The Gerard Schwarz Collection

~ Release by Gerard Schwarz (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Brandenburg Concerto No. 2 in F Major, BWV 1047: I.
Johann Sebastian Bach4:53
2Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante
Johann Sebastian Bach4:12
3Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai
Johann Sebastian Bach2:55
4Concerto grosso in G Major, Op. 6 No. 1, HWV 319: I. A tempo giusto
George Frideric Handel1:41
5Concerto grosso in G Major, Op. 6 No. 1, HWV 319: II. Allegro
George Frideric Handel1:57
6Concerto grosso in G Major, Op. 6 No. 1, HWV 319: III. Adagio
George Frideric Handel2:44
7Concerto grosso in G Major, Op. 6 No. 1, HWV 319: IV. Allegro
George Frideric Handel2:45
8Concerto grosso in G Major, Op. 6 No. 1, HWV 319: V. Allegro
George Frideric Handel2:54
9Messiah, HWV 56: No. 18, Rejoice Greatly
soprano vocals:
Arleen Augér (soprano)
orchestra:
Mostly Mozart Orchestra (chamber)
conductor:
Gerard Schwarz (conductor)
recording of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:33
10Rinaldo, HWV 7: Lascia ch'io pianga
soprano vocals:
Arleen Augér (soprano)
orchestra:
Mostly Mozart Orchestra (chamber)
conductor:
Gerard Schwarz (conductor)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
George Frideric Handel5:28
11Alexander's Feast, HWV 75: The Prince, Unable to Conceal
soprano vocals:
Arleen Augér (soprano)
orchestra:
Mostly Mozart Orchestra (chamber)
conductor:
Gerard Schwarz (conductor)
recording of:
Alexander's Feast, HWV 75: Part I, no. 20. Aria "The prince, unable to conceal his pain"
composer:
George Frideric Handel (German‐British baroque composer) (in 1736)
part of:
Alexander's Feast, HWV 75: Part I
George Frideric Handel6:10
123 Chorales, P. 167: No. 1, Lento assai (After J.S. Bach's BWV 659)
assistant engineer:
Andrew Dawson (classical music engineer) and Al Swanson
associate engineer:
Li Teo
engineer:
John M. Eargle
executive producer:
Amelia S. Haygood
producer:
Adam Stern
orchestra:
Seattle Symphony
conductor:
Gerard Schwarz (conductor)
recorded at:
Marion Oliver McCaw Hall in Seattle, Washington, United States (on 1990-10-02)
recording of:
Tre Corali: I. Nun komm, der Heiden Heiland, BWV 659: Lento assai
orchestrator:
Ottorino Respighi (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Nun komm, der Heiden Heiland, BWV 659.2 (Chorale Prelude for organ in G minor, BWV 659 “Nun komm’ der Heiden Heiland”, former BWV 659)
part of:
Tre Corali (P. 167)
Ottorino Respighi5:37
133 Chorales, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648)
assistant engineer:
Andrew Dawson (classical music engineer) and Al Swanson
associate engineer:
Li Teo
engineer:
John M. Eargle
executive producer:
Amelia S. Haygood
producer:
Adam Stern
orchestra:
Seattle Symphony
conductor:
Gerard Schwarz (conductor)
recorded at:
Marion Oliver McCaw Hall in Seattle, Washington, United States (on 1990-10-02)
recording of:
Tre Corali: II. Meine Seele erhebt den Herrn, BWV 648: Andante con moto e scherzando
orchestrator:
Ottorino Respighi (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Meine Seele erhebet den Herren, BWV 648
part of:
Tre Corali (P. 167)
Ottorino Respighi0:50
143 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645)
assistant engineer:
Andrew Dawson (classical music engineer) and Al Swanson
associate engineer:
Li Teo
engineer:
John M. Eargle
executive producer:
Amelia S. Haygood
producer:
Adam Stern
orchestra:
Seattle Symphony
conductor:
Gerard Schwarz (conductor)
recorded at:
Marion Oliver McCaw Hall in Seattle, Washington, United States (on 1990-10-02)
recording of:
Tre Corali: III. Wachet auf ruft uns die Stimme, BWV 645: Andante
orchestrator:
Ottorino Respighi (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
part of:
Tre Corali (P. 167)
Ottorino Respighi5:08
15Passacaglia & Fugue in C Minor, P. 159 (After J.S. Bach's BWV 582)
assistant engineer:
Andrew Dawson (classical music engineer) and Al Swanson
associate engineer:
Li Teo
engineer:
John M. Eargle
executive producer:
Amelia S. Haygood
producer:
Adam Stern
orchestra:
Seattle Symphony
conductor:
Gerard Schwarz (conductor)
recorded at:
Marion Oliver McCaw Hall in Seattle, Washington, United States (on 1989-10-15)
recording of:
Passacaglia and Fugue in C minor, BWV 582, P. 159 (Respighi orchestration)
orchestrator:
Ottorino Respighi (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Ottorino Respighi Catalog by Potito Pedarra (number: P. 159)
orchestration of:
Passacaglia and Fugue in C minor, BWV 582
Ottorino Respighi15:03
16Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia
assistant engineer:
Andrew Dawson (classical music engineer) and Al Swanson
associate engineer:
Li Teo
engineer:
John M. Eargle
executive producer:
Amelia S. Haygood
producer:
Adam Stern
orchestra:
Seattle Symphony
conductor:
Gerard Schwarz (conductor)
recorded at:
Marion Oliver McCaw Hall in Seattle, Washington, United States (on 1990-01-01, on 1991-01-08)
recording of:
Fantasia and Fugue in C minor, op. 86, BWV 537: Fantasia (Elgar orchestration)
orchestrator:
Edward Elgar (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Fantasie und Fuge C-moll, BWV 537: I. Fantasie
part of:
Fantasia and Fugue in C minor, op. 86, BWV 537 (Elgar orchestration)
Edward Elgar5:47
17Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fugue
assistant engineer:
Andrew Dawson (classical music engineer) and Al Swanson
associate engineer:
Li Teo
engineer:
John M. Eargle
executive producer:
Amelia S. Haygood
producer:
Adam Stern
orchestra:
Seattle Symphony
conductor:
Gerard Schwarz (conductor)
recorded at:
Marion Oliver McCaw Hall in Seattle, Washington, United States (on 1990-01-01, on 1991-01-08)
recording of:
Fantasia and Fugue in C minor, op. 86, BWV 537: Fugue (Elgar orchestration)
orchestrator:
Edward Elgar (composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Fantasie und Fuge C-moll, BWV 537: II. Fuge
part of:
Fantasia and Fugue in C minor, op. 86, BWV 537 (Elgar orchestration)
Edward Elgar3:47
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