The Very Best of Jazz: 50 Unforgettable Tracks (Remastered)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

℗ «2012 The Restoration Project»

Annotazione modificata l'ultima volta il 2022-04-14 14:53 UTC.

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#TitoloArtistaValutazioneDurata
1Hit the Road Jack
registrazione di:
Hit the Road Jack
paroliere e compositore:
Percy Mayfield
editore:
Tangerine Music, Tangerine Music Corp. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Ray Charles1:58
2I’ve Got You Under My Skin
registrazione di:
I’ve Got You Under My Skin
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
Frank Sinatra3:44
3Unforgettable
arpa :
Ann Mason Stockton (American harpist) (il 1951-08-17)
batteria :
Nick Fatool (il 1951-08-17)
celesta e pianoforte :
Buddy Cole (il 1951-08-17)
chitarra :
Bob Bain (guitarist) (il 1951-08-17)
congas :
Joe Costanzo (il 1951-08-17)
contrabbasso :
Joe Comfort (il 1951-08-17)
viola :
Paul Robyn (il 1951-08-17) e Dave Sterkin (il 1951-08-17)
violino :
Alex Beller (il 1951-08-17), Harry Bluestone (il 1951-08-17), Walter Edelstein (il 1951-08-17), Henry Hill (Violin player) (il 1951-08-17), Dan Lube (il 1951-08-17), Erno Neufeld (il 1951-08-17), Mischa Russell (violinist) (il 1951-08-17) e Marshall Sosson (il 1951-08-17)
violoncello :
Cy Bernard (il 1951-08-17) e Eleanor Slatkin (US cellist, b. Aller) (il 1951-08-17)
voce:
Nat King Cole (il 1951-08-17)
orchestra:
Nelson Riddle and His Orchestra (il 1951-08-17)
direttore d'orchestra:
Nelson Riddle (il 1951-08-17)
arrangiatore:
Nelson Riddle
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1951-08-17)
registrazione di:
Unforgettable (il 1951-08-17)
paroliere e compositore:
Irving Gordon (US songwriter)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Bourne Music Ltd.
Nat “King” Cole43:13
4Just a Gigolo
Louis Prima4:45
5My Baby Just Cares for Me
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
edit di:
My Baby Just Cares for Me (special extended version) di Nina Simone
registrazione cover di:
My Baby Just Cares for Me (nel 1957-12)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone3.93:38
6Dream a Little Dream of Me
registrazione cover di:
Dream a Little Dream of Me
paroliere:
Gus Kahn (nel 1931)
compositore:
Fabian André (nel 1931) e Wilbur Schwandt (nel 1931)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music e Words & Music, Inc. (US work publisher)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
parte di:
The Real Book (compilation of jazz standards, volume I)
Louis Armstrong & Ella Fitzgerald3:08
7Cry Me a River
registrazione cover di:
Cry Me a River
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Dinah Washington2:29
8I Wanna Be Loved by You
registrazione di:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
paroliere:
Bert Kalmar
compositore:
Harry Ruby e Herbert Stothart (composer)
editore:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!) e WB Music Corp. (1929–2019)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
registrazione cover di:
I Wanna Be Loved by You (Good Boy/Some Like It Hot)
paroliere:
Bert Kalmar
compositore:
Harry Ruby e Herbert Stothart (composer)
editore:
BMG Firefly, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Harry Ruby Music Co., Warner Bros., Inc. (not for release label use!) e WB Music Corp. (1929–2019)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Marilyn Monroe2:56
9Take Five
Dave Brubeck5:27
10Sway
registrazione cover di:
Sway
paroliere:
Norman Gimbel
compositore:
Pablo Beltrán Ruiz
editore:
Latin-American Music Publishing Co. Ltd.
versione di:
¿Quién será?
