Jazz in Paris (Volumes 1-76)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1On the Sunny Side of the Street
Produzent(in):
Philippe Weil
vocals:
Harold Nicholas
recording of:
On the Sunny Side of the Street (in 1959)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
Harold Nicholas et son orchestre4:00
2Que reste-t-il de nos amours ?
Produzent(in):
Philippe Weil
vocals:
Harold Nicholas
cover recording of:
Que reste-t-il de nos amours ? (in 1959)
Texter:
Charles Trenet (in 1942)
Komponist(in):
Léo Chauliac (in 1942) und Charles Trenet (in 1942)
publisher:
Éditions Salabert France
Harold Nicholas et son orchestre2:33
3Saint Louis Blues
Produzent(in):
Philippe Weil
vocals:
Harold Nicholas
recording of:
St. Louis Blues (in 1959)
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Harold Nicholas et son orchestre3:50
4That Old Black Magic
Produzent(in):
Philippe Weil
vocals:
Harold Nicholas
recording of:
That Old Black Magic (in 1959)
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Harold Arlen (in 1942)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Harold Nicholas et son orchestre3:20
5Teach Me Tonight
Produzent(in):
Philippe Weil
vocals:
Harold Nicholas
recording of:
Teach Me Tonight (in 1959)
Texter:
Sammy Cahn
Komponist(in):
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), Cahn Music Co., Hub Music Co., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Harold Nicholas et son orchestre4:06
6Smoke Gets in Your Eyes
Produzent(in):
Philippe Weil
vocals:
Harold Nicholas
recording of:
Smoke Gets in Your Eyes (in 1959)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Harold Nicholas et son orchestre4:18
7Over the Rainbow
Produzent(in):
Philippe Weil
vocals:
Harold Nicholas
recording of:
Over the Rainbow (The Wizard of Oz) (in 1959)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
Harold Nicholas et son orchestre2:00
8I Only Have Eyes for You
Produzent(in):
Philippe Weil
vocals:
Harold Nicholas
recording of:
I Only Have Eyes for You (in 1959)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. und Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
Harold Nicholas et son orchestre3:09
9I've Gotta Right to Sing the Blues
Produzent(in):
Quincy Jones
alto saxophone und Klarinette:
Jo Hrasko (am 1957-09-16)
Klavier:
Henri Renaud (French 1940–60s jazz pianist) (am 1957-09-16)
Kontrabass:
Guy Pedersen (am 1957-09-16)
Posaune:
Billy Byers (am 1957-09-16)
Schlagzeug:
Kenny Clarke (am 1957-09-16)
Trompete:
Roger Guérin (am 1957-09-16)
vocals:
June Richmond (am 1957-09-16)
conductor:
Quincy Jones (am 1957-09-16)
arranger:
Quincy Jones
recording of:
I Gotta Right to Sing the Blues (am 1957-09-16)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
June Richmond & the Quincy Jones Orchestra2:12
10Sleep
Produzent(in):
Quincy Jones
alto saxophone und Klarinette:
Jo Hrasko (am 1957-09-16)
Klavier:
Henri Renaud (French 1940–60s jazz pianist) (am 1957-09-16)
Kontrabass:
Guy Pedersen (am 1957-09-16)
Posaune:
Billy Byers (am 1957-09-16)
Schlagzeug:
Kenny Clarke (am 1957-09-16)
Trompete:
Roger Guérin (am 1957-09-16)
vocals:
June Richmond (am 1957-09-16)
conductor:
Quincy Jones (am 1957-09-16)
arranger:
Quincy Jones
June Richmond & the Quincy Jones Orchestra2:44
11Everybody's Doing It
Produzent(in):
Quincy Jones
alto saxophone und Klarinette:
Jo Hrasko
Klavier:
Henri Renaud (French 1940–60s jazz pianist) (am 1957-09-16)
Kontrabass:
Guy Pedersen (am 1957-09-16)
Posaune:
Billy Byers (am 1957-09-16)
Schlagzeug:
Kenny Clarke (am 1957-09-16)
Trompete:
Roger Guérin (am 1957-09-16)
vocals:
June Richmond (am 1957-09-16)
conductor:
Quincy Jones (am 1957-09-16)
arranger:
Quincy Jones
recording of:
Everybody’s Doing It Now (am 1957-09-16)
Texter und Komponist(in):
Irving Berlin
Übersetzer:
Jaap van de Merwe
June Richmond & the Quincy Jones Orchestra2:19
12Between the Devil and the Deep Blue Sea
Produzent(in):
Quincy Jones
alto saxophone und Klarinette:
Jo Hrasko
Klavier:
Henri Renaud (French 1940–60s jazz pianist)
Kontrabass:
Guy Pedersen
Posaune:
Billy Byers
Schlagzeug:
Kenny Clarke (am 1957-09-16)
Trompete:
Roger Guérin
vocals:
June Richmond
conductor:
Quincy Jones
arranger:
Quincy Jones
recording of:
Between the Devil and the Deep Blue Sea (am 1957-09-16)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
publisher:
Mills Music, S.A. Music Co. und Ted Koehler Music Co.
June Richmond & the Quincy Jones Orchestra2:30
13Scoubidou
Produzent(in):
Philippe Weil
Klavier:
Andy Bey
Kontrabass:
Paul Rovère
Schlagzeug:
Kenny Clarke (in 1959-04)
Tenorsaxophon:
Barney Wilen
Trompete:
Kenny Dorham (US jazz trumpeter, singer, and composer)
vocals:
Andy Bey, Geraldine Bey und Salome Bey
arranger:
Andy Bey
Andy & the Bey Sisters2:45
14Smooth Sailin'
Produzent(in):
Philippe Weil
Klavier:
Andy Bey
Kontrabass:
Paul Rovère
Schlagzeug:
Kenny Clarke (in 1959-04)
Tenorsaxophon:
Barney Wilen
Trompete:
Kenny Dorham (US jazz trumpeter, singer, and composer)
vocals:
Andy Bey, Geraldine Bey und Salome Bey
arranger:
Andy Bey
recording of:
Smooth Sailing (Instrumental) (in 1959-04)
Komponist(in):
Arnett Cobb
publisher:
Wayne Music (smooth sailing - Cobb)
Andy & the Bey Sisters2:46
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Nennungen

Veröffentlichungsgruppe

Teil von:Prix de la meilleure réédition ou du meilleur inédit de l’Académie du Jazz (Nummer: 2002) (Reihenfolge: 54)