111 More Classic Tracks

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Abbado – Chaliapin
2▶CD: Collins – Galway
3▶CD: Goebel – Knappertsbusch
4▶CD: Kleiber – Mravinsky
5▼CD: Mutter – Rostropovich
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1Berceuse, op. 16
recording engineer:
Wolf‐Dieter Karwatky (in 1992-11) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1992-11)
additional producer:
Werner Mayer (classical producer) (in 1992-11)
co-producer:
Ewald Markl
executive producer:
Roger Wright (pianist)
violin:
Anne‐Sophie Mutter (violinist) (in 1992-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
James Levine (US conductor and pianist) (in 1992-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
recording of:
Berceuse for Violin (or Cello) and Piano in D major, op. 16 (in 1992-11)
composer:
Gabriel Fauré (French composer) (from 1878 until 1879)
part of:
Works of Gabriel Fauré by opus number (number: op. 16)
recording of:
Berceuse for Violin and Orchestra, op. 16
orchestrator and composer:
Gabriel Fauré (French composer)
orchestration of:
Berceuse for Violin (or Cello) and Piano in D major, op. 16
Gabriel Fauré4:28
2Qui es promesses
choir vocals:
Early Music Consort of London
vocals:
James Bowman (UK countertenor) and Charles Brett (English counter-tenor active in late 20th century)
orchestra and performer:
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
recording of:
Qui es promesses
recording of:
Qui es promesses / Ha, Fortune! / Et non est qui adjuvet
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut1:56
3Luisa Fernanda: Act III. “Cállate, corazón! Duèrmete y calla!”
soprano vocals [Luisa Fernanda]:
Anna Netrebko (soprano) (in 2006-08)
tenor vocals [Javier]:
Rolando Villazón (tenor) (in 2006-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-08)
conductor:
Nicola Luisotti (conductor) (in 2006-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 2006-08)
recording of:
Luisa Fernanda: Acto III. “¡Cállate, corazón!” (in 2006-08)
composer:
Federico Moreno Torroba (composer)
librettist:
Guillermo Fernández Shaw and Federico Romero Sarachaga
part of:
Luisa Fernanda: Acto III
Federico Moreno Torroba5:28
4Sechs Gesänge, op. 3: I. Liebestreu “O versenk’, o versenk’ dein Leid”
piano:
Daniel Barenboim (pianist and conductor) (in 1978-03)
soprano vocals:
Jessye Norman (soprano) (in 1978-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1978-03)
recording of:
6 Gesänge, op. 3: Nr. 1. Liebestreu (O versenk', o versenk' dein Leid…) (in 1978-03)
lyricist:
Robert Reinick (German poet)
composer:
Johannes Brahms (German composer) (in 1853)
part of:
6 Gesänge, op. 3
Johannes Brahms2:19
5Navarra for two violins, op. 33
violin:
David Oistrakh (violinist) (on 1957-04-17) and Igor Oistrakh (violinist) (on 1957-04-17)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 1957-04-17)
conductor:
Franz Konwitschny (conductor) (on 1957-04-17)
recording of:
Navarra, op. 33 (on 1957-04-17)
composer:
Pablo de Sarasate (violinist and composer)
part of:
Works of Pablo de Sarasate by opus number (number: op. 33)
Pablo de Sarasate6:00
6Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz”
recording engineer and producer:
Rainer Maillard
assistant engineer:
Evert Menting (engineer)
executive producer:
Christian Leins
piano:
Alice Sara Ott (pianist) (in 2009-08)
piano technician:
Serge Poulain (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009, in 2010)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2009-08)
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz” (in 2009-08)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 212)
part of:
Waltzes, op. 64
Fryderyk Chopin1:54
7Schickelgruber
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Schickelgruber (in 1993-09)
lyricist:
Howard Dietz (librettist)
composer:
Kurt Weill (composer)
Kurt Weill2:51
8Antiche danze ed arie, Suite no. 3: I. Italiana
orchestra:
Boston Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Ancient Airs and Dances Suite no. 3: I. Italiana
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi2:51
9Faust: Act II. “Le veau d’or”
bass vocals:
René Pape (operatic bass) (in 2008-02)
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 2008-02)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2008-02)
conductor:
Sebastian Weigle (hornist and conductor) (in 2008-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 2008-02)
recording of:
Faust : Acte II. No. 7 « Le veau d’or est toujours debout » (Méphistophélès, Chœur) (in 2008-02)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte II