Dean Martin2:44
11Cheek to Cheek
registrazione cover di:
Cheek to Cheek (from “Top Hat”)
paroliere e compositore:
Irving Berlin (nel 1935)
editore:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
Academy Award for Best Original Song (numero: 1935 nominee)
parte di:
Top Hat (1935 film)
Louis Armstrong & Ella Fitzgerald5:55
12Let’s Keep Smiling
Doris Day2:59
13Fever
registrazione cover di:
Fever
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
Peggy Lee3:00
14Over the Rainbow
voce:
Judy Garland (il 1938-10-07)
orchestra:
MGM Orchestra (il 1938-10-07)
direttore d'orchestra:
Georgie Stoll (il 1938-10-07) e Herbert Stothart (composer) (il 1938-10-07)
arrangiatore:
Herbert Stothart (composer)
orchestratore:
Murray Cutter
registrazione di:
Over the Rainbow (The Wizard of Oz) (il 1938-10-07)
paroliere:
Yip Harburg (nel 1938)
compositore:
Harold Arlen (nel 1938)
eseguita per la prima volta da:
Judy Garland (nel 1939)
editore:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 12th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1939 winner)
parte di:
The Wizard of Oz (1942 Arlen/Harburg musical)
parte di:
The Wizard of Oz (1939 film soundtrack)
Judy Garland4.52:50
15Papa Loves Mambo
Perry Como2:41
16Mad About the Boy
basso :
Keter Betts (il 1952-03-24)
batteria :
Jimmy Cobb (US jazz drummer) (il 1952-03-24)
pianoforte :
Wynton Kelly (il 1952-03-24)
voce:
Dinah Washington (il 1952-03-24)
orchestra:
Walter Rodell and His Orchestra (il 1952-03-24)
registrazione cover di:
Mad About the Boy (il 1952-03-24)
paroliere e compositore:
Noël Coward
editore:
Chappell & Co. e Chappell Music Ltd.
parte di:
Words and Music
Dinah Washington4.653:01
17Buona Sera
produttore:
Voyle Gilmore
chitarra :
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1956-04-19)
contrabbasso :
Amato Rodrigues (il 1956-04-19)
pianoforte :
Willie McCumber (il 1956-04-19)
sassofono tenore :
Sam Butera (il 1956-04-19)
tromba :
Louis Prima (il 1956-04-19)
trombone :
James Blount, Jr. (il 1956-04-19)
voce:
Louis Prima (il 1956-04-19)
orchestra:
The Witnesses (il 1956-04-19)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1956)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-04-19)
registrazione di:
Buona sera (il 1956-04-19)
paroliere:
Carl Sigman
compositore:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
versione tradotta di:
Buona sera signorina (italian version for Fred Buscaglione)
Louis Prima43:09
18My Heart Belongs to Daddy
Marilyn Monroe5:06
19That’s Amore
registrazione di:
That’s Amore
paroliere:
Jack Brooks (English–American lyricist)
compositore:
Harry Warren (US composer and lyricist)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) e Universal Songs (publisher)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!) e BMG Unisongs Music Publishers BV
parte di:
The 26th Academy Award for Best Original Song (numero: 2)
parte di:
The Real Book (compilation of jazz standards, volume I)
Dean Martin3:09
20Strange Fruit
Billie Holiday3:16
21At Last
produttore:
Leonard Chess, Phil Chess e Leonard and Phil Chess (legendary US production duo)
voce principale:
Etta James
orchestra:
Riley Hampton Orchestra
direttore d'orchestra:
Riley Hampton
arrangiatore:
Riley Hampton
diritti fonografici (℗) detenuti da:
Windswept Pacific Music Ltd.
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 115) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 356)
registrazione cover di:
At Last (nel 1960-10)
autore:
Mack Gordon e Harry Warren (US composer and lyricist)
editore:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Etta James4.53:00
22Everybody Loves Somebody
registrazione di:
Everybody Loves Somebody
paroliere:
Sam Coslow e Irving Taylor
compositore:
Sam Coslow e Ken Lane
editore:
Sands Music Corp. e フジパシフィックミュージック (Fujipacific Music, Inc.)
