Boulez A‐Z: Bartók

~ Veröffentlichung von Bartók; Pierre Boulez (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
14 Orchestral Pieces, Sz. 51: I. Preludio
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Jürgen Bulgrin (sound engineer)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: I. Preludio: Moderato (in 1992-12)
Orchestrator(in):
Bartók Béla (Béla Bartók, composer) (in 1921)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1912)
Teil von:
Four Orchestral Pieces, op. 12, Sz. 51
Béla Bartók6:32
24 Orchestral Pieces, Sz. 51: II. Scherzo. Allegro
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Jürgen Bulgrin (sound engineer)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: II. Scherzo: Allegro (in 1992-12)
Orchestrator(in):
Bartók Béla (Béla Bartók, composer) (in 1921)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1912)
Teil von:
Four Orchestral Pieces, op. 12, Sz. 51
Béla Bartók6:13
34 Orchestral Pieces, Sz. 51: III. Intermezzo. Moderato
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Jürgen Bulgrin (sound engineer)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: III. Intermezzo: Moderato (in 1992-12)
Orchestrator(in):
Bartók Béla (Béla Bartók, composer) (in 1921)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1912)
Teil von:
Four Orchestral Pieces, op. 12, Sz. 51
Béla Bartók5:03
44 Orchestral Pieces, Sz. 51: IV. Marcia funebre. Maestoso
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Jürgen Bulgrin (sound engineer)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Four Orchestral Pieces, op. 12, Sz. 51: IV. Marcia funebre: Maestoso (in 1992-12)
Orchestrator(in):
Bartók Béla (Béla Bartók, composer) (in 1921)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1912)
Teil von:
Four Orchestral Pieces, op. 12, Sz. 51
Béla Bartók4:57
5Concerto for Orchestra, Sz. 116: I. Introduction. Andante non troppo – Allegro vivace
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione. Andante non troppo – Allegro vivace (in 1992-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1943)
Teil von:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók9:30
6Concerto for Orchestra, Sz. 116: II. Giuoco della coppie. Allegretto scherzando
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie. Allegretto scherzando (in 1992-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1943)
Teil von:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók6:26
7Concerto for Orchestra, Sz. 116: III. Elegia. Andante, non troppo
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: III. Elegia. Andante non troppo (in 1992-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1943)
Teil von:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók7:43
8Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto. Allegretto
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto (in 1992-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1943)
Teil von:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók4:02
9Concerto for Orchestra, Sz. 116: V. Finale. Pesante – Presto
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: V. Finale. Pesante – Presto (in 1992-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1943)
Teil von:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók9:24
10Dance Suite, Sz. 77: I. Moderato
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Klaus Behrens (engineer)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Dance Suite, Sz. 77, BB 86a: I. Moderato (for orchestra) (in 1992-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1923)
Teil von:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók3:41
11Dance Suite, Sz. 77: II. Allegro molto
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Klaus Behrens (engineer)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Dance Suite, Sz. 77, BB 86a: II. Allegro molto (for orchestra) (in 1992-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1923)
Teil von:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók2:16
12Dance Suite, Sz. 77: III. Allegro vivace
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Klaus Behrens (engineer)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Dance Suite, Sz. 77, BB 86a: III. Allegro vivace (for orchestra) (in 1992-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1923)
Teil von:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók2:57
13Dance Suite, Sz. 77: IV. Molto tranquillo
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Klaus Behrens (engineer)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Dance Suite, Sz. 77, BB 86a: IV. Molto tranquillo (for orchestra) (in 1992-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1923)
Teil von:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók2:36
14Dance Suite, Sz. 77: V. Comodo
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Klaus Behrens (engineer)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Dance Suite, Sz. 77, BB 86a: V. Comodo (for orchestra) (in 1992-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1923)
Teil von:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók1:01
15Dance Suite, Sz. 77: VI. Finale. Allegro
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Klaus Behrens (engineer)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
Dance Suite, Sz. 77, BB 86a: VI. Finale. Allegro (for orchestra) (in 1992-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1923)
Teil von:
Dance Suite, Sz. 77, BB 86a (for orchestra)
Béla Bartók4:05
162 Pictures, Sz. 46: I. In Full Flower
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Klaus Behrens (engineer)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
2 Pictures, op. 10, Sz. 46: 1. In voller Blüte (in 1992-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1910-08)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
Teil von:
2 Pictures, op. 10, Sz. 46
Béla Bartók8:42
172 Pictures, Sz. 46: II. Village Dance
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Klaus Behrens (engineer)
Orchester:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1992-12)
recording of:
2 Pictures, op. 10, Sz. 46: 2. Dorftanz (in 1992-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1910-08)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
Teil von:
2 Pictures, op. 10, Sz. 46
Béla Bartók9:46
18Hungarian Sketches, Sz. 97: I. Evening in Transylvania
