The Black Messiah

~ Release by Cannonball Adderley (see all versions of this release, 3 available)

Tracklist

1▶12" Vinyl
2▼12" Vinyl
#TitleRatingLength
C1The Chocolate Nuissance
engineer:
Gene Hicks
producer:
Cannonball Adderley and David Axelrod (baroque pop composer)
bass:
Walter Booker (in 1971)
congas:
Buck Clarke (in 1971)
cornet:
Nat Adderley (in 1971)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1971)
guitar:
Mike Deasy (in 1971)
percussion:
Airto (percussionist) (in 1971)
piano:
George Duke (in 1971)
saxophone:
Cannonball Adderley (in 1971)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (in 1971)
8:22
C2[untitled]
engineer:
Gene Hicks
producer:
Cannonball Adderley and David Axelrod (baroque pop composer)
bass:
Walter Booker (in 1971)
cornet:
Nat Adderley (in 1971)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1971)
percussion:
Airto (percussionist) (in 1971)
piano:
George Duke (in 1971)
saxophone:
Cannonball Adderley (in 1971) and Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1971)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (from 1971-08-03 until 1971-08-09)
6:21
C3The Steam Drill
engineer:
Gene Hicks
producer:
Cannonball Adderley and David Axelrod (baroque pop composer)
bass:
Walter Booker (in 1971)
cornet:
Nat Adderley (in 1971)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1971)
percussion:
Airto (percussionist) (in 1971)
piano:
George Duke (in 1971)
saxophone:
Cannonball Adderley (in 1971)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (from 1971-08-03 until 1971-08-09)
8:42
D1Eye of the Cosmos
engineer:
Gene Hicks
producer:
Cannonball Adderley and David Axelrod (baroque pop composer)
bass:
Walter Booker (in 1971)
cornet:
Nat Adderley (in 1971)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1971)
guitar:
Mike Deasy (in 1971)
percussion:
Airto (percussionist) (in 1971)
piano:
George Duke (in 1971)
saxophone:
Cannonball Adderley (in 1971) and Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1971)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (from 1971-08-03 until 1971-08-09)
4:51
D2Episode From the Music Came
engineer:
Gene Hicks
producer:
Cannonball Adderley and David Axelrod (baroque pop composer)
bass:
Walter Booker (in 1971)
clarinet:
Alvin Batiste (clarinetist) (in 1971)
cornet:
Nat Adderley (in 1971)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1971)
guitar:
Mike Deasy (in 1971)
percussion:
Airto (percussionist) (in 1971)
piano:
George Duke (in 1971)
saxophone:
Cannonball Adderley (in 1971) and Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1971)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (from 1971-08-03 until 1971-08-09)
2:39
D3Heritage
engineer:
Gene Hicks
producer:
Cannonball Adderley and David Axelrod (baroque pop composer)
bass:
Walter Booker (in 1971)
clarinet:
Alvin Batiste (clarinetist) (in 1971)
cornet:
Nat Adderley (in 1971)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1971)
guitar:
Mike Deasy (in 1971)
percussion:
Airto (percussionist) (in 1971)
piano:
George Duke (in 1971)
saxophone:
Cannonball Adderley (in 1971) and Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1971)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (from 1971-08-03 until 1971-08-09)
4:43
D4Circumference
engineer:
Gene Hicks
producer:
Cannonball Adderley and David Axelrod (baroque pop composer)
bass:
Walter Booker (in 1971)
clarinet:
Alvin Batiste (clarinetist) (in 1971)
congas:
Buck Clarke (in 1971)
cornet:
Nat Adderley (in 1971)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1971)
guitar:
Mike Deasy (in 1971)
percussion:
Airto (percussionist) (in 1971)
piano:
George Duke (in 1971)
saxophone:
Cannonball Adderley (in 1971) and Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1971)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (from 1971-08-03 until 1971-08-09)
3:18
D5Pretty Paul
engineer:
Gene Hicks
producer:
Cannonball Adderley and David Axelrod (baroque pop composer)
bass:
Walter Booker (in 1971)
clarinet:
Alvin Batiste (clarinetist) (in 1971)
cornet:
Nat Adderley (in 1971)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1971)
guitar:
Mike Deasy (in 1971)
percussion:
Airto (percussionist) (in 1971)
piano:
George Duke (in 1971)
saxophone:
Cannonball Adderley (in 1971) and Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1971)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (from 1971-08-03 until 1971-08-09)
2:48
D6The Scene
engineer:
Gene Hicks
producer:
Cannonball Adderley and David Axelrod (baroque pop composer)
bass:
Walter Booker (in 1971)
clarinet:
Alvin Batiste (clarinetist) (in 1971)
congas:
Buck Clarke (in 1971)
cornet:
Nat Adderley (in 1971)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1971)
guitar:
Mike Deasy (in 1971)
percussion:
Airto (percussionist) (in 1971)
piano:
George Duke (in 1971)
saxophone:
Cannonball Adderley (in 1971) and Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1971)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1971)
recorded at:
The Troubadour in West Hollywood, California, United States (from 1971-08-03 until 1971-08-09)
2:16