Now Is the Hour

~ Release by Charlie Haden Quartet West (see all versions of this release, 3 available)

Annotation

© «1996 Universal Music Jazz France»
℗ «1996 Decca Records France»

Countries where available (Spotify + Deezer)

(As of 2023-12-22).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇨🇼 Curaçao (cw) 🇩🇴 Dominican Republic (do)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇻🇪 Venezuela (ve)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇮 Liechtenstein (li) 🇱🇺 Luxembourg (lu) 🇲🇨 Monaco (mc) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇦🇩 Andorra (ad) 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇮🇹 Italy (it) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇸🇮 Slovenia (si)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇨🇿 Czechia (cz) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇸🇰 Slovakia (sk) 🇺🇦 Ukraine (ua)
  • Northern Africa: 🇪🇬 Egypt (eg) 🇹🇳 Tunisia (tn)
  • Western Africa: 🇨🇮 Cote D’Ivoire (ci) 🇬🇳 Guinea (gn) 🇳🇬 Nigeria (ng)
  • Eastern Africa: 🇲🇺 Mauritius (mu) 🇷🇼 Rwanda (rw)
  • Middle Africa: 🇨🇲 Cameroon (cm)
  • Southern Africa: 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇯🇴 Jordan (jo) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Türkiye (tr) 🇾🇪 Yemen (ye)
  • Southern Asia: 🇧🇩 Bangladesh (bd) 🇮🇳 India (in) 🇱🇰 Sri Lanka (lk)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇻🇳 Vietnam (vn)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotation last modified on 2023-12-22 21:07 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1Here’s Looking at You
assistant recording engineer:
Stéphane Briand (engineer) (in 1995-07), Alex Firla (Engineer) (in 1995-07) and Rodolphe Sanguinetti (in 1995-07)
recording engineer:
J. Newland (producer, engineer and mixer)
producer:
Charlie Haden (American jazz bassist) and Hans Wendl
assistant mixer:
Bill Kinsley (from 1995-08-17 until 1995-10-08) and Sean O’Dwyer (US producer & engineer) (from 1995-08-17 until 1995-10-08)
mixer:
J. Newland (producer, engineer and mixer) (from 1995-08-17 until 1995-10-08)
bass:
Charlie Haden (American jazz bassist) (from 1995-07-18 until 1995-07-20)
drums (drum set):
Lawrence Marable (from 1995-07-18 until 1995-07-20)
piano:
Alan Broadbent (from 1995-07-18 until 1995-07-20)
solo strings:
Hervé Cavelier (from 1995-07-18 until 1995-07-20)
tenor saxophone:
Ernie Watts (jazz and blues saxophonist) (from 1995-07-18 until 1995-07-20)
conductor:
Alan Broadbent (from 1995-07-18 until 1995-07-20)
arranger:
Alan Broadbent
phonographic copyright (℗) by:
Polydor/PolyGram S.A. France (use for copyright only) (in 1996)
recorded at:
Studios Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France (in 1995)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1995-08-17 until 1995-10-08)
recording of:
Here’s Looking at You (in 1995-07)
composer:
Charlie Haden (American jazz bassist)
publisher:
Liberation Music Co. (BMI, publisher for Charlie Haden)
6:11
2The Left Hand of God
assistant recording engineer:
Stéphane Briand (engineer) (in 1995-07), Alex Firla (Engineer) (in 1995-07) and Rodolphe Sanguinetti (in 1995-07)
recording engineer:
J. Newland (producer, engineer and mixer)
producer:
Charlie Haden (American jazz bassist) and Hans Wendl
assistant mixer:
Bill Kinsley (from 1995-08-17 until 1995-10-08) and Sean O’Dwyer (US producer & engineer) (from 1995-08-17 until 1995-10-08)
mixer:
J. Newland (producer, engineer and mixer) (from 1995-08-17 until 1995-10-08)
bass:
Charlie Haden (American jazz bassist) (from 1995-07-18 until 1995-07-20)
drums (drum set):
Lawrence Marable (from 1995-07-18 until 1995-07-20)
piano:
Alan Broadbent (from 1995-07-18 until 1995-07-20)
solo strings:
Hervé Cavelier (from 1995-07-18 until 1995-07-20)
tenor saxophone:
Ernie Watts (jazz and blues saxophonist) (from 1995-07-18 until 1995-07-20)
conductor:
Alan Broadbent (from 1995-07-18 until 1995-07-20)
arranger:
Alan Broadbent
phonographic copyright (℗) by:
Polydor/PolyGram S.A. France (use for copyright only) (in 1996)
recorded at:
Studios Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France (in 1995)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1995-08-17 until 1995-10-08)
cover recording of:
The Left Hand of God (in 1995-07)
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Twentieth Century Fox Music Corp. and Warner/Chappell Music, Inc.
