70’s Nostalgia

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

℗ & © «2019 UMG Recordings, Inc.»
© «2020»
℗ «2020 FP»

Countries where available (Spotify + Deezer)

(As of 2020-03-16).

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  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
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  • Western Africa: 🇨🇮 Cote D’Ivoire (ci) 🇬🇭 Ghana (gh) 🇳🇬 Nigeria (ng)
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  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn) 🇰🇭 Cambodia (kh)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotazione modificata l'ultima volta il 2020-03-16 05:01 UTC.

Elenco tracce

1Supporto digitale
#TitoloArtistaValutazioneDurata
1Rocket Man (I Think It’s Going to Be a Long, Long Time)
tecnico:
Ken Scott (UK record producer & engineer)
produttore:
Gus Dudgeon
batteria :
Nigel Olsson
chitarra :
Davey Johnstone
chitarra basso :
Dee Murray
pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
sintetizzatore :
David Hentschel
voce di accompagnamento:
Davey Johnstone, Dee Murray e Nigel Olsson
diritti fonografici (℗) detenuti da:
This Record Co. Ltd. (copyright holder) (nel 1972)
registrata presso:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Francia
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 92), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 149) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 242)
registrazione di:
Rocket Man (I Think It’s Going to Be a Long, Long Time)
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal–Songs of PolyGram International, Inc.
Elton John3.84:41
2Reelin’ In the Years
assistente tecnico:
Tim Weston (nel 1972-08)
tecnico:
Roger Nichols (US mastering, recording engineer and producer) (nel 1972-08)
produttore:
Gary Katz (nel 1972-08)
basso elettrico :
Walter Becker (nel 1972-08)
batteria :
Jim Hodder (nel 1972-08)
chitarra elettrica :
Jeff “Skunk” Baxter (nel 1972-08) e Denny Dias (nel 1972-08)
chitarra elettrica solista :
Elliott Randall (nel 1972-08)
pianoforte e voce principale:
Donald Fagen (nel 1972-08)
voce di accompagnamento:
Donald Fagen (nel 1972-08) e David Palmer (early Steely Dan vocalist) (nel 1972-08)
diritti fonografici (℗) detenuti da:
ABC Records, Inc (nel 1972), ABC/Dunhill Records (Owned by Geffen Records/Universal Music) (nel 1972), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1972) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1972)
lavorazione tecnica effettuata presso:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (nel 1972-08)
registrazione di:
Reelin’ In the Years (nel 1972-08)
autore:
Walter Becker e Donald Fagen
editore:
Ampar Music Corp., Anchor Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Minder Music Ltd., Red Giant Music, Inc., Universal/MCA Music Ltd. (not for release label use!) e Wingate Music Corp.
Steely Dan4.554:35
3Baby Come Back
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1977)
registrazione di:
Baby Come Back (Player song) (nel 1977)
autore:
Peter Beckett (lead singer of Player) e John Charles Crowley II
editore:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 大洋音楽 (Taiyō Music)
Player53:34
4All Right Now
tecnico:
Roy Thomas Baker (producer)
produttore:
Free (60s/70s UK blues rock group)
produttore aggiunto:
John Kelly (producer)
basso :
Andy Fraser (English bassist, member of Free) (nel 1970)
basso elettrico e pianoforte :
Andy Fraser (English bassist, member of Free)
batteria :
Simon Kirke (nel 1970)
chitarra :
Paul Kossoff (nel 1970)
voce:
Paul Rodgers
voce principale:
Paul Rodgers (nel 1970)
diritti fonografici (℗) detenuti da:
Free (60s/70s UK blues rock group) (nel 1970)
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1970) e Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1970)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (nel 1970) e Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1970)
video musicali:
All Right Now di Free (60s/70s UK blues rock group)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 27)
registrazione di:
All Right Now (nel 1970)
