Così fan tutte: Highlights

~ Release by Mozart; Schwarzkopf, Merriman, Panerai, Simoneau, Otto, Bruscantini, Philharmonia Orchestra, Herbert von Karajan (see all versions of this release, 7 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Cosi fan tutte: Overture
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Ouvertura (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1790)
part of:
Così fan tutte ossia La scuola degli amanti, K. 588
Wolfgang Amadeus Mozart4:12
2Cosi fan tutte: Act I, Scene I. "La mia Dorabella capace non e"
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 1 Terzetto “La mia Dorabella capace non è” (Ferrando, Guglielmo, Don Alfonso) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:51
3Cosi fan tutte: Act I, Scene I. "E la fede delle femmine"
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 2 Terzetto “È la fede delle femmine” (Ferrando, Guglielmo, Don Alfonso) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:23
4Cosi fan tutte: Act I, Scene I. "Una bella serenata"
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 3 Terzetto “Una bella serenata” (Ferrando, Guglielmo, Don Alfonso) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:27
5Cosi fan tutte: Act I, Scene II. "Soave sia il vento"
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:26
6Cosi fan tutte: Act I, Scene III. "Ah, scostati!... - Smanie implacabili"
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 11 Aria “Smanie implacabili che m’agitate” (Dorabella)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
recording of:
Così fan tutte: Atto I. Recitativo “Ah, scostati!” (Dorabella)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart3:50
7Cosi fan tutte: Act I, Scene III. "In uomini, in soldati"
soprano vocals [Despina]:
Lisa Otto (German operatic soprano, 1919–2013) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 12 Aria “In uomini, in soldati sperare” (Despina) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:25
8Cosi fan tutte: Act I, Scene III. "Alla bella Despinetta"
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Despina]:
Lisa Otto (German operatic soprano, 1919–2013) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 13 Sestetto “Alla bella Despinetta” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:46
9Cosi fan tutte: Act I, Scene III. "L'intatta fede che...Come scoglio immoto resta"
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart5:50
10Cosi fan tutte: Act I, Scene III. "Non siate ritrosi, occhietti vezzosi"
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 15 Aria “Non siate ritrosi” (Guglielmo) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:29
11Cosi fan tutte: Act I, Scene III. "E voi ridete?"
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 16 Terzetto “E voi ridete?” (Don Alfonso, Ferrando, Guglielmo) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart1:05
12Cosi fan tutte: Act I, Scene III. "Un'aura amorosa del nostro tesoro"
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:44
13Cosi fan tutte: Act II, Scene I. "Una donna a quindici anni"
soprano vocals [Despina]:
Lisa Otto (German operatic soprano, 1919–2013) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. No. 19 Aria “Una donna a quindici anni” (Despina) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:16
14Cosi fan tutte: Act II, Scene I. "Prendero quel brunettino"
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. No. 20 Duetto “Prenderò quel brunettino” (Fiordiligi, Dorabella) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:10
15Cosi fan tutte: Act II, Scene II. "La mano a me date"
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Despina]:
Lisa Otto (German operatic soprano, 1919–2013) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. No. 22 “La mano a me date” (Don Alfonso, Ferrando, Guglielmo, Despina) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart2:41
16Cosi fan tutte: Act II, Scene II. "Il core vi dono"
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. No. 23 Duetto “Il core vi dono, bell’idolo mio” (Dorabella, Guglielmo) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart4:23
17Cosi fan tutte: Act II, Scene II. "Ei parte... senti... ah no!"
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. Recitativo “Ei parte… senti…! Ah no… partir si lasci” (Fiordiligi) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:41
18Cosi fan tutte: Act II, Scene II. "Per pieta, ben mio, perdona"
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. No. 25 Rondò “Per pietà, ben mio, perdona” (Fiordiligi) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart7:37
19Cosi fan tutte: Act II, Scene II. "Donne mie, la fate a tanti a tanti"
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. No. 26 Aria “Donne mie, la fate a tanti” (Guglielmo) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:07
20Cosi fan tutte: Act II, Scene III. "Fra gli amplessi in pochi istanti"
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. No. 29 Duetto “Fra gli amplessi in pochi istanti” (Fiordiligi, Ferrando) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart6:32
21Cosi fan tutte: Act II, Scene III. "Tutti accusan le donne"
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. No. 30 Aria “Tutti accusan le donne” (Don Alfonso, Ferrando, Guglielmo) (from 1954-07-13 until 1954-07-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:04
22Cosi fan tutte: Act II, Scene IV. "Fortunato l'uom che prende"
bass vocals [Don Alfonso]:
Sesto Bruscantini (bass-baritone) (from 1954-07-13 until 1954-07-21)
bass vocals [Guglielmo]:
Rolando Panerai (baritone) (from 1954-07-13 until 1954-07-21)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1954-07-13 until 1954-07-21)
soprano vocals [Despina]:
Lisa Otto (German operatic soprano, 1919–2013) (from 1954-07-13 until 1954-07-21)
soprano vocals [Dorabella]:
Nan Merriman (mezzo-soprano) (from 1954-07-13 until 1954-07-21)
soprano vocals [Fiordiligi]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1954-07-13 until 1954-07-21)
tenor vocals [Ferrando]:
Léopold Simoneau (tenor) (from 1954-07-13 until 1954-07-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-07-13 until 1954-07-21)
conductor:
Herbert von Karajan (conductor) (from 1954-07-13 until 1954-07-21)
balance engineer:
Douglas Larter
recording of:
Così fan tutte: Atto II. “Fortunato l’uom che prende” (Tutti)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart1:38