Apothéoses (Reissue)

~ Release by Couperin; London Baroque (see all versions of this release, 2 available)

Tracklist

1CD
#TitleArtistRatingLength
1Le Parnasse ou l'apothéose de Corelli – Grande Sonade, en Trio: I. Corelli, au piéd du Parnasse prie les Muses de le recevoir parmi elles
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
Le Parnasse, ou l'apothéose de Corelli - Grande Sonade en Trio: I. Corelli, au pied du Parnasse, prie les Muses de le recevoir parmi elles.
composer:
François Couperin (French composer of the Baroque era)
part of:
Le Parnasse, ou l'apothéose de Corelli - Grande Sonade en Trio
François Couperin2:21
2Le Parnasse ou l'apothéose de Corelli – Grande Sonade, en Trio: II. Corelli, charmé de la bonne réception qu'on lui fait au Parnasse, en marque Sa joye. Il continue avec ceux qui l'accompagnent
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
Le Parnasse, ou l'apothéose de Corelli - Grande Sonade en Trio: II. Corelli, charmé de la bonne réception qu'on lui fait au Parnasse, en marque sa joie ! Il continue avec ceux qui l'accompagnent.
composer:
François Couperin (French composer of the Baroque era)
part of:
Le Parnasse, ou l'apothéose de Corelli - Grande Sonade en Trio
François Couperin2:17
3Le Parnasse ou l'apothéose de Corelli – Grande Sonade, en Trio: III. Corelli, buvant à la source d'Hyppocrène. Sa troupe continue
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
Le Parnasse, ou l'apothéose de Corelli - Grande Sonade en Trio: III. Corelli, buvant à la source d'Hyppocrène, sa troupe continue.
composer:
François Couperin (French composer of the Baroque era)
part of:
Le Parnasse, ou l'apothéose de Corelli - Grande Sonade en Trio
François Couperin2:43
4Le Parnasse ou l'apothéose de Corelli – Grande Sonade, en Trio: IV. Entouziasme de Corelli Causé par les eaux d'Hyppocrène
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
Le Parnasse, ou l'apothéose de Corelli - Grande Sonade en Trio: IV. Entousiasme de Corelli causé par les eaux d'Hyppocrène
composer:
François Couperin (French composer of the Baroque era)
part of:
Le Parnasse, ou l'apothéose de Corelli - Grande Sonade en Trio
François Couperin1:04
5Le Parnasse ou l'apothéose de Corelli – Grande Sonade, en Trio: V. Corelli, après son enthousiasme S'endort; et sa troupe joue le Sommeil suivant très doux
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
Le Parnasse, ou l'apothéose de Corelli - Grande Sonade en Trio: V. Corelli, après son enthousiasme, s'endort, et sa troupe joue le sommeil suivant très doux.
composer:
François Couperin (French composer of the Baroque era)
part of:
Le Parnasse, ou l'apothéose de Corelli - Grande Sonade en Trio
François Couperin2:26
6Le Parnasse ou l'apothéose de Corelli – Grande Sonade, en Trio: VI. Les Muses réveillent Corelli, et le placent auprès d'Apollon
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
Le Parnasse, ou l'apothéose de Corelli - Grande Sonade en Trio: VI. Les Muses réveillent Corelli, et le placent auprès d'Apollon.
composer:
François Couperin (French composer of the Baroque era)
part of:
Le Parnasse, ou l'apothéose de Corelli - Grande Sonade en Trio
François Couperin0:53
7Le Parnasse ou l'apothéose de Corelli – Grande Sonade, en Trio: VII. Remerciement de Corelli
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
Le Parnasse, ou l'apothéose de Corelli - Grande Sonade en Trio: VII. Remerciement de Corelli.
composer:
François Couperin (French composer of the Baroque era)
part of:
Le Parnasse, ou l'apothéose de Corelli - Grande Sonade en Trio
François Couperin2:25
8Concert Instrumental sous le Titre d'Apothéose – composé à la mémoire immortelle de l'incomparable Monsieur de Lulli: I. Lulli aux Champs Elysés: Concertant avec les Ombres liriques
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
Concert instrumental sur le titre d'Apotheose : I. Lully aux Champs Elysés... Gravement
composer:
François Couperin (French composer of the Baroque era)
part of:
L'Apothéose de Lully
François Couperin2:32
9Concert Instrumental sous le Titre d'Apothéose – composé à la mémoire immortelle de l'incomparable Monsieur de Lulli: II Air pour les mêmes
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
Concert instrumental sur le titre d'Apotheose : II. Air pour les mêmes; Gracieusement
composer:
François Couperin (French composer of the Baroque era)
part of:
L'Apothéose de Lully
François Couperin2:23
10Concert Instrumental sous le Titre d'Apothéose – composé à la mémoire immortelle de l'incomparable Monsieur de Lulli: III Vol de Mercure aux Champs Elisés, pour avertir qu' Apollon y va descendre
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
Concert instrumental sur le titre d'Apotheose : III. Vol de Mercure aux Champs Elisés; Tres viste
composer:
François Couperin (French composer of the Baroque era)
part of:
L'Apothéose de Lully
François Couperin0:40
11Concert Instrumental sous le Titre d'Apothéose – composé à la mémoire immortelle de l'incomparable Monsieur de Lulli: IV Descente d'Apollon: qui vient offrir son violon à Lulli; et sa place au Parnasse
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
Concert instrumental sur le titre d'Apotheose : IV. Descente d'Apollon; Noblement
composer:
François Couperin (French composer of the Baroque era)
part of:
L'Apothéose de Lully
François Couperin3:14
12Concert Instrumental sous le Titre d'Apothéose – composé à la mémoire immortelle de l'incomparable Monsieur de Lulli: V. Rumeur souterraine: Causée par les Auteurs Contemporains de Lulli
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
Concert instrumental sur le titre d'Apotheose : V. Rumeur souterraine; Viste
composer:
François Couperin (French composer of the Baroque era)
part of:
L'Apothéose de Lully
François Couperin0:37
13Concert Instrumental sous le Titre d'Apothéose – composé à la mémoire immortelle de l'incomparable Monsieur de Lulli: VI. Plainte des mêmes pour des Flûtes ou pour des Violons tres adoucis
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
Concert instrumental sur le titre d'Apotheose : VI. Plainte des mêmes...; Dolemment
composer:
François Couperin (French composer of the Baroque era)
part of:
L'Apothéose de Lully
François Couperin2:28
14Concert Instrumental sous le Titre d'Apothéose – composé à la mémoire immortelle de l'incomparable Monsieur de Lulli: VII. Enlèvement de Lulli au Parnasse
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
Concert instrumental sur le titre d'Apotheose : VII. Enlèvement de Lulli ; Tres legerement
composer:
François Couperin (French composer of the Baroque era)
part of:
L'Apothéose de Lully
François Couperin1:02
15Concert Instrumental sous le Titre d'Apothéose – composé à la mémoire immortelle de l'incomparable Monsieur de Lulli: VIII. Accueil entre-Doux, et Agard, fait à Lulli par Corelli et par les Muses italiénes
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
Concert instrumental sur le titre d'Apotheose : VIII. Accueil entre doux et agard ; Largo
composer:
François Couperin (French composer of the Baroque era)
part of:
L'Apothéose de Lully
François Couperin2:23
16Concert Instrumental sous le Titre d'Apothéose – composé à la mémoire immortelle de l'incomparable Monsieur de Lulli: IX. Remerciment de Lulli: à Apollon
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
Concert instrumental sur le titre d'Apotheose : IX. Remerciment de Lulli ; Gracieusement
composer:
François Couperin (French composer of the Baroque era)
part of:
L'Apothéose de Lully
François Couperin2:41
17Concert Instrumental sous le Titre d'Apothéose – composé à la mémoire immortelle de l'incomparable Monsieur de Lulli: Apollon, persuade Lulli, et Corelli: I. Essai en form d'Ouverture
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
Concert instrumental sur le titre d'Apotheose : X. Apollon persuade Lulli ; Elegamment, sans lenteur
composer:
François Couperin (French composer of the Baroque era)
part of:
L'Apothéose de Lully
François Couperin4:12
18Concert Instrumental sous le Titre d'Apothéose – composé à la mémoire immortelle de l'incomparable Monsieur de Lulli: Apollon, persuade Lulli, et Corelli: II. Lulli, jouant le sujet; et Corelli l'acompagnant
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
Concert instrumental sur le titre d'Apotheose : XI. Lulli, jouant le sujet - et Corelli l'acompagnant
composer:
François Couperin (French composer of the Baroque era)
part of:
L'Apothéose de Lully
recording of:
Concert instrumental sur le titre d'Apotheose : XII. Corelli, jouant le sujet à son tour, que Lulli acompagne
composer:
François Couperin (French composer of the Baroque era)
part of:
L'Apothéose de Lully
François Couperin2:05
19Concert Instrumental sous le Titre d'Apothéose – composé à la mémoire immortelle de l'incomparable Monsieur de Lulli: La Paix du Parnasse – Sonade en Trio: I. Gravement
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
La Paix du Parnasse:I. Gravement
composer:
François Couperin (French composer of the Baroque era)
part of:
Concert instrumental sur le titre d'Apotheose : XIII. La Paix du Parnasse : Sonade en Trio ; Gravement
François Couperin2:46
20Concert Instrumental sous le Titre d'Apothéose – composé à la mémoire immortelle de l'incomparable Monsieur de Lulli: La Paix du Parnasse – Sonade en Trio: II. Saille (Vivement)
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
La Paix du Parnasse:II. Saillie Vivement
composer:
François Couperin (French composer of the Baroque era)
part of:
Concert instrumental sur le titre d'Apotheose : XIII. La Paix du Parnasse : Sonade en Trio ; Gravement
François Couperin1:30
21Concert Instrumental sous le Titre d'Apothéose – composé à la mémoire immortelle de l'incomparable Monsieur de Lulli: La Paix du Parnasse – Sonade en Trio: III. Rondement
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
La Paix du Parnasse:III. Rondement
composer:
François Couperin (French composer of the Baroque era)
part of:
Concert instrumental sur le titre d'Apotheose : XIII. La Paix du Parnasse : Sonade en Trio ; Gravement
François Couperin1:39
22Concert Instrumental sous le Titre d'Apothéose – composé à la mémoire immortelle de l'incomparable Monsieur de Lulli: La Paix du Parnasse – Sonade en Trio: IV. Vivement
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
La Paix du Parnasse:IV. Vivement
composer:
François Couperin (French composer of the Baroque era)
part of:
Concert instrumental sur le titre d'Apotheose : XIII. La Paix du Parnasse : Sonade en Trio ; Gravement
François Couperin1:49
23La Sultane – Sonade en quatuor
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
arranger:
Richard Gwilt
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
Sonate "La Sultane"
composer:
François Couperin (French composer of the Baroque era)
François Couperin9:43
24La Steinkerque – Sonade en trio
producer and balance engineer:
Marion Schwebel
editor:
Martin Nagorni
bass viol:
William Hunt (UK string musician, (viol, double bass, etc.)) and Charles Medlam (cellist, viol player and conductor)
harpsichord:
Terence Charlston (British harpsichordist)
violin:
Richard Gwilt and Ingrid Seifert (violin)
spoken vocals [narration]:
Charles Medlam (cellist, viol player and conductor)
orchestra:
London Baroque (founded 1978 by Charles Medlam)
arranger:
Richard Gwilt
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (in 2001-01)
recording of:
La Steinkerque
composer:
François Couperin (French composer of the Baroque era) (in 1692)
François Couperin9:49

Credits