7:48
3Requiem
assistant recording engineer:
Stéphane Briand (engineer) (in 1995-07), Alex Firla (Engineer) (in 1995-07) and Rodolphe Sanguinetti (in 1995-07)
recording engineer:
J. Newland (producer, engineer and mixer)
producer:
Charlie Haden (American jazz bassist) and Hans Wendl
assistant mixer:
Bill Kinsley (from 1995-08-17 until 1995-10-08) and Sean O’Dwyer (US producer & engineer) (from 1995-08-17 until 1995-10-08)
mixer:
J. Newland (producer, engineer and mixer) (from 1995-08-17 until 1995-10-08)
bass:
Charlie Haden (American jazz bassist) (from 1995-07-18 until 1995-07-20)
drums (drum set):
Lawrence Marable (from 1995-07-18 until 1995-07-20)
piano:
Alan Broadbent (from 1995-07-18 until 1995-07-20)
solo strings:
Hervé Cavelier (from 1995-07-18 until 1995-07-20)
tenor saxophone:
Ernie Watts (jazz and blues saxophonist) (from 1995-07-18 until 1995-07-20)
conductor:
Alan Broadbent (from 1995-07-18 until 1995-07-20)
arranger:
Alan Broadbent
phonographic copyright (℗) by:
Polydor/PolyGram S.A. France (use for copyright only) (in 1996)
recorded at:
Studios Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France (in 1995)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1995-08-17 until 1995-10-08)
cover recording of:
Requiem (in 1995-07)
composer:
Lennie Tristano
1:32
4Back Home Blues
assistant recording engineer:
Stéphane Briand (engineer) (in 1995-07), Alex Firla (Engineer) (in 1995-07) and Rodolphe Sanguinetti (in 1995-07)
recording engineer:
J. Newland (producer, engineer and mixer)
producer:
Charlie Haden (American jazz bassist) and Hans Wendl
assistant mixer:
Bill Kinsley (from 1995-08-17 until 1995-10-08) and Sean O’Dwyer (US producer & engineer) (from 1995-08-17 until 1995-10-08)
mixer:
J. Newland (producer, engineer and mixer) (from 1995-08-17 until 1995-10-08)
bass:
Charlie Haden (American jazz bassist) (from 1995-07-18 until 1995-07-20)
drums (drum set):
Lawrence Marable (from 1995-07-18 until 1995-07-20)
piano:
Alan Broadbent (from 1995-07-18 until 1995-07-20)
tenor saxophone:
Ernie Watts (jazz and blues saxophonist) (from 1995-07-18 until 1995-07-20)
phonographic copyright (℗) by:
Polydor/PolyGram S.A. France (use for copyright only) (in 1996)
recorded at:
Studios Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France (in 1995)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1995-08-17 until 1995-10-08)
cover recording of:
Back Home Blues (in 1995-07)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
4:05
5There in a Dream
assistant recording engineer:
Stéphane Briand (engineer) (in 1995-07), Alex Firla (Engineer) (in 1995-07) and Rodolphe Sanguinetti (in 1995-07)
recording engineer:
J. Newland (producer, engineer and mixer)
producer:
Charlie Haden (American jazz bassist) and Hans Wendl
assistant mixer:
Bill Kinsley (from 1995-08-17 until 1995-10-08) and Sean O’Dwyer (US producer & engineer) (from 1995-08-17 until 1995-10-08)
mixer:
J. Newland (producer, engineer and mixer) (from 1995-08-17 until 1995-10-08)
bass:
Charlie Haden (American jazz bassist) (from 1995-07-18 until 1995-07-20)
drums (drum set):
Lawrence Marable (from 1995-07-18 until 1995-07-20)
piano:
Alan Broadbent (from 1995-07-18 until 1995-07-20)
solo strings:
Hervé Cavelier (from 1995-07-18 until 1995-07-20)
tenor saxophone:
Ernie Watts (jazz and blues saxophonist) (from 1995-07-18 until 1995-07-20)
conductor:
Alan Broadbent (from 1995-07-18 until 1995-07-20)
arranger:
Alan Broadbent
phonographic copyright (℗) by:
Polydor/PolyGram S.A. France (use for copyright only) (in 1996)
recorded at:
Studios Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France (in 1995)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1995-08-17 until 1995-10-08)
recording of:
There in a Dream (in 1995-07)
composer:
Charlie Haden (American jazz bassist)
publisher:
Liberation Music Co. (BMI, publisher for Charlie Haden)
7:04
6All Through the Night
assistant recording engineer:
Stéphane Briand (engineer) (in 1995-07), Alex Firla (Engineer) (in 1995-07) and Rodolphe Sanguinetti (in 1995-07)
recording engineer:
J. Newland (producer, engineer and mixer)
producer:
Charlie Haden (American jazz bassist) and Hans Wendl
assistant mixer:
Bill Kinsley (from 1995-08-17 until 1995-10-08) and Sean O’Dwyer (US producer & engineer) (from 1995-08-17 until 1995-10-08)
mixer:
J. Newland (producer, engineer and mixer) (from 1995-08-17 until 1995-10-08)
bass:
Charlie Haden (American jazz bassist) (from 1995-07-18 until 1995-07-20)
drums (drum set):
Lawrence Marable (from 1995-07-18 until 1995-07-20)
piano:
Alan Broadbent (from 1995-07-18 until 1995-07-20)
tenor saxophone:
Ernie Watts (jazz and blues saxophonist) (from 1995-07-18 until 1995-07-20)
phonographic copyright (℗) by:
Polydor/PolyGram S.A. France (use for copyright only) (in 1996)
recorded at:
Studios Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France (in 1995)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1995-08-17 until 1995-10-08)
instrumental cover recording of:
All Through the Night (in 1995-07)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
WB Music Corp. (1929–2019)
part of:
Anything Goes
4:13
7Detour Ahead
assistant recording engineer:
Stéphane Briand (engineer) (in 1995-07), Alex Firla (Engineer) (in 1995-07) and Rodolphe Sanguinetti (in 1995-07)
recording engineer:
J. Newland (producer, engineer and mixer)
producer:
Charlie Haden (American jazz bassist) and Hans Wendl
assistant mixer:
Bill Kinsley (from 1995-08-17 until 1995-10-08) and Sean O’Dwyer (US producer & engineer) (from 1995-08-17 until 1995-10-08)
mixer:
J. Newland (producer, engineer and mixer) (from 1995-08-17 until 1995-10-08)
bass:
Charlie Haden (American jazz bassist) (from 1995-07-18 until 1995-07-20)
drums (drum set):
Lawrence Marable (from 1995-07-18 until 1995-07-20)
piano:
Alan Broadbent (from 1995-07-18 until 1995-07-20)
solo strings:
Hervé Cavelier (from 1995-07-18 until 1995-07-20)
tenor saxophone:
Ernie Watts (jazz and blues saxophonist) (from 1995-07-18 until 1995-07-20)
conductor:
Alan Broadbent (from 1995-07-18 until 1995-07-20)
arranger:
Alan Broadbent
phonographic copyright (℗) by:
Polydor/PolyGram S.A. France (use for copyright only) (in 1996)
recorded at:
Studios Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France (in 1995)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1995-08-17 until 1995-10-08)
cover recording of:
Detour Ahead (in 1995-07)
composer:
Lou Carter (in 1947), Herb Ellis (jazz guitarist) (in 1947) and Johnny Frigo (US jazz musician) (in 1947)
publisher:
Woodrow Music
6:04
8Blue Pearl
assistant recording engineer:
Stéphane Briand (engineer) (in 1995-07), Alex Firla (Engineer) (in 1995-07) and Rodolphe Sanguinetti (in 1995-07)
recording engineer:
J. Newland (producer, engineer and mixer)
producer:
Charlie Haden (American jazz bassist) and Hans Wendl
assistant mixer:
Bill Kinsley (from 1995-08-17 until 1995-10-08) and Sean O’Dwyer (US producer & engineer) (from 1995-08-17 until 1995-10-08)
mixer:
J. Newland (producer, engineer and mixer) (from 1995-08-17 until 1995-10-08)
bass:
Charlie Haden (American jazz bassist) (from 1995-07-18 until 1995-07-20)
drums (drum set):
Lawrence Marable (from 1995-07-18 until 1995-07-20)
piano:
Alan Broadbent (from 1995-07-18 until 1995-07-20)
tenor saxophone:
Ernie Watts (jazz and blues saxophonist) (from 1995-07-18 until 1995-07-20)
phonographic copyright (℗) by:
Polydor/PolyGram S.A. France (use for copyright only) (in 1996)
recorded at:
Studios Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France (in 1995)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1995-08-17 until 1995-10-08)
cover recording of:
Blue Pearl (in 1995-07)
composer:
Bud Powell
4:32
9When Tomorrow Comes
assistant recording engineer:
Stéphane Briand (engineer) (in 1995-07), Alex Firla (Engineer) (in 1995-07) and Rodolphe Sanguinetti (in 1995-07)
recording engineer:
J. Newland (producer, engineer and mixer)
producer:
Charlie Haden (American jazz bassist) and Hans Wendl
assistant mixer:
Bill Kinsley (from 1995-08-17 until 1995-10-08) and Sean O’Dwyer (US producer & engineer) (from 1995-08-17 until 1995-10-08)
mixer:
J. Newland (producer, engineer and mixer) (from 1995-08-17 until 1995-10-08)
bass:
Charlie Haden (American jazz bassist) (from 1995-07-18 until 1995-07-20)
drums (drum set):
Lawrence Marable (from 1995-07-18 until 1995-07-20)
piano:
Alan Broadbent (from 1995-07-18 until 1995-07-20)
solo strings:
Hervé Cavelier (from 1995-07-18 until 1995-07-20)
tenor saxophone:
Ernie Watts (jazz and blues saxophonist) (from 1995-07-18 until 1995-07-20)
conductor:
Alan Broadbent (from 1995-07-18 until 1995-07-20)
arranger:
Alan Broadbent
phonographic copyright (℗) by:
Polydor/PolyGram S.A. France (use for copyright only) (in 1996)
recorded at:
Studios Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France (in 1995)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1995-08-17 until 1995-10-08)
recording of:
When Tomorrow Comes (in 1995-07)
composer:
Alan Broadbent
publisher:
Broadbent Music (publisher for Alan Broadbent)
4:37
10Palo Alto
assistant recording engineer:
Stéphane Briand (engineer) (in 1995-07), Alex Firla (Engineer) (in 1995-07) and Rodolphe Sanguinetti (in 1995-07)
recording engineer:
J. Newland (producer, engineer and mixer)
producer:
Charlie Haden (American jazz bassist) and Hans Wendl
assistant mixer:
Bill Kinsley (from 1995-08-17 until 1995-10-08) and Sean O’Dwyer (US producer & engineer) (from 1995-08-17 until 1995-10-08)
mixer:
J. Newland (producer, engineer and mixer) (from 1995-08-17 until 1995-10-08)
bass:
Charlie Haden (American jazz bassist) (from 1995-07-18 until 1995-07-20)
drums (drum set):
Lawrence Marable (from 1995-07-18 until 1995-07-20)
piano:
Alan Broadbent (from 1995-07-18 until 1995-07-20)
tenor saxophone:
Ernie Watts (jazz and blues saxophonist) (from 1995-07-18 until 1995-07-20)
phonographic copyright (℗) by:
Polydor/PolyGram S.A. France (use for copyright only) (in 1996)
recorded at:
Studios Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France (in 1995)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1995-08-17 until 1995-10-08)
cover recording of:
Palo Alto (in 1995-07)
composer:
Lee Konitz (jazz saxophonist)
4:55
11Marables’s Parable
assistant recording engineer:
Stéphane Briand (engineer) (in 1995-07), Alex Firla (Engineer) (in 1995-07) and Rodolphe Sanguinetti (in 1995-07)
recording engineer:
J. Newland (producer, engineer and mixer)
producer:
Charlie Haden (American jazz bassist) and Hans Wendl
assistant mixer:
Bill Kinsley (from 1995-08-17 until 1995-10-08) and Sean O’Dwyer (US producer & engineer) (from 1995-08-17 until 1995-10-08)
mixer:
J. Newland (producer, engineer and mixer) (from 1995-08-17 until 1995-10-08)
bass:
Charlie Haden (American jazz bassist) (from 1995-07-18 until 1995-07-20)
drums (drum set):
Lawrence Marable (from 1995-07-18 until 1995-07-20)
piano:
Alan Broadbent (from 1995-07-18 until 1995-07-20)
tenor saxophone:
Ernie Watts (jazz and blues saxophonist) (from 1995-07-18 until 1995-07-20)
phonographic copyright (℗) by:
Polydor/PolyGram S.A. France (use for copyright only) (in 1996)
recorded at:
Studios Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France (in 1995)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1995-08-17 until 1995-10-08)
recording of:
Marable’s Parable (in 1995-07)
composer:
Charlie Haden (American jazz bassist)
publisher:
Liberation Music Co. (BMI, publisher for Charlie Haden)
3:30
12Now Is the Hour
assistant recording engineer:
Stéphane Briand (engineer) (in 1995-07), Alex Firla (Engineer) (in 1995-07) and Rodolphe Sanguinetti (in 1995-07)
recording engineer:
J. Newland (producer, engineer and mixer)
producer:
Charlie Haden (American jazz bassist) and Hans Wendl
assistant mixer:
Bill Kinsley (from 1995-08-17 until 1995-10-08) and Sean O’Dwyer (US producer & engineer) (from 1995-08-17 until 1995-10-08)
mixer:
J. Newland (producer, engineer and mixer) (from 1995-08-17 until 1995-10-08)
bass:
Charlie Haden (American jazz bassist) (from 1995-07-18 until 1995-07-20)
drums (drum set):
Lawrence Marable (from 1995-07-18 until 1995-07-20)
piano:
Alan Broadbent (from 1995-07-18 until 1995-07-20)
solo strings:
Hervé Cavelier (from 1995-07-18 until 1995-07-20)
tenor saxophone:
Ernie Watts (jazz and blues saxophonist) (from 1995-07-18 until 1995-07-20)
conductor:
Alan Broadbent (from 1995-07-18 until 1995-07-20)
arranger:
Alan Broadbent
phonographic copyright (℗) by:
Polydor/PolyGram S.A. France (use for copyright only) (in 1996)
recorded at:
Studios Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, France (in 1995)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1995-08-17 until 1995-10-08)
cover recording of:
Now Is the Hour (in 1995-07)
additional lyricist:
Dorothy Stewart (from 1945 until 1947)
lyricist:
Maewa Kaihau (in 1920)
composer:
Clement Scott (Clement William Scott, 1841-1904, theatre critic, playwright and lyricist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), Keith Prowse Music Publishing Co. Ltd., On Backstreet Music Inc., Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and The Boston Music Company
translated version of:
Po atarau (based on “The Swiss Cradle Song”, with English and Maori lyrics)
4:59