sub-editore:
Warner Chappel Music Belgium NV
Frank Sinatra3:17
23Love Me or Leave Me
registrata a:
New York, New York, Stati Uniti (nel 1957-12)
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
registrazione cover di:
Love Me or Leave Me (nel 1957-12)
paroliere:
Gus Kahn
compositore:
Walter Donaldson
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (nel 1928, nel 1955) e Gilbert Keyes Music Company (nel 1928, nel 1955)
Nina Simone4.753:24
24I’ve Got a Woman
produttore:
Ahmet Ertegun (US songwriter/producer) e Jerry Wexler
basso :
Jimmy Bell (jazz bassist) (il 1954-11-18)
batteria :
Glenn Brooks (il 1954-11-18)
chitarra :
Wesley Jackson (US R&B guitarist) (il 1954-11-18)
pianoforte :
Ray Charles (soul musician, singer and songwriter) (il 1954-11-18)
sassofono baritono :
David “Fathead” Newman (American jazz saxophonist) (il 1954-11-18)
sassofono tenore solista :
Donald Wilkerson (US jazz/R&B saxophonist) (il 1954-11-18)
tromba :
Joe Bridgewater (il 1954-11-18) e Charles "Clanky" Whitley (il 1954-11-18)
voce:
Ray Charles (soul musician, singer and songwriter) (il 1954-11-18)
arrangiatore:
Ray Charles (soul musician, singer and songwriter)
registrata presso:
WGST Studio in Atlanta, Georgia, Stati Uniti (il 1954-11-18)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Blues Hall of Fame: Classic of Blues Recording Single (numero: 2019) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 235)
registrazione di:
I Got a Woman (il 1954-11-18)
autore:
Ray Charles (soul musician, singer and songwriter) e Renald Richard
editore:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles4.52:52
25Don’t Explain
Billie Holiday2:28
26Lullaby of Birdland
registrazione cover di:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
paroliere:
B. Y. Forster (pseudonym of George David Weiss)
autore:
George David Weiss
compositore:
George Shearing (British jazz pianist)
editore:
EMI Longitude Music, Good Music Limited e Planetary Nom (London) Ltd.
sub-editore:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Sarah Vaughan4:00
27Ain’t Misbehavin’
Fats Waller3:58
28I Just Want to Make Love to You
produttore:
Leonard Chess, Leonard & Phil Chess (legendary US production duo) e Phil Chess
voce principale:
Etta James
orchestra:
Riley Hampton Orchestra
direttore d'orchestra:
Riley Hampton
arrangiatore:
Riley Hampton
registrazione cover di:
I Just Wanna Make Love to You (nel 1960-05)
paroliere e compositore:
Willie Dixon
editore:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hoochie Coochie Music
Etta James33:08
29Nobody Taught Me
Eartha Kitt2:22
30Beyond the Sea
Bobby Darin2:54
31My Funny Valentine
voce:
Shirley Bassey (Welsh singer)
orchestra:
Wally Stott & His Orchestra & Chorus
registrazione cover di:
My Funny Valentine (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
parte di:
Waiting to Exhale (1995 film)
Shirley Bassey3:12
32Georgia on My Mind
produttore:
Sid Feller
batteria :
Milton Turner (il 1960-03-25)
chitarra basso :
Edgar Willis (bass) (il 1960-03-25)
pianoforte :
Ray Charles (soul musician, singer and songwriter) (il 1960-03-25)
voce:
Ray Charles (soul musician, singer and songwriter) (il 1960-03-25)
arrangiatore:
Ralph Burns
diritti fonografici (℗) detenuti da:
Ray Charles Ent. (nel 1960)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1960-03-25)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 16), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 44) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 283)
registrazione cover di:
Georgia on My Mind (il 1960-03-25)
inno di:
Georgia, Stati Uniti (dal 1979 a oggi)
paroliere:
Stuart Gorrell (nel 1930)
compositore:
Hoagy Carmichael (nel 1930)
editore:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (dal 1930 a oggi) e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (dal 1930 a oggi)
sub-editore:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangiamento di:
Georgia on My Mind (Solo piano arrangement)
Ray Charles43:38
33I’m a Fool to Want You
Billie Holiday3:27
34Singin’ in the Rain
Gene Kelly2:39
35Diamond Are a Girl’s Best Friend
Marilyn Monroe3:10
36Chattanooga Choo Choo
Glenn Miller3:27
37Why Don’t You Do It Right?
registrazione di:
Why Don’t You Do Right?
paroliere e compositore:
Kansas Joe McCoy
editore:
Edwin Morris Music e Morley Music Co
versione di:
Weed Smoker’s Dream
Peggy Lee & Benny Goodman Orchestra3:13
38Hallelujah, I Love Her
registrazione di:
Hallelujah, I Love Her So
paroliere e compositore:
Ray Charles (soul musician, singer and songwriter)
editore:
Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Progressive Music (publisher), Unichappell Music e Unichappell Music, Inc.
