The Complete Blue Note and Roost Recordings

~ Release by Bud Powell (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1I'll Remember April
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
instrumental recording of:
I’ll Remember April (on 1947-01-10)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
2:53
2Indiana
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
instrumental recording of:
Indiana (Back Home Again in Indiana) (on 1947-01-10)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
2:45
3Somebody Loves Me
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
instrumental recording of:
Somebody Loves Me (on 1947-01-10)
lyricist:
Buddy DeSylva and Ballard MacDonald
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Stephen Ballentine Music Publishing Co.
part of:
Broadway Rhythm (film)
2:55
4I Should Care
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
instrumental recording of:
I Should Care (on 1947-01-10)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
3:01
5Bud's Bubble
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
recording of:
Bud's Bubble (on 1947-01-10)
composer:
Bud Powell
2:36
6Off Minor
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
recording of:
Off Minor (on 1947-01-10)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
2:23
7Nice Work If You Can Get It
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
instrumental recording of:
Nice Work If You Can Get It (on 1947-01-10)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
2:20
8Everything Happens to Me
double bass:
Curley Russell (on 1947-01-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-01-10)
piano:
Bud Powell (on 1947-01-10)
instrumental recording of:
Everything Happens to Me (on 1947-01-10)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
2:41
9Bouncing With Bud (alternate take #1)
piano:
Bud Powell (on 1949-08-08)
recording of:
Bouncing With Bud (on 1949-08-08)
composer:
Bud Powell
3:05
10Bouncing With Bud (alternate take #2)
piano:
Bud Powell (on 1949-08-08)
recording of:
Bouncing With Bud (on 1949-08-08)
composer:
Bud Powell
3:14
11Bouncing With Bud
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Bouncing With Bud (on 1949-08-08)
composer:
Bud Powell
3:03
12Wail (alternate take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Wail (on 1949-08-08)
composer:
Kenny Dorham (US jazz trumpeter, singer, and composer) and Bud Powell
publisher:
Patricia Music Publishing Corp
2:43
13Wail
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Wail (on 1949-08-08)
composer:
Kenny Dorham (US jazz trumpeter, singer, and composer) and Bud Powell
publisher:
Patricia Music Publishing Corp
3:06
14Dance of Infidels (alternate take)
piano:
Bud Powell (on 1949-08-08)
recording of:
Dance of the Infidels (on 1949-08-08)
composer:
Bud Powell
publisher:
EMI Longitude Music
2:51
15Dance of Infidels
recorded in:
New York, New York, United States (on 1949-08-08)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Dance of the Infidels (on 1949-08-08)
composer:
Bud Powell
publisher:
EMI Longitude Music
2:54
1652nd Street Theme
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1949-08-08)
trumpet:
Fats Navarro (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
52nd Street Theme (on 1949-08-08)
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
2:49
17You Go to My Head
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
instrumental recording of:
You Go to My Head (on 1949-08-08)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
3:15
18Ornithology
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Ornithology (on 1949-08-08)
composer:
Benny Harris and Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
2:23
19Ornithology (alternate take)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Tommy Potter (on 1949-08-08)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1949-08-08)
piano:
Bud Powell (on 1949-08-08)
recorded at:
WOR Studios in New York, New York, United States (on 1949-08-08)
recording of:
Ornithology (on 1949-08-08)
composer:
Benny Harris and Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
3:10
20Un Poco Loco (alternate take #1)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Un poco loco (on 1951-05-01)
composer:
Bud Powell
publisher:
Patricia Music Publishing Corp
3:50
21Un Poco Loco (alternate take #2)
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Un poco loco (on 1951-05-01)
composer:
Bud Powell
publisher:
Patricia Music Publishing Corp
4:31
22Un Poco Loco
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
double bass:
Curley Russell (on 1951-05-01)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1951-05-01)
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
recording of:
Un poco loco (on 1951-05-01)
composer:
Bud Powell
publisher:
Patricia Music Publishing Corp
4:45
23Over the Rainbow
recording engineer:
Doug Hawkins (sound engineer)
producer:
Alfred Lion
piano:
Bud Powell (on 1951-05-01)
recorded at:
WOR Studios in New York, New York, United States (on 1951-05-01)
instrumental recording of:
Over the Rainbow (The Wizard of Oz) (on 1951-05-01)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
2:56
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Credits

Release

ASIN:US: B000005GYC [info]