Play the Arrangements of Marty Paich & Ernie Wilkins

~ Release by Buddy Rich and His Orchestra (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Blue and Sentimental
recorded in:
Los Angeles, California, United States (on 1956-08-25)
engineer:
Val Valentin
producer:
Norman Granz
bass and double bass:
Joe Mondragon (on 1956-08-25)
drums (drum set):
Buddy Rich (on 1956-08-25)
flute and saxophone and woodwind:
Buddy Collette (on 1956-08-25)
guitar:
Bill Pittman (on 1956-08-25)
piano:
Jimmy Rowles (on 1956-08-25)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-25)
tenor saxophone and valve trombone and valve trombone:
Bob Enevoldsen (on 1956-08-25)
trombone:
Frank Rosolino (on 1956-08-25)
trumpet:
Pete Candoli (on 1956-08-25), Harry “Sweets” Edison (on 1956-08-25) and Conrad Gozzo (on 1956-08-25)
orchestra:
Buddy Rich and His Orchestra (on 1956-08-25)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-25)
recording of:
Blue and Sentimental (on 1956-08-25)
composer:
Count Basie (pianist), Mack David (American lyricist and songwriter) and Jerry Livingston (songwriter)
4:50
2Down for Double
recorded in:
Los Angeles, California, United States (on 1956-08-25)
engineer:
Val Valentin
producer:
Norman Granz
bass and double bass:
Joe Mondragon (on 1956-08-25)
drums (drum set):
Buddy Rich (on 1956-08-25)
flute and saxophone and woodwind:
Buddy Collette (on 1956-08-25)
guitar:
Bill Pittman (on 1956-08-25)
piano:
Jimmy Rowles (on 1956-08-25)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-25)
tenor saxophone and valve trombone and valve trombone:
Bob Enevoldsen (on 1956-08-25)
trombone:
Frank Rosolino (on 1956-08-25)
trumpet:
Pete Candoli (on 1956-08-25), Harry “Sweets” Edison (on 1956-08-25) and Conrad Gozzo (on 1956-08-25)
orchestra:
Buddy Rich and His Orchestra (on 1956-08-25)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-25)
recording of:
Down for Double (on 1956-08-25)
writer:
Freddie Green
4:10
3Jump for Me
recorded in:
Los Angeles, California, United States (on 1956-08-24)
bass:
Joe Mondragon (on 1956-08-24)
drums (drum set):
Buddy Rich (on 1956-08-24)
guitar:
Bill Pittman (on 1956-08-24)
piano:
Jimmy Rowles (on 1956-08-24)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-24)
trombone:
Frank Rosolino (on 1956-08-24)
trumpet:
Pete Candoli (on 1956-08-24), Harry “Sweets” Edison (on 1956-08-24) and Conrad Gozzo (on 1956-08-24)
valve trombone:
Bob Enevoldsen (on 1956-08-24)
woodwind:
Buddy Collette (on 1956-08-24)
orchestra:
Buddy Rich and His Orchestra (on 1956-08-24)
arranger:
Marty Paich
recording of:
Jump for Me (on 1956-08-24)
composer:
Count Basie (pianist) (in 1939)
5:46
4Blues for Basie
recorded in:
Los Angeles, California, United States (on 1956-08-24)
bass:
Joe Mondragon (on 1956-08-24)
drums (drum set):
Buddy Rich
guitar:
Bill Pittman
piano:
Jimmy Rowles (on 1956-08-24)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-24)
trombone:
Frank Rosolino (on 1956-08-24)
trumpet:
Pete Candoli (on 1956-08-24), Harry “Sweets” Edison (on 1956-08-24) and Conrad Gozzo (on 1956-08-24)
valve trombone:
Bob Enevoldsen (on 1956-08-24)
woodwind:
Buddy Collette (on 1956-08-24)
orchestra:
Buddy Rich and His Orchestra (on 1956-08-24)
arranger:
Marty Paich
recording of:
Blues for Basie
composer:
Harry “Sweets” Edison
7:20
5Jumping at the Woodside
recorded in:
Los Angeles, California, United States (on 1956-08-25)
bass:
Joe Mondragon (on 1956-08-25)
drums (drum set):
Buddy Rich
guitar:
Bill Pittman (on 1956-08-25)
piano:
Jimmy Rowles (on 1956-08-25)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-25)
trombone:
Frank Rosolino (on 1956-08-25)
trumpet:
Pete Candoli (on 1956-08-25), Harry “Sweets” Edison (on 1956-08-25) and Conrad Gozzo (on 1956-08-25)
valve trombone:
Bob Enevoldsen (on 1956-08-25)
woodwind:
Buddy Collette (on 1956-08-25)
orchestra:
Buddy Rich and His Orchestra (on 1956-08-25)
arranger:
Marty Paich
recording of:
Jumpin’ at the Woodside (original instrumental) (on 1956-08-25)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
6:27
6Ain’t It the Truth
recorded in:
Los Angeles, California, United States (on 1956-08-25)
engineer:
Val Valentin
producer:
Norman Granz
bass and double bass:
Joe Mondragon (on 1956-08-25)
drums (drum set):
Buddy Rich (on 1956-08-25)
flute and saxophone and woodwind:
Buddy Collette (on 1956-08-25)
guitar:
Bill Pittman (on 1956-08-25)
piano:
Jimmy Rowles (on 1956-08-25)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-25)
tenor saxophone and valve trombone and valve trombone:
Bob Enevoldsen (on 1956-08-25)
trombone:
Frank Rosolino (on 1956-08-25)
trumpet:
Pete Candoli (on 1956-08-25), Harry “Sweets” Edison (on 1956-08-25) and Conrad Gozzo (on 1956-08-25)
orchestra:
Buddy Rich and His Orchestra (on 1956-08-25)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-25)
recording of:
Ain’t It the Truth (Basie/Harding/Palmer)
composer:
Count Basie (pianist), Buster Harding and Jack Palmer (Jazz pianist and composer)
3:01
7Shorty George
recorded in:
Los Angeles, California, United States (on 1956-08-24)
engineer:
Val Valentin
producer:
Norman Granz
bass and double bass:
Joe Mondragon (on 1956-08-24)
drums (drum set):
Buddy Rich (on 1956-08-24)
flute and saxophone and woodwind:
Buddy Collette (on 1956-08-24)
guitar:
Bill Pittman (on 1956-08-24)
piano:
Jimmy Rowles (on 1956-08-24)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-24)
tenor saxophone and valve trombone and valve trombone:
Bob Enevoldsen (on 1956-08-24)
trombone:
Frank Rosolino (on 1956-08-24)
trumpet:
Pete Candoli (on 1956-08-24), Harry “Sweets” Edison (on 1956-08-24) and Conrad Gozzo (on 1956-08-24)
orchestra:
Buddy Rich and His Orchestra (on 1956-08-24)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-24)
recording of:
Shorty George (on 1956-08-24)
composer:
Count Basie (pianist) and Harry “Sweets” Edison
recording of:
Shorty George (Basie/Gibson)
composer:
Count Basie (pianist) and Andy Gibson (trumpet, arranger, composer)
5:14
89:20 Special
recorded in:
Los Angeles, California, United States (on 1956-08-24)
engineer:
Val Valentin
producer:
Norman Granz
bass and double bass:
Joe Mondragon (on 1956-08-24)
drums (drum set):
Buddy Rich (on 1956-08-24)
flute and saxophone and woodwind:
Buddy Collette (on 1956-08-24)
guitar:
Bill Pittman (on 1956-08-24)
piano:
Jimmy Rowles (on 1956-08-24)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-24)
tenor saxophone and valve trombone and valve trombone:
Bob Enevoldsen (on 1956-08-24)
trombone:
Frank Rosolino (on 1956-08-24)
trumpet:
Pete Candoli (on 1956-08-24), Harry “Sweets” Edison (on 1956-08-24) and Conrad Gozzo (on 1956-08-24)
orchestra:
Buddy Rich and His Orchestra (on 1956-08-24)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-24)
recording of:
9:20 Special (on 1956-08-24)
lyricist:
William Engvick (in 1945)
writer:
Jack Palmer (Jazz pianist and composer)
composer:
Earle Warren (in 1941)
4:35
9Indiana
recorded in:
New York, New York, United States (from 1959-04-09 until 1959-04-10)
alto saxophone:
Earle Warren (in 1959-04) and Phil Woods (US jazz woodwind player) (in 1959-04)
baritone saxophone:
Steve Perlow (in 1959-04)
bass:
Phil Leshin (in 1959-04)
drums (drum set):
Buddy Rich (in 1959-04)
guitar:
Sam Herman (guitar, jazz) (in 1959-04)
piano:
John Bunch (jazz pianist) (in 1959-04)
tenor saxophone:
Al Cohn (in 1959-04) and Benny Golson (American jazz saxophonist and composer) (in 1959-04)
trombone:
Eddie Bert (in 1959-04), Billy Byers (in 1959-04), Jimmy Cleveland (US jazz trombonist) (in 1959-04) and Willie Dennis (in 1959-04)
trumpet:
Emmett Berry (in 1959-04), Harry “Sweets” Edison (in 1959-04), Joe Ferrante (in 1959-04), Stan Fishelson (in 1959-04) and Jimmy Nottingham (in 1959-04)
orchestra:
Buddy Rich and His Orchestra (in 1959-04)
arranger:
Ernie Wilkins
recording of:
Indiana (Back Home Again in Indiana) (in 1959-04)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
3:22
10Richcraft
recorded in:
New York, New York, United States (from 1959-04-09 until 1959-04-10)
alto saxophone:
Earle Warren (in 1959-04) and Phil Woods (US jazz woodwind player) (in 1959-04)
baritone saxophone:
Steve Perlow (in 1959-04)
bass:
Phil Leshin (in 1959-04)
drums (drum set):
Buddy Rich (in 1959-04)
guitar:
Sam Herman (guitar, jazz) (in 1959-04)
piano:
John Bunch (jazz pianist) (in 1959-04)
tenor saxophone:
Al Cohn (in 1959-04) and Benny Golson (American jazz saxophonist and composer) (in 1959-04)
trombone:
Eddie Bert (in 1959-04), Billy Byers (in 1959-04), Jimmy Cleveland (US jazz trombonist) (in 1959-04) and Willie Dennis (in 1959-04)
trumpet:
Emmett Berry (in 1959-04), Harry “Sweets” Edison (in 1959-04), Joe Ferrante (in 1959-04), Stan Fishelson (in 1959-04) and Jimmy Nottingham (in 1959-04)
orchestra:
Buddy Rich and His Orchestra (in 1959-04)
arranger:
Ernie Wilkins
recording of:
Richcraft
3:13
11Sweet Tooth
recorded in:
New York, New York, United States (from 1959-04-09 until 1959-04-10)
alto saxophone:
Earle Warren (in 1959-04) and Phil Woods (US jazz woodwind player) (in 1959-04)
baritone saxophone:
Steve Perlow (in 1959-04)
bass:
Phil Leshin (in 1959-04)
drums (drum set):
Buddy Rich (in 1959-04)
guitar:
Sam Herman (guitar, jazz) (in 1959-04)
piano:
John Bunch (jazz pianist) (in 1959-04)
tenor saxophone:
Al Cohn (in 1959-04) and Benny Golson (American jazz saxophonist and composer) (in 1959-04)
trombone:
Eddie Bert (in 1959-04), Billy Byers (in 1959-04), Jimmy Cleveland (US jazz trombonist) (in 1959-04) and Willie Dennis (in 1959-04)
trumpet:
Emmett Berry (in 1959-04), Harry “Sweets” Edison (in 1959-04), Joe Ferrante (in 1959-04), Stan Fishelson (in 1959-04) and Jimmy Nottingham (in 1959-04)
