Tracklist

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1Purcell : Dido & Aeneas : Overture
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Overture
composer:
Henry Purcell (Baroque composer) (in 1689)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626
Henry Purcell1:53
2Purcell : Dido & Aeneas : Act I "Shake the cloud from off your brow" [Belinda, Chorus]
choir vocals:
Les Arts Florissants (French baroque ensemble)
soprano vocals:
Sophie Marin-Degor (soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:03
3Purcell : Dido & Aeneas : Act I "Ah Belinda, I am press'd with torment" [Dido]
soprano vocals:
Véronique Gens (soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell3:38
4Purcell : Dido & Aeneas : Act I "Grief increases by concealing" [Belinda, Dido] "When monarchs unite, how happy their state" [Chor
choir vocals:
Les Arts Florissants (French baroque ensemble)
soprano vocals:
Véronique Gens (soprano) and Sophie Marin-Degor (soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:42
5Purcell : Dido & Aeneas : Act I "Whence could so much virtue spring?" [Dido, Belinda]
soprano vocals:
Véronique Gens (soprano) and Sophie Marin-Degor (soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:54
6Purcell : Dido & Aeneas : Act I "Fear no danger to ensue" [Belinda, Chorus]
choir vocals:
Les Arts Florissants (French baroque ensemble)
soprano vocals:
Sophie Marin-Degor (soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:33
7Purcell : Dido & Aeneas : Act I "See our royal guest appears" [Belinda, Aeneas] "Cupid only throws the dart" [Chorus]
bass-baritone vocals:
Nathan Berg (operatic bass-baritone)
choir vocals:
Les Arts Florissants (French baroque ensemble)
soprano vocals:
Sophie Marin-Degor (soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:10
8Purcell : Dido & Aeneas : Act I "If not for mine, for Empire's sake" [Aeneas] "Pursue thy conquest, Love" [Belinda] "To the hills
bass-baritone vocals:
Nathan Berg (operatic bass-baritone)
choir vocals:
Les Arts Florissants (French baroque ensemble)
soprano vocals:
Sophie Marin-Degor (soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell2:14
9Purcell : Dido & Aeneas : Act I "The Triumphing Dance"
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:09
10Purcell : Dido & Aeneas : Act 2 Prelude for the Witches "Wayward sisters, you that fright" [Sorceress] "Harm's our delight" [Choru
choir vocals:
Les Arts Florissants (French baroque ensemble)
mezzo-soprano vocals:
Claire Brua
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:14
11Purcell : Dido & Aeneas : Act 2 "The Queen of Carthage" ... "Ho! ho! ho!" [Sorceress, First Witch, Chorus]Henry Purcell1:53
12Purcell : Dido & Aeneas : Act 2 "But ere we this perform" [First Witch, Second Witch]
soprano vocals:
Sophie Daneman (soprano) and Gaëlle Méchaly (soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:10
13Purcell : Dido & Aeneas : Act 1 "In our deep vaulted cell... Echo Dance of Furies" [Chorus]
choir vocals:
Les Arts Florissants (French baroque ensemble)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:22
14Purcell : Dido & Aeneas : Act 2 "Ritornelle" "Thanks to these lonesome vales" [Belinda, Chorus]
choir vocals:
Les Arts Florissants (French baroque ensemble)
soprano vocals:
Sophie Marin-Degor (soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:36
15Purcell : Dido & Aeneas : Act 2 "Oft she visits this lone mountain" [Second Woman]
soprano vocals:
Sophie Daneman (soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:56
16Purcell : Dido & Aeneas : Act 2 "Behold upon my bending spear" [Aeneas, Dido] "Haste, haste to town" [Belinda, Chorus]
bass-baritone vocals:
Nathan Berg (operatic bass-baritone)
choir vocals:
Les Arts Florissants (French baroque ensemble)
soprano vocals:
Véronique Gens (soprano) and Sophie Marin-Degor (soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:13
17Purcell : Dido & Aeneas : Act 2 "Stay Prince" [Spirit, Aeneas]
bass-baritone vocals:
Nathan Berg (operatic bass-baritone)
tenor vocals:
Jean-Paul Fouchécourt (tenor)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:04
18Purcell : Dido & Aeneas : Act 2 "Then since our chorus have sped" [Chorus] "The Grove's Dance"
choir vocals:
Les Arts Florissants (French baroque ensemble)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II. Chorus “Then since our charmes have sped” (Sorceress, Two Witches) (unnumbered)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:24
19Purcell : Dido & Aeneas : Act 3 "Come away" [Sailor, Chorus] "The Sailors' Dance"
choir vocals:
Les Arts Florissants (French baroque ensemble)
tenor vocals:
Jean-Paul Fouchécourt (tenor)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell2:23
20Purcell : Dido & Aeneas : Act 3 "See, see the flags" [Sorceress, First Witch] "Our next motion" [Sorceress]
mezzo-soprano vocals:
Claire Brua
soprano vocals:
Sophie Daneman (soprano) and Gaëlle Méchaly (soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III. Aria “Our next motion” (Sorceress) (interstitial, unnumbered, latter part of Act III, 30)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:41
