The Lost Recitals

~ Veröffentlichung von Robert Goldsand (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Six Etudes after Paganini, S. 141, no. 1 in G minor, "Tremolo"
Klavier:
Robert Goldsand (pianist) (am 1956-01-24)
recording of:
Grandes études de Paganini, S. 141: No. 1. Tremolo in G minor (am 1956-01-24)
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor)
Teil von:
Grandes études de Paganini, S. 141
Revision von:
Études d’exécution transcendante d’après Paganini, S. 140: No. 1 in G minor
Liszt4:43
2Six Etudes after Paganini, S. 141, no. 2 in E-flat, "Capriccioso"
Klavier:
Robert Goldsand (pianist) (am 1956-01-24)
recording of:
Grandes études de Paganini, S. 141: No. 2. Octave in E‐flat major (am 1956-01-24)
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor)
Teil von:
Grandes études de Paganini, S. 141
Revision von:
Études d’exécution transcendante d’après Paganini, S. 140: No. 2 in E-flat major
Liszt5:24
3Six Etudes after Paganini, S. 141, no. 3 in G-sharp minor, "La Campanella"
Klavier:
Robert Goldsand (pianist) (am 1956-01-24)
recording of:
Grandes études de Paganini, S. 141: No. 3. La campanella in G‐sharp minor (am 1956-01-24)
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor)
Teil von:
Grandes études de Paganini, S. 141
Revision von:
Études d’exécution transcendante d’après Paganini, S. 140: no. 3 in A-flat minor “La campanella”
Liszt4:38
4Six Etudes after Paganini, S. 141, no. 5 in E, "La Chasse"
Klavier:
Robert Goldsand (pianist) (am 1956-01-24)
recording of:
Grandes études de Paganini, S. 141: No. 5. La Chasse in E major (am 1956-01-24)
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor)
Teil von:
Grandes études de Paganini, S. 141
Revision von:
Études d’exécution transcendante d’après Paganini, S. 140: No. 5 in E major “La Chasse”
Liszt3:01
5Six Etudes after Paganini, S. 141, no. 4 in E, "Arpeggio"
Klavier:
Robert Goldsand (pianist) (am 1956-01-24)
recording of:
Grandes études de Paganini, S. 141: No. 4. Arpeggio in E major (am 1956-01-24)
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor)
Teil von:
Grandes études de Paganini, S. 141
Revision von:
Études d’exécution transcendante d’après Paganini, S. 140: No. 4 in E major
Liszt2:10
6Six Etudes after Paganini, S. 141, no. 6 in A minor, "Theme and Variations"
Klavier:
Robert Goldsand (pianist) (am 1956-01-24)
recording of:
Grandes études de Paganini, S. 141: No. 6. Variations in A minor (am 1956-01-24)
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor)
Teil von:
Grandes études de Paganini, S. 141
Revision von:
Études d’exécution transcendante d’après Paganini, S. 140: No. 6 in A minor
Liszt6:46
7Polonaise in C minor, op. 40, no. 2
Klavier:
Robert Goldsand (pianist)
recording of:
Polonaise in C minor, op. 40 no. 2
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer)
Teil von:
List of numbered polonaises by Fryderyk Chopin (in composition date order) (Nummer: 4), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 121) und Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 153)
Teil von:
Polonaises, op. 40
Chopin6:05
8Variations on Mozart’s "La ci darem la mano," op. 2
Klavier:
Robert Goldsand (pianist)
recording of:
Variations in B‐flat major on “Là ci darem la mano”, op. 2
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (in 1827)
gewidmet:
Carl Czerny (composer) und Titus Woyciechowski
Teil von:
Works of Fryderyk Chopin by opus number (Nummer: op. 2) und Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 225)
basiert auf:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
Chopin13:02
9Prelude in C, op. 12, no. 7
Klavier:
Robert Goldsand (pianist)
recording of:
10 Preludes, op. 23: No. 7 in C minor: Allegro
Komponist(in):
Сергей Васильевич Рахманинов (Sergei Rachmaninow, Russian composer) (in 1903)
Teil von:
10 Preludes, op. 23
Prokofiev2:23
10March in F minor, op. 12, no. 1
Klavier:
Robert Goldsand (pianist)
recording of:
Ten Small Pieces, op. 12: I. Marche
Komponist(in):
Сергей Сергеевич Прокофьев (Sergei Prokofjew, Russian composer) (von 1906 bis 1913)
Teil von:
Ten Small Pieces, op. 12
Prokofiev1:54
11Triana, no. 6 from "Iberia"
Klavier:
Robert Goldsand (pianist)
recording of:
Iberia, B. 47: Book II: III. Triana (catch-all for arrangements)
Komponist(in):
Isaac Albéniz (Spanish composer)
Arrangement von:
Iberia, B. 47: Book II: III. Triana
Teil von:
Iberia, B. 47 (catch-all for arrangements)
Albéniz4:50
12Suite no. 2 in F: Second Movement, Adagio
Klavier:
Robert Goldsand (pianist) (am 1956-01-24)
recording of:
Suite de pièce in F major, Vol. 1 no. 2, HWV 427: I. Adagio (am 1956-01-24)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Suite de pièce in F major, Vol. 1 no. 2, HWV 427
Handel3:27
13Symphonic Metamorphosis on Themes from "Die Fledermaus" by Johann Strauss Jr.
Klavier:
Robert Goldsand (pianist) (in 1964)
recording of:
Symphonische Metamorphosen Johann Strauss’scher Themen: Nr. 2. Die Fledermaus (in 1964)
Komponist(in):
Leopold Godowsky (pianist and composer) (in 1907)
basiert auf:
Die Fledermaus
Teil von:
Symphonische Metamorphosen Johann Strauss’scher Themen
Godowsky8:30
14Jesu, Joy of Man's Desiring, from Cantata no. 147
Klavier:
Robert Goldsand (pianist) (am 1960-12-09)
recording of:
Jesu, Joy of Man’s Desire, from BWV 147 (for piano, Myra Hess) (am 1960-12-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Klavier arranger:
Dame Myra Hess (pianist)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Bach - Hess4:24

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Veröffentlichung

liner notes:Donald Manildi (classical producer) (in 2023)
Partner-Produzent(in):Donald Manildi (classical producer) (in 2023)
Produzent(in):Scott Kessler (classical producer) (in 2023)
Ward Marston (classical restoration, mastering) (in 2023)
design:Takeshi Takahashi (in 2023)
Diskografieeintrag:https://www.marstonrecords.com/collections/piano/products/goldsand [Info]