Klara Top 75: 2009

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Requiem, "Pie Jesu"
producer:
Paul Myers (classical record producer)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1987-10)
orchestra:
Montréal Symphony Orchestra (Montreal Symphony Orchestra) (in 1987-10)
conductor:
Charles Dutoit (conductor) (in 1987-10)
balance engineer:
John Dunkerley (engineer) (in 1987-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1988)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Canada (in 1987-10)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (in 1987-10)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:45
2Dido and Aeneas, "When I Am Laid In Earth - With Drooping Wings Ye Cupids Come"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
mezzo-soprano vocals [Dido, Queen of Carthage]:
Anne Sofie von Otter (mezzo-soprano) (in 1988-07)
orchestra:
The English Concert (in 1988-07)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-07)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Simon Standage (English violinist and conductor) (in 1988-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989) and Polydor International GmbH (not for release label use!) (in 1989)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (in 1988-07)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (in 1988-07)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:24
3Klarinetconcerto, "Adagio"
recording engineer:
Onno Scholtze (sound engineer) (in 1988-09)
producer:
Mike Bremner (producer/engineer)
clarinet:
Karl Leister (German clarinetist) (in 1988-09)
orchestra:
Academy of St Martin in the Fields (in 1988-09)
conductor:
Sir Neville Marriner (conductor) (in 1988-09)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music) (in 1988-09)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1989)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1988-09)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (in 1988-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:44
4Pianoconcerto Nr. 5, Op. 73 "Keizersconcerto": Rondo. Allegro ma non troppo
piano:
Evgeny Kissin (Russian classical pianist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
James Levine (US conductor and pianist)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven9:50
5Requiem, "Lacrimosa"
producer:
Morten Winding
choir vocals:
Academy of Ancient Music Chorus (in 1983-09) and Westminster Cathedral Boys Choir (in 1983-09)
orchestra:
Academy of Ancient Music (in 1983-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1983-09)
balance engineer:
Simon Eadon (classical music engineer) (in 1983-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-09)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa (C. Richard F. Maunder Edition) (in 1983-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Requiem in D minor, K. 626 (C. Richard F. Maunder Edition)
Wolfgang Amadeus Mozart2:20
6Miserere mei, DeusGregorio Allegri12:21
7Stabat Mater, "Stabat Mater Dolorosa"
instruments:
Les Talens Lyriques (French classical musical ensemble)
countertenor vocals:
Andreas Scholl (countertenor) (from 1999-02-24 until 1999-02-26)
soprano vocals:
Barbara Bonney (soprano) (from 1999-02-24 until 1999-02-26)
orchestra:
Les Talens Lyriques (French classical musical ensemble) (from 1999-02-24 until 1999-02-26)
conductor:
Christophe Rousset (French harpsichordist & conductor) (from 1999-02-24 until 1999-02-26)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1999)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-24 until 1999-02-26)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:10
8Mattheuspassie, "Erbarme dich, mein Gott"
contralto vocals:
Bernarda Fink (mezzo-soprano) (in 2000-05)
orchestra:
Concentus Musicus Wien (in 2000-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 2000-05)
recorded at:
Jesuitenkirche-Universitätskirche in Innere Stadt, Wien (Vienna), Austria (in 2000-05)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 2000-05)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:06
9Cellosuite nr. 1
cello:
Pieter Wispelwey (cellist)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1007)
part of:
Six Suites for Unaccompanied Cello
Johann Sebastian Bach18:05
10Mattheuspassie, "Wir setzen uns mit Tränen nieder"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
bass vocals:
Peter Harvey (bass-baritone) (in 2002-04) and Stephan Loges (bass-baritone) (in 2002-04)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (in 2002-04) and Magdalena Kožená (Czech mezzo-soprano) (in 2002-04)
soprano vocals:
Julia Gooding (soprano) (in 2002-04) and Deborah York (in 2002-04)
tenor vocals:
James Gilchrist (British tenor) (in 2002-04) and Mark Padmore (British tenor) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 2002-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:36