21Purcell : Dido & Aeneas : Act 3 "Destruction's our delight" [Chorus]
choir vocals:
Les Arts Florissants (French baroque ensemble)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:31
22Purcell : Dido & Aeneas : Act 3 "The Witches' Dance"
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:35
23Purcell : Dido & Aeneas : Act 3 "Your counsel all is urged in vain" [Dido, Belinda, Aeneas]
bass-baritone vocals:
Nathan Berg (operatic bass-baritone)
soprano vocals:
Véronique Gens (soprano) and Sophie Marin-Degor (soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:35
24Purcell : Dido & Aeneas : Act 3 "Great minds against themselves conspire" [Chorus] "Thy hand, Belinda" [Dido]
choir vocals:
Les Arts Florissants (French baroque ensemble)
soprano vocals:
Véronique Gens (soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell2:02
25Purcell: Dido & Aeneas, Act 3: "When I am laid in earth" (Dido)
soprano vocals:
Véronique Gens (soprano)
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:54
26Purcell : Dido & Aeneas : Act 3 "With drooping wings" [Chorus]
Henry Purcell2:42
27Purcell : King Arthur : Overture to Act 1
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act I, Scene I, 1. Overture (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
Henry Purcell1:58
28Purcell : King Arthur : Air
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act I, Scene I, 2. Air (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
Henry Purcell1:31
29Purcell : King Arthur : Act 1 "Woden, first to thee" [Bass, Chorus]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Luthea Salom (in 1995-02)
choir vocals [Chorus]:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
tenor vocals:
Mark Padmore (British tenor) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act I, Scene II, 4. “Woden first to thee” (tenor, bass and chorus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell2:49
30Purcell : King Arthur : Act 1 "The white horse neigh'd aloud" [Bass, Tenor, Chorus]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Luthea Salom (in 1995-02)
choir vocals [Chorus]:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
tenor vocals:
Mark Padmore (British tenor) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act I, Scene II, 5. “The white horse neigh’d aloud.” … “To Woden thanks we render” (tenor, alto, chorus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell1:22
31Purcell : King Arthur : Act 1 "The lot is cast, and Tanfan pleas'd" [Soprano]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals:
Véronique Gens (soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act I, Scene II, 6. “The lot is cast, and Tanfan pleas’d” (Soprano) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell0:32
32Purcell : King Arthur : Act 1 "Brave souls, to be renown'd in story" [Chorus]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals [Chorus]:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act I, Scene II, 7. “Brave souls, to be renown’d in story” (Chorus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell2:46
33Purcell : King Arthur : Act 1 "I call you all to Woden's Hall" [Tenor, Chorus]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals [Chorus]:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
tenor vocals:
Mark Padmore (British tenor) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act I, Scene II, 8. “I call you all to Woden’s Hall” (Alto and chorus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell2:05
34Purcell : King Arthur : Act 1 "Come if you dare" [Tenor, Chorus]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals [Chorus]:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
tenor vocals:
Iain Paton (tenor) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act I, Scene III, 9. “Come if you dare” (symphony followed by tenor and chorus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell4:10
35Purcell : King Arthur : Act 2 "Hither, this way, this way bend" [Soprano, Chorus]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals [Philidel]:
Claron McFadden (American soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act II, Scene I, 10. “Hither, this way, this way bend” (Chorus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell2:11
36Purcell : King Arthur : Act 2 "Let not a moonborn elf mislead ye" [Bass] "Hither this way, this way bend" [Chorus]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals [Grimbald]:
Jonathan Best (operatic bass) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act II, Scene I, 11. “Let not a moon‐born elf deceive thee” (Grimbald) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
recording of:
King Arthur, Z. 628: Act II, Scene I, 12. “Hither, this way, this way bend” (Chorus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell1:53