autore:
Andy Fraser (English bassist, member of Free) e Paul Rodgers
editore:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing e Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.155:31
5Stuck in the Middle With You
tecnico di registrazione:
Geoff Emerick (British recording engineer) (nel 1972) e John Mills (recording/mix engineer) (nel 1972)
produttore:
Jerry Leiber e Mike Stoller
basso elettrico :
Tony Williams (bass) (nel 1972)
batteria :
Rod Coombes (nel 1972)
chitarra :
Paul Pilnick (nel 1972) e Gerry Rafferty (nel 1972)
tastiera :
Joe Egan (Scottish singer-songwriter) (nel 1972)
voce:
Joe Egan (Scottish singer-songwriter) (nel 1972) e Gerry Rafferty (nel 1972)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1972) e A&M Records, Ltd. (nel 1972)
video musicali:
Stuck in the Middle With You di Stealers Wheel
registrazione di:
Stuck in the Middle With You (nel 1972)
paroliere e compositore:
Gerald Rafferty e Joe Egan (Scottish singer-songwriter)
editore:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. e Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.13:26
6I Want You Back
produttore:
The Corporation (Motown songwriters)
batteria :
Gene Pello e Johnny Jackson (drummer for Jackson 5) (nel 1969-07)
chitarra :
Donald Peake, David T. Walker e Tito Jackson (nel 1969-07)
chitarra [lead guitar] :
Louis Shelton (nel 1969-07)
chitarra basso :
Wilton Felder (nel 1969-07)
percussione :
Sandra Crouch e Marlon Jackson (nel 1969-07)
pianoforte :
Fonce Mizell, Freddie Perren, Joe Sample e Ronnie Rancifer (nel 1969-07)
tastiera :
Clarence McDonald e Ronnie Rancifer (nel 1969-07)
voce:
Jackie Jackson (member of the Jackson 5) (nel 1969-07)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (nel 1969-07), Marlon Jackson (nel 1969-07) e Tito Jackson (nel 1969-07)
voce principale:
Michael Jackson (“King of Pop”) (nel 1969-07)
arrangiatore:
The Corporation (Motown songwriters)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrata presso:
The Sound Factory West in West Hollywood, California, Stati Uniti (nel 1969-07, dal 1969-07 al 1969-09)
video musicali:
I Want You Back di The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 23), Billboard Year-End Hot 100 singles of 1970 (numero: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 104) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 120)
registrazione di:
I Want You Back (nel 1969-07)
paroliere e compositore:
The Corporation (Motown songwriters)
editore:
EMI April Music Inc. e Jobete Music Co., Inc.
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
MJ: The Musical
The Jackson 54.153:00
7Easy
produttore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
arrangiatore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1977), Motown Record Corporation (company credits only; do NOT use as release label) (nel 1977), Motown Records (not for label use; use “Motown” instead) (nel 1977) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 2009)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 93)
registrazione di:
Easy
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Libren Music
Commodores3.754:14
8The Things We Do for Love
assistente tecnico e assistente tecnico di missaggio:
Tony Spath
tecnico, tecnico di missaggio e editor:
Eric Stewart
produttore:
10cc, Graham Gouldman, Mastermix Music Limited e Eric Stewart
batteria, gong, battimani e tamburello :
Paul Burgess (UK rock drummer) (nel 1976)
chitarra acustica, chitarra basso, chitarra elettrica, battimani e tamburello :
Graham Gouldman (nel 1976)
chitarra, organo e pianoforte e voce di accompagnamento e voce principale:
Eric Stewart (nel 1976)
voce di accompagnamento:
Graham (nel 1976)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1976, nel 1977, nel 1997), Mercury Records Ltd. (London) (for copyrights use only) (nel 1976), Phonogram Ltd. (not for release label use!) (nel 1976, nel 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1977) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1977)
registrata da:
Phonogram Ltd. (London) (company name, NOT a label!)