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Stephan Flock
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Klaus Behrens (engineer)
Orchester:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
Tonmeister(in):
Helmut Burk
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1993-12)
recording of:
Hungarian Sketches, Sz. 97, BB 103, No. 1: An Evening in the Village (in 1993-12)
Orchestrator(in) und Komponist(in):
Bartók Béla (Béla Bartók, composer)
Version von:
Ten Easy Pieces, Sz. 39, BB 51, No. 5: An Evening at the Village
Teil von:
Hungarian Sketches, Sz. 97, BB 103
Béla Bartók2:48
19Hungarian Sketches, Sz. 97: II. Bear Dance
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Stephan Flock
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Klaus Behrens (engineer)
Orchester:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
Tonmeister(in):
Helmut Burk
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1993-12)
recording of:
Hungarian Sketches, Sz. 97, BB 103, No. 2: Bear Dance (in 1993-12)
Orchestrator(in) und Komponist(in):
Bartók Béla (Béla Bartók, composer)
Version von:
Ten Easy Pieces, Sz. 39, BB 51, No. 10: Bear Dance
Teil von:
Hungarian Sketches, Sz. 97, BB 103
Béla Bartók1:29
20Hungarian Sketches, Sz. 97: III. Melody
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Stephan Flock
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Klaus Behrens (engineer)
Orchester:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
Tonmeister(in):
Helmut Burk
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1993-12)
recording of:
Hungarian Sketches, Sz. 97, BB 103, No. 3: Melody (in 1993-12)
Orchestrator(in) und Komponist(in):
Bartók Béla (Béla Bartók, composer)
Version von:
Four Dirges, Sz. 45, BB 58, No. 2: Andante
Teil von:
Hungarian Sketches, Sz. 97, BB 103
Béla Bartók2:21
21Hungarian Sketches, Sz. 97: IV. Slightly Tipsy
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Stephan Flock
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Klaus Behrens (engineer)
Orchester:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
Tonmeister(in):
Helmut Burk
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1993-12)
recording of:
Hungarian Sketches, Sz. 97, BB 103, No. 4: Slightly Tipsy (in 1993-12)
Orchestrator(in) und Komponist(in):
Bartók Béla (Béla Bartók, composer)
Version von:
Three Burlesques, Sz. 47, BB 55, No. 2: A Little Tipsy
Teil von:
Hungarian Sketches, Sz. 97, BB 103
Béla Bartók2:11
22Hungarian Sketches, Sz. 97: V. Swineherd’s Dance
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Stephan Flock
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Klaus Behrens (engineer)
Orchester:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
Tonmeister(in):
Helmut Burk
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1993-12)
recording of:
Hungarian Sketches, Sz. 97, BB 103, No. 5: Swineherd's Dance (in 1993-12)
Orchestrator(in) und Komponist(in):
Bartók Béla (Béla Bartók, composer)
Version von:
For Children, Book 2: No. 40. Swineherd's Dance. Allegro vivace
Teil von:
Hungarian Sketches, Sz. 97, BB 103
Béla Bartók2:02
23Divertimento for Strings, Sz. 113: I. Allegro non troppo
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Stephan Flock
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Ingmar Haas (engineer)
Orchester:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
Tonmeister(in):
Helmut Burk
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1993-12)
recording of:
Divertimento for String Orchestra, Sz. 113, BB 118: I. Allegro non troppo (in 1993-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1939)
Teil von:
Divertimento for String Orchestra, Sz. 113, BB 118
Béla Bartók9:02
24Divertimento for Strings, Sz. 113: II. Molto adagio
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Stephan Flock
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Ingmar Haas (engineer)
Orchester:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
Tonmeister(in):
Helmut Burk
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1993-12)
recording of:
Divertimento for String Orchestra, Sz. 113, BB 118: II. Molto adagio (in 1993-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1939)
Teil von:
Divertimento for String Orchestra, Sz. 113, BB 118
Béla Bartók9:35
25Divertimento for Strings, Sz. 113: III. Allegro assai
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Stephan Flock
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Ingmar Haas (engineer)
Orchester:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
Tonmeister(in):
Helmut Burk
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1993-12)
recording of:
Divertimento for String Orchestra, Sz. 113, BB 118: III. Allegro assai (in 1993-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1939)
Teil von:
Divertimento for String Orchestra, Sz. 113, BB 118
Béla Bartók7:35
26The Miraculous Mandarin, Sz. 73: Introduction. Allegro
recording engineer:
Stephan Flock und Hans‐Rudolf Müller (engineer)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Stephan Flock und Rainer Maillard
Orchester:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
Tonmeister(in):
Rainer Maillard (in 1994-12)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1994-12)
teilweise recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1918 bis 1924)
Premiere bei:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
Teil von:
Bartók Béla válogatott zenei írásai (Nummer: Sz. 73) und Béla Bartók's Works (BB) (Nummer: BB 82)
Béla Bartók3:03
27The Miraculous Mandarin, Sz. 73: 1st Decoy Game. Moderato
recording engineer:
Stephan Flock und Hans‐Rudolf Müller (engineer)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Stephan Flock und Rainer Maillard
Orchester:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
Tonmeister(in):
Rainer Maillard (in 1994-12)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1994-12)
teilweise recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1918 bis 1924)
Premiere bei:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
Teil von:
Bartók Béla válogatott zenei írásai (Nummer: Sz. 73) und Béla Bartók's Works (BB) (Nummer: BB 82)
Béla Bartók3:44
28The Miraculous Mandarin, Sz. 73: 2nd Decoy Game
recording engineer:
Stephan Flock und Hans‐Rudolf Müller (engineer)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Stephan Flock und Rainer Maillard
Orchester:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
Tonmeister(in):
Rainer Maillard (in 1994-12)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1994-12)
teilweise recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1918 bis 1924)
Premiere bei:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
Teil von:
Bartók Béla válogatott zenei írásai (Nummer: Sz. 73) und Béla Bartók's Works (BB) (Nummer: BB 82)
Béla Bartók3:13
29The Miraculous Mandarin, Sz. 73: 3rd Decoy Game. Sostenuto
recording engineer:
Stephan Flock und Hans‐Rudolf Müller (engineer)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Stephan Flock und Rainer Maillard
Orchester:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
Tonmeister(in):
Rainer Maillard (in 1994-12)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1994-12)
teilweise recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1918 bis 1924)
Premiere bei:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
Teil von:
Bartók Béla válogatott zenei írásai (Nummer: Sz. 73) und Béla Bartók's Works (BB) (Nummer: BB 82)
Béla Bartók1:41
30The Miraculous Mandarin, Sz. 73: The Mandarin Enters. Maestoso
recording engineer:
Stephan Flock und Hans‐Rudolf Müller (engineer)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Stephan Flock und Rainer Maillard
Orchester:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
Tonmeister(in):
Rainer Maillard (in 1994-12)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1994-12)
teilweise recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1918 bis 1924)
Premiere bei:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
Teil von:
Bartók Béla válogatott zenei írásai (Nummer: Sz. 73) und Béla Bartók's Works (BB) (Nummer: BB 82)
Béla Bartók6:52
31The Miraculous Mandarin, Sz. 73: The Girl Sinks Down to Embrace Him. Allegro
recording engineer:
Stephan Flock und Hans‐Rudolf Müller (engineer)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Stephan Flock und Rainer Maillard
Orchester:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
Tonmeister(in):
Rainer Maillard (in 1994-12)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1994-12)
teilweise recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1918 bis 1924)
Premiere bei:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
Teil von:
Bartók Béla válogatott zenei írásai (Nummer: Sz. 73) und Béla Bartók's Works (BB) (Nummer: BB 82)
Béla Bartók2:29
32The Miraculous Mandarin, Sz. 73: The Tramps Leap Out. Sempre vivo
recording engineer:
Stephan Flock und Hans‐Rudolf Müller (engineer)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Stephan Flock und Rainer Maillard
Orchester:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
Tonmeister(in):
Rainer Maillard (in 1994-12)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1994-12)
teilweise recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1918 bis 1924)
Premiere bei:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
Teil von:
Bartók Béla válogatott zenei írásai (Nummer: Sz. 73) und Béla Bartók's Works (BB) (Nummer: BB 82)
Béla Bartók2:06
33The Miraculous Mandarin, Sz. 73: Suddenly the Mandarin’s Head Appears. Adagio
recording engineer:
Stephan Flock und Hans‐Rudolf Müller (engineer)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Stephan Flock und Rainer Maillard
Orchester:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
Tonmeister(in):
Rainer Maillard (in 1994-12)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1994-12)
teilweise recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1918 bis 1924)
Premiere bei:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
Teil von:
Bartók Béla válogatott zenei írásai (Nummer: Sz. 73) und Béla Bartók's Works (BB) (Nummer: BB 82)
Béla Bartók3:01
34The Miraculous Mandarin, Sz. 73: Again, the Frightened Tramps Discuss How to Eliminate the Mandarin. Agitato
recording engineer:
Stephan Flock und Hans‐Rudolf Müller (engineer)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Stephan Flock und Rainer Maillard
Orchester:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
Tonmeister(in):
Rainer Maillard (in 1994-12)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1994-12)
teilweise recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1918 bis 1924)
Premiere bei:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
Teil von:
Bartók Béla válogatott zenei írásai (Nummer: Sz. 73) und Béla Bartók's Works (BB) (Nummer: BB 82)
Béla Bartók1:25
35The Miraculous Mandarin, Sz. 73: The Body of the Mandarin Begins to Glow with a Greenish Blue Light. Molto moderato
recording engineer:
Stephan Flock und Hans‐Rudolf Müller (engineer)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Stephan Flock und Rainer Maillard
Chorgesang:
Chicago Symphony Chorus (in 1994-12)
Orchester:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
chorus master:
Duain Wolfe (chorus master) (in 1994-12)
Tonmeister(in):
Rainer Maillard (in 1994-12)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1994-12)
teilweise recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1918 bis 1924)
Premiere bei:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
Teil von:
Bartók Béla válogatott zenei írásai (Nummer: Sz. 73) und Béla Bartók's Works (BB) (Nummer: BB 82)
Béla Bartók1:47
36The Miraculous Mandarin, Sz. 73: She Resists No Longer – They Embrace. Più mosso – Vivo
recording engineer:
Stephan Flock und Hans‐Rudolf Müller (engineer)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Stephan Flock und Rainer Maillard
Orchester:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
Tonmeister(in):
Rainer Maillard (in 1994-12)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1994-12)
teilweise recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (in 1994-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1918 bis 1924)
Premiere bei:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
Teil von:
Bartók Béla válogatott zenei írásai (Nummer: Sz. 73) und Béla Bartók's Works (BB) (Nummer: BB 82)
Béla Bartók2:21
37Music for Strings, Percussion & Celesta, Sz. 106: I. Andante tranquillo
recording engineer:
Stephan Flock und Hans‐Rudolf Müller (engineer)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Stephan Flock und Rainer Maillard
Orchester:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
Tonmeister(in):
Rainer Maillard (in 1994-12)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1994-12)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: I. Andante tranquillo (in 1994-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1936)
Teil von:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:55
38Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro
recording engineer:
Stephan Flock und Hans‐Rudolf Müller (engineer)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Stephan Flock und Rainer Maillard
Orchester:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
Tonmeister(in):
Rainer Maillard (in 1994-12)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1994-12)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: II. Allegro (in 1994-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1936)
Teil von:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:35
39Music for Strings, Percussion & Celesta, Sz. 106: III. Adagio
recording engineer:
Stephan Flock und Hans‐Rudolf Müller (engineer)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Stephan Flock und Rainer Maillard
Orchester:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
Tonmeister(in):
Rainer Maillard (in 1994-12)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1994-12)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: III. Adagio (in 1994-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1936)
Teil von:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:27
40Music for Strings, Percussion & Celesta, Sz. 106: IV. Allegro molto
recording engineer:
Stephan Flock und Hans‐Rudolf Müller (engineer)
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Stephan Flock und Rainer Maillard
Orchester:
Chicago Symphony Orchestra (in 1994-12)
conductor:
Pierre Boulez (composer and conductor) (in 1994-12)
Tonmeister(in):
Rainer Maillard (in 1994-12)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1994-12)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: IV. Allegro molto (in 1994-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1936)
Teil von:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:27
41Cantata profana, Sz. 94: I. Molto moderato
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Oliver Rogalla
Baritongesang:
John Tomlinson (English operatic bass) (in 1991-12)
Chorgesang:
Chicago Symphony Chorus (in 1991-12)
Tenor-Gesang:
John Aler (tenor) (in 1991-12)
Orchester:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
chorus master:
Margaret Hillis (chorus master) (in 1991-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1991-12)
recording of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": I. Molto moderato. Once there was an old man (in 1991-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1930)
Teil von:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 “The Enchanted Stags” (1955 English version, translated by Robert Shaw)
Béla Bartók7:00
42Cantata profana, Sz. 94: II. Andante
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Oliver Rogalla
Baritongesang:
John Tomlinson (English operatic bass) (in 1991-12)
Chorgesang:
Chicago Symphony Chorus (in 1991-12)
Tenor-Gesang:
John Aler (tenor) (in 1991-12)
Orchester:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
chorus master:
Margaret Hillis (chorus master) (in 1991-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1991-12)
recording of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": II. Andante. Through forest aroving, hey-yah! (in 1991-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1930)
Teil von:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 “The Enchanted Stags” (1955 English version, translated by Robert Shaw)
Béla Bartók8:00
43Cantata profana, Sz. 94: III. Moderato
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Oliver Rogalla
Baritongesang:
John Tomlinson (English operatic bass) (in 1991-12)
Chorgesang:
Chicago Symphony Chorus (in 1991-12)
Tenor-Gesang:
John Aler (tenor) (in 1991-12)
Orchester:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
chorus master:
Margaret Hillis (chorus master) (in 1991-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1991-12)
recording of:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": III. Moderato. Once there was an old man (in 1991-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1930)
Teil von:
Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 “The Enchanted Stags” (1955 English version, translated by Robert Shaw)
Béla Bartók3:07
44The Wooden Prince, Sz. 60: Introduction
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Oliver Rogalla
Orchester:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: I. Prelude (in 1991-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1914 bis 1917)
Teil von:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók5:14
45The Wooden Prince, Sz. 60: 1st Dance. Dance of the Princess in the Forest
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Oliver Rogalla
Orchester:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: II. Dance 1: Dance of the Princess in the Forest (in 1991-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1914 bis 1917)
Teil von:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók5:05
46The Wooden Prince, Sz. 60: 2nd Dance. Dance of the Trees
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Oliver Rogalla
Orchester:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: III. Dance 2: Dance of the Trees (in 1991-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1914 bis 1917)
Teil von:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók5:27
47The Wooden Prince, Sz. 60: 3rd Dance. Dance of the Waves
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Oliver Rogalla
Orchester:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: IV. Dance 3: Dance of the Waves (in 1991-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1914 bis 1917)
Teil von:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók11:36
48The Wooden Prince, Sz. 60: 4th Dance. Dance of the Princess with the Wooden Doll
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Oliver Rogalla
Orchester:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: V. Dance 4: Dance of the Princess With the Wooden Doll (in 1991-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1914 bis 1917)
Teil von:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók15:21
49The Wooden Prince, Sz. 60: 5th Dance. The Princess Pulls and Tugs at the Wooden Prince and Tries to Make Him Dance
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Oliver Rogalla
Orchester:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: VI. Dance 5: The Princess Pulls and Pushes Him and Tries to Make Him Dance (in 1991-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1914 bis 1917)
Teil von:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók1:55
50The Wooden Prince, Sz. 60: 6th Dance. She Tries to Attract the Real Prince with Her Seductive Dancing
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Oliver Rogalla
Orchester:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: VII. Dance 6: She Tries to Attract Him With a Seductive Dance (in 1991-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1914 bis 1917)
Teil von:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók1:38
51The Wooden Prince, Sz. 60: 7th Dance. Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Oliver Rogalla
Orchester:
Chicago Symphony Orchestra (in 1991-12)
conductor:
Pierre Boulez (composer and conductor) (in 1991-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1991-12)
recording of:
The Wooden Prince, Sz. 60: IX. Postlude (in 1991-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1914 bis 1917)
Teil von:
The Wooden Prince, op. 13, Sz. 60
recording of:
The Wooden Prince, Sz. 60: VIII. Dance 7: Alarmed, the Princess Rushes After Him, but the Forest Stops Her (in 1991-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1914 bis 1917)
Teil von:
The Wooden Prince, op. 13, Sz. 60
Béla Bartók8:43
52Piano Concerto no. 1, Sz. 83: I. Allegro moderato – Allegro
recording engineer:
Reinhard Lagemann
Produzent(in):
Helmut Burk
Klavier:
Krystian Zimerman (pianist) (in 2001-11)
Orchester:
Chicago Symphony Orchestra (in 2001-11)
conductor:
Pierre Boulez (composer and conductor) (in 2001-11)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 2001-11)
recording of:
Piano Concerto no. 1, Sz. 83, BB 91: I. Allegro moderato (in 2001-11)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1926)
Teil von:
Piano Concerto no. 1, Sz. 83, BB 91
Béla Bartók8:45
53Piano Concerto no. 1, Sz. 83: II. Andante
recording engineer:
Reinhard Lagemann
Produzent(in):
Helmut Burk
Klavier:
Krystian Zimerman (pianist) (in 2001-11)
Orchester:
Chicago Symphony Orchestra (in 2001-11)
conductor:
Pierre Boulez (composer and conductor) (in 2001-11)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 2001-11)
recording of:
Piano Concerto no. 1, Sz. 83, BB 91: II. Andante (in 2001-11)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1926)
Teil von:
Piano Concerto no. 1, Sz. 83, BB 91
Béla Bartók7:52
54Piano Concerto no. 1, Sz. 83: III. Allegro molto
recording engineer:
Reinhard Lagemann
Produzent(in):
Helmut Burk
Klavier:
Krystian Zimerman (pianist) (in 2001-11)
Orchester:
Chicago Symphony Orchestra (in 2001-11)
conductor:
Pierre Boulez (composer and conductor) (in 2001-11)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 2001-11)
recording of:
Piano Concerto no. 1, Sz. 83, BB 91: III. Allegro molto (in 2001-11)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1926)
Teil von:
Piano Concerto no. 1, Sz. 83, BB 91
Béla Bartók6:38
55Piano Concerto no. 2, Sz. 95: I. Allegro
recording engineer:
Wolf‐Dieter Karwatky
Produzent(in):
Christian Gansch (conductor)
Klavier:
Leif Ove Andsnes (pianist) (in 2003-02)
Orchester:
Berliner Philharmoniker (in 2003-02)
conductor:
Pierre Boulez (composer and conductor) (in 2003-02)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Deutschland (in 2003-02)
recording of:
Piano Concerto no. 2 in G major, Sz. 95, BB 101: I. Allegro (in 2003-02)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1930 bis 1931)
Teil von:
Piano Concerto no. 2 in G major, Sz. 95, BB 101
Béla Bartók9:25
56Piano Concerto no. 2, Sz. 95: II. Adagio – Più adagio – Presto
recording engineer:
Wolf‐Dieter Karwatky
Produzent(in):
Christian Gansch (conductor)
Klavier:
Leif Ove Andsnes (pianist) (in 2003-02)
Orchester:
Berliner Philharmoniker (in 2003-02)
conductor:
Pierre Boulez (composer and conductor) (in 2003-02)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Deutschland (in 2003-02)
recording of:
Piano Concerto no. 2 in G major, Sz. 95, BB 101: II. Adagio - Più adagio - Presto (in 2003-02)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1930 bis 1931)
Teil von:
Piano Concerto no. 2 in G major, Sz. 95, BB 101
Béla Bartók11:26
57Piano Concerto no. 2, Sz. 95: III. Allegro molto
recording engineer:
Wolf‐Dieter Karwatky
Produzent(in):
Christian Gansch (conductor)
Klavier:
Leif Ove Andsnes (pianist) (in 2003-02)
Orchester:
Berliner Philharmoniker (in 2003-02)
conductor:
Pierre Boulez (composer and conductor) (in 2003-02)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Deutschland (in 2003-02)
recording of:
Piano Concerto no. 2 in G major, Sz. 95, BB 101: III. Allegro molto (in 2003-02)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1930 bis 1931)
Teil von:
Piano Concerto no. 2 in G major, Sz. 95, BB 101
Béla Bartók6:13
58Piano Concerto no. 3, Sz. 119: I. Allegretto
recording engineer:
Wolf‐Dieter Karwatky
Produzent(in):
Christian Gansch (conductor)
Klavier:
Hélène Grimaud (French pianist) (in 2004-10)
Orchester:
London Symphony Orchestra (in 2004-10)
conductor:
Pierre Boulez (composer and conductor) (in 2004-10)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Jerwood Hall in London (Greater London), England, Vereinigtes Königreich (in 2004-10)
recording of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127: I. Allegretto (in 2004-10)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1945)
Teil von:
Piano Concerto no. 3 in E major, Sz. 119, BB 127
Béla Bartók7:33
59Piano Concerto no. 3, Sz. 119: II. Adagio religioso
recording engineer:
Wolf‐Dieter Karwatky
Produzent(in):
Christian Gansch (conductor)
Klavier:
Hélène Grimaud (French pianist) (in 2004-10)
Orchester:
London Symphony Orchestra (in 2004-10)
conductor:
Pierre Boulez (composer and conductor) (in 2004-10)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Jerwood Hall in London (Greater London), England, Vereinigtes Königreich (in 2004-10)
recording of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127: II. Adagio religioso (in 2004-10)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1945)
Teil von:
Piano Concerto no. 3 in E major, Sz. 119, BB 127
Béla Bartók11:13
60Piano Concerto no. 3, Sz. 119: III. Allegro vivace
recording engineer:
Wolf‐Dieter Karwatky
Produzent(in):
Christian Gansch (conductor)
Klavier:
Hélène Grimaud (French pianist) (in 2004-10)
Orchester:
London Symphony Orchestra (in 2004-10)
conductor:
Pierre Boulez (composer and conductor) (in 2004-10)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
Jerwood Hall in London (Greater London), England, Vereinigtes Königreich (in 2004-10)
recording of:
Piano Concerto no. 3 in E major, Sz. 119, BB 127: III. Allegro vivace (in 2004-10)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (in 1945)
Teil von:
Piano Concerto no. 3 in E major, Sz. 119, BB 127
Béla Bartók7:03
61Concerto for 2 Pianos, Percussion & Orchestra, Sz. 115: I. Assai lento – Allegro molto
recording engineer, Editing und Tonmeister(in):
Rainer Maillard
Produzent(in):
Christian Gansch (conductor)
Klavier:
Pierre‐Laurent Aimard (pianist) (in 2008-05) und Tamara Stefanovich (pianist) (in 2008-05)
Perkussion:
Neil Percy (percussionist) (in 2008-05) und Nigel Thomas (principal timpanist of London Symphony Orchestra) (in 2008-05)
Orchester:
London Symphony Orchestra (in 2008-05)
conductor:
Pierre Boulez (composer and conductor) (in 2008-05)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 2008-05)
recording of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121: I. Assai lento (in 2008-05)
Komponist(in):
Bartók Béla (Béla Bartók, composer)
Teil von:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121
Béla Bartók12:48
62Concerto for 2 Pianos, Percussion & Orchestra, Sz. 115: II. Lento ma non troppo
recording engineer, Editing und Tonmeister(in):
Rainer Maillard
Produzent(in):
Christian Gansch (conductor)
Klavier:
Pierre‐Laurent Aimard (pianist) (in 2008-05) und Tamara Stefanovich (pianist) (in 2008-05)
Perkussion:
Neil Percy (percussionist) (in 2008-05) und Nigel Thomas (principal timpanist of London Symphony Orchestra) (in 2008-05)
Orchester:
London Symphony Orchestra (in 2008-05)
conductor:
Pierre Boulez (composer and conductor) (in 2008-05)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 2008-05)
recording of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121: II. Lento, ma non troppo (in 2008-05)
Komponist(in):
Bartók Béla (Béla Bartók, composer)
Teil von:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121
Béla Bartók6:29
63Concerto for 2 Pianos, Percussion & Orchestra, Sz. 115: III. Allegro ma non troppo
recording engineer, Editing und Tonmeister(in):
Rainer Maillard
Produzent(in):
Christian Gansch (conductor)
Klavier:
Pierre‐Laurent Aimard (pianist) (in 2008-05) und Tamara Stefanovich (pianist) (in 2008-05)
Perkussion:
Neil Percy (percussionist) (in 2008-05) und Nigel Thomas (principal timpanist of London Symphony Orchestra) (in 2008-05)
Orchester:
London Symphony Orchestra (in 2008-05)
conductor:
Pierre Boulez (composer and conductor) (in 2008-05)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 2008-05)
recording of:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121: III. Allegro non troppo (in 2008-05)
Komponist(in):
Bartók Béla (Béla Bartók, composer)
Teil von:
Concerto for Two Pianos, Percussion and Orchestra, Sz. 115, BB 121
Béla Bartók6:18
64Violin Concerto no. 1, Sz. 36: I. Andante sostenuto
recording engineer und Tonmeister(in):
Rainer Maillard
leitende(r) Produzent(in):
Dr. Marion Thiem
Produzent(in):
Christian Gansch (conductor)
Editing:
Mark Bücker (recording engineer)
Geige / Violine:
Gidon Kremer (violinist) (in 2004-03)
Orchester:
Berliner Philharmoniker (in 2004-03)
conductor:
Pierre Boulez (composer and conductor) (in 2004-03)
aufgenommen bei:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Deutschland (in 2004-03)
recording of:
Concerto for Violin and Orchestra no. 1, Sz. 36, BB 48a: I. Andante sostenuto (in 2004-03)
Komponist(in):
Bartók Béla (Béla Bartók, composer)
Teil von:
Concerto for Violin and Orchestra no. 1, Sz. 36, BB 48a
Béla Bartók9:33
65Violin Concerto no. 1, Sz. 36: II. Allegro giocoso
recording engineer und Tonmeister(in):
Rainer Maillard
leitende(r) Produzent(in):
Dr. Marion Thiem
Produzent(in):
Christian Gansch (conductor)
Editing:
Mark Bücker (recording engineer)
Geige / Violine:
Gidon Kremer (violinist) (in 2004-03)
Orchester:
Berliner Philharmoniker (in 2004-03)
conductor:
Pierre Boulez (composer and conductor) (in 2004-03)
aufgenommen bei:
Berliner Philharmonie: Grosser Saal in Mitte, Berlin, Deutschland (in 2004-03)
recording of:
Concerto for Violin and Orchestra no. 1, Sz. 36, BB 48a: II. Allegro giocoso (in 2004-03)
Komponist(in):
Bartók Béla (Béla Bartók, composer)
Teil von:
Concerto for Violin and Orchestra no. 1, Sz. 36, BB 48a
Béla Bartók11:47
66Viola Concerto, Sz. 120 (Compl. Serly): I. Moderato – Lento parlando
recording engineer und Tonmeister(in):
Rainer Maillard
Produzent(in):
Christian Gansch (conductor)
Editing:
Mark Bücker (recording engineer)
Bratsche / Viola:
Yuri Bashmet (Russian conductor and violist) (in 2004-03)
Orchester:
Berliner Philharmoniker (in 2004-03)
conductor:
Pierre Boulez (composer and conductor) (in 2004-03)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (in 2004-03)
recording of:
Concerto for Viola and Orchestra, Sz. 120, BB 128: I. Moderato (in 2004-03)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (vom 1945-07 bis ????)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
Teil von:
Concerto for Viola and Orchestra, Sz. 120, BB 128
Béla Bartók14:31
67Viola Concerto, Sz. 120 (Compl. Serly): II. Adagio religioso – Allegretto
recording engineer und Tonmeister(in):
Rainer Maillard
Produzent(in):
Christian Gansch (conductor)
Editing:
Mark Bücker (recording engineer)
Bratsche / Viola:
Yuri Bashmet (Russian conductor and violist) (in 2004-03)
Orchester:
Berliner Philharmoniker (in 2004-03)
conductor:
Pierre Boulez (composer and conductor) (in 2004-03)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (in 2004-03)
recording of:
Concerto for Viola and Orchestra, Sz. 120, BB 128: II. Adagio religioso (in 2004-03)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (vom 1945-07 bis ????)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
Teil von:
Concerto for Viola and Orchestra, Sz. 120, BB 128
Béla Bartók4:37
68Viola Concerto, Sz. 120 (Compl. Serly): III. Allegro vivace
recording engineer und Tonmeister(in):
Rainer Maillard
Produzent(in):
Christian Gansch (conductor)
Editing:
Mark Bücker (recording engineer)
Bratsche / Viola:
Yuri Bashmet (Russian conductor and violist) (in 2004-03)
Orchester:
Berliner Philharmoniker (in 2004-03)
conductor:
Pierre Boulez (composer and conductor) (in 2004-03)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (in 2004-03)
recording of:
Concerto for Viola and Orchestra, Sz. 120, BB 128: III. Allegro vivace (in 2004-03)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (vom 1945-07 bis ????)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
Teil von:
Concerto for Viola and Orchestra, Sz. 120, BB 128
Béla Bartók4:16
69Violin Concerto No. 2, Sz. 112: I. Allegro non troppo
recording engineer:
Wolf‐Dieter Karwatky
Produzent(in):
Christian Gansch (conductor)
Editing und Tonmeister(in):
Stephan Flock
Geige / Violine:
Gil Shaham (violinist) (in 1998-12)
Orchester:
Chicago Symphony Orchestra (in 1998-12)
conductor:
Pierre Boulez (composer and conductor) (in 1998-12)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1998-12)
recording of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117: I. Allegro non troppo (in 1998-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1937 bis 1938)
Teil von:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117
Béla Bartók16:39
70Violin Concerto No. 2, Sz. 112: II. Andante tranquillo
recording engineer:
Wolf‐Dieter Karwatky
Produzent(in):
Christian Gansch (conductor)
Editing und Tonmeister(in):
Stephan Flock
Geige / Violine:
Gil Shaham (violinist) (in 1998-12)
Orchester:
Chicago Symphony Orchestra (in 1998-12)
conductor:
Pierre Boulez (composer and conductor) (in 1998-12)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1998-12)
recording of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117: II. Andante tranquillo (in 1998-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1937 bis 1938)
Teil von:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117
Béla Bartók10:50
71Violin Concerto No. 2, Sz. 112: III. Allegro molto
recording engineer:
Wolf‐Dieter Karwatky
Produzent(in):
Christian Gansch (conductor)
Editing und Tonmeister(in):
Stephan Flock
Geige / Violine:
Gil Shaham (violinist) (in 1998-12)
Orchester:
Chicago Symphony Orchestra (in 1998-12)
conductor:
Pierre Boulez (composer and conductor) (in 1998-12)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1998-12)
recording of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117: III. Allegro molto (in 1998-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer) (von 1937 bis 1938)
Teil von:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117
Béla Bartók12:59
72Rhapsody no. 1 for Violin and Orchestra, Sz. 87: I. Lassú. Moderato
recording engineer:
Wolf‐Dieter Karwatky
Produzent(in):
Christian Gansch (conductor)
Editing und Tonmeister(in):
Stephan Flock
Geige / Violine:
Gil Shaham (violinist) (in 1998-12)
Orchester:
Chicago Symphony Orchestra (in 1998-12)
conductor:
Pierre Boulez (composer and conductor) (in 1998-12)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1998-12)
recording of:
Rhapsody no. 1 for Violin and Orchestra, Sz. 87: I. Prima parte “lassú”. Moderato (in 1998-12)
Orchestrator(in) und Komponist(in):
Bartók Béla (Béla Bartók, composer)
Version von:
Rhapsody no. 1 for violin and piano, Sz. 86: I. Prima parte “lassú”. Moderato
Teil von:
Rhapsody no. 1 for Violin and Orchestra, Sz. 87
Béla Bartók5:15
73Rhapsody no. 1 for Violin and Orchestra, Sz. 87: II. Friss. Allegretto moderato
recording engineer:
Wolf‐Dieter Karwatky
Produzent(in):
Christian Gansch (conductor)
Editing und Tonmeister(in):
Stephan Flock
Geige / Violine:
Gil Shaham (violinist) (in 1998-12)
Orchester:
Chicago Symphony Orchestra (in 1998-12)
conductor:
Pierre Boulez (composer and conductor) (in 1998-12)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1998-12)
recording of:
Rhapsody no. 1 for Violin and Orchestra, Sz. 87: II. Seconda parte “friss”. Allegretto moderato (in 1998-12)
Orchestrator(in) und Komponist(in):
Bartók Béla (Béla Bartók, composer)
Version von:
Rhapsody no. 1 for violin and piano, Sz. 86: II. Seconda parte “friss”. Allegretto moderato
Teil von:
Rhapsody no. 1 for Violin and Orchestra, Sz. 87
Béla Bartók5:57
74Rhapsody no. 2 for Violin and Orchestra, Sz. 90: I. Lassú. Moderato
recording engineer:
Wolf‐Dieter Karwatky
Produzent(in):
Christian Gansch (conductor)
Editing und Tonmeister(in):
Stephan Flock
Geige / Violine:
Gil Shaham (violinist) (in 1998-12)
Orchester:
Chicago Symphony Orchestra (in 1998-12)
conductor:
Pierre Boulez (composer and conductor) (in 1998-12)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1998-12)
recording of:
Rhapsody no. 2 for Violin and Orchestra, Sz. 90: I. Prima parte “lassú”. Moderato (in 1998-12)
Orchestrator(in) und Komponist(in):
Bartók Béla (Béla Bartók, composer)
Version von:
Rhapsody no. 2 for violin and piano, Sz. 89: I. Prima parte “lassú”. Moderato
Teil von:
Rhapsody no. 2 for Violin and Orchestra, Sz. 90
Béla Bartók5:15
75Rhapsody no. 2 for Violin and Orchestra, Sz. 90: II. Friss. Allegro moderato
recording engineer:
Wolf‐Dieter Karwatky
Produzent(in):
Christian Gansch (conductor)
Editing und Tonmeister(in):
Stephan Flock
Geige / Violine:
Gil Shaham (violinist) (in 1998-12)
Orchester:
Chicago Symphony Orchestra (in 1998-12)
conductor:
Pierre Boulez (composer and conductor) (in 1998-12)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1998-12)
recording of:
Rhapsody no. 2 for Violin and Orchestra, Sz. 90: II. Seconda parte “friss”. Allegro moderato (in 1998-12)
Orchestrator(in) und Komponist(in):
Bartók Béla (Béla Bartók, composer)
Version von:
Rhapsody no. 2 for violin and piano, Sz. 89: II. Seconda parte “friss”. Allegro moderato
Teil von:
Rhapsody no. 2 for Violin and Orchestra, Sz. 90
Béla Bartók6:22
76Bluebeard’s Castle, Sz. 48: Prologue – Opening Scene: a. Megérkeztünk
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Stephan Flock
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Hans‐Ulrich Bastin
Orchester:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
Tonmeister(in):
Helmut Burk
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1993-12)
teilweise recording of:
A Kékszakállú herceg vára: Opening "Megérkeztünk" (in 1993-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer)
Librettist:
Béla Balázs
Teil von:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók5:06
77Bluebeard’s Castle, Sz. 48: Opening Scene: b‐c. Ez a Kékszakállú véra?