orchestra:
Buddy Rich and His Orchestra (in 1959-04)
arranger:
Ernie Wilkins
4:06
12Clap Hands, Here Comes Charlie
recorded in:
New York, New York, United States (from 1959-04-09 until 1959-04-10)
alto saxophone:
Earle Warren (in 1959-04) and Phil Woods (US jazz woodwind player) (in 1959-04)
baritone saxophone:
Steve Perlow (in 1959-04)
bass:
Phil Leshin (in 1959-04)
drums (drum set):
Buddy Rich (in 1959-04)
guitar:
Sam Herman (guitar, jazz) (in 1959-04)
piano:
John Bunch (jazz pianist) (in 1959-04)
tenor saxophone:
Al Cohn (in 1959-04) and Benny Golson (American jazz saxophonist and composer) (in 1959-04)
trombone:
Eddie Bert (in 1959-04), Billy Byers (in 1959-04), Jimmy Cleveland (US jazz trombonist) (in 1959-04) and Willie Dennis (in 1959-04)
trumpet:
Emmett Berry (in 1959-04), Harry “Sweets” Edison (in 1959-04), Joe Ferrante (in 1959-04), Stan Fishelson (in 1959-04) and Jimmy Nottingham (in 1959-04)
orchestra:
Buddy Rich and His Orchestra (in 1959-04)
arranger:
Ernie Wilkins
recording of:
Clap Hands, Here Comes Charley (in 1959-04)
lyricist:
Ballard MacDonald and Billy Rose (lyricist and Broadway producer)
composer:
Ballard MacDonald (in 1925), Joseph Meyer (US songwriter) (in 1925) and Billy Rose (lyricist and Broadway producer) (in 1925)
publisher:
Lawrence Wright Music Co., Ltd. (on 1937-03-24)
3:09
13Yardbird Suite
recorded in:
New York, New York, United States (from 1959-04-09 until 1959-04-10)
alto saxophone:
Earle Warren (in 1959-04) and Phil Woods (US jazz woodwind player) (in 1959-04)
baritone saxophone:
Steve Perlow (in 1959-04)
bass:
Phil Leshin (in 1959-04)
drums (drum set):
Buddy Rich (in 1959-04)
guitar:
Sam Herman (guitar, jazz) (in 1959-04)
piano:
John Bunch (jazz pianist) (in 1959-04)
tenor saxophone:
Al Cohn (in 1959-04) and Benny Golson (American jazz saxophonist and composer) (in 1959-04)
trombone:
Eddie Bert (in 1959-04), Billy Byers (in 1959-04), Jimmy Cleveland (US jazz trombonist) (in 1959-04) and Willie Dennis (in 1959-04)
trumpet:
Emmett Berry (in 1959-04), Harry “Sweets” Edison (in 1959-04), Joe Ferrante (in 1959-04), Stan Fishelson (in 1959-04) and Jimmy Nottingham (in 1959-04)
orchestra:
Buddy Rich and His Orchestra (in 1959-04)
arranger:
Ernie Wilkins (in 1959-04)
recording of:
Yardbird Suite (instrumental version) (in 1959-04)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (in 1946)
3:05
14Cherokee
recorded in:
New York, New York, United States (from 1959-04-09 until 1959-04-10)
alto saxophone:
Earle Warren (in 1959-04) and Phil Woods (US jazz woodwind player) (in 1959-04)
baritone saxophone:
Steve Perlow (in 1959-04)
bass:
Phil Leshin (in 1959-04)
drums (drum set):
Buddy Rich (in 1959-04)
guitar:
Sam Herman (guitar, jazz) (in 1959-04)
piano:
John Bunch (jazz pianist) (in 1959-04)
tenor saxophone:
Al Cohn (in 1959-04) and Benny Golson (American jazz saxophonist and composer) (in 1959-04)
trombone:
Eddie Bert (in 1959-04), Billy Byers (in 1959-04), Jimmy Cleveland (US jazz trombonist) (in 1959-04) and Willie Dennis (in 1959-04)
trumpet:
Emmett Berry (in 1959-04), Harry “Sweets” Edison (in 1959-04), Joe Ferrante (in 1959-04), Stan Fishelson (in 1959-04) and Jimmy Nottingham (in 1959-04)
orchestra:
Buddy Rich and His Orchestra (in 1959-04)
