Dies Irae: The Essential Choral Collection

~ Release by Various Artists (see all versions of this release, 4 available)

Annotation

There is a Format39 barcode which reads 'D221028'

Annotation last modified on 2015-01-31 02:57 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Carmina Burana: O Fortuna
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:41
2Aida: Triumphal March
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Grand March (catch-all for arrangements)
composer:
Giuseppe Verdi (Italian opera composer)
arrangement of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
Giuseppe Verdi5:10
3Vespers: 'Deus in Adiutorium / Domine AD Adiuvandum'
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1989-05)
tenor vocals:
Nigel Robson (tenor) (in 1989-05)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1989-05) and His Majestys Sagbutts and Cornetts (British early music group) (in 1989-05)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1989-05)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Basilica di San Marco in Venezia (Venice), Venezia, Veneto, Italy (in 1989-05)
live recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum" (in 1989-05)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum" (catch all for arrangements) (in 1989-05)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
arrangement of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum"
Claudio Monteverdi2:11
4Judas Maccabaeus: See the Conquering Hero Comes
choir vocals:
Wandsworth School Boys’ Choir
orchestra:
English Chamber Orchestra
conductor:
Charles Mackerras (Australian conductor)
chorus master:
Russell Burgess
recording of:
Judas Maccabaeus, HWV 63: Act III, no. 58: “See the Conqu’ring Hero Comes” (Chorus of Youths, Chorus of Virgins)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act III
Georg Friedrich Händel2:52
5Peer Gynt: In the Hall of the Mountain King
choir vocals:
Gösta Ohlin's Vocal Ensemble (in 1987-06) and Pro Musica Chamber Choir (Swedish choir) (in 1987-06)
spoken vocals:
Tor Stokke (in 1987-06)
vocals:
Tor Stokke (in 1987-06)
orchestra:
Gothenburg Symphony Orchestra (in 1987-06)
conductor:
Neeme Järvi (Estonian conductor) (in 1987-06)
chorus master:
Gösta Ohlin (in 1987-06)
recording of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall (in 1987-06)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg52:52
6Magnificat: Magnificat Anima Mea
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
balance engineer:
Walter Alfred Wettler
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1961-02, in 1961-04)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1961-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:04
7Requiem: Agnus Dei
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: V. Agnus Dei et Lux Aeterna (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré7:07
8Madama Butterfly: Humming chorus
producer:
Wolfgang Stengel
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1987-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1987-04)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:07
9St. Matthew Passion: Ich Will Hier Bei Dir Stechen
recording engineer:
Hans‐Peter Schweigmann (engineer)
executive producer:
Dr. Gerd Ploebsch (engineer)
producer:
Dr. Gerd Ploebsch (engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1979-06 until 1979-08)
cello:
Fritz Kiskalt (cellist) (from 1979-06 until 1979-08)
double bass:
Herbert Duft (double bass player) (from 1979-06 until 1979-08)
harpsichord:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1979-06 until 1979-08)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1979-06 until 1979-08)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1979-06 until 1979-08)
oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1979-06 until 1979-08)
oboe da caccia [oboe da caccia II]:
Andreas Schwinn (oboist) (from 1979-06 until 1979-08)
organ:
Friedemann Winkelhofer (organist) (from 1979-06 until 1979-08) and Elmar Schloter (organist) (from 1979-06 until 1979-08)
transverse flute [transverse flute I]:
Aurèle Nicolet (flutist) (from 1979-06 until 1979-08)
transverse flute [transverse flute II]:
Wolfgang Haag (flautist) (from 1979-06 until 1979-08)
viola da gamba:
Johannes Fink (cellist and viola da gamba player) (from 1979-06 until 1979-08)
violin:
Gerhart Hetzel (violinist) (from 1979-06 until 1979-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1979-06 until 1979-08) and Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (from 1979-06 until 1979-08)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1979-06 until 1979-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1979-06 until 1979-08)
chorus master:
Georg Ratzinger (German choir conductor and composer) (from 1979-06 until 1979-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1980)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1979-06 until 1979-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (from 1979-06 until 1979-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:11
10Tannhäuser: Entry of the Guests
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Giuseppe Sinopoli (conductor)
chorus master:
Walter Hagen-Groll (chorus master)
Richard Wagner7:07
11Don Carlo: Auto da Fe
choir vocals:
Coro del Teatro alla Scala di Milano
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Gabriele Santini (conductor)
partial recording of:
Don Carlo: Atto II, scena 2. N°5 “Spuntato ecco il dì d’esultanza” (coro) (Autodafé scene)
composer:
Giuseppe Verdi (Italian opera composer) (in 1867)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi3:36
12Prince Igor: Polovetsian Dances
bass vocals:
Torgny Sporsén (bass)
choir vocals:
Göteborgs Symfoniska Kör (Gothenburg Symphony Chorus)
orchestra:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra)
conductor:
Neeme Järvi (Estonian conductor)
chorus master:
Ove Gotting (chorus master)
recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arranger:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
Александр Порфирьевич Бородин8:35
13Il Trovatore: Anvil Chorus
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Giuseppe Sinopoli (conductor)
chorus master:
Walter Hagen-Groll (chorus master)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:46
14Pomp & Circumstance: Land of Hope and Glory
recording engineer:
Jean‐Marie Geijsen (in 1996-01) and Cees Heijkoop (recording engineer) (in 1996-01)
producer:
Anna Barry (classical producer) (in 1996-01)
choir vocals:
Royal Choral Society (The Royal Choral Society) (in 1996-01)
orchestra:
BBC Concert Orchestra (in 1996-01)
conductor:
Barry Wordsworth (conductor) (in 1996-01)
chorus master:
Richard Cooke (chorus master/conductor) (in 1996-01)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1996)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1996-01)
recording of:
Land of Hope and Glory (in 1996-01)
anthem of:
England, United Kingdom (ended)
lyricist:
Arthur Christopher Benson
composer:
Edward Elgar (composer) (in 1902)
is based on:
Coronation Ode, op. 44: VI. Finale: “Land of Hope and Glory” (contralto soloist, with chorus)
Sir Edward Elgar5:54
15Messiah: Hallelujah Chorus
producer:
Dr. Gerd Ploebsch (engineer)
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
vocals:
The John Alldis Choir
orchestra:
London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) and London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:02