registrata presso:
Strawberry Studios South in Dorking, Surrey, England, Regno Unito (nel 1976)
video musicali:
The Things We Do for Love di 10cc e The Things We Do for Love di 10cc
registrazione di:
The Things We Do for Love (nel 1976)
autore:
Graham Gouldman e Eric Stewart
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), St. Anne’s Music Ltd. e Man-Ken Music Ltd. (nel 1977)
10cc4.553:29
9Wild World
produttore:
Paul Samwell-Smith
batteria :
Harvey Burns (nel 1970-07)
chitarra e tastiera :
Cat Stevens (now known as Yusuf Islam) (nel 1970-07)
chitarra [2nd] :
Alun Davies (nel 1970-07)
chitarra basso :
John Ryan (producer a/k/a “The Chicago Kid”) (nel 1970-07)
violino solista :
John Rostein (nel 1970-07)
voce:
Cat Stevens (now known as Yusuf Islam) (nel 1970-07)
arrangiatore archi :
Del Newman (British conductor, orchestrator, arranger)
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1970), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1970) e Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (nel 1970)
registrazione di:
Wild World (nel 1970-07)
paroliere e compositore:
Cat Stevens (now known as Yusuf Islam)
editore:
Sony Tunes, Inc. (conclusa), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Salafa Ltd., Freshwater Music Ltd. (dal 1970 a oggi) e Irving Music, Inc. (dal 1970 a oggi)
Yusuf / Cat Stevens3.93:20
10Cocaine
produttore:
Audie Ashworth
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1976)
registrazione di:
Cocaine (nel 1976)
paroliere e compositore:
J.J. Cale
editore:
Audigram Music, Audigram Songs, Inc., Blue Mountain Music Ltd., BMG Platinum Songs, Kobalt Music Publishing Ltd. (UK), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
J.J. Cale3.352:49
11Pearl’s a SingerElkie Brooks43:34
12Message in a Bottle
tecnico:
Nigel Gray (UK producer)
produttore:
Nigel Gray (UK producer) e The Police (British rock band)
basso elettrico :
Sting (singer, songwriter & member of The Police)
batteria :
Stewart Copeland (drummer, percussionist, pianist and composer)
chitarra elettrica :
Andy Summers
voce:
Sting (singer, songwriter & member of The Police)
arrangiatore:
The Police (British rock band)
diritti fonografici (℗) detenuti da:
A&M Records (nel 1979), A&M Records, Ltd. (nel 1979), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (nel 1979) e A&M Records, Inc. (nel 1997)
registrata presso:
Surrey Sound Studios in Leatherhead, Surrey, England, Regno Unito
registrazione di:
Message in a Bottle
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
EMI Blackwood Music Inc., GM Sumner e Virgin Music, Inc. (US arm of Virgin’s publishing company)
The Police3.84:50
13Layla (40th anniversary version)
produttore:
Derek and the Dominos
produttore esecutivo:
Tom Dowd
batteria e percussione :
Jim Gordon (US drummer with Derek and the Dominos) (il 1970-09-09)
chitarra :
Duane Allman (il 1970-09-09) e Eric Clapton (il 1970-09-09)
chitarra basso :
Carl Radle (il 1970-09-09)
organo elettrico e pianoforte :
Bobby Whitlock (il 1970-09-09)
voce:
Bobby Whitlock (il 1970-09-09)
voce principale:
Eric Clapton (il 1970-09-09)
arrangiatore:
Derek and the Dominos
diritti fonografici (℗) detenuti da:
RSO Records Ltd., London (nel 1970) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1970)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1970-09-09)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 23), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 27) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 224)
registrazione di:
Layla (il 1970-09-09)
autore:
Eric Clapton e Jim Gordon (US drummer with Derek and the Dominos)
editore:
Casserole Music Corp., E.C. Music (UK work publisher for Eric Clapton), Throat Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Derek and the Dominos4.57:09
14Gypsys, Tramps & Thieves
tecnico:
Lenny Roberts (producer/engineer)
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
