Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Uitgave van Karl Richter (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Aantekening

The complete recordings of Karl Richter on Archiv Produktion and Deutsche Grammophon. The set consists of 97 CDs and 3 Blu-Ray audio discs containing 24 bit/192 kHz versions of Bach's cantatas and other major sacred works included in the set.

Aantekening het laatst bewerkt op 2021-08-15 10:30 UTC.

Nummerlijst

1▶cd: Bach: Mass in B minor, BWV 232: Kyrie - Gloria (1961 Rec.)
2▶cd: Bach: Mass in B minor, BWV 232: Symbolum Nicenum (Credo) - Sanctus Osanna, Benedictus, Agnus Dei & Dona nobis pacem (1961. Rec)
3▶cd: Bach: Mass in B minor, BWV 232: Kyrie - Gloria (1969 Rec.)
4▶cd: Bach: Mass in B minor, BWV 232: Symbolum Nicenum (Credo) - Sanctus Osanna, Benedictus, Agnus Dei & Dona nobis pacem (1969. Rec)
5▶cd: Bach: St. Matthew Passion, BWV 244 (Part I beg.) (1958 Rec.)
6▶cd: Bach: St. Matthew Passion, BWV 244 (Part I cont. & Part II beg.) (1958 Rec.)
7▶cd: Bach: St. Matthew Passion, BWV 244 (Part II cont.) (1958 Rec.)
8▶cd: Bach: St. Matthew Passion, BWV 244 (Part I beg.) (1979 Rec.)
9▶cd: Bach: St. Matthew Passion, BWV 244 (Part I cont. & Part II beg.) (1979 Rec.)
10▶cd: Bach: St. Matthew Passion, BWV 244 (Part II cont.) (1979 Rec.)
11▶cd: Bach: St. John Passion, BWV 245 (Part I & Part II beg.)
12▶cd: Bach: St. John Passion, BWV 245 (Part II cont.)
13▶cd: Bach: Christmas Oratorio, BWV 248 (Part I & Part II beg.)
14▶cd: Bach: Christmas Oratorio, BWV 248 (Part II cont., Parts III & IV)
15▶cd: Bach: Christmas Oratorio, BWV 248 (Parts V & VI)
16▶cd: Karl Richter Rehearses Bach's Christmas Oratorio
17▶cd: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Bereitet die Wege, bereitet die Bahn”, BWV 132 / “Christen, ätzet diesen Tag”, BWV 63
18▶cd: Bach: “Christum wir sollen loben schon”, BWV 121 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Gottlob! nun geht das Jahr zu Ende”, BWV 28 / “Gott, wie dein Name, so ist auch dein Ruhm”, BWV 171
19▶cd: Bach: “Ach Gott, wie manches Herzeleid”, BWV 58 / “Sie werden aus Saba alle kommen”, BWV 65 / “Meinen Jesum lass ich nicht”, BWV 124 / “Meine Seufzer, meine Tränen”, BWV 13
20▶cd: Bach: “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Jesus schläft, was soll ich hoffen?”, BWV 81 / “Ich habe genug”, BWV 82
21▶cd: Bach: “Ich hab in Gottes Herz und Sinn”, BWV 92 / “Erhalt uns, Herr, bei deinem Wort”, BWV 126 / “Du wahrer Gott und Davids Sohn”, BWV 23
22▶cd: Bach: “Wie schön leuchtet der Morgenstern”, BWV 1 / “Himmelskönig, sei willkommen”, BWV 182
23▼cd: Bach: “Christ lag in Todes Banden”, BWV 4 / “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Der Friede sei mit dir”, BWV 158 / “Halt im Gedächtnis Jesum Christ”, BWV 67
#TitelArtiestWaarderingDuur
1“Christ lag in Todes Banden”, BWV 4: 1. Sinfonia
leidinggevend producent:
Wolfgang Werner
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
contrabas:
Herbert Duft (double bass player) (in 1968-07)
fagot:
Karl Kolbinger (bassoonist) (in 1968-07)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) en Elmar Schloter (organist) (in 1968-07)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1969)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1968-07)
is een opname van:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (in 1968-07)
gecomponeerd in:
Mühlhausen, Thüringen (Thuringia), Duitsland (van 1707 tot 1708)
herzien in:
Leipzig, Sachsen (Saxony), Duitsland (van 1724 tot 1725)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
deel van:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:38
2“Christ lag in Todes Banden”, BWV 4: 2. Versus I: “Christ lag in Todes Banden” (chorus)
leidinggevend producent:
Wolfgang Werner
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
contrabas:
Herbert Duft (double bass player) (in 1968-07)
fagot:
Karl Kolbinger (bassoonist) (in 1968-07)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) en Elmar Schloter (organist) (in 1968-07)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1969)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1968-07)
is een opname van:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ (in 1968-07)
gecomponeerd in:
Mühlhausen, Thüringen (Thuringia), Duitsland (van 1707 tot 1708)
herzien in:
Leipzig, Sachsen (Saxony), Duitsland (van 1724 tot 1725)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
deel van:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:23
3“Christ lag in Todes Banden”, BWV 4: 3. Versus II: “Den Tod niemand zwingen kunnt” (chorus soprano, alto)
leidinggevend producent:
Wolfgang Werner
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
contrabas:
Herbert Duft (double bass player) (in 1968-07)
fagot:
Karl Kolbinger (bassoonist) (in 1968-07)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) en Elmar Schloter (organist) (in 1968-07)
altvocalen, koor en sopraanvocalen:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1969)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1968-07)
is een opname van:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ (in 1968-07)
gecomponeerd in:
Mühlhausen, Thüringen (Thuringia), Duitsland (van 1707 tot 1708)
herzien in:
Leipzig, Sachsen (Saxony), Duitsland (van 1724 tot 1725)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
deel van:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:00
4“Christ lag in Todes Banden”, BWV 4: 4. Versus III: “Jesus Christus, Gottes Sohn” (chorus: tenor)
leidinggevend producent:
Wolfgang Werner
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
contrabas:
Herbert Duft (double bass player) (in 1968-07)
fagot:
Karl Kolbinger (bassoonist) (in 1968-07)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) en Elmar Schloter (organist) (in 1968-07)
koor en tenorvocalen:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1969)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1968-07)
is een opname van:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (in 1968-07)
gecomponeerd in:
Mühlhausen, Thüringen (Thuringia), Duitsland (van 1707 tot 1708)
herzien in:
Leipzig, Sachsen (Saxony), Duitsland (van 1724 tot 1725)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
deel van:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:56
5“Christ lag in Todes Banden”, BWV 4: 5. Versus IV: “Es war ein wunderlicher Krieg” (chorus)
leidinggevend producent:
Wolfgang Werner
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
contrabas:
Herbert Duft (double bass player) (in 1968-07)
fagot:
Karl Kolbinger (bassoonist) (in 1968-07)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) en Elmar Schloter (organist) (in 1968-07)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1969)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1968-07)
is een opname van:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (in 1968-07)
gecomponeerd in:
Mühlhausen, Thüringen (Thuringia), Duitsland (van 1707 tot 1708)
herzien in:
Leipzig, Sachsen (Saxony), Duitsland (van 1724 tot 1725)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
deel van:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:13
6“Christ lag in Todes Banden”, BWV 4: 6. Versus V: “Hier ist das rechte Osterlamm” (solo bass)
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
contrabas:
Herbert Duft (double bass player) (in 1968-07)
fagot:
Karl Kolbinger (bassoonist) (in 1968-07)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) en Elmar Schloter (organist) (in 1968-07)
basvocalen:
Dietrich Fischer‐Dieskau (baritone) (in 1968-07)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1969)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1968-07)
is een opname van:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (in 1968-07)
gecomponeerd in:
Mühlhausen, Thüringen (Thuringia), Duitsland (van 1707 tot 1708)
herzien in:
Leipzig, Sachsen (Saxony), Duitsland (van 1724 tot 1725)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
deel van:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:36
7“Christ lag in Todes Banden”, BWV 4: 7. Versus VI: “So feiern wir das hohe Fest” (chorus soprano, tenor)
leidinggevend producent:
Wolfgang Werner
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
contrabas:
Herbert Duft (double bass player) (in 1968-07)
fagot:
Karl Kolbinger (bassoonist) (in 1968-07)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) en Elmar Schloter (organist) (in 1968-07)
koor, sopraanvocalen en tenorvocalen:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1969)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1968-07)
is een opname van:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (in 1968-07)
gecomponeerd in:
Mühlhausen, Thüringen (Thuringia), Duitsland (van 1707 tot 1708)
herzien in:
Leipzig, Sachsen (Saxony), Duitsland (van 1724 tot 1725)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
deel van:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:02
8“Christ lag in Todes Banden”, BWV 4: 8. Versus VII. Chorale: “Wir essen und wir leben wohl!”
producent:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
cello:
Fritz Kiskalt (cellist) (in 1968-07)
contrabas:
Herbert Duft (double bass player) (in 1968-07)
fagot:
Karl Kolbinger (bassoonist) (in 1968-07)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1968-07) en Elmar Schloter (organist) (in 1968-07)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1968-07)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1968-07)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1968-07)
balanstechnicus:
Harald Baudis (sound engineer)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1969)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1968-07)
is een opname van:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (in 1968-07)
gecomponeerd in:
Mühlhausen, Thüringen (Thuringia), Duitsland (van 1707 tot 1708)
herzien in:
Leipzig, Sachsen (Saxony), Duitsland (van 1724 tot 1725)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
deel van:
Breitkopf 389 Choralgesänge (nummer: 41)
deel van:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:28
9“Bleib bei uns, denn es will Abend werden”, BWV 6: 1. Chorus: “Bleib bei uns, denn es will Abend werden”
opnametechnicus:
Klaus Scheibe (editor/engineer) en Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
althobo:
Edgar Shann (oboist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
cello:
Fritz Kiskalt (cellist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
contrabas:
Herbert Duft (double bass player) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
fagot:
Karl Kolbinger (bassoonist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
orgel:
Hedwig Bilgram (harpsichordist and organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01) en Elmar Schloter (organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (van 1973-05 tot 1973-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1975)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
is een opname van:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": I. Coro "Bleib bei uns, denn es will Abend werden" (van 1973-05 tot 1973-06)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1725-04-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (in 1725)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
deel van:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach6:12
10“Bleib bei uns, denn es will Abend werden”, BWV 6: 2. Aria: “Hochgelobter Gottessohn” (alto)
opnametechnicus:
Klaus Scheibe (editor/engineer) en Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
althobo:
Edgar Shann (oboist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
cello:
Fritz Kiskalt (cellist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
contrabas:
Herbert Duft (double bass player) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
fagot:
Karl Kolbinger (bassoonist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
orgel:
Hedwig Bilgram (harpsichordist and organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01) en Elmar Schloter (organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
altvocalen:
Anna Reynolds (alto) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (van 1973-05 tot 1973-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1975)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
is een opname van:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (van 1973-05 tot 1973-06)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1725-04-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (in 1725)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach4:06
11“Bleib bei uns, denn es will Abend werden”, BWV 6: 3. Chorale: “Ach bleib bei uns, Herr Jesu Christ” (chorus soprano)
opnametechnicus:
Klaus Scheibe (editor/engineer) en Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
althobo:
Edgar Shann (oboist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
cello:
Fritz Kiskalt (cellist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
contrabas:
Herbert Duft (double bass player) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
fagot:
Karl Kolbinger (bassoonist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
orgel:
Hedwig Bilgram (harpsichordist and organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01) en Elmar Schloter (organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
sopraanvocalen:
Edith Mathis (soprano) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (van 1973-05 tot 1973-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1975)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
is een opname van:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ" (van 1973-05 tot 1973-06)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1725-04-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (in 1725)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Nikolaus Herman (in 1572) en Nikolaus Selnecker (in 1572)
deel van:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach4:15
12“Bleib bei uns, denn es will Abend werden”, BWV 6: 4. Recitative: “Es hat die Dunkelheit an vielen Orten” (bass)
opnametechnicus:
Klaus Scheibe (editor/engineer) en Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
althobo:
Edgar Shann (oboist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
cello:
Fritz Kiskalt (cellist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
contrabas:
Herbert Duft (double bass player) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
fagot:
Karl Kolbinger (bassoonist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
orgel:
Hedwig Bilgram (harpsichordist and organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01) en Elmar Schloter (organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
basvocalen:
Dietrich Fischer‐Dieskau (baritone) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (van 1973-05 tot 1973-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1975)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
is een opname van:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": IV. Recitativo (Basso) "Es hat die Dunkelheit" (van 1973-05 tot 1973-06)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1725-04-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (in 1725)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach0:56
13“Bleib bei uns, denn es will Abend werden”, BWV 6: 5. Aria: “Jesu, lass uns auf dich sehen” (tenor)
opnametechnicus:
Klaus Scheibe (editor/engineer) en Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
althobo:
Edgar Shann (oboist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
cello:
Fritz Kiskalt (cellist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
contrabas:
Herbert Duft (double bass player) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
fagot:
Karl Kolbinger (bassoonist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
orgel:
Hedwig Bilgram (harpsichordist and organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01) en Elmar Schloter (organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
tenorvocalen:
Peter Schreier (German tenor and conductor) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (van 1973-05 tot 1973-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1975)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
is een opname van:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": V. Aria (Tenore) "Jesu, lass uns auf dich sehen" (van 1973-05 tot 1973-06)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1725-04-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (in 1725)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach4:20
14“Bleib bei uns, denn es will Abend werden”, BWV 6: 6. Chorale: “Beweis dein Macht, Herr Jesu Christ”
opnametechnicus:
Klaus Scheibe (editor/engineer) en Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
althobo:
Edgar Shann (oboist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
cello:
Fritz Kiskalt (cellist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
contrabas:
Herbert Duft (double bass player) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
fagot:
Karl Kolbinger (bassoonist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
orgel:
Hedwig Bilgram (harpsichordist and organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01) en Elmar Schloter (organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (van 1973-05 tot 1973-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1975)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
is een opname van:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": VI. Choral "Beweis dein Macht, Herr Jesu Christ" (van 1973-05 tot 1973-06)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland (op 1725-04-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (in 1725)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Luther (German theologian of the Reformation) (in 1542)
deel van:
Breitkopf 389 Choralgesänge (nummer: 79)
deel van:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach0:47
15“Der Friede sei mit dir”, BWV 158: 1. Recitative: “Der Friede sei mit dir” (bass)
opnametechnicus:
Harald Baudis (sound engineer)
producent:
Hansjoachim Reiser (engineer/producer)
cello:
Fritz Kiskalt (cellist) (in 1969-07)
contrabas:
Herbert Duft (double bass player) (in 1969-07)
fagot:
Karl Kolbinger (bassoonist) (in 1969-07)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07) en Elmar Schloter (organist) (in 1969-07)
viool:
Otto Büchner (violinist) (in 1969-07)
basvocalen:
Dietrich Fischer‐Dieskau (baritone) (in 1969-07)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1975)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1969-07)
is een opname van:
Kantate, BWV 158 "Der Friede sei mit dir": I. Recitativo (Bass) "Der Friede sei mit dir" (in 1969-07)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1728 tot 1731)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach2:13
16“Der Friede sei mit dir”, BWV 158: 2. Aria and Chorale: “Welt, ade, ich bin dein müde” (bass, chorus soprano)
opnametechnicus:
Harald Baudis (sound engineer)
producent:
Hansjoachim Reiser (engineer/producer)
cello:
Fritz Kiskalt (cellist) (in 1969-07)
contrabas:
Herbert Duft (double bass player) (in 1969-07)
fagot:
Karl Kolbinger (bassoonist) (in 1969-07)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07) en Elmar Schloter (organist) (in 1969-07)
viool:
Otto Büchner (violinist) (in 1969-07)
basvocalen:
Dietrich Fischer‐Dieskau (baritone) (in 1969-07)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-07)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1975)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1969-07)
is een opname van:
Kantate, BWV 158 "Der Friede sei mit dir": II. Aria (Bass) con Choral (Sop) "Welt, ade, ich bin dein müde" (in 1969-07)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1728 tot 1731)
librettist:
Johann Georg Albinus (in 1649)
deel van:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach5:58
17“Der Friede sei mit dir”, BWV 158: 3. Recitative: “Nun Herr, regiere meinen Sinn” (bass)
opnametechnicus:
Harald Baudis (sound engineer)
producent:
Hansjoachim Reiser (engineer/producer)
cello:
Fritz Kiskalt (cellist) (in 1969-07)
contrabas:
Herbert Duft (double bass player) (in 1969-07)
fagot:
Karl Kolbinger (bassoonist) (in 1969-07)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07) en Elmar Schloter (organist) (in 1969-07)
viool:
Otto Büchner (violinist) (in 1969-07)
basvocalen:
Dietrich Fischer‐Dieskau (baritone) (in 1969-07)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1975)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1969-07)
is een opname van:
Kantate, BWV 158 "Der Friede sei mit dir": III. Recitativo ed Arioso (Bass) "Nun, Herr, regiere meinen Sinn" (in 1969-07)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1728 tot 1731)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach2:06
18“Der Friede sei mit dir”, BWV 158: 4. Chorale: “Hier ist das rechte Osterlamm”
opnametechnicus:
Harald Baudis (sound engineer)
producent:
Hansjoachim Reiser (engineer/producer)
cello:
Fritz Kiskalt (cellist) (in 1969-07)
contrabas:
Herbert Duft (double bass player) (in 1969-07)
fagot:
Karl Kolbinger (bassoonist) (in 1969-07)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07) en Elmar Schloter (organist) (in 1969-07)
viool:
Otto Büchner (violinist) (in 1969-07)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-07)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1975)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1969-07)
is een opname van:
Kantate, BWV 158 "Der Friede sei mit dir": IV. Chorale "Hier ist das rechte Osterlamm" (in 1969-07)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (van 1728 tot 1731)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
deel van:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach1:34
19“Halt im Gedächtnis Jesum Christ”, BWV 67: 1. Chorus: “Halt im Gedächtnis Jesum Christ”
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
contrabas:
Herbert Duft (double bass player) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
fagot:
Karl Kolbinger (bassoonist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
hobo:
Manfred Clement (oboist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
orgel:
Hedwig Bilgram (harpsichordist and organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03) en Elmar Schloter (organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
trompet:
Pierre Thibaud (French trumpeter) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01)
vocalen:
Münchener Bach‐Chor (Munich Bach Choir) (in 1974-03)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1975)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
is een opname van:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": I. Coro "Halt im Gedächtnis Jesum Christ" (van 1973-05 tot 1973-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach2:58
20“Halt im Gedächtnis Jesum Christ”, BWV 67: 2. Aria: “Mein Jesus ist erstanden” (tenor)
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
contrabas:
Herbert Duft (double bass player) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
fagot:
Karl Kolbinger (bassoonist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
hobo:
Manfred Clement (oboist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
orgel:
Hedwig Bilgram (harpsichordist and organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03) en Elmar Schloter (organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
trompet:
Pierre Thibaud (French trumpeter) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
tenorvocalen:
Peter Schreier (German tenor and conductor) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1975)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
is een opname van:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": II. Aria (Tenor) "Mein Jesus ist erstanden" (van 1973-05 tot 1973-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach2:42
21“Halt im Gedächtnis Jesum Christ”, BWV 67: 3. Recitative: “Mein Jesus, heißest du des Todes Gift” (alto)
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
contrabas:
Herbert Duft (double bass player) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
fagot:
Karl Kolbinger (bassoonist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
hobo:
Manfred Clement (oboist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
orgel:
Hedwig Bilgram (harpsichordist and organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03) en Elmar Schloter (organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
trompet:
Pierre Thibaud (French trumpeter) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
altvocalen:
Anna Reynolds (alto) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1975)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
is een opname van:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": III. Recitativo (Alt) "Mein Jesu, heißest du des Todes Gift" (van 1973-05 tot 1973-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach0:46
22“Halt im Gedächtnis Jesum Christ”, BWV 67: 4. Chorale: “Erschienen ist der herrliche Tag”
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
contrabas:
Herbert Duft (double bass player) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
fagot:
Karl Kolbinger (bassoonist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
hobo:
Manfred Clement (oboist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
orgel:
Hedwig Bilgram (harpsichordist and organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03) en Elmar Schloter (organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
trompet:
Pierre Thibaud (French trumpeter) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1975)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
is een opname van:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": IV. Choral "Erschienen ist der herrlich Tag" (van 1973-05 tot 1973-06)
tekstschrijver:
Nikolaus Herman
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Breitkopf 389 Choralgesänge (nummer: 83)
deel van:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach0:43
23“Halt im Gedächtnis Jesum Christ”, BWV 67: 5. Recitative: “Doch scheinet fast, dass mich der Feinde Rest” (alto)
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
contrabas:
Herbert Duft (double bass player) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
fagot:
Karl Kolbinger (bassoonist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
hobo:
Manfred Clement (oboist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
orgel:
Hedwig Bilgram (harpsichordist and organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03) en Elmar Schloter (organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
trompet:
Pierre Thibaud (French trumpeter) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
altvocalen:
Anna Reynolds (alto) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1975)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
is een opname van:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": V. Recitativo (Alt) "Doch scheinet fast" (van 1973-05 tot 1973-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach1:13
24“Halt im Gedächtnis Jesum Christ”, BWV 67: 6. Aria: “Friede sei mit euch” (bass, chorus)
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
contrabas:
Herbert Duft (double bass player) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
fagot:
Karl Kolbinger (bassoonist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
hobo:
Manfred Clement (oboist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
orgel:
Hedwig Bilgram (harpsichordist and organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03) en Elmar Schloter (organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
trompet:
Pierre Thibaud (French trumpeter) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
basvocalen:
Dietrich Fischer‐Dieskau (baritone) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1975)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
is een opname van:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VI. Aria (Bass, Coro) "Friede sei mit euch!" (van 1973-05 tot 1973-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach5:12
25“Halt im Gedächtnis Jesum Christ”, BWV 67: 7. Chorale: “Du Friedefürst, Herr Jesus Christ”
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch (engineer)
cello:
Fritz Kiskalt (cellist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
contrabas:
Herbert Duft (double bass player) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
fagot:
Karl Kolbinger (bassoonist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
hobo:
Manfred Clement (oboist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
orgel:
Hedwig Bilgram (harpsichordist and organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03) en Elmar Schloter (organist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
trompet:
Pierre Thibaud (French trumpeter) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1975)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (van 1973-05 tot 1973-06, in 1973-10, in 1974-01, in 1974-03)
is een opname van:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ": VII. Choral "Du Friedefürst, Herr Jesu Christ" (van 1973-05 tot 1973-06)
tekstschrijver:
Jakob Ebert (German hymn writer)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
deel van:
Breitkopf 389 Choralgesänge (nummer: 68)
deel van:
Kantate, BWV 67 "Halt im Gedächtnis Jesum Christ"
Johann Sebastian Bach1:02
24▶cd: Bach: “Du Hirte Israel, höre”, BWV 104 / “Weinen, Klagen, Sorgen, Zagen”, BWV 12
25▶cd: Bach: “Es ist euch gut, dass ich hingehe”, BWV 108 / “Bisher habt ihr nichts gebeten in meinem Namen”, BWV 87
26▶cd: Bach: “Lobet Gott in seinen Reichen”, BWV 11 / “Sie werden euch in den Bann tun”, BWV 44 / “O ewiges Feuer, o Ursprung der Liebe”, BWV 34
27▶cd: Bach: “Also hat Gott die Welt geliebt”, BWV 68 / “Er rufet seinen Schafen mit Namen”, BWV 175 / “Gelobet sei der Herr, mein Gott”, BWV 129
28▶cd: Bach: “Brich dem Hungrigen dein Brot”, BWV 39 / “Die Himmel erzählen die Ehre Gottes”, BWV 76 / “Ach Herr, mich armen Sünder”, BWV 135
29▶cd: Bach: “Ich hatte viel Bekümmernis”, BWV 21 / “Ein ungefärbt Gemüte”, BWV 24
30▶cd: Bach: “Freue dich, erlöste Schar”, BWV 30 / “Wer nur den lieben Gott lässt walten”, BWV 93
31▶cd: Bach: “Herz und Mund und Tat und Leben”, BWV 147 / “Meine Seel erhebt den Herren”, BWV 10
32▶cd: Bach: “Es ist das Heil uns kommen her”, BWV 9 / “Es wartet alles auf dich”, BWV 187 / “Wo Gott der Herr nicht bei uns hält”, BWV 178
33▶cd: Bach: “Es ist dir gesagt, Mensch, was gut ist”, BWV 45 / “Herr, gehe nicht ins Gericht”, BWV 105 / “Herr, deine Augen sehen nach dem Glauben”, BWV 102
34▶cd: Bach: “Mein Herze schwimmt im Blut”, BWV 199 / “Siehe zu, dass deine Gottesfurcht nicht heuchelei sei”, BWV 179 / “Lobe den Herren, den mächtigen König der Ehren”, BWV 137
35▶cd: Bach: “Allein zu dir, Herr Jesu Christ”, BWV 33 / “Jesu, der du meine Seele”, BWV 78 / “Wer Dank opfert, der preiset mich”, BWV 17
36▶cd: Bach: “Jauchzet Gott in allen Landen”, BWV 51 / “Was Gott tut, das ist wohlgetan”, BWV 100 / “Wer weiß, wie nahe mir mein Ende!”, BWV 27
37▶cd: Bach: “Liebster Gott, wann werd' ich sterben?”, BWV 8 / “Bringet dem Herrn Ehre seines Namens”, BWV 148
38▶cd: Bach: “Herr Christ, der einge Gottessohn”, BWV 96 / “Wo soll ich fliehen hin”, BWV 5 / “Ich will den Kreuzstab gerne tragen”, BWV 56
39▶cd: Bach: “Schmücke dich, o liebe Seele”, BWV 180 / “Aus tiefer Not schrei ich zu dir”, BWV 38 / “Ich armer Mensch, ich Sündenknecht”, BWV 55
40▶cd: Bach: “Mache dich, mein Geist, bereit”, BWV 115 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “O Ewigkeit, du Donnerwort”, BWV 60 / “Ach wie flüchtig, ach wie nichtig”, BWV 26
41▶cd: Bach: “Du Friedefürst, Herr Jesu Christ”, BWV 116 / “Wachet! betet! betet! wachet!”, BWV 70 / “Wachet auf, ruft uns die Stimme”, BWV 140
42▶cd: Bach: “Herr Gott, dich loben alle wir”, BWV 130 / “Ein feste Burg ist unser Gott”, BWV 80 / “Gottes Zeit ist die allerbeste Zeit” (“Actus tragicus”), BWV 106
43▶cd: Bach: Magnificat, BWV 243 / “Jauchzet Gott in allen Landen”, BWV 51
44▶cd: Bach: “Ach wie flüchtig, ach wie nichtig”, BWV 26 / Hoffman: “Meine Seele rühmt und preist” / Bach: “Weichet nur, betrübte Schatten”, BWV 202
45▶cd: Bach: 20 Sacred Songs from Schemelli's Song-Book
46▶cd: Bach: Brandenburg Concertos nos. 1-5, BWV 1046-1050
47▶cd: Bach: Brandenburg Concerto no. 6, BWV 1051 / Orchestral Suites nos. 1 & 2, BWV 1066 & 1067
48▶cd: Bach: Orchestral Suites nos. 3 & 4, BWV 1068 & 1069 / Concerto for Flute, Violin, Harpsichord, Strings and Basso continuo, BWV 1044
49▶cd: Bach: 3 Double Concertos BWV 1060R, 1043, 1060 / Concerto for Oboe d'amoure, Strings and Basso continuo, BWV 1055R / Concerto for 3 Violins, Strings and Basso continuo, BWV 1064R
50▶cd: Bach: Harpsichord Concertos, BWV 1052-1055
51▶cd: Bach: Harpsichord Concertos, BWV 1056-1058, 1060, 1061
52▶cd: Bach: Harpsichord Concertos, BWV 1062-1065
53▶cd: Bach: Musical Offering, BWV 1079
54▶cd: Sonatas for Violin and Harpsichord nos. 1-3, BWV 1014-1016
55▶cd: Sonatas for Violin and Harpsichord no. 4-6, BWV 1017-1019
56▶cd: Bach: 3 Sonatas for Flute and Harpsichord, BWV 1030-1032 / C. P. E. Bach?: Sonata in G minor, H 542 (ex BWV 1020)
57▶cd: Bach: 3 Sonatas for Flute and Harpsichord, BWV 1033-1035 / Partita for Solo Flute, BWV 1013
58▶cd: Bach: Aria with 30 Variations “Goldberg Variations”, BWV 988
59▶cd: Bach: Italian Concerto, BWV 971 / Chromatic Fantasia and Fugue, BWV 903 / Toccata and Fugue, BWV 915 / Pastorale, BWV 590 / Fantasia, BWV 906 / Handel: Suite no. 5, HWV 430 / Chaconne with 21 Variations, HWV 435
60▶cd: Bach: Toccata and Fugue, BWV 565 / (Trio) Sonata no. 2, BWV 526 / Prelude and Fugue, BWV 532 / Prelude and Fugue, BWV 543 / Fantasia (Prelude) and Fugue, BWV 542 / Prelude and Fugue, BWV 552 / Prelude and Fugue, BWV 548
61▶cd: Bach: Sonatas, BWV 525 & 529 / “Wachet auf, ruft uns die Stimme”, BWV 645 / “Kommst du nun, Jesu, vom Himmel herunter”, BWV 650 / “Schmücke dich, o liebe Seele”, BWV 654 / 2 Preludes and Fugues, BWV 544 & 546 / Canzona, BWV 588
62▶cd: Bach: Toccata and Fugue, BWV 540 / Partite diverso sopra: “O Gott, du frommer Gott”, BWV 767 / Toccata and Fugue “Dorian”, BWV 538 / Partite diverse sopra: “Sei gegrüßet, Jesu gütig”, BWV 768 / Passacaglia and Fugue, BWV 582
63▶cd: Bach: Toccata and Fugue, BWV 565 / “Ich ruf zu dir, Herr Jesu Christ”, BWV 639 / Passacaglia and Fugue, BWV 582 / “Wachet auf, ruft uns die Stimme”, BWV 645 / Fantasia (Prelude) and Fugue, BWV 542 / “Kommst du nun, Jesu, von Himmel herunter”, BWV 650 / “Von Himmel hoch, da komm ich her”, BWV 606 / Prelude and Fugue, BWV 548
64▶cd: Bach: Organ Concertos nos. 1-6, BWV 592-597
65▶cd: C. P. E. Bach: 4 Orchestral Sinfonias, Wq 183
66▶cd: Beethoven: Mass in C major, op. 86
67▶cd: Gluck: Orfeo ed Euridice (Original Version, Vienna 1762) (Overtura, Act I & Act II beg.)
68▶cd: Gluck: Orfeo ed Euridice (Original Version, Vienna 1762) (Act II cont. & Act III)
69▶cd: Handel: Der Messias, HWV 56 (1964 Rec.) (Part I beg.)
70▶cd: Handel: Der Messias, HWV 56 (1964 Rec.) (Part I cont. & Part II beg.)
71▶cd: Handel: Der Messias, HWV 56 (1964 Rec.) (Part II cont. & Part III)
72▶cd: Handel: Messiah, HWV 56 (1972 Rec.) (Part I & Part II beg.)
73▶cd: Handel: Messiah, HWV 56 (1972 Rec.) (Part II cont. & Part III)
74▶cd: Handel: Samson, HWV 57 (Symfony, Act I)
75▶cd: Handel: Samson, HWV 57 (Act II)
76▶cd: Handel: Samson, HWV 57 (Act III)
77▶cd: Handel: Giulio Cesare in Egitto, HWV 17 (Overture, Act I beg.)
78▶cd: Handel: Giulio Cesare in Egitto, HWV 17 (Act I cont.)
79▶cd: Handel: Giulio Cesare in Egitto, HWV 17 (Act II)
80▶cd: Handel: Giulio Cesare in Egitto, HWV 17 (Act III)
81▶cd: Handel: Arias from Serse, Giulio Cesaree in Egitto & Samson / Schütz: Musikalische Exequien, SWV 279-281
82▶cd: Handel: Overtures from Alcina, Deidamia, Agrippina, Radamisto, Rinaldo, Jephtha, Rodelinda, Belshazzar, Susanna
83▶cd: Handel: Music for the Royal Fireworks, HWV 351 / Concertos a due cori nos. 2 & 3, HWV 333 & 334
84▶cd: Handel: Concerti grossi, op. 3 nos. 1-6, HWV 312-317 / Concerto grosso, op. 3 no. 4b
85▶cd: Handel: Concerti grossi, op. 6 nos. 1-5, HWV 319-323
86▶cd: Handel: Concerti grossi, op. 6 nos. 6-9, HWV 324-327
87▶cd: Handel: Concerti grossi, op. 6 nos. 10-12, HWV 328-330 / Concerto grosso “Alexander's Feast”, HWV 318
88▶cd: Handel: Trumpet Concertos nos. 1-3, HWV 301, 302a, 287 / Telemann: 3 Trumpet Concertos, TWV 51:e1, Anh. 51:G1, 51:c1
89▶cd: Handel: 6 Flute Sonatas: HWV 379, 363b, 367b (op. 1 nos. 1, 5, 9) / HWV 374-376 (“Halle Sonatas” nos. 1-3)
90▶cd: Handel: Concerti grossi, op. 6 nos. 1-5, HWV 319-323
91▶cd: Handel: Concerti grossi, op. 6 nos. 6-9, HWV 324-327
92▶cd: Handel: Concerti grossi, op. 6 nos. 10-12, HWV 328-330
93▶cd: Haydn: Symphony no. 94 “Surprise”, Hob. I:94 / Symphony no. 101 “The Clock”, Hob. I:101
94▶cd: Maria Stader Sings Arias by Bach, Handel, Haydn, Mendelssohn, Scarlatti
95▶cd: Mozart: Fantasia, K. 608 / Brahms: 11 chorale Preludes, op. post. 122 / Liszt: Prelude and Fugue on the Name B-A-C-H, S 260
96▶cd: Liszt: Prelude and Fugue on the Name B-A-C-H, S 260 / Reger: Fantasia and Fugue on the Name B-A-C-H, op. 46
97▶cd: In dulci jubilo: 18 European Christmas Carols
98▶blu-ray: Bach: St. Matthew Passion, BWV 244 (1958 Recording) / St. John Passion, BWV 245 / Christmas Oratorio, BWV 248 / Magnificat, BWV 243 / Mass in B minor, BWV 232 (1961 Recording)
99▶blu-ray: Bach: Cantatas for all the Sundays and Feast Days in the Church Calendar (Part 1)
100▶blu-ray: Bach: Cantatas for all the Sundays and Feast Days in the Church Calendar (Part 2)

Relaties

Uitgave

fotografie:Siegfried Lauterwasser
Werner Neumeister (photographer)
diverse ondersteuning:Nicole Albring (art director and designer) (taak: creative production manager)
Martin Dirnberger (project manager) (taak: product manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (taak: compilation)
verzorgde het ontwerp:Mareike Walter (designer)
redacteur van het boekje:Annette Nubbemeyer
Eva Reisinger
texthouse (liner notes)
per post bestellen:https://www.deutschegrammophon.com/en/catalogue/products/karl-richter-complete-recordings-on-archiv-and-deutsche-grammophon-12084 [info]
https://www.prestomusic.com/classical/products/8846072--karl-richter-complete-recordings-on-archiv-produktion-and-deutsche-grammophon [info]