Memorial Collection

~ Release by Buddy Holly (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Down the Line (undubbed)
recorded in:
Wichita Falls, Texas, United States (in 1955)
bass:
Larry Welborn (in 1955)
drums (drum set):
Jerry Allison (in 1955)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1955) and Bob Montgomery (USA) (in 1955)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1955) and Bob Montgomery (USA) (in 1955)
recording of:
Down the Line (in 1955)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter), Bob Montgomery (USA) and Norman Petty
publisher:
Wren Music Co.
Buddy and Bob2:04
2Soft Place in My Heart (undubbed)
recorded in:
Wichita Falls, Texas, United States (from 1954 until 1955)
bass:
Don Guess (best known for his association with Buddy Holly) (from 1954 until 1955)
fiddle:
Sonny Curtis (from 1954 until 1955)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1954 until 1955) and Bob Montgomery (USA) (from 1954 until 1955)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1954 until 1955) and Bob Montgomery (USA) (from 1954 until 1955)
recording of:
Soft Place in My Heart (from 1954 until 1955)
lyricist and composer:
Bob Montgomery (USA)
publisher:
Peermusic Ltd. (BMI)
Buddy and Bob2:16
3You and I Are Through
recorded in:
Wichita Falls, Texas, United States (on 1955-06-07)
bass:
Larry Welborn (on 1955-06-07)
drums (drum set):
Jerry Allison (on 1955-06-07)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1955-06-07) and Bob Montgomery (USA) (on 1955-06-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1955-06-07) and Bob Montgomery (USA) (on 1955-06-07)
recording of:
You and I Are Through (on 1955-06-07)
lyricist and composer:
Bob Montgomery (USA)
publisher:
Peermusic Ltd. (BMI)
Buddy and Bob2:06
4Midnight Shift
recorded in:
Nashville, Tennessee, United States (on 1956-01-26)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-01-26)
guitar:
Sonny Curtis (on 1956-01-26), Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-01-26) and Grady Martin (country/rockabilly guitarist) (on 1956-01-26)
percussion:
Doug Kirkham (on 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-01-26)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
cover recording of:
Midnight Shift (on 1956-01-26)
writer:
Jimmie Ainsworth and Earl Lee (Luke McDaniel, track "Midnight Shift")
publisher:
Good Music (UK Publisher (1950s - 1970s)) and Sony Tree Publishing Co., Inc.
Buddy Holly42:12
5Love Me
recorded in:
Nashville, Tennessee, United States (on 1956-01-26)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-01-26)
guitar [lead guitar]:
Sonny Curtis (on 1956-01-26)
guitar [rhythm guitar]:
Grady Martin (country/rockabilly guitarist) (on 1956-01-26)
percussion:
Doug Kirkham (on 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-01-26)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1956) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1956)
recording of:
Love Me (Buddy Holly Song) (on 1956-01-26)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Sue Parrish
publisher:
BMG Platinum Songs US, Cedarwood Pub. Co., Inc., Southern Music (publisher) and Universal Cedarwood Publishing
Buddy Holly2:08
6Don’t Come Back Knockin’
recorded in:
Nashville, Tennessee, United States (on 1956-01-26)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-01-26)
guitar [lead guitar]:
Sonny Curtis (on 1956-01-26)
guitar [rhythm guitar]:
Grady Martin (country/rockabilly guitarist) (on 1956-01-26)
percussion:
Doug Kirkham (on 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-01-26)
recording of:
Don’t Come Back Knockin’ (on 1956-01-26)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Sue Parrish
publisher:
BMG Platinum Songs US, Palace Music, Unichappell Music, Inc. and Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
Buddy Holly2:16
7Blue Days, Black Nights
recorded in:
Nashville, Tennessee, United States (on 1956-01-26)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-01-26)
guitar [lead guitar]:
Sonny Curtis (on 1956-01-26)
guitar [rhythm guitar]:
Grady Martin (country/rockabilly guitarist) (on 1956-01-26)
percussion:
Doug Kirkham (on 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-01-26)
recording of:
Blue Days, Black Nights (on 1956-01-26)
lyricist and composer:
Ben Hall (Texas based singer, songwriter, label owner, active 1950s/60s; studio owner through 1990s)
publisher:
Palace Music, Unichappell Music, Inc. and Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
Buddy Holly42:06
