Jazz on My Way

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelKünstlerBewertungLänge
1My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone3.93:37
2Conception
Kontrabass:
Gene Ramey (am 1947-02-18)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1947-02-18)
Schlagzeug:
Art Blakey (am 1947-02-18)
Tenorsaxophon:
Stan Getz (am 1947-02-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1947-02-18)
live recording of:
Conception (am 1950-02-18)
Komponist(in):
George Shearing (British jazz pianist)
recording of:
Conception
Komponist(in):
George Shearing (British jazz pianist)
Miles Davis44:08
3It Might as Well Be Spring
alto saxophone:
Russell Procope (am 1946-01-09)
Bass und Kontrabass:
John Kirby (jazz bass/trombone/tuba player) (am 1946-01-09)
Klarinette:
Buster Bailey (clarinetist) (am 1946-01-09)
Klavier:
Billy Kyle (am 1946-01-09)
Schlagzeug:
Bill Beason (am 1946-01-09)
Trompete:
Clarence Brereton (am 1946-01-09)
vocals:
Sarah Vaughan (am 1946-01-09)
cover recording of:
It Might as Well Be Spring (State Fair) (am 1946-01-09)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
Sarah Vaughan3:00
4What a Difference a Day Makes
recorded in:
New York, New York, Vereinigte Staaten (am 1959-02-19)
Produzent(in):
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (am 1959-02-19)
flute:
Jerome Richardson (am 1959-02-19)
Gitarre:
Kenny Burrell (am 1959-02-19)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (am 1959-02-19)
Kontrabass:
Milt Hinton (am 1959-02-19)
Schlagzeug:
Panama Francis (US swing jazz drummer) (am 1959-02-19)
Sologesang:
Dinah Washington (am 1959-02-19)
vocals:
Dinah Washington (am 1959-02-19)
Orchester:
Belford Hendricks' Orchestra (am 1959-02-19)
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer) (am 1959-02-19)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
cover recording of:
What a Diff’rence a Day Made (am 1959-02-19)
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
Dinah Washington2.82:29
5Salt Peanuts
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1945-05-11)
Klavier:
Al Haig (am 1945-05-11)
Kontrabass:
Curley Russell (am 1945-05-11)
Schlagzeug:
Sid Catlett (am 1945-05-11)
Trompete:
Dizzy Gillespie (am 1945-05-11)
vocals:
Dizzy Gillespie (am 1945-05-11) und Sarah Vaughan (am 1945-05-11)
Orchester:
Dizzy Gillespie and His All Stars (am 1945-05-11)
recording of:
Salt Peanuts (am 1945-05-11)
Komponist(in):
Kenny Clarke und Dizzy Gillespie
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
adaptations:
Salt Peanuts (Pointer Sisters version, with lyrics)
Dizzy Gillespie’s All‐Star Quintet3:17
6Rhythm Rhapsody
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1937-08-10)
Gitarre:
Hurley Ramey (am 1937-08-10)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1937-08-10)
Kontrabass:
Quinn Wilson (jazz bassist, tubist) (am 1937-08-10)
Posaune:
Ed Fant (am 1937-08-10), Ken Stewart (trombone) (am 1937-08-10) und Louis Taylor (am 1937-08-10)
Rohrblattinstrumente:
Leroy Harris (am 1937-08-10), Willie Randall (am 1937-08-10) und Leon Washington (am 1937-08-10)
Schlagzeug:
Oliver Coleman (am 1937-08-10)
Trompete:
Ray Nance (am 1937-08-10) und Leon Scott (am 1937-08-10)
Orchester:
Earl Hines and His Orchestra (am 1937-08-10)
Earl Hines and His Orchestra3:03
7Fidgety Feet
Banjo:
Charlie Dixon (Jazz banjoist) (am 1927-03-19)
Klavier:
Fletcher Henderson (am 1927-03-19)
Posaune:
Jimmy Harrison (am 1927-03-19) und Benny Morton (am 1927-03-19)
Rohrblattinstrumente:
Buster Bailey (clarinetist) (am 1927-03-19), Coleman Hawkins (am 1927-03-19) und Don Redman (am 1927-03-19)
Schlagzeug:
Kaiser Marshall (am 1927-03-19)
Trompete:
Tommy Ladnier (American jazz trumpeter) (am 1927-03-19), Joe Smith (American jazz trumpeter/cornetist) (am 1927-03-19) und Russell Smith (US jazz trumpeter) (am 1927-03-19)
Tuba [brass bass]:
June Cole (am 1927-03-19)
recording of:
Fidgety Feet (am 1927-03-19)
Komponist(in):
Nick LaRocca und Larry Shields
Fletcher Henderson and His Orchestra2:58
8Bossa Nova U.S.A.
Quincy Jones3:00
9Baby, Won’t You Say You Love Me?
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-02-02)
cover recording of:
Baby, Won’t You Say You Love Me? (am 1950-02-02)
Verfasser(in):
Mack Gordon und Josef Myrow
Ella Fitzgerald2:57
10Blue Monk
recorded in:
Paris, Île-de-France, Frankreich (am 1967-11-03)
alto saxophone:
Phil Woods (US jazz woodwind player) (am 1967-11-03)
Klavier:
Thelonious Monk (am 1967-11-03)
Kontrabass [bass]:
Larry Gales (am 1967-11-03)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1967-11-03)
Schlagzeug:
Ben Riley (American jazz drummer) (am 1967-11-03)
Tenorsaxophon:
Johnny Griffin (am 1967-11-03) und Charlie Rouse (am 1967-11-03)
Trompete:
Ray Copeland (US jazz trumpeter) (am 1967-11-03) und Clark Terry (American swing trumpeter) (am 1967-11-03)
aufgenommen bei:
Salle Pleyel (1927-) in Paris, Île-de-France, Frankreich (am 1967-11-03)
live recording of:
Blue Monk (am 1967-11-03)
publisher:
Thelonious Monk
Komponist(in):
Thelonious Monk
recording of:
Blue Monk
publisher:
Thelonious Monk
Komponist(in):
Thelonious Monk
Thelonious Monk5:19
11Panacea
Woody Herman3:22
12Just Friends
Sonny Stitt & Red Holloway6:14
13Seven Come Eleven
recorded in:
New York, New York, Vereinigte Staaten (am 1944-01-05)
Gitarre:
Tiny Grimes (US jazz/R&B guitarist) (am 1944-01-05)
Klavier:
Art Tatum (US jazz pianist) (am 1944-01-05)
Kontrabass:
Slam Stewart (am 1944-01-05)
instrumental recording of:
Moonglow (am 1944-01-05)
Texter:
Eddie DeLange
Komponist(in):
Will Hudson und Irving Mills
Red Norvo4:12
14Moonglow
recorded in:
New York, New York, Vereinigte Staaten (am 1944-01-05)
Gitarre:
Tiny Grimes (US jazz/R&B guitarist) (am 1944-01-05)
Klavier:
Art Tatum (US jazz pianist) (am 1944-01-05)
Kontrabass:
Slam Stewart (am 1944-01-05)
instrumental recording of:
Moonglow (am 1944-01-05)
Texter:
Eddie DeLange
Komponist(in):
Will Hudson und Irving Mills
Art Tatum2:37
15Can’t Help Lovin’ That Man
cover recording of:
Can’t Help Lovin’ Dat Man (Show Boat)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
Komponist(in):
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
Medley von:
Selections from "Show boat"
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act I
Teil von:
The Real Book (compilation of jazz standards, volume I)
Lena Horne2:45
16Ornithology
Produzent(in):
Ross Russell (US jazz producer 1940's-)
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1946-03-28)
Gitarre:
Arvin Garrison (am 1946-03-28)
Klavier:
Dodo Marmarosa (am 1946-03-28)
Kontrabass:
Vic McMillan (am 1946-03-28)
Schlagzeug:
Roy Porter (am 1946-03-28)
Tenorsaxophon:
Lucky Thompson (am 1946-03-28)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1946-03-28)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1946-03-28)
recording of:
Ornithology (am 1946-03-28)
Komponist(in):
Benny Harris und Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
Charlie Parker2:58
17Begin the Beguine
recorded in:
New York, New York, Vereinigte Staaten (am 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1938-07-24) und Les Robinson (am 1938-07-24)
Gitarre:
Al Avola (am 1938-07-24)
Klarinette:
Artie Shaw (am 1938-07-24)
Klavier:
Les Burness (am 1938-07-24)
Kontrabass:
Sid Weiss (am 1938-07-24)
Posaune:
George Arus (am 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (am 1938-07-24) und Ted Vesely (am 1938-07-24)
Schlagzeug:
Cliff Leeman (am 1938-07-24)
Tenorsaxophon:
Tony Pastor (am 1938-07-24) und Ronnie Perry (am 1938-07-24)
Trompete:
Claude Bowen (am 1938-07-24), John Best (jazz trumpeter) (am 1938-07-24) und Chuck Peterson (trumpet) (am 1938-07-24)
Orchester:
Artie Shaw and His Orchestra (am 1938-07-24)
conductor:
Artie Shaw (am 1938-07-24)
arranger:
Jerry Gray (US big band arranger and conductor)
aufgenommen bei und engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, Vereinigte Staaten (am 1938-07-24)
instrumental recording of:
Begin the Beguine (am 1938-07-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
recording of:
Begin the Beguine (am 1938-07-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
Artie Shaw33:13
18Jersey Bounce
recording of:
Jersey Bounce
Texter:
Robert B. Wright
Komponist(in):
Tiny Bradshaw, Edward Johnson (US songwriter) und Bobby Plater
Benny Goodman and His Orchestra3:09