NOW That’s What I Call a Decade 1990s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Vision of Love
Perkussion-Programmierung:
Ren Klyce
Programmierung:
Ben Margulies
Techniker(in):
Patrick Dillett
Produzent(in):
Rhett Lawrence
zusätzliche(r) Produzent(in):
Narada Michael Walden
Mix:
David Frazer (engineer)
Bassgitarre:
Marcus Miller (jazz musician)
Gitarre:
Jimmy Rip
Keyboard:
Rhett Lawrence
Schlagzeug:
Ben Margulies
Hintergrundgesang:
Mariah Carey
arranger:
Mariah Carey, Ben Margulies und Christopher W. Toland
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1990) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1990)
aufgenommen bei:
Skyline Recording Studio in New York, New York, Vereinigte Staaten
mixed at:
Oakshire Recorders in Los Angeles, California (Kalifornien), Vereinigte Staaten und Tarpan Studios in San Rafael, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Vision of Love von Mariah Carey
recording of:
Vision of Love
Verfasser(in):
Mariah Carey und Ben Margulies
publisher:
Been Jammin' Music, Sony Songs Inc. und Vision of Love Songs
Mariah Carey43:26
2All I Wanna Do
Techniker(in):
Blair Lamb
Produzent(in):
Bill Bottrell
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1993) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 405)
recording of:
All I Wanna Do
Verfasser(in):
David Baerwald, Bill Bottrell, Wyn Cooper, Sheryl Crow (American singer-songwriter and musician) und Kevin Gilbert (singer‐songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ignorant Music (ASCAP-affiliated), Old Crow Music (Sheryl Crow’s publishing label), Reservoir One America, Sony/ATV Tunes LLC (ASCAP), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019), WC Music Corp. und Zen of Iniquity
Sheryl Crow3.94:31
3No Rain
assistierende(r) Techniker(in):
Mr. Jon Plum
Techniker(in):
Rick Parashar
Produzent(in) und Mix:
Blind Melon und Rick Parashar
Akustikgitarre [Gibson J-30]:
Christopher Thorn
Bass [1969 Fender Jazz]:
Brad Smith (Blind Melon bassist)
E-Gitarre [Fender Stratocaster, 1962 Reissue]:
Rogers Stevens
Fingerschnippen, Perkussion, Schlagzeug und shakers:
Glen Graham (Blind Melon percussionist)
Hintergrundgesang und Sologesang:
Shannon Hoon
aufgenommen bei:
London Bridge Studios in Seattle, Washington, Vereinigte Staaten
Musikvideos:
No Rain von Blind Melon
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 14) und Indie 88: Top 500 Indie Rock Songs (Nummer: 414)
recording of:
No Rain
Verfasser(in):
Glen Graham (Blind Melon percussionist), Shannon Hoon, Brad Smith (Blind Melon bassist), Rogers Stevens und Christopher Thorn
publisher:
EMI April Music Inc. und Heavy Melon Music
Blind Melon4.33:34
4You Get What You Give
Produzent(in):
Gregg Alexander
Bass:
John Pierce (US session bassist)
Gitarre:
Gregg Alexander und Rusty Anderson
Klavier:
Rick Nowels
membranophone:
Gary Ferguson (Session drummer)
Perkussion:
Juliet Prater
arranger:
Gregg Alexander
zusätzlich vocals arranger:
Richard Podolor
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1998)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 390) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 453)
recording of:
You Get What You Give
Verfasser(in):
Gregg Alexander und Rick Nowels
publisher:
EMI Blackwood Music Inc., EMI Music Inc., Future Furniture Music Inc. und Grosse Point Harlem
New Radicals4.654:55
5American Woman
Programmierung, Techniker(in) und Mix:
Terry Manning (US recording engineer)
Produzent(in):
Lenny Kravitz
Sologesang:
Lenny Kravitz
arranger:
Lenny Kravitz
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1999)
cover recording of:
American Woman
Verfasser(in):
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) und Garry Peterson (Canadian drummer for The Guess Who)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music und Unichappell Music, Inc.