arrangiatore:
Al Capps (American record producer, arranger, songwriter, multi-instrumentalist, and vocalist; Born: Allan Alfonzo Capps)
è stato produttore per:
Garrett Music Enterprises (company owned by Tommy Garrett)
registrazione di:
Gypsys, Tramps & Thieves
paroliere e compositore:
Bob Stone (engineer, studio technician, producer, songwriter)
autore:
Bob Stone (US lyricist, producer, arranger)
editore:
Peso Music (publisher) (nel 1971)
Cher4.252:36
15An Old Fashioned Love Song (single version)
registrazione di:
An Old Fashioned Love Song (1971 song)
paroliere e compositore:
Paul Williams (US songwriter/soft rock vocalist)
editore:
Campbell Connelly & Co. Ltd., Rondor Music e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Three Dog Night53:51
16Maggie May
produttore:
Rod Stewart
celesta :
Pete Sears (nel 1971)
chitarra a 12 corde , chitarra basso e chitarra elettrica :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (nel 1971)
chitarra acustica :
Martin Quittenton (guitarist for Steamhammer) (nel 1971)
mandolino :
Ray Jackson (nel 1971) e David Lindley (nel 1971)
membranofono e piatti :
Micky Waller (nel 1971)
organo Hammond :
Ian McLagan (nel 1971)
voce principale:
Rod Stewart (nel 1971)
diritti fonografici (℗) detenuti da:
Mercury Records Inc. (copyrights use only) (nel 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1971) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1971)
registrazione di:
Maggie May (nel 1971)
editore:
Rod Stewart
autore:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart4.25:15
17Superstition (single version)
programmazione degli strumenti e produttore associato:
Malcolm Cecil e Robert Margouleff
tecnico:
Malcolm Cecil e Robert Margouleff
produttore:
Stevie Wonder
voce principale:
Stevie Wonder
registrazione di:
Superstition
paroliere e compositore:
Stevie Wonder
editore:
Black Bull Music, 大洋音楽 (Taiyō Music), Jobete Music Co., Inc. (nel 1972) e Stein & Van Stock, Inc. (nel 1972)
Stevie Wonder4.654:00
18Car Wash
registrazione di:
Car Wash
paroliere e compositore:
Norman Whitfield
editore:
Universal/MCA Music Ltd. (not for release label use!) e USI B Music Publishing
Rose Royce4.63:18
19My Sharona
tecnico di registrazione:
Pete Coleman
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Bruce Gary
chitarra :
Berton Averre e Doug Fieger (in The Knack)
chitarra basso :
Prescott Niles
voce:
Berton Averre
voce principale:
Doug Fieger (in The Knack)
remixer:
Dave Jerden
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 1994, nel 2013)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 18), TV Cream: Real 100 Best Singles Ever (numero: 24), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 72) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 201)
registrazione di:
My Sharona
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack4.154:51
20Ain’t No Mountain High Enough (short promo version)
registrazione cover di:
Ain’t No Mountain High Enough
autore:
Nickolas Ashford e Valerie Simpson
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) e Jobete Music Co., Inc.
sub-editore:
EMI Songs Australia Pty. Ltd. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Diana Ross4:05
21Wild Horses
registrazione cover di:
Wild Horses (nel 1970)
autore:
Mick Jagger (The Rolling Stones) e Keith Richards (Rolling Stones guitarist)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
The Flying Burrito Brothers46:22
22I Don’t Like Mondays
produttore:
Phil Wainman
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1979)
registrata presso:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
video musicali:
I Don’t Like Mondays di The Boomtown Rats
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 66)
registrazione di:
I Don’t Like Mondays
paroliere e compositore:
Johnnie Fingers e Bob Geldof
editore:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. e Zomba Music Publishing Ltd.