Charles‐François Gounod1:58
10La traviata: Act II. “Lunge da lei” ... “De’ miei bollenti spiriti”
recording engineer:
Wolfgang Mitlehner
executive producer:
Pål Christian Moe
producer:
Wolfgang Stengel
tenor vocals [Alfredo Germont]:
Luciano Pavarotti (tenor) (in 1991-06)
orchestra:
Metropolitan Opera Orchestra (in 1991-06)
conductor:
James Levine (US conductor and pianist) (in 1991-06)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1991-06)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi3:24
11Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer)
baroque trumpet:
Michael Laird (classical trumpeter) (from 1982-03 until 1982-05)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
oboe:
David Reichenberg (oboist) (from 1982-03 until 1982-05)
treble recorder / alto recorder:
Philip Pickett (musician) (from 1982-03 until 1982-05)
violin:
Simon Standage (English violinist and conductor) (from 1982-03 until 1982-05)
orchestra:
The English Concert (from 1982-03 until 1982-05)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1982-03 until 1982-05)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (from 1982-03 until 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:03
126 Moments musicaux, op. 94 D. 780: no. 5 in F minor. Allegro vivace
piano:
Maria João Pires (pianist) (in 1989-02)
recording of:
6 Moments musicaux for Piano, op. 94, D. 780: No. 5 in F minor. Allegro vivace (in 1989-02)
composer:
Franz Schubert (composer)
part of:
6 Moments musicaux for Piano, op. 94, D. 780
Franz Schubert2:15
13Variations for piano, op. 27: I. Sehr mässig - II. Sehr schnell - III. Ruhig, fliessend
piano:
Maurizio Pollini (pianist)
recording of:
Variations for Piano, op. 27
composer:
Anton Webern (composer) (in 1936)
part of:
Works of Anton Webern by opus number (number: op. 27)
Anton Webern5:57
14Zigeunerweisen, op. 20
recording of:
Zigeunerweisen, op. 20 (Gypsy Airs, op. 20, for violin and orchestra)
composer:
Pablo de Sarasate (violinist and composer) (in 1878)
part of:
Works of Pablo de Sarasate by opus number (number: op. 20)
arrangement of:
Zigeunerweisen, op. 20 (for violin and piano)
Pablo de Sarasate6:50
15Die schöne Müllerin, D. 795: I. Das Wandern
piano:
Justus Zeyen (pianist)
baritone vocals and bass-baritone vocals:
Thomas Quasthoff (bass-baritone)
recording of:
Die schöne Müllerin, D. 795: Nr. 1. Das Wandern
lyricist:
Wilhelm Müller (German poet)
composer:
Franz Schubert (composer) (in 1823)
part of:
Die schöne Müllerin, D. 795
Franz Schubert2:38
16Drumming: Part IV (excerpt)
Steve Reich2:52
17Sinfonia in D major, Wq 183 no. 1: III. Presto
producer:
Dr. Gerd Ploebsch (engineer)
other instruments [continuo (improvisation)]:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Günter Hermanns (producer/engineer) (in 1969-07)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Symphony in D major, Wq 183 no. 1, H 663: III. Presto (in 1969-07)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Symphony in D major, Wq. 183 no. 1, H. 663
Carl Philipp Emanuel Bach2:44
188 Fantasiestücke, op. 12: II. Aufschwung
engineer and balance engineer:
Alfred Steinke
producer:
Wolfgang Lohse
editor:
Günter Hermanns (producer/engineer)
piano:
Sviatoslav Richter (pianist) (from 1956-11-26 until 1956-11-29)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1956-11-26 until 1956-11-29)
recording of:
Fantasiestücke, op. 12: II. Aufschwung (from 1956-11-26 until 1956-11-29)
composer:
Robert Schumann (German classical composer) (until 1837-07)
part of:
Fantasiestücke, op. 12
Robert Schumann2:49
19Symphony in G major, Hob. I:92 “Oxford”: IV. Presto
recording engineer:
Günter Hermanns (producer/engineer) (from 1957-03-18 until 1957-03-19)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1957-03-18 until 1957-03-19)
conductor:
Hans Rosbaud (conductor) (from 1957-03-18 until 1957-03-19)
balance engineer:
Alfred Steinke (from 1957-03-18 until 1957-03-19)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-03-18 until 1957-03-19)
recording of:
Symphony no. 92 in G major, Hob. I:92 "Oxford": IV. Presto (from 1957-03-18 until 1957-03-19)
composer:
Joseph Haydn (composer) (in 1789)
part of:
Symphony no. 92 in G major, Hob. I:92 "Oxford"
Joseph Haydn5:20
20Nutcracker Suite, op. 71a: Dance of the Reed‐Pipes
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1978-06)
conductor:
Mstislav Rostropovich (cellist/conductor) (in 1978-06)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai (in 1978-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Пётр Ильич Чайковский2:28
6▶CD: Seefried – Zimerman