Sophisticated Lady

~ Release by Julie London (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Sophisticated Lady
producer:
Si Waronker
vocals:
Julie London
recording of:
Sophisticated Lady
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, volume I)
2:36
2Cry Me a River
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London (in 1955-08)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 15)
recording of:
Cry Me a River (in 1955-08)
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
4.652:50
3Boy on a Dolphin
recording of:
Boy on a Dolphin
lyricist:
Paul Francis Webster
composer:
Hugo Friedhofer
2:13
4’Round Midnight
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1960-08)
cover recording of:
’Round Midnight (in 1960-08)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
42:55
5Love for Sale
recording of:
Love for Sale
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
2:39
6You’d Be So Nice to Come Home To
engineer:
John Kraus (1950s US engineer)
producer:
Si Waronker
double bass:
Don Bagley (on 1960-03-04)
drums (drum set):
Earl Palmer (on 1960-03-04)
guitar:
Al Viola (on 1960-03-04)
piano:
Jimmy Rowles (on 1960-03-04)
trumpet:
Bob Flanigan (on 1960-03-04)
vibraphone:
Emil Richards (on 1960-03-04)
vocals:
Julie London (on 1960-03-04)
orchestra:
The Jimmy Rowles Orchestra (on 1960-03-04)
recorded at:
Julie London’s living room (on 1960-03-04)
cover recording of:
You’d Be So Nice to Come Home To (on 1960-03-04)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
42:16
7Blue Moon
engineer:
Ted Keep (in 1958-07)
producer:
Bobby Troup
vocals:
Julie London (in 1958-07)
recording of:
Blue Moon (in 1958-07)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
52:33
8Days of Wine and Roses
engineer:
David Hassinger
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
conductor:
Ernie Freeman
arranger:
Ernie Freeman
recording of:
Days of Wine and Roses
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
part of:
The 35th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1964 winner) and Academy Award for Best Original Song (number: 1962 winner)
2:54
9My Heart Belongs to Daddy
producer:
Richard Bock (record producer)
double bass:
Monty Budwig (on 1965-07-12)
drums (drum set) and membranophone:
Colin Bailey (drummer) (on 1965-07-12)
guitar:
Joe Pass (jazz guitarist) (on 1965-07-12)
instruments:
The Bud Shank Quintet (on 1965-07-12)
piano:
Russ Freeman (pianist) (on 1965-07-12)
woodwind:
Bud Shank (on 1965-07-12)
vocals:
Julie London (on 1965-07-12)
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1965-07-12)
cover recording of:
My Heart Belongs to Daddy (on 1965-07-12)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
recording of:
My Heart Belongs to Daddy
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
2:43
10When I Fall in Love
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London
conductor:
André Previn (pianist, conductor, composer, arranger)
arranger:
André Previn (pianist, conductor, composer, arranger)
cover recording of:
When I Fall in Love
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
53:23
11Two Sleepy People
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London (from 1959-08 until 1959-09)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1959-08 until 1959-09)
arranger:
André Previn (pianist, conductor, composer, arranger)
cover recording of:
Two Sleepy People (from the 1938 film "Thanks for the Memory") (from 1959-08 until 1959-09)
lyricist:
Frank Loesser
composer:
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
43:16
12The More I See You
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London
conductor:
André Previn (pianist, conductor, composer, arranger)
arranger:
André Previn (pianist, conductor, composer, arranger)
recording of:
The More I See You
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music International Ltd.
translated version of:
The More I See You (Valli’s version with french lyrics)
53:03
13’S Wonderful
engineer:
John Kraus (1950s US engineer) (in 1955-08)
producer:
Bobby Troup
vocals:
Julie London (in 1955-08)
recording of:
’S Wonderful (in 1955-08)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
31:35
14One for My Baby
engineer:
Ted Keep and Bill Putnam
producer:
Bobby Troup
vocals:
Julie London
conductor:
André Previn (pianist, conductor, composer, arranger)
arranger:
André Previn (pianist, conductor, composer, arranger)
recording of:
One for My Baby (and One More for the Road)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
44:09
15Moments Like This
recording of:
Moments Like This (from "College Swing")
lyricist:
Frank Loesser
composer:
Burton Lane
publisher:
Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
2:40
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