteninstrumente - Keyboard Works
135CD: Vol. 115 Werke für Tasteninstrumente - Keyboard Works
136CD: Vol. 116 Werke für Tasteninstrumente - Keyboard Works
137CD: Vol. 116 Werke für Tasteninstrumente - Keyboard Works
138CD: Vol. 117 Werke für Tasteninstrumente - Keyboard Works
139CD: Vol. 117 Werke für Tasteninstrumente - Keyboard Works
140CD: Vol. 118 Kammermusik - Chamber Music
141CD: Vol. 119 Kammermusik - Chamber Music
142CD: Vol. 119 Kammermusik - Chamber Music
143CD: Vol. 120 Kammermusik - Chamber Music
144CD: Vol. 120 Kammermusik - Chamber Music
145CD: Vol. 121 Kammermusik - Chamber Music
146CD: Vol. 121 Kammermusik - Chamber Music
147CD: Vol. 122 Kammermusik - Chamber Music
148CD: Vol. 123 Kammermusik - Chamber Music
149CD: Vol. 124 Kammermusik - Chamber Music
150CD: Vol. 125 Orchesterwerke - Orchestral Works
151CD: Vol. 126 Orchesterwerke - Orchestral Works
152CD: Vol. 126 Orchesterwerke - Orchestral Works
153CD: Vol. 127 Orchesterwerke - Orchestral Works
154CD: Vol. 128 Orchesterwerke - Orchestral Works
155CD: Vol. 129 Orchesterwerke - Orchestral Works
156CD: Vol. 130 Orchesterwerke - Orchestral Works
157CD: Vol. 131 Orchesterwerke - Orchestral Works
158CD: Vol. 132 Orchesterwerke - Orchestral Works
159CD: Vol. 132 Orchesterwerke - Orchestral Works
160CD: Vol. 133 Kammermusik - Chamber Music
161CD: Vol. 134 Werke für Tasteninstrumente - Keyboard Works
162CD: Vol. 134 Werke für Tasteninstrumente - Keyboard Works
163CD: Vol. 135 Werke für Tasteninstrumente - Keyboard Works
164CD: Vol. 136 Werke für Tasteninstrumente - Keyboard Works
165CD: Vol. 136 Werke für Tasteninstrumente - Keyboard Works
166CD: Vol. 137 Werke für Tasteninstrumente - Keyboard Works
167CD: Vol. 137 Werke für Tasteninstrumente - Keyboard Works
168CD: Vol. 138 Orchesterwerke - Orchestral Works
169CD: Vol. 139 Kantaten - Cantatas
170CD: Vol. 139 Kantaten - Cantatas
171CD: Vol. 140 Kantaten - Cantatas
172CD: Vol. 140 Kantaten - Cantatas