8Baby, Won’t You Come Out Tonight
recorded in:
Clovis, New Mexico, United States (from 1956-02 until 1956-04)
producer:
Norman Petty
bass:
Don Guess (best known for his association with Buddy Holly) (from 1956-01 until 1956-04, from 1956-02 until 1956-04)
drums (drum set):
Jerry Allison (from 1956-01 until 1956-04, from 1956-02 until 1956-04)
guitar:
Sonny Curtis (from 1956-01 until 1956-04, from 1956-02 until 1956-04) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-01 until 1956-04, from 1956-02 until 1956-04)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-01 until 1956-04, from 1956-02 until 1956-04)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1956-01 until 1956-04)
recording of:
Baby, Won't You Come Out Tonight (from 1956-01 until 1956-04)
lyricist and composer:
Don Guess (best known for his association with Buddy Holly)
publisher:
Universal Cedarwood Publishing
recording of:
Baby, Won't You Come Out Tonight (from 1956-02 until 1956-04)
lyricist and composer:
Don Guess (best known for his association with Buddy Holly)
publisher:
Universal Cedarwood Publishing
Buddy Holly51:57
9I’m Gonna Set My Foot Down
recorded in:
Clovis, New Mexico, United States (from 1956-02 until 1956-04)
recording engineer:
Norman Petty (from 1956-02 until 1956-04)
producer:
Norman Petty
drums (drum set):
Jerry Allison (from 1956-02 until 1956-04)
guitar:
Sonny Curtis (from 1956-02 until 1956-04) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-02 until 1956-04)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-02 until 1956-04)
recording of:
I’m Gonna Set My Foot Down (from 1956-02 until 1956-04)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
Buddy Holly2:18
10Changing All Those Changes
recorded in:
Clovis, New Mexico, United States (from 1956-02 until 1956-04)
producer:
Norman Petty
bass:
Don Guess (best known for his association with Buddy Holly) (from 1956-02 until 1956-04)
drums (drum set):
Jerry Allison (from 1956-02 until 1956-04)
guitar:
Sonny Curtis (from 1956-02 until 1956-04) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-02 until 1956-04)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-02 until 1956-04)
recording of:
I’m Changing All These Changes (from 1956-02 until 1956-04)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Cedarwood Music and Cedarwood Pub. Co., Inc.
Buddy Holly1:41
11Rock‐a‐Bye Rock
recorded in:
Clovis, New Mexico, United States (from 1956-02 until 1956-04)
recording engineer:
Norman Petty (from 1956-02 until 1956-04)
producer:
Norman Petty
drums (drum set):
Jerry Allison (from 1956-02 until 1956-04)
guitar:
Sonny Curtis (from 1956-02 until 1956-04) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-02 until 1956-04)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-02 until 1956-04)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1983)
recording of:
Rock-a-Bye Rock (from 1956-02 until 1956-04)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Buddy Holly2:23
12Rock Around With Ollie Vee
recorded in:
Nashville, Tennessee, United States (on 1956-07-22)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-07-22)
drums (drum set):
Jerry Allison (on 1956-07-22)
guitar:
Sonny Curtis (on 1956-07-22) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
recording of:
Rock Around With Ollie Vee (on 1956-07-22)
writer:
Sonny Curtis
publisher:
Palace Music, Skol Music (BMI-affiliated) and Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
Buddy Holly52:14
13Girl on My Mind
recorded in:
Nashville, Tennessee, United States (on 1956-07-22)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-07-22)
drums (drum set):
Jerry Allison (on 1956-07-22)
guitar:
Sonny Curtis (on 1956-07-22) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1958)
recording of:
Girl on My Mind (on 1956-07-22)
writer:
Don Guess (best known for his association with Buddy Holly)
publisher:
Cedarwood Pub. Co., Inc., Southern Music (publisher) and Universal Cedarwood Publishing
Buddy Holly52:18
14Ting‐A‐Ling
recorded in:
Nashville, Tennessee, United States (on 1956-07-22)
producer:
Owen Bradley
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-07-22)
drums (drum set):
Jerry Allison (on 1956-07-22)
guitar:
Sonny Curtis (on 1956-07-22) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-07-22)
cover recording of:
Ting-a-Ling (on 1956-07-22)
lyricist and composer:
Ahmet Ertegun (US songwriter/producer)
writer:
Nugetre (US songwriter/producer)
publisher:
Carlin Music Corp., Cedarwood Music and Unichappell Music, Inc.