37Purcell : King Arthur : Act 2 "Come, follow me" [Soprano, Bass, Chorus]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals [Spirits]:
François Bazola (in 1995-02), Richard Duguay (in 1995-02), Mhairi Lawson (soprano) (in 1995-02), Violaine Lucas (in 1995-02), Jean-Marie Puissant (Tenor & Choral Conductor) (in 1995-02), Jean-Yves Ravoux (Tenor) (in 1995-02) and Carys Lloyd Roberts (Welsh soprano) (in 1995-02)
soprano vocals [Philidel]:
Claron McFadden (American soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act II, Scene I, 13. “Come follow me” (Philidel, spirits) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell2:22
38Purcell : King Arthur : Act 2 "How blest are shepherds" [Tenor, Chorus]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals [Shepherd]:
Iain Paton (tenor) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act II, Scene II, 14. “How blest are shepherds, how happy their lasses” (Shepherd and chorus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell5:17
39Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals [Shepherdess]:
Véronique Gens (soprano) (in 1995-02) and Sandrine Piau (soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act II, Scene II, 15. “Shepherd, shepherd, leave decoying” (Two shepherdesses) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell1:55
40Purcell : King Arthur : Act 2 "Come, shepherds, lead up a lively measure" [Chorus] Hornpipe
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act II, Scene II, 16a. Hornpipe (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act II
recording of:
King Arthur, Z. 628: Act II, Scene II, 16b. “Come, shepherds, lead up a lively measure” (Chorus of shepherds) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell1:38
41Purcell : King Arthur : Air
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act II, 17. Second Act Tune: Air (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act II
Henry Purcell1:01
42Purcell : King Arthur : Act 3 Prelude (Reprise)
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act III, 18. Prelude (before Act III, 19. “What ho! Thou genius of this isle”) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:31
43Purcell : King Arthur : Act 3 "What ho! thou genius of this isle" [Soprano]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals [Cupid]:
Susannah Waters (soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act III, 19. “What ho! Thou genius of this isle” (Cupid) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:59
44Purcell: King Arthur, Act 3: "What power art thou" [Bass]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals [Cold Genius]:
Petteri Salomaa (baritone) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act III, 18. Prelude (before Act III, 19. “What ho! Thou genius of this isle”) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
recording of:
King Arthur, Z. 628: Act III, 20. “What power art thou, who from below…” (Cold Genius) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell4:08
45Purcell : King Arthur : Act 3 "Thou doting fool" [Soprano]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals [Cupid]:
Susannah Waters (soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act III, 21. “Thou doting fool” (Cupid) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:37
46Purcell : King Arthur : Act 3 "Great love, I know thee now" [Bass]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals [Cold Genius]:
Petteri Salomaa (baritone) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act III, 22. “Great love, I know thee now” (Cold Genius) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:55
47Purcell : King Arthur : Act 3 "No part of my dominion" [Soprano]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals [Cupid]:
Susannah Waters (soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act III, 23. “No part of my dominion shall be waste” (Cupid) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:56
48Purcell : King Arthur : Act 3 Prelude
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act III, 24. Prelude (before Act III, 25. “See, see, we assemble”) (in 1995-02)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:44
49Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act III, 25. “See, see, we assemble” (Chorus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell1:28
50Purcell : King Arthur : Act 3 "Tis I that have warm'd ye" [Soprano] "Tis love that has warm'd us" [Chorus]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals [Chorus]:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
soprano vocals [Cupid]:
Susannah Waters (soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act III, 26. “’Tis I that have warm’d ye” (Cupid, followed by ritornello and chorus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell1:59
51Purcell : King Arthur : Act 3 "Sound a parley" [Soprano, Bass] "Tis Love that has warm'd us" [Chorus]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals [Cold Genius]:
Petteri Salomaa (baritone) (in 1995-02)