Lenny Kravitz44:19
6Little Miss Can’t Be Wrong
Techniker(in):
Peter Denenberg
Produzent(in) und Mix:
Peter Denenberg, Frankie LaRocka und Spin Doctors
Bass:
Mark White (Spin Doctors)
Gitarre:
Eric Schenkman
Hammond-Orgel, Schlagzeug und Perkussion und Hintergrundgesang:
Aaron Comess
vocals:
Chris Barron
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1991) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Little Miss Can’t Be Wrong
Verfasser(in):
Chris Barron, Aaron Comess, Eric Schenkman und Mark White (Spin Doctors)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
Spin Doctors3.73:52
7All Star
A&R-Management:
Tom Whalley
assistierende(r) Techniker(in):
Trevor Adkinson (engineer for Smash Mouth)
Techniker(in), Produzent(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
zusätzliches Editing:
Jacquire King
Bassgitarre:
Paul De Lisle
elektronische Instrumente:
Mark Camp (Smash Mouth collaborator) und Chris Racine
Gitarre:
Greg Camp
Keyboard:
Michael Klooster
Schlagzeug:
Kevin Coleman
zusätzlich Keyboard:
Eric Valentine (Eric Dodd, producer and instrumentalist)
Hintergrundgesang:
Greg Camp und Paul De Lisle
Sologesang:
Steve Harwell
Musikvideos:
All Star von Smash Mouth (US rock band from San Jose, CA)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 339)
recording of:
All Star
Texter und Komponist(in):
Greg Camp
publisher:
Songs by Greg Camp, Spirit One Music, Squish Moth Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Smash Mouth4.63:18
8…Baby One More Time
recording engineer, Produzent(in) und Mix:
Max Martin (Swedish record producer) und Rami (Swedish record producer and songwriter)
Bassgitarre:
Tomas Lindberg (Swedish bass player)
Gitarre:
Johan Carlberg
Hintergrundgesang:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini), Max Martin (Swedish record producer) und Britney Spears
Sologesang:
Britney Spears
phonographisches Urheberrecht (℗) von:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1998) und Zomba Recording LLC (in 1999)
gemixt für und produced for:
Cheiron Productions
aufgenommen bei und mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden
Musikvideos:
…Baby One More Time von Britney Spears, …Baby One More Time (official music video) von Britney Spears, …Baby One More Time (Angle 1) von Britney Spears und …Baby One More Time (Angle 2) von Britney Spears
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 205) und BILLIONS CLUB
recording of:
…Baby One More Time
Texter und Komponist(in):
Max Martin (Swedish record producer)
publisher:
Grantsville Publishing Ltd., Imagem, MXM Music AB, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc. und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Freaky Friday (2003)
Britney Spears3.83:29
9Gettin’ Jiggy Wit It
recording engineer:
Ken "DURO" Ifill (engineer and producer Ken Ifill)
Koproduzent(in):
L.E.S. (QB hip hop producer)
Produzent(in):
Poke and Tone
assistierende(r) Mix:
Chris Ribando
Mix:
Rich Travali (Engineer)
Bassgitarre:
Lanar "Kern" Brantley (US bassist)
Gitarre [lead guitar]:
David Foreman
Keyboard [keyboards]:
Timothy "Tyme" Riley (US drummer Timothy Riley)
turntable [scratches]:
DJ Jazzy Jeff (DJ/turntablist)
aufgenommen bei:
Right Track Studios in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Samples:
He’s the Greatest Dancer von Sister Sledge und Sang and Dance von The Bar-Kays
recording of:
Gettin’ Jiggy Wit It
Verfasser(in):
Samuel Barnes (US rapper & hip‐hop producer, aka Tone), Bernard Edwards & Nile Rodgers, Bernard Edwards (American bassist and record producer), David Porter (US soul musician, producer & songwriter), Joey Robinson, Jr. (US Electro funk/hip hop producer, songwriter & engineer), Nile Rodgers und Will Smith (US actor aka The Fresh Prince)
publisher:
Irving Music, Inc., Jelly’s Jams, LLC, Sony/ATV Tunes LLC (ASCAP), Treball Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Will Smith3.853:47
10This Is How We Do It
Samples:
Children’s Story von Slick Rick
Teil von:
Mixtape – Game Soundtrack (Nummer: 23) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 286)
recording of:
This Is How We Do It
Verfasser(in):
Montell Jordan, Oji Pierce und Ricky Walters (US rapper Slick Rick)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Songs of Universal, Inc. (BMI) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Montell Jordan4.53:54
11I’ll Make Love to You
Schlagzeug-Programmierung:
Rayford Griffin
assistierende(r) Techniker(in):
David Betancourt (engineer), Milton Chan (Recording Engineer), Marty Hornburg und Jamie Seyberth
Techniker(in):
Brad Gilderman
Produzent(in):
Babyface (R&B musician Kenny Edmonds)
Mix:
Mick Guzauski
Bass:
Reggie Hamilton
Synthesizer:
Babyface (R&B musician Kenny Edmonds)
produced for:
ECAF Productions, Inc.
aufgenommen bei:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Enterprise (aka Enterprise Studios) in Burbank, California (Kalifornien), Vereinigte Staaten
mixed at:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 185)
recording of:
I’ll Make Love to You
Texter und Komponist(in):
Kenny Edmonds (R&B musician Kenny Edmonds)
Boyz II Men4.653:55
12I Will Always Love You
Techniker(in):
David Reitzas, Bill Schnee und Peter Yianilos
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive) und Whitney Houston
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Mix:
David Reitzas
künstlerische Leitung:
Rickey Minor (bass player, music director, composer, music producer)
Solo-Saxophon:
Kirk Whalum
arranger:
David Foster (Canadian music producer, arranger and composer)
vocals arranger:
Whitney Houston
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 60), New York Post: 100 Greatest Covers (2007) (Nummer: 59), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 60) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 94)
cover recording of:
I Will Always Love You
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. und Velvet Apple Music
Whitney Houston4.54:30
13I Swear
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Teil von:
The Downloader’s Music Source Book (Nummer: 389)
cover recording of:
I Swear
Verfasser(in):
Gary Baker (songwriter) und Frank J. Meyers (country music singer, songwriter, record producer)
publisher:
MorganActive Songs, Inc. und Rick Hall Music, Inc.