Buddy Holly52:42
15Modern Don Juan
recorded in:
Nashville, Tennessee, United States (on 1956-11-15)
producer:
Owen Bradley
alto saxophone:
Dutch McMillin (saxophonist) (on 1956-11-15)
bass:
Don Guess (best known for his association with Buddy Holly) (on 1956-11-15)
drums (drum set):
Farris Coursey (on 1956-11-15)
guitar:
Harold Bradley (on 1956-11-15) and Grady Martin (country/rockabilly guitarist) (on 1956-11-15)
piano:
Floyd Cramer (on 1956-11-15)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1956-11-15)
recording of:
Modern Don Juan (on 1956-11-15)
writer:
Don Guess (best known for his association with Buddy Holly) and Jack Neal
publisher:
Cedarwood Music and Universal Cedarwood Publishing
Buddy Holly2:42
16Holly Hop (undubbed)
drums (drum set):
Jerry Allison (from 1956-11 until 1956-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-11 until 1956-12)
recording of:
Holly Hop (from 1956-11 until 1956-12)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
MPL Communications, Inc. (ASCAP, not to get confused with Sir Paul McCartney’s company or the company that goes by the name MPL Communications)
Buddy Holly1:40
17Brown‐Eyed Handsome Man
recording engineer:
Norman Petty (from 1956-12 until 1957-01)
producer:
Norman Petty
bass:
Larry Welborn (from 1956-12 until 1957-01)
drums (drum set):
Jerry Allison (from 1956-12 until 1957-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-12 until 1957-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1956-12 until 1957-01)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1963) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1956-12 until 1957-01)
cover recording of:
Brown Eyed Handsome Man (from 1956-12 until 1957-01)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Buddy Holly3.352:05
18That’ll Be the Day
producer:
Norman Petty
double bass:
Larry Welborn (on 1957-02-25)
drums (drum set):
Jerry Allison (on 1957-02-25)
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25) and Niki Sullivan (on 1957-02-25)
background vocals:
June Clark (background vocals for The Crickets) (on 1957-02-25), Gary Tollett (on 1957-02-25), Niki Sullivan (on 1957-02-25) and Ramona Tollett (on 1957-02-25)
spoken vocals [dialogue]:
Wolfman Jack (US disc jockey)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-02-25)
recording of:
That’ll Be the Day (on 1957-02-25)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
Buddy Holly4.62:17
19I’m Looking for Someone to Love
recorded in:
Clovis, New Mexico, United States (on 1957-02-25)
bass:
Larry Welborn (on 1957-02-25)
drums (drum set):
Jerry Allison (on 1957-02-25)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25)
background vocals:
June Clark (background vocals for The Crickets) (on 1957-02-25), Gary Tollett (on 1957-02-25), Niki Sullivan (on 1957-02-25) and Ramona Tollett (on 1957-02-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25)
recording of:
I’m Lookin’ for Someone to Love (on 1957-02-25)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and Wren Music Co.
Buddy Holly1:58
20Mailman, Bring Me No More Blues
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-04-08)
drums (drum set):
Jerry Allison (on 1957-04-08)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-04-08)
piano:
Vi Petty (on 1957-04-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-04-08)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-04-08)
cover recording of:
Mailman, Bring Me No More Blues (on 1957-04-08)
writer:
Bill Katz, Ruth Roberts and Bob Thiele (producer & songwriter)
publisher:
Peermusic (UK) Limited and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly42:11
2▶CD
3▶CD

Credits

Release

art direction:Vartan (art direction)
liner notes:Bud Scoppa (in 2008-07)
producer:Andy McKaie
remastering:Erick Labson
design:Mike Fink
distributed by:Universal Music Distribution (major-label distribution subsidiary of UMG Commercial Services, Inc.)
copyrighted (©) by and phