Pops Stoppers: Greatest Hits of The Boston Pops Orchestra

~ Release by John Williams & The Boston Pops Orchestra (see all versions of this release, 2 available)

Annotation

Text on barcode mistakenly is 0208311299408 but barcode actually is 020831129947.

Annotation last modified on 2013-09-07 20:37 UTC.

Tracklist

1▼Cassette
#TitleRatingLength
A1The Flying Theme
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer and conductor) (in 1982)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (in 1982)
composer:
John Williams (American score composer and conductor) (in 1982)
part of:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
3:47
A2Raiders of the Lost Ark March
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer and conductor) (in 1982)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1982)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
The Raiders March (Raiders of the Lost Ark) (in 1982)
composer:
John Williams (American score composer and conductor)
publisher:
BMG Music
part of:
Indiana Jones and the Kingdom of the Crystal Skull
5:31
A3Star Trek: The Motion Picture (main title)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983-06)
conductor:
John Williams (American score composer and conductor) (in 1983-06)
arranger:
Jerry Goldsmith (American score composer)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1983)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983-06)
recording of:
Main Theme (Star Trek: The Motion Picture) (in 1983-06)
composer:
Jerry Goldsmith (American score composer)
publisher:
Sony/ATV Melody
version of:
Where No Man Has Gone Before (original Star Trek title theme)
4:09
A4New York, New York
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1982)
conductor:
John Williams (American score composer and conductor) (in 1982)
arranger:
Billy Byers
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1982)
recording of:
Theme From “New York, New York” (usually just titled “New York, New York”) (in 1982)
dedicated to:
New York, New York, United States
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (ended), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
part of:
New York, New York (1977 musical film soundtrack)
3:23
A5Strike Up the Band
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1980)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
recording of:
Strike Up the Band! (unknown orchestration of the song) (in 1980-06)
composer:
George Gershwin (composer)
orchestration of:
Strike Up the Band (1927 Gershwin song)
2:50
A6There's No Business Like Show Business
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer and conductor) (in 1983)
arranger:
Morton Stevens
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983)
instrumental recording of:
There’s No Business Like Show Business (from “Annie Get Your Gun”) (in 1983)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Ltd., Irving Berlin Music Company and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Annie Get Your Gun
3:27
A7Tijuana Taxi
recording engineer:
John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1987-06)
conductor:
John Williams (American score composer and conductor) (in 1987-06)
arranger:
Richard Hayman
balance engineer:
Onno Scholtze (sound engineer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1987-06)
recording of:
Tijuana Taxi (in 1987-06)
composer:
Ervan “Bud” Coleman
publisher:
Irving Music (BMI)
2:53
A8Moonlight Serenade
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer and conductor) (in 1984-05)
arranger:
Richard Hayman
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
cover recording of:
Moonlight Serenade (original instrumental version) (in 1984-05)
composer and arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recording of:
Moonlight Serenade (original instrumental version)
composer and arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
3:50
B1Begin the Beguine
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
solo clarinet:
Thomas Ferrante (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer and conductor) (in 1984-05)
arranger:
Jerry Gray (US big band arranger and conductor) and Billy May
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
instrumental recording of:
Begin the Beguine (in 1984-05)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
3:18
B2In the Mood
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer and conductor) (in 1984-05)
arranger:
Glenn Osser
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
recording of:
In the Mood (in 1984-05)
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, volume I)
recording of:
I’m in the Mood
writer:
Bernard Besman (producer, label owner and songwriter) and John Lee Hooker (US blues singer, songwriter & guitarist)
publisher:
La Cienega Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:30
B3Stompin' at the Savoy
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
bass drum:
Thomas Gauder (in 1984-05)
cymbal:
Frank Epstein (in 1984-05)
drums (drum set):
Fred Buda (in 1984-05)
membranophone:
Charles Smith (percussionist) (in 1984-05)
timpani:
Arthur Press (percussionist) (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer and conductor) (in 1984-05)
arranger:
Glenn Osser
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
instrumental recording of:
Stompin’ at the Savoy (in 1984-05)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
2:41
B4Opus One
engineer:
Stanley Goodall (engineer) and John Newton (editor, engineer mixer)
producer:
John McClure (recording engineer and record producer)
solo clarinet:
Thomas Ferrante (in 1984-05)
solo piano:
Jeremy Rosen (in 1984-05)
orchestra:
Boston Pops Orchestra (in 1984-05)
conductor:
John Williams (American score composer and conductor) (in 1984-05)
arranger:
Larry Wilcox
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-05)
recording of:
Opus One (1943 song) (in 1984-05)
lyricist:
Sidney Reginald Garris
composer:
Sy Oliver
publisher:
Embassy Music Corp. (on 1943-06-23)
part of:
New York, New York (1977 musical film soundtrack)
3:21
B5St. Louis Blues March
engineer:
Stanley Goodall (engineer), Jack Law (engineer) and Michael Mailes (engineer)
producer:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (in 1980-06)
conductor:
John Williams (American score composer and conductor) (in 1980-06)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1980-06)
instrumental recording of:
St. Louis Blues (in 1980-06)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
3:04
B6Sophisticated Ladies - A Tribute to Duke Ellington
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer and conductor) (in 1983)
arranger:
Ralph Burns
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1983)
medley including a recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (in 1983)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
medley including a recording of:
Mood Indigo (1930 jazz composition and song) (in 1983)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
medley including a recording of:
Sophisticated Lady (in 1983)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, volume I)
medley including a recording of:
Take the “A” Train (version with lyrics by Sherrill) (in 1983)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
8:24
B7When the Saints Go Marchin' In
producer:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (in 1984-06)
conductor:
John Williams (American score composer and conductor) (in 1984-06)
arranger:
Billy May
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1996)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1984-06)
recording of:
When the Saints Go Marching In (in 1984-06)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13983)
version of:
When the Saints Go Marching In
4:28