Pure Gold Collection

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼Vinile 12" (30 cm)
#TitoloArtistaValutazioneDurata
A1Right Back Where We Started From
registrazione di:
Right Back Where We Started From
autore:
J. Vincent Edwards e Pierre Tubbs
editore:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Sony/ATV Songs LLC
Maxine Nightingale?:??
A2Devil Woman
registrazione di:
Devil Woman
autore:
Terry Britten e Kristine Sparkle (UK singer and songwriter)
editore:
Mushroom Music Pty. Ltd. e Warner/Chappell Music Australia Pty. Ltd.
Cliff Richard?:??
A3Torn Between Two Lovers
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1976) e Arista Records, LLC (holding company - file NO releases here!) (nel 1976)
registrazione di:
Torn Between Two Lovers (There are times when a woman has to say what’s on her mind…)
paroliere:
Phillip Jarrell
compositore:
Peter Yarrow
editore:
Muscle Shoals Sound Publishing, Peermusic France, Peermusic III, Ltd. (BMI), Silver Dawn Music, WB Music Corp. (1929–2019) e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Mary MacGregor?:??
A4Year of the Cat
Al Stewart?:??
A5Let Your Love Flow
produttore:
Phil Gernhard (songwriter and producer) (nel 1975-10) e Tony Scotti (nel 1975-10)
batteria :
Dennis St. John (nel 1975-10)
chitarra :
David Bellamy (Bellamy Brothers) (nel 1975-10), Howard Bellamy (Bellamy Brothers) (nel 1975-10), Richard Bennett (American guitarist) (nel 1975-10) e Doug Rhone (American guitarist, songwriter, touring and studio musician) (nel 1975-10)
chitarra basso :
Emory Gordy (nel 1975-10)
percussione :
King Errison (conguero) (nel 1975-10)
sintetizzatore :
Alan Lindgren (American keyboardist, arranger, producer, studio & session musician) (nel 1975-10)
voce principale:
David Bellamy (Bellamy Brothers) (nel 1975-10) e Howard Bellamy (Bellamy Brothers) (nel 1975-10)
diritti fonografici (℗) detenuti da:
Curb Records (nel 1975) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1976)
lavorazione tecnica effettuata presso:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, Stati Uniti (nel 1975-10)
registrazione di:
Let Your Love Flow (nel 1975-10)
paroliere e compositore:
Lawrence Eugene Williams (songwriter, "Let Your Love Flow") (nel 1975)
The Bellamy Brothers3.65?:??
A6One Man Woman, One Woman Man
Paul Anka with Odia Coates?:??
A7Touch Me in the Morning
produttore:
Tom Baird (Motown producer) e Michael Masser
arrangiatore:
Tom Baird (Motown producer) e Gene Page (conductor, composer, arranger and record producer)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1973) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1973)
registrazione di:
Touch Me in the Morning
autore:
Michael Masser e Ron Miller (Motown songwriter Ronald Norman Miller)
editore:
Jobete Music (appears also as: Jobete Msc.) e Jobete Music Co., Inc.
Diana Ross3.5?:??
A8I’d Really Love to See You Tonight
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1976)
registrazione di:
I’d Really Love to See You Tonight
paroliere e compositore:
Parker McGee
editore:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing e Sutjujo Music
England Dan & John Ford Coley5?:??
A9Slow Dancin’ Don’t Turn Me On
The Addrisi Brothers?:??
B1I’m Not in Love
registrazione di:
I’m Not in Love
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, nel 1975), Schubert Music Publishing, St. Anne's Music e St. Anne’s Music Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
10cc?:??
B2Don’t Give Up on Us
voce:
David Soul
diritti fonografici (℗) detenuti da:
David Soul (nel 1976)
diritti fonografici (℗) detenuti da:
David Soul (nel 1976), Private Stock Records, Ltd. (not for release label use, for company relationships only) (nel 1976) e Private Stock (nel 1977)
registrazione di:
Don’t Give Up on Us (nel 1976)
paroliere e compositore:
Tony Macaulay
editore:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. e Universal Music Publishing International Ltd.
David Soul3?:??
B3She’s Gone
registrazione di:
She’s Gone
paroliere e compositore:
Daryl Hall e John Oates
editore:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates?:??
B4So In to You
diritti fonografici (℗) detenuti da:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1976), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1976) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1976)
registrazione di:
So in to You
autore:
Buddy Buie, Dean Daughtry e Robert Nix
editore:
Low-Sal, Inc.
Atlanta Rhythm Section5?:??
B5Love Really Hurts Without You
voce:
Billy Ocean
diritti fonografici (℗) detenuti da:
GTO Records Ltd. (holding company - file no releases here!) (nel 1976) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1976)
registrazione di:
Love Really Hurts Without You
paroliere e compositore:
Ben Findon (songwriter and producer) e Leslie Sebastian Charles
editore:
Black Sheep Music Ltd. (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean3.5?:??
B6Shannon
Henry Gross?:??
B7A Fifth of Beethoven
Walter Murphy and the Big Apple Band?:??
B8Fernando
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
diritti fonografici (℗) detenuti da:
Polar Music AB (nel 1976)
registrazione di:
Fernando (English version) (nel 1975)
autore:
Stig Anderson (Stikkan), Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Polar Music AB (conclusa), Bocu Music Ltd., Union Songs Music, EMI Waterford Music (dal 1976 a oggi), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (dal 1976 a oggi) e Universal/Union Songs Musikförlag AB (dal 1976 a oggi)
ABBA3.8?:??
B9When Will I Be Loved
registrazione cover di:
When Will I Be Loved?
paroliere e compositore:
Phil Everly
editore:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Linda Ronstadt?:??
2▶Vinile 12" (30 cm)

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