The Best Club Anthems: 80s Classics

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Another One Bites the Dust
tecnico:
Mack (German rock producer/engineer Reinhold Mack)
co-produttore:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Mack (German rock producer/engineer Reinhold Mack), Brian May (Queen guitarist), Queen (UK rock group) e Roger Taylor (Queen drummer)
basso , chitarra , chitarra basso , pianoforte [piano (reversed)] , sintetizzatore [synthesizer (reversed)] e tastiera :
John Deacon (dal 1980-02 al 1980-05)
batteria e strumenti elettronici [electronic percussion] :
Roger Taylor (Queen drummer) (dal 1980-02 al 1980-05)
chitarra elettrica :
John Deacon (dal 1980-02 al 1980-05) e Brian May (Queen guitarist) (dal 1980-02 al 1980-05)
voce di accompagnamento e voce principale:
Freddie Mercury (dal 1980-02 al 1980-05)
diritti fonografici (℗) detenuti da:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (nel 1980, nel 2014), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (nel 1980, nel 2011) e Raincloud Productions Ltd. (nel 1980, nel 2014)
registrata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (dal 1979-06 al 1980-05)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 48)
registrazione di:
Another One Bites the Dust (dal 1980-02 al 1980-05)
paroliere e compositore:
John Deacon
editore:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. (, nel 1980), EMI Music Publishing Japan Ltd., Sony Division (fino al 2021-06-30), Beechwood Music Corp. (nel 1980) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
compresa in:
We Will Rock You (Queen musical)
compresa in:
We Will Rock You (German version of the Queen musical)
Queen4.153:35
2Rapper's Delight (Full Length version)
registrazione di:
Rapper’s Delight (il 1979-08-02)
autore:
Bernard Edwards (American bassist and record producer), Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson e Nile Rodgers
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
si basa su:
Good Times
The Sugarhill Gang4.357:04
31999 (LP version)
assistente tecnico:
Don Batts
tecnico:
Peggy McCreary
produttore:
Prince (“The Artist Formerly Known as…”)
basso elettrico , batteria elettronica [Pearl SY-1 Syncussion] , battimani , campanaccio , chitarra elettrica , drum machine [Linn LM-1] , piatti , sintetizzatore [ARP Omni-2] , sintetizzatore [Oberheim OB-Xa] e tamburello :
Prince (“The Artist Formerly Known as…”) (dal 1982-07 al 1982-08)
drum machine [Pearl SY-1 Syncussion] :
Bobby Z.
voce di accompagnamento:
Jesse Johnson (original guitarist for The Time)
voce principale:
Lisa Coleman (US pianist/keyboardist & composer) (dal 1982-07 al 1982-08), Dez Dickerson (dal 1982-07 al 1982-08), Jill Jones (American singer, songwriter, and actress) (dal 1982-07 al 1982-08) e Prince (“The Artist Formerly Known as…”) (dal 1982-07 al 1982-08)
esecutore:
Prince (“The Artist Formerly Known as…”) (dal 1982-07 al 1982-08)
arrangiatore:
Prince (“The Artist Formerly Known as…”)
registrata presso:
Kiowa Trail Home Studio in Chanhassen, Minnesota, Stati Uniti (dal 1982-07 al 1982-08)
registrazione di:
1999 (dal 1982-07 al 1982-08)
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Controversy Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Prince4.456:15
4Last Night a DJ Saved My Life (12" version)
registrazione di:
Last Night a D.J. Saved My Life
paroliere e compositore:
Mike Cleveland (80's dance)
editore:
Windswept Pacific Music Ltd.