choir vocals [Chorus]:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
soprano vocals [Cupid]:
Susannah Waters (soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act III, 27. “Sound a parley” (Cupid and Cold Genius, followed by ritornello and chorus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell4:00
52Purcell : King Arthur : Act 3 Hornpipe
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act III, 28. Third Act Tune: Hornpipe (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:46
53Purcell : King Arthur : Act 4 "Two daughters of this aged stream are we" [Sopranos]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals [Siren]:
Claron McFadden (American soprano) (in 1995-02) and Sandrine Piau (soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act IV, Scene II, 29. “Two daughters of this aged stream are we” (Sirens) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act IV
Henry Purcell2:32
54Purcell : King Arthur : Act 4 "How happy the lover" [Tenor, Chorus] Ritornello "For love every creature" [Soprano, Bass, Chorus] "
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals [Chorus]:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
choir vocals [Men]:
Richard Duguay (in 1995-02), David Le Monnier (in 1995-02) and Jean-Marie Puissant (Tenor & Choral Conductor) (in 1995-02)
choir vocals [Nymphs]:
Jonathan Best (operatic bass) (in 1995-02), Véronique Gens (soprano) (in 1995-02), Mhairi Lawson (soprano) (in 1995-02), Violaine Lucas (in 1995-02) and Carys Lloyd Roberts (Welsh soprano) (in 1995-02)
choir vocals [Women]:
Valérie Picard (Soprano) (in 1995-02), Anne Pichard (in 1995-02) and Sheena Wolstencroft (Soprano) (in 1995-02)
tenor vocals:
Mark Padmore (British tenor) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act IV, Scene II, 30. Passacaglia – “How happy the lover” (Tenor, Nymphs, and Sylvans) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act IV
Henry Purcell7:11
55Purcell : King Arthur : Act 4 Air
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act IV, Scene II, 31. Fourth Act Tune: Air (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act IV
Henry Purcell0:41
56Purcell : King Arthur : Act 5 Trumpet Tune
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act V, Scene II, 32. Trumpet Tune (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell0:46
57Purcell : King Arthur : Act 5 "Ye blust'ring brethren of the skies" [Bass]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals [Aeolus]:
Petteri Salomaa (baritone) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act V, Scene II, 33. “Ye blust’ring brethren” (Aeolus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell3:23
58Purcell : King Arthur : Act 5 Symphony
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act V, Scene II, 34. Symphony (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell1:42
59Purcell : King Arthur : Act 5 "Round thy coast" [Soprano, Bass, Chorus]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals [Pan]:
Etienne Bazola (bass-baritone) (in 1995-02)
choir vocals [Chorus]:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
soprano vocals [Nereid]:
Susannah Waters (soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act V, Scene II, 35. “Round thy coasts, fair nymph of Britain” (Pan, a Nereid) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell3:20
60Purcell : King Arthur : Act 5 "For folded flocks, and fruitful plains" [Tenors, Bass]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Jonathan Best (operatic bass) (in 1995-02)
tenor vocals:
Mark Padmore (British tenor) (in 1995-02) and Iain Paton (tenor) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act V, Scene II, 36. “For folded flocks, on fruitful plains” (alto, tenor, bass) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell2:00
61Purcell : King Arthur : Act 5 "Your hay it is mow'd" [Bass, Chorus]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals [Comus]:
Petteri Salomaa (baritone) (in 1995-02)
choir vocals [Chorus of Basses (including gentlemen of the orchestra in the last verse)]:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act V, Scene II, 37. “Your hay it is mow’d, and your corn is reap’d” (Comus, peasants) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell2:27
62Purcell : King Arthur : Act 5 "Fairest Isle" [Soprano]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals [Venus]:
Véronique Gens (soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act V, Scene II, 38. “Fairest Isle” (Venus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell4:43
63Purcell : King Arthur : Act 5 "You say 'tis Love" [Soprano, Bass]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals [He]:
Jonathan Best (operatic bass) (in 1995-02)
soprano vocals [She]:
Sandrine Piau (soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act V, Scene II, 39. “You say ’tis love” (He, She) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell5:26
64Purcell : King Arthur : Act 5 Trumpet Tune - Warlike Consort
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act V, Scene II, 40. Trumpet Tune (Warlike Consort) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act V
Henry Purcell0:37
65Purcell : King Arthur : Act 5 "Saint George" [Soprano, Chorus]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals [Honour]:
Claron McFadden (American soprano) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
partial recording of:
King Arthur, Z. 628: Act V, Scene II, 41. “Saint George, the patron of our Isle” … “Our natives not alone appear” (Honour, chorus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell2:05
66Purcell : King Arthur : Act 5 "Our natives not alone appear" [Chorus]
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals [Chorus]:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
partial recording of:
King Arthur, Z. 628: Act V, Scene II, 41. “Saint George, the patron of our Isle” … “Our natives not alone appear” (Honour, chorus) (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell1:06
67Purcell : King Arthur : Act 5 Chaconne
sound engineer:
Jean Chatauret
producer:
Nicholas Parker (classical violinist, producer, engineer)
orchestra:
Les Arts Florissants (French baroque ensemble) (in 1995-02)
conductor:
William Christie (harpsichordist and conductor) (in 1995-02)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (from 1995 to present)
recorded at:
Théâtre du Châtelet in Paris, Île-de-France, France (in 1995-02)
recording of:
King Arthur, Z. 628: Act V, Scene II, 42. Chaconne (in 1995-02)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act V
Henry Purcell3:30
68Purcell : The Fairy Queen : Prelude to Act 1Henry Purcell2:41
69Purcell : The Fairy Queen : AirHenry Purcell2:11
70Purcell : The Fairy Queen : Overture to Act 1Henry Purcell1:28
71Purcell : The Fairy Queen : Act 1 "Come, let us leave the town" [Soprano, Bass]Henry Purcell1:14
72Purcell : The Fairy Queen : Act 1 "Scene of the Drunken Poet" [First Fairy, Second Fairy, Drunken Poet, Chorus]Henry Purcell6:06
73Purcell : The Fairy Queen : Act 1 JigHenry Purcell1:23
74Purcell : The Fairy Queen : Act 2 "Come all ye songsters of the sky" [Tenor]Henry Purcell2:13
75Purcell : The Fairy Queen : Act 2 "May the God of Wit inspire" [Counter-Tenor, Tenor, Bass]Henry Purcell2:47
76Purcell : The Fairy Queen : Act 2 "Now join your warbling voices all" [Chorus]Henry Purcell0:36
77Purcell : The Fairy Queen : Act 2 "Sing while we trip it" [Chorus, Soprano]Henry Purcell3:57
78Purcell : The Fairy Queen : Act 2 "See, even Night herself is here" [Night] "I am come to lock all fast" [Mystery] "One charming nHenry Purcell11:35
79Purcell : The Fairy Queen : Act 2 AirHenry Purcell2:18
80Purcell : The Fairy Queen : Act 3 "If love's a sweet passion" [Dryad, Chorus]Henry Purcell1:55
81Purcell : The Fairy Queen : Act 3 Symphony while the swans come forwardHenry Purcell0:56
82Purcell : The Fairy Queen : Act 3 Dance for the FairiesHenry Purcell1:23
83Purcell : The Fairy Queen : Act 3 Dance for the Green MenHenry Purcell1:17
84Purcell : The Fairy Queen : Act 3 "Ye gentle spirits of the air" [Soprano]Henry Purcell4:47
85Purcell : The Fairy Queen : Act 3 "Now the maids and the men" [Coridon, Mopsa] Dance for the HaymakersHenry Purcell4:38
86Purcell : The Fairy Queen : Act 3 "When I have often heard" [Nymph]Henry Purcell2:10
87Purcell : The Fairy Queen : Act 3 "A thousand, thousand ways" [Chorus, Counter-Tenor]Henry Purcell2:31
88Purcell : The Fairy Queen : Act 3 HornpipeHenry Purcell1:02
89Purcell : The Fairy Queen : Act 4 Symphony
recording of:
The Fairy Queen, Z. 629: Act IV, no. 30. Symphony (Canzona, Largo, Allegro, Adagio)
composer:
Henry Purcell (Baroque composer)
part of:
The Fairy Queen, Z. 629
Henry Purcell6:04
90Purcell : The Fairy Queen : Act 4 "Now the night is chased away" [Attendant, Chorus]Henry Purcell2:08
91Purcell : The Fairy Queen : Act 4 "Let the fifes and the clarions" [Tenor, Counter-Tenor]Henry Purcell1:14
92Purcell : The Fairy Queen : Act 4 "When a cruel long winter" [Phoebus]Henry Purcell3:32
93Purcell : The Fairy Queen : Act 4 "Hail! Great parent of us all" [Chorus]Henry Purcell10:43
94Purcell : The Fairy Queen : Act 5 "Thrice happy lovers" [Juno]Henry Purcell3:49
95Purcell : The Fairy Queen : Act 5 "O let me ever, ever weep" [Soprano]Henry Purcell7:55
96Purcell : The Fairy Queen : Act 5 "Thus the gloomy world" [Chinese Man] "Thus happy and free" [Chinese Woman, Chorus] "Yes, DaphneHenry Purcell9:27
97Purcell : The Fairy Queen : Act 5 Monkey's DanceHenry Purcell0:49
98Purcell : The Fairy Queen : Act 5 "Hark! How all things" [First Woman] "Hark! the echoing air" [Second Woman, Chorus]Henry Purcell4:27
99Purcell : The Fairy Queen : Act 5 "Sure the dull God of Marriage" [First Woman, Second Woman, Chorus] Prelude "See, I obey" [HymenHenry Purcell5:21
100Purcell : The Fairy Queen : Act 5 ChaconneHenry Purcell2:41
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Credits

Release

stream for free:https://www.deezer.com/album/454794 [info]