All‐4‐One44:16
14I Don’t Want to Miss a Thing
assistierende(r) Techniker(in):
Alex Dejonge (engineer) und Rob Murphy (Engineer)
Techniker(in) und Mix:
Dave Thoener
Produzent(in):
Matt Serletic
Saiteninstrumente arranger:
Suzie Katayama
arranger:
Matt Serletic
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
aufgenommen bei und mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
BILLIONS CLUB und The Downloader’s Music Source Book (Nummer: 228)
recording of:
I Don’t Want to Miss a Thing
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Realsongs (beendet), Manatt, Phelps & Phillips, LLP, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 71st Academy Award for Best Original Song (Nummer: 2)
Aerosmith4.054:57
15Hold On
recording engineer und Mix:
Francis Buckley
zusätzlich recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat und Rail Jon Rogut
assistierende(r) Techniker(in):
Dan Bosworth (engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson und Bill Malina
Produzent(in):
Glen Ballard
Bass:
Jimmy Johnson (US session bassist)
Gitarre:
Michael Landau
Keyboard:
Glen Ballard und Randy Kerber
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
zusätzlich Gitarre:
Joe Walsh (Eagles/James Gang)
Perkussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard und Wilson Phillips
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 312)
recording of:
Hold On
Verfasser(in):
Glen Ballard, Chynna Phillips und Carnie Wilson
publisher:
Get Out Songs, Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (in 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1990, in 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1990, in 2003), Wilphill Music (in 1990) und Universal Music Corp. (USA, affiliated with ASCAP) (in 2003)
Wilson Phillips4.54:23
16One of Us
recording of:
One of Us
Texter und Komponist(in):
Eric Bazilian
Joan Osborne5:02
17Run-Around
Assistent recording engineer:
Todd Vos
zusätzlich Assistent recording engineer:
Brian Sperber
Techniker(in):
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson)
Produzent(in) und Mix:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) und Steve Thompson (producer)
assistierende(r) Mix:
Eric Thompson (Sound and mixing engineer)
zusätzliche(r) assistierende(r) Mix:
Jay Ryan (recording engineer)
Akustikgitarre, E-Gitarre und Mandoline:
Chan Kinchla
Bass und Fretless Bass:
Bobby Sheehan
Keyboard und Klavier:
Chuck Leavell
Mundharmonika und Hintergrundgesang und Sologesang:
John Popper
Perkussion:
Bashiri Johnson
Schlagzeug und Perkussion:
Brendan Hill (Blues Traveler)
arranger:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson), Blues Traveler und Steve Thompson (producer)
Musikvideos:
Run-Around von Blues Traveler
recording of:
Run-Around
Texter und Komponist(in):
John Popper
publisher:
Blues Traveler Publishing Corporation
Blues Traveler4.254:36
18What I Got
Techniker(in):
Eddie Ashworth
Produzent(in) und Mix:
David Kahne
Akustikgitarre [lead]:
Michael "Miguel" Happoldt
Orgel:
David Kahne
turntable:
Marshall Goodman
aufgenommen bei:
Total Access Recording in Redondo Beach, California (Kalifornien), Vereinigte Staaten (von 1996-02 bis 1996-05)
mixed at:
Scream Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1996-02 bis 1996-05)
Samples:
Have Your Ass Home by 11:00 von Richard Pryor, It’s a New Day von Skull Snaps und Life Is… Too $hort von Too $hort
Musikvideos:
What I Got (Official Video) von Sublime (ska punk)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 81)
recording of:
What I Got
Texter:
Bradley Nowell
Komponist(in):
Bud Gaugh, Bradley Nowell und Eric Wilson (Sublime)
basiert auf:
Lady Madonna
basiert auf:
Life Is… Too Short
basiert auf:
Loving
basiert auf:
My Mom Smokes Pot
basiert auf:
Nappy Heads
Revision von:
What I Got (reprise)
Sublime4.352:50

Nennungen

Veröffentlichungsgruppe

Teil von:Now That’s What I Call a Decade (US) (Nummer: 3) (Reihenfolge: 3)
NOW That’s What I Call… (USA compilations outside the main numbered series) (Reihenfolge: 76)