arranger:
Ernie Wilkins
instrumental recording of:
Cherokee (in 1959-04)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
4:14
15I Want a Little Girl
recorded in:
New York, New York, United States (from 1959-04-09 until 1959-04-10)
alto saxophone:
Earle Warren (in 1959-04) and Phil Woods (US jazz woodwind player) (in 1959-04)
baritone saxophone:
Steve Perlow (in 1959-04)
bass:
Phil Leshin (in 1959-04)
drums (drum set):
Buddy Rich (in 1959-04)
guitar:
Sam Herman (guitar, jazz) (in 1959-04)
piano:
John Bunch (jazz pianist) (in 1959-04)
tenor saxophone:
Al Cohn (in 1959-04) and Benny Golson (American jazz saxophonist and composer) (in 1959-04)
trombone:
Eddie Bert (in 1959-04), Billy Byers (in 1959-04), Jimmy Cleveland (US jazz trombonist) (in 1959-04) and Willie Dennis (in 1959-04)
trumpet:
Emmett Berry (in 1959-04), Harry “Sweets” Edison (in 1959-04), Joe Ferrante (in 1959-04), Stan Fishelson (in 1959-04) and Jimmy Nottingham (in 1959-04)
orchestra:
Buddy Rich and His Orchestra (in 1959-04)
arranger:
Ernie Wilkins
recording of:
I Want a Little Girl (in 1959-04)
lyricist:
Billy Moll (songwriter)
composer:
Murray Mencher (pianist, lyricist and songwriter)
publisher:
Shapiro, Bernstein & Co., Inc.
4:17
16From the Sticks
recorded in:
New York, New York, United States (from 1959-04-09 until 1959-04-10)
alto saxophone:
Earle Warren (in 1959-04) and Phil Woods (US jazz woodwind player) (in 1959-04)
baritone saxophone:
Steve Perlow (in 1959-04)
bass:
Phil Leshin (in 1959-04)
drums (drum set):
Buddy Rich (in 1959-04)
guitar:
Sam Herman (guitar, jazz) (in 1959-04)
piano:
John Bunch (jazz pianist) (in 1959-04)
tenor saxophone:
Al Cohn (in 1959-04) and Benny Golson (American jazz saxophonist and composer) (in 1959-04)
trombone:
Eddie Bert (in 1959-04), Billy Byers (in 1959-04), Jimmy Cleveland (US jazz trombonist) (in 1959-04) and Willie Dennis (in 1959-04)
trumpet:
Emmett Berry (in 1959-04), Harry “Sweets” Edison (in 1959-04), Joe Ferrante (in 1959-04), Stan Fishelson (in 1959-04) and Jimmy Nottingham (in 1959-04)
orchestra:
Buddy Rich and His Orchestra (in 1959-04)
arranger:
Ernie Wilkins
recording of:
From the Sticks
4:48
17Song of the Islands
recorded in:
New York, New York, United States (from 1959-04-09 until 1959-04-10)
alto saxophone:
Earle Warren (in 1959-04) and Phil Woods (US jazz woodwind player) (in 1959-04)
baritone saxophone:
Steve Perlow (in 1959-04)
bass:
Phil Leshin
drums (drum set):
Buddy Rich (in 1959-04)
guitar:
Sam Herman (guitar, jazz) (in 1959-04)
piano:
John Bunch (jazz pianist) (in 1959-04)
tenor saxophone:
Al Cohn (in 1959-04) and Benny Golson (American jazz saxophonist and composer) (in 1959-04)
trombone:
Eddie Bert (in 1959-04), Billy Byers (in 1959-04), Jimmy Cleveland (US jazz trombonist) (in 1959-04) and Willie Dennis (in 1959-04)
trumpet:
Emmett Berry (in 1959-04), Harry “Sweets” Edison (in 1959-04), Joe Ferrante (in 1959-04), Stan Fishelson (in 1959-04) and Jimmy Nottingham (in 1959-04)
orchestra:
Buddy Rich and His Orchestra (in 1959-04)
arranger:
Ernie Wilkins
recording of:
Song of the Islands (Na Lei O Hawaii) (in 1959-04)
lyricist and composer:
Charles E. King (known as the composer of “Ke kali nei au”)
4:11