The Boomtown Rats44:17
23Cocaine
produttore:
Glyn Johns
batteria :
Jamie Oldaker (il 1977-05-06)
chitarra :
Eric Clapton (il 1977-05-06) e George Terry (guitar player with Clapton in 70's) (il 1977-05-06)
chitarra basso :
Carl Radle (il 1977-05-06)
organo elettrico :
Dick Sims (il 1977-05-06)
voce di accompagnamento:
Yvonne Elliman (il 1977-05-06) e Marcy Levy (il 1977-05-06)
voce principale:
Eric Clapton (il 1977-05-06)
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1977)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (il 1977-05-06)
registrazione cover di:
Cocaine (il 1977-05-06)
paroliere e compositore:
J.J. Cale
editore:
Audigram Music, Audigram Songs, Inc., Blue Mountain Music Ltd., BMG Platinum Songs, Kobalt Music Publishing Ltd. (UK), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Eric Clapton43:35
24Free Bird (extended music version)Lynyrd Skynyrd410:08
25Cherry Bomb
arrangiatore:
Scott Anderson (The Runaways co -writer, -ordinator, -arranger), Kim Fowley e The Runaways (US 1970s all girl rock group)
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1976), Phonogram, Inc. (nel 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
Criterion Studios in Los Angeles, California, Stati Uniti
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 52)
registrazione di:
Cherry Bomb
paroliere:
Kim Fowley
compositore:
Joan Jett
editore:
Careers–BMG Music Publishing, Inc., Jett Pack Music, Inc. e Peermusic Ltd. (BMI)
The Runaways4.152:17
26This Town Ain’t Big Enough for Both of Us
produttore:
Muff Winwood (bass player, songwriter, producer)
tecnico di missaggio:
Bill Price (UK producer/engineer)
basso :
Martin Gordon
batteria :
Dinky Diamond
chitarra :
Adrian Fisher
tastiera [keyboards] :
Ron Mael
voce:
Russell Mael
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1974)
video musicali:
This Town Ain’t Big Enough for the Both of Us (silent film version) di Sparks (US rock and pop duo, The Mael Brothers) e This Town Ain’t Big Enough for the Both of Us (version 2) di Sparks (US rock and pop duo, The Mael Brothers)
registrazione di:
This Town Ain’t Big Enough for Both of Us
paroliere e compositore:
Ron Mael
arrangiatore:
Tony Visconti
editore:
Island Music Ltd.
Sparks3.853:01
27Hey Lawdy Mama (single version)
registrazione di:
Hey Lawdy Mama (Steppenwolf song)
autore:
Larry Byrom, Jerry Edmonton (former Steppenwolf drummer) e John Kay (lead singer of Steppenwolf)
editore:
Black Leather Music e Songs of Universal, Inc. (BMI)
Steppenwolf3.62:53
28Takin’ Care of Business
assistente tecnico:
Marc Sterling
tecnico:
Buzz Richmond
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
batteria e percussione :
Rob Bachman (dal 1973-09 al 1973-10)
chitarra [lead guitar] e voce principale:
Randy Bachman (Canadian guitarist, singer & songwriter) (dal 1973-09 al 1973-10)
chitarra [second lead guitar] :
Tim Bachman (dal 1973-09 al 1973-10)
chitarra basso :
C.F. Turner (dal 1973-09 al 1973-10)
pianoforte :
Norman Durkee (dal 1973-09 al 1973-10)
voce di accompagnamento:
C.F. Turner (dal 1973-09 al 1973-10), Randy Bachman (Canadian guitarist, singer & songwriter) (dal 1973-09 al 1973-10) e Tim Bachman (dal 1973-09 al 1973-10)
diritti fonografici (℗) detenuti da:
Phonogram, Inc. (nel 1973), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1973) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1973)
