| # | Title | Rating | Length |
|---|
| 1 | Selections from Black, Brown and Beige: Work Song- alto saxophone:
- Otto Hardwick (on 1944-12-19) and Johnny Hodges (on 1944-12-19)
- baritone saxophone:
- Harry Carney (on 1944-12-19)
- double bass:
- Junior Raglin (on 1944-12-19)
- drums (drum set):
- Hillard Brown (on 1944-12-19)
- guitar:
- Fred Guy (on 1944-12-19)
- piano:
- Duke Ellington (on 1944-12-19)
- reeds:
- Jimmy Hamilton (on 1944-12-19)
- tenor saxophone:
- Al Sears (on 1944-12-19)
- trombone:
- Lawrence Brown (on 1944-12-19), Claude Jones (on 1944-12-19) and Joe "Tricky Sam" Nanton (on 1944-12-19)
- trumpet:
- William “Cat” Anderson (on 1944-12-19), Shelton "Scad" Hemphill (on 1944-12-19), Taft Jordan (on 1944-12-19), Ray Nance (on 1944-12-19) and Rex Stewart (on 1944-12-19)
- recorded at:
- Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1944-12-19)
- live recording of:
- Black, Brown, and Beige: I. Black: Work Song (on 1944-12-19)
- composer:
- Duke Ellington
- part of:
- Black, Brown, and Beige: I. Black
| | 7:00 |
| 2 | Selections from Black, Brown and Beige: The Blues- alto saxophone:
- Johnny Hodges (on 1944-12-19)
- double bass:
- Junior Raglin (on 1944-12-19)
- drums (drum set):
- Hillard Brown (on 1944-12-19)
- guitar:
- Fred Guy (on 1944-12-19)
- piano:
- Duke Ellington (on 1944-12-19)
- reeds:
- Harry Carney (on 1944-12-19), Jimmy Hamilton (on 1944-12-19) and Otto Hardwick (on 1944-12-19)
- tenor saxophone:
- Al Sears (on 1944-12-19)
- trombone:
- Lawrence Brown (on 1944-12-19), Claude Jones (on 1944-12-19) and Joe "Tricky Sam" Nanton (on 1944-12-19)
- trumpet:
- William “Cat” Anderson (on 1944-12-19), Shelton "Scad" Hemphill (on 1944-12-19), Taft Jordan (on 1944-12-19), Ray Nance (on 1944-12-19) and Rex Stewart (on 1944-12-19)
- lead vocals:
- Marie Ellington (on 1944-12-19)
- recorded at:
- Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1944-12-19)
- live recording of:
- Black, Brown, and Beige: II. Brown: The Blues (on 1944-12-19)
- composer:
- Duke Ellington
- part of:
- Black, Brown, and Beige: II. Brown
| | 5:25 |
| 3 | Selections from Black, Brown and Beige: Three Dances: West Indian Dance / Creamy Brown / Emancipation Celebration- alto saxophone:
- Johnny Hodges (on 1944-12-19)
- double bass:
- Junior Raglin (on 1944-12-19)
- drums (drum set):
- Hillard Brown (on 1944-12-19)
- guitar:
- Fred Guy (on 1944-12-19)
- piano:
- Duke Ellington (on 1944-12-19)
- reeds:
- Harry Carney (on 1944-12-19), Jimmy Hamilton (on 1944-12-19) and Otto Hardwick (on 1944-12-19)
- tenor saxophone:
- Al Sears (on 1944-12-19)
- trombone:
- Lawrence Brown (on 1944-12-19), Claude Jones (on 1944-12-19) and Joe "Tricky Sam" Nanton (on 1944-12-19)
- trumpet:
- William “Cat” Anderson (on 1944-12-19), Shelton "Scad" Hemphill (on 1944-12-19), Taft Jordan (on 1944-12-19), Ray Nance (on 1944-12-19) and Rex Stewart (on 1944-12-19)
- recorded at:
- Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1944-12-19)
- live recording of:
- Black, Brown, and Beige: II. Brown: Emancipation Celebration (on 1944-12-19)
- composer:
- Duke Ellington
- part of:
- Black, Brown, and Beige: II. Brown
- live recording of:
- Black, Brown, and Beige: II. Brown: West Indian Dance (on 1944-12-19)
- composer:
- Duke Ellington
- part of:
- Black, Brown, and Beige: II. Brown
- recording of:
- Black, Brown, and Beige: III. Beige: Sugar Hill Penthouse (on 1944-12-19)
- composer:
- Duke Ellington
- part of:
- Black, Brown, and Beige: III. Beige
| | 6:29 |
| 4 | Selections from Black, Brown and Beige: Come Sunday- alto saxophone:
- Johnny Hodges (on 1944-12-19)
- double bass:
- Junior Raglin (on 1944-12-19)
- drums (drum set):
- Hillard Brown (on 1944-12-19)
- guitar:
- Fred Guy (on 1944-12-19)
- piano:
- Duke Ellington (on 1944-12-19)
- reeds:
- Harry Carney (on 1944-12-19), Jimmy Hamilton (on 1944-12-19) and Otto Hardwick (on 1944-12-19)
- tenor saxophone:
- Al Sears (on 1944-12-19)
- trombone:
- Lawrence Brown (on 1944-12-19), Claude Jones (on 1944-12-19) and Joe "Tricky Sam" Nanton (on 1944-12-19)
- trumpet:
- William “Cat” Anderson (on 1944-12-19), Shelton "Scad" Hemphill (on 1944-12-19), Taft Jordan (on 1944-12-19) and Rex Stewart (on 1944-12-19)
- violin:
- Ray Nance (on 1944-12-19)
- recorded at:
- Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1944-12-19)
- live recording of:
- Black, Brown, and Beige: I. Black: Come Sunday (on 1944-12-19)
- composer:
- Duke Ellington
- part of:
- Black, Brown, and Beige: I. Black
| | 11:48 |
| 5 | The Mood to Be Wooed | | 4:48 |
| 6 | Blue Cellophane | | 3:16 |
| 7 | Blue Skies- alto saxophone:
- Johnny Hodges (on 1944-12-19)
- double bass:
- Junior Raglin (on 1944-12-19)
- drums (drum set):
- Hillard Brown (on 1944-12-19)
- guitar:
- Fred Guy (on 1944-12-19)
- piano:
- Duke Ellington (on 1944-12-19)
- reeds:
- Harry Carney (on 1944-12-19), Jimmy Hamilton (on 1944-12-19) and Otto Hardwick (on 1944-12-19)
- tenor saxophone:
- Al Sears (on 1944-12-19)
- trombone:
- Lawrence Brown (on 1944-12-19), Claude Jones (on 1944-12-19) and Joe "Tricky Sam" Nanton (on 1944-12-19)
- trumpet:
- William “Cat” Anderson (on 1944-12-19), Shelton "Scad" Hemphill (on 1944-12-19), Taft Jordan (on 1944-12-19), Ray Nance (on 1944-12-19) and Rex Stewart (on 1944-12-19)
- recorded at:
- Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1944-12-19)
- live recording of:
- Blue Skies (on 1944-12-19)
- lyricist and composer:
- Irving Berlin (in 1926)
- publisher:
- Francis, Day & Hunter Ltd., Irving Berlin Music Company and Williamson Music Company
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| | 3:34 |
| 8 | Frankie and Johnny | | 8:09 |
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