Ray Charles2:37
39What a Difference a Day Makes
registrazione cover di:
What a Diff’rence a Day Made
paroliere:
Stanley Adams (US lyricist & songwriter)
compositore:
María Grever
editore:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC e Zomba Golden Sands Enterprises, Inc.
si basa su:
Cuando vuelva a tu lado
Sarah Vaughan2:46
40Summertime
Billie Holiday2:58
41Puttin’ on the Ritz
Fred Astaire2:09
42C’est si bon
orchestra:
Henri René & His Orchestra (il 1953-03-12)
registrazione di:
C’est si bon (original French version) (il 1953-03-12)
paroliere:
André Hornez (nel 1947)
compositore:
Henri Betti (songwriter and pianist) (nel 1947)
editore:
Éditions Beuscher Arpège
Eartha Kitt42:58
43As Time Goes By
Ingrid Bergman & Dooley Wilson3:05
44Love Is Here to Stay
Gene Kelly, George Gershwin & Ira Gershwin4:06
45Summertime
registrazione cover di:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Louis Armstrong & Ella Fitzgerald4:58
46For My Baby
voce principale:
Louis Prima (il 1956-04-19) e Keely Smith (il 1956-04-19)
orchestra:
The Witnesses (nel 1956-04)
registrazione di:
(Nothing’s Too Good) For My Baby (il 1956-04-19)
compositore:
Ted Eddy, Mack Kay e Frederick Patrick
Louis Prima & Keely Smith2:39
47J’ai deux amours
voce:
Joséphine Baker (dal 1930-10-22 al 1930-10-23) e Adrien Lamy (dal 1930-10-22 al 1930-10-23)
orchestra:
Orchestre Mélodic Jazz du Casino de Paris (dal 1930-10-22 al 1930-10-23)
direttore d'orchestra:
Edmond Mahieux (french conductor and composer) (dal 1930-10-22 al 1930-10-23)
registrazione di:
J’ai deux amours (dal 1930-10-22 al 1930-10-23)
paroliere:
Géo Koger (composer, author) e Henri Varna (French lyricist)
compositore:
Vincent Scotto
Joséphine Baker3:15
48La vie en rose
Louis Armstrong3:24
49In the Mood
The Andrews Sisters2:46
50Come Fly With Me
produttore:
Voyle Gilmore
arpa :
Verlye Mills
batteria :
Alvin Stoller
chitarra :
Al Hendrickson
contrabbasso :
Joe Mondragon
legni :
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee e Wilbur Schwartz
percussione :
Frank Flynn
pianoforte :
Bill Miller (pianist)
tromba :
Conrad Gozzo, Manny Klein, Vito N. Mangano e Shorty Sherock
trombone :
Joe Howard (american trombone player), Ed Kusby, Murray McEachern e Si Zentner
tuba :
Joe Washburne
viola :
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn e Dave Sterkin
violino :
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin e Marshall Sosson
violoncello :
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten e Eleanor Slatkin (US cellist, b. Aller)
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1957-10-08)
orchestra:
The Billy May Orchestra (il 1957-10-08)
direttore d'orchestra:
Billy May (il 1957-10-08)
arrangiatore:
Billy May
registrata presso:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, Stati Uniti (il 1957-10-08)
registrazione di:
Come Fly With Me (il 1957-10-08)
paroliere:
Sammy Cahn (nel 1957)
compositore:
Jimmy Van Heusen (nel 1957)
editore:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. e WB Music Corp. (1929–2019) (fino al 2019-05-28)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) e フジパシフィックミュージック (Fujipacific Music, Inc.)
Frank Sinatra4.653:20