registrata presso:
Kaye–Smith Studios in Seattle, Washington, Stati Uniti (dal 1973-09 al 1973-10)
mixata presso:
Kaye–Smith Studios in Seattle, Washington, Stati Uniti
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 59)
registrazione di:
Takin’ Care of Business (dal 1973-09 al 1973-10)
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
Ranbach Music (publisher), Sony Songs Inc., Sony/ATV Songs LLC e Top Soil Music (publisher)
Bachman–Turner Overdrive4.254:50
29Silly Love Songs
assistente tecnico di registrazione e assistente tecnico di missaggio:
Mark Vigars (engineer) (dal 1976-01-16 al 1976-03)
tecnico di registrazione e tecnico di missaggio:
Pete Henderson (engineer) (dal 1976-01-16 al 1976-03)
produttore:
Paul McCartney (The Beatles)
basso e voce principale:
Paul McCartney (The Beatles) (dal 1976-01-16 al 1976-03)
batteria :
Joe English (dal 1976-01-16 al 1976-03)
chitarra elettrica :
Jimmy McCulloch (dal 1976-01-16 al 1976-03)
corno :
Howie Casey (dal 1976-01-16 al 1976-03), Tony Dorsey (dal 1976-01-16 al 1976-03), Steve Howard (trumpeter) (dal 1976-01-16 al 1976-03) e Thaddeus Richard (dal 1976-01-16 al 1976-03)
voce di accompagnamento:
Denny Laine (dal 1976-01-16 al 1976-03), Linda McCartney (dal 1976-01-16 al 1976-03) e Paul McCartney (The Beatles) (dal 1976-01-16 al 1976-03)
direttore d'orchestra:
Paul McCartney (The Beatles) (dal 1976-01-16 al 1976-03)
arrangiatore archi :
Tony Dorsey
diritti fonografici (℗) detenuti da:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (nel 2014) e MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (nel 2014)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1976-01-16, dal 1976-01-16 al 1976-03)
mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1976-01-16 al 1976-03)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 45) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 67)
registrazione di:
Silly Love Songs (dal 1976-01-16 al 1976-03)
paroliere e compositore:
Paul McCartney (The Beatles)
autore:
Linda McCartney
editore:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Wings3.555:55
30Billy, Don’t Be a HeroBo Donaldson and the Heywoods3:26
31Only You Know and I Know
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1973)
registrazione di:
Only You Know and I Know
paroliere e compositore:
Dave Mason (co‐founder of Traffic)
Dave Mason4:06
32Nutbush City Limits
produttore:
Ike Turner
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1973), United Artists (nel 1973) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrazione di:
Nutbush City Limits
paroliere e compositore:
Tina Turner
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music e Valley Spring Music Corp.
Ike & Tina Turner3.752:50
33Keeper of the Castle
registrazione di:
Keeper of the Castle
autore:
Dennis Lambert e Brian Potter (US songwriter & producer)
Four Tops2:57
34Can’t Get Enough of Your Love, Babe (single version)
registrazione di:
Can’t Get Enough of Your Love Babe
paroliere e compositore:
Barry White
editore:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White3:44
35Show Me the Way
registrazione di:
Show Me the Way
paroliere e compositore:
Peter Frampton
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e United Artists Music Co., Inc.
Peter Frampton3.53:33
36Babe
tecnico:
Rob Kingsland e Gary Loizzo
produttore:
Styx (rock band from Chicago)
esecutore:
Styx (rock band from Chicago)
diritti fonografici (℗) detenuti da:
A&M Records
registrata presso:
Pumpkin Studios in Oak Lawn, Illinois, Stati Uniti
registrazione di:
Babe
paroliere e compositore:
Dennis DeYoung
editore:
Almo Music Corp. (USA, affiliated with ASCAP), MDW (publisher) e Stygian Songs (publishing company for the rock band Styx) (nel 1979)
Styx3.354:25
37Pump It Up
produttore:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
esecutore:
The Attractions (Elvis Costello) e Elvis Costello
diritti fonografici (℗) detenuti da:
Elvis Costello (nel 1978)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 181)
registrazione di:
Pump It Up
paroliere e compositore:
Elvis Costello
editore:
BMG Music Publishing Ltd. e Universal Music Publishing MGB Australia
Elvis Costello & The Attractions4.63:17
38Don’t Pull Your Love
registrazione di:
Don't Pull Your Love
autore:
Dennis Lambert e Brian Potter (US songwriter & producer)
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Hamilton, Joe Frank & Reynolds2:42
39Turn to Stone (single version)
registrazione di:
Turn to Stone
autore:
Terry Trabandt e Joe Walsh (Eagles/James Gang)
Joe Walsh43:51
40Reminiscing
registrata a:
Australia (nel 1978-03)
prodotta a:
Australia
produttore:
John Boylan e Little River Band
archi :
Rick Formosa (nel 1978-03)
basso :
George McArdle (nel 1978-03)
batteria :
Derek Pellicci (nel 1978-03)
chitarra elettrica :
Beeb Birtles (nel 1978-03), David Briggs (producer, guitarist of Little River Band) (nel 1978-03) e Graham Goble (nel 1978-03)
flicorno soprano solista :
Bob Venier (brass) (nel 1978-03)
pianoforte elettrico ospite :
Peter Jones (Australian pianist/composer) (nel 1978-03)
tromba solista :
Bill Harrower (nel 1978-03)
voce:
Beeb Birtles (nel 1978-03), Graham Goble (nel 1978-03) e Glenn Shorrock (nel 1978-03)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (nel 1978), EMI Music Australia Pty. Limited (not for release label use!) (nel 1978, nel 2002), EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (nel 1978) e EMI Music Australia (defunct holding company, not for release label use!) (nel 2002)
è stato produttore per:
Tumbleweed Productions
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 17) e Billboard Year-End Hot 100 singles of 1978 (numero: 65)
registrazione di:
Reminiscing (nel 1978-03)
paroliere e compositore:
Graeham Goble
editore:
American Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) e Wheatley Music Pty Ltd.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Little River Band54:16
41Let’s Stick Together
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist) e Jon Walls
tecnico:
Steve Nye (producer, engineer and pianist) e John Punter
produttore:
Bryan Ferry e Chris Thomas (UK record producer / remixer)
armonica (a bocca) e tastiera :
Bryan Ferry (dal 1973 al 1976)
basso :
John Wetton (dal 1973 al 1976)
batteria :
Paul Thompson (Roxy Music drummer) (dal 1973 al 1976)
chitarra :
Chris Spedding (dal 1973 al 1976)
percussione :
Morris Pert (dal 1973 al 1976)
sassofono soprano :
Mel Collins (dal 1973 al 1976)
sassofono tenore :
Chris Mercer (British saxophonist) (dal 1973 al 1976)
sintetizzatore e violino :
Eddie Jobson (dal 1973 al 1976)
tromba :
Martin Drover (dal 1973 al 1976)
cori:
Vicki Brown (English pop, rock & contemporary classical singer) (dal 1973 al 1976), Doreen Chanter (dal 1973 al 1976), Helen Chappelle (dal 1973 al 1976), Jackie Sullivan (vocals & songwriter) (dal 1973 al 1976), Martha Walker (Vocalist) (dal 1973 al 1976) e Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (dal 1973 al 1976)
voce:
Bryan Ferry (dal 1973 al 1976)
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1976), Virgin EG Records Ltd. (nel 1976) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1976, nel 1999)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito e Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (dal 1973 al 1976)
registrazione cover di:
Let’s Stick Together (dal 1973 al 1976)
paroliere e compositore:
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
editore:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. e SBK/U Catalog (nel 1969)
Bryan Ferry3.352:59
42When You’re in Love With a Beautiful Woman
produttore:
Ron Haffkine
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979)
registrazione di:
When You’re in Love With a Beautiful Woman
paroliere e compositore:
Even Stevens (singer / songwriter)
editore:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook42:52