Indeep3.655:38
5Can You Feel It (album version)
tecnico:
Tom Perry (engineer)
produttore:
The Jacksons (formerly “The Jackson 5”)
produttore associato:
Greg Phillinganes
batteria :
Ollie E. Brown (US drummer, session musician & record producer)
chitarra :
Tito Jackson e David Williams (session guitarist and songwriter)
chitarra basso :
Nathan Watts
tastiera :
Ronnie Foster, Greg Phillinganes e Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
vibrafono :
Gary Coleman (US percussionist)
cori:
Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis (American singer), Venetta Fields, Roy Galloway (soul singer), Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Lewis Price, Bob Mack, Arnold McCuller, Paulette McWilliams, Lisa Roberts, Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade (vocalist) e Gregory Wright
voce principale:
Michael Jackson (“King of Pop”) e Randy Jackson (brother of Michael and Janet)
maestro del coro:
Stephanie Spruill (American soul/disco singer, songwriter, and percussionist)
arrangiatore archi :
Tom Tom 84
arrangiatore:
Jackie Jackson (member of the Jackson 5) e Michael Jackson (“King of Pop”)
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1980)
registrata presso:
Hollywood Sound Studios in Los Angeles, California, Stati Uniti (dal 1980-01 al 1980-07) e Sound City Studios in Van Nuys, California, Stati Uniti (dal 1980-01 al 1980-07)
registrazione di:
Can You Feel It
autore:
Jackie Jackson (member of the Jackson 5) e Michael Jackson (“King of Pop”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
MJ: The Musical
The Jacksons45:58
6Use It Up and Wear It Out
registrazione di:
Use It Up and Wear It Out
autore:
Lawrence Russell Brown (lyricist) e Sandy Linzer
editore:
ATV Music Ltd., Chappell & Co Ltd., Featherbed, Larball Music (publisher), Peermusic (UK) Limited, Unichappell (publisher) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Odyssey43:45
7Rapture
tecnico:
Lenise Bent
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (nel 1980)
chitarra :
Frank Infante (nel 1980) e Chris Stein (nel 1980)
chitarra basso :
Nigel Harrison (nel 1980)
sassofono :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (nel 1980)
tastiera :
Jimmy Destri (nel 1980)
timpani :
Chris Stein (nel 1980)
voce principale:
Deborah Harry (nel 1980)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1980), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1980), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981)
registrata presso:
United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (nel 1980)
registrazione di:
Rapture (nel 1980)
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music (do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation e Rare Blue Music Inc
Blondie3.64:56
8Oops Upside Your Head
produttore:
Lonnie Simmons (producer, songwriter)
diritti fonografici (℗) detenuti da:
Phonogram, Inc. (nel 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1979) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1980)
è stato produttore per:
Total Experience Productions
registrazione di:
I Don’t Believe You Want to Get Up and Dance (Oops!)
autore:
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) e Ronnie Wilson (Gap Band member)
editore:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (nel 1979) e Total Experience Music (publisher) (nel 1979)
registrazione cover di:
I Don’t Believe You Want to Get Up and Dance (Oops!)
autore:
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) e Ronnie Wilson (Gap Band member)
editore:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (nel 1979) e Total Experience Music (publisher) (nel 1979)
The Gap Band3:23
9(Somebody) Help Me Out
registrazione di:
(Somebody) Help Me Out
autore:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist), Neville McKrieth e Kenny Wellington
Beggar & Co3:32
10Chant No. 1 (I Don't Need This Pressure On)
produttore:
Richard James Burgess
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981)
registrazione di:
Chant No. 1 (I Don't Need This Pressure On)
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
Spandau Ballet44:03
11Temptation
produttore:
B.E.F. e Greg Walsh (producer and engineer)
registrazione di:
Temptation
autore:
Glenn Gregory, Ian Craig Marsh e Martyn Ware
editore:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 173.54:36
12Love Town (extended version)
registrazione di:
Love Town
autore:
Len Barry e Bobby Eli
Booker Newberry III5:13
13Get Down Saturday Night
registrazione di:
Get Down Saturday Night
compositore:
Oliver Cheatham e Kevin McCord
editore:
Songs of Universal, Inc. (BMI)
Oliver Cheatham4:01
14Dancing Tight
registrazione di:
Dancing Tight
paroliere e compositore:
Phil Fearon
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Handle Music Ltd. e Imagem Songs Ltd.
Phil Fearon & Galaxy53:33
15Flashdance... What a Feeling
produttore:
Giorgio Moroder
voce:
Irene Cara
diritti fonografici (℗) detenuti da:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (nel 1983) e Universal Music TV (UK, a division of Universal Music Operations Limited) (nel 1995)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 38) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 492)
registrazione di:
Flashdance… What a Feeling
paroliere:
Irene Cara e Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1983 winner)
Irene Cara3.653:53
16I.O.U.
registrata a:
New York, New York, Stati Uniti (nel 1983)
produttore:
Arthur Baker (American record producer and DJ)
esecutore:
Freeez (1980s English electronic music group) (nel 1983)
registrata presso:
Unique Recording Studios in Manhattan, New York, New York, Stati Uniti (nel 1983)
registrazione di:
I.O.U.
autore:
Arthur Baker (American record producer and DJ) e John Robie
editore:
Shakin’ Baker Music
Freeez4.653:47
17We Got the Funk
registrazione di:
We Got the Funk
autore:
Nate Edmonds (keyboard player/songwriter), Brenda Reynolds e Albert Williams
editore:
Sugar Hill Music Publishing Ltd. (conclusa), B.I.B. Music e Songs of Universal, Inc. (BMI)
Positive Force3:20
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