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Stephan Flock
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Hans‐Ulrich Bastin
Soprangesang:
Jessye Norman (soprano) (in 1993-12)
Orchester:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
Tonmeister(in):
Helmut Burk
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1993-12)
teilweise recording of:
A Kékszakállú herceg vára: Opening "Megérkeztünk" (in 1993-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer)
Librettist:
Béla Balázs
Teil von:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók5:16
78Bluebeard’s Castle, Sz. 48: Opening Scene: d‐e. Nagy csukott ajtókat
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Stephan Flock
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Hans‐Ulrich Bastin
Soprangesang:
Jessye Norman (soprano) (in 1993-12)
Orchester:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
Tonmeister(in):
Helmut Burk
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1993-12)
teilweise recording of:
A Kékszakállú herceg vára: Opening "Megérkeztünk" (in 1993-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer)
Librettist:
Béla Balázs
Teil von:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók5:23
79Bluebeard’s Castle, Sz. 48: Door 1. The Torture Chamber. Jaj! Mit látsz? Mit látsz? Láncok, kések
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Stephan Flock
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Hans‐Ulrich Bastin
Soprangesang:
Jessye Norman (soprano) (in 1993-12)
Orchester:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
Tonmeister(in):
Helmut Burk
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1993-12)
recording of:
A Kékszakállú herceg vára: Door 1 "'Jaj! Mit látsz? Mit látsz? Láncok, kések" (in 1993-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer)
Librettist:
Béla Balázs
Teil von:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók4:25
80Bluebeard’s Castle, Sz. 48: Door 2. The Armory. Mit látsz? Százkegyetlen szörnyü fegyver
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Stephan Flock
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Hans‐Ulrich Bastin
Bass-Gesang:
László Polgár (operatic bass) (in 1993-12)
Orchester:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
Tonmeister(in):
Helmut Burk
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1993-12)
recording of:
A Kékszakállú herceg vára: Door 2 "Mit látsz? Százkegyetlen szörnyü fegyver" (in 1993-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer)
Librettist:
Béla Balázs
Teil von:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók3:55
81Bluebeard’s Castle, Sz. 48: Door 3. The Treasury. Oh, Be sok kincs! Oh, Be sok kincs!
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Stephan Flock
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Hans‐Ulrich Bastin
Soprangesang:
Jessye Norman (soprano) (in 1993-12)
Orchester:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
Tonmeister(in):
Helmut Burk
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1993-12)
recording of:
A Kékszakállú herceg vára: Door 3 "Oh, be sok kincs! Oh, be sok kincs!" (in 1993-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer)
Librettist:
Béla Balázs
Teil von:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók2:25
82Bluebeard’s Castle, Sz. 48: Door 4. The Garden. Oh! virágok! Oh! ilatoskert!
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Stephan Flock
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Hans‐Ulrich Bastin
Soprangesang:
Jessye Norman (soprano) (in 1993-12)
Orchester:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
Tonmeister(in):
Helmut Burk
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1993-12)
recording of:
A Kékszakállú herceg vára: Door 4 "Oh! virágok! Oh! ilatoskert!" (in 1993-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer)
Librettist:
Béla Balázs
Teil von:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók4:18
83Bluebeard’s Castle, Sz. 48: Door 5. The Kingdom. Ah! Lásdez az én birodalmam
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Stephan Flock
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Hans‐Ulrich Bastin
Bass-Gesang:
László Polgár (operatic bass) (in 1993-12)
Orchester:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
Tonmeister(in):
Helmut Burk
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1993-12)
recording of:
A Kékszakállú herceg vára: Door 5 "Ah! Lásdez az én birodalmam" (in 1993-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer)
Librettist:
Béla Balázs
Teil von:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók6:35
84Bluebeard’s Castle, Sz. 48: Door 6. The Pool of Tears: a. Csendes fehér tavat látok
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Stephan Flock
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Hans‐Ulrich Bastin
Soprangesang:
Jessye Norman (soprano) (in 1993-12)
Orchester:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
Tonmeister(in):
Helmut Burk
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1993-12)
teilweise recording of:
A Kékszakállú herceg vára: Door 6 "Csendes fehér tavat látok" (in 1993-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer)
Librettist:
Béla Balázs
Teil von:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók4:32
85Bluebeard’s Castle, Sz. 48: Door 6. The Pool of Tears: b. Az utolsót nem nyitom ki
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Stephan Flock
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Hans‐Ulrich Bastin
Bass-Gesang:
László Polgár (operatic bass) (in 1993-12)
Orchester:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
Tonmeister(in):
Helmut Burk
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1993-12)
teilweise recording of:
A Kékszakállú herceg vára: Door 6 "Csendes fehér tavat látok" (in 1993-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer)
Librettist:
Béla Balázs
Teil von:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók4:09
86Bluebeard’s Castle, Sz. 48: Door 6. The Pool of Tears: c. Tudom, tudom, Kékszakállú
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Stephan Flock
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Hans‐Ulrich Bastin
Soprangesang:
Jessye Norman (soprano) (in 1993-12)
Orchester:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
Tonmeister(in):
Helmut Burk
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1993-12)
teilweise recording of:
A Kékszakállú herceg vára: Door 6 "Csendes fehér tavat látok" (in 1993-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer)
Librettist:
Béla Balázs
Teil von:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók3:24
87Bluebeard’s Castle, Sz. 48: Door 7. The Wives. Lásd a régi aszszonyokat
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) und Stephan Flock
Produzent(in):
Karl-August Naegler (balance engineer)
Editing:
Hans‐Ulrich Bastin
Bass-Gesang:
László Polgár (operatic bass) (in 1993-12)
Orchester:
Chicago Symphony Orchestra (in 1993-12)
conductor:
Pierre Boulez (composer and conductor) (in 1993-12)
Tonmeister(in):
Helmut Burk
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1993-12)
recording of:
A Kékszakállú herceg vára: Door 7 "Lásd a régi aszszonyokat" (in 1993-12)
Komponist(in):
Bartók Béla (Béla Bartók, composer)
Librettist:
Béla Balázs
Teil von:
A kékszakállú herceg vára, Sz. 48, BB 62 (Bluebeard's Castle, Sz. 48, BB 62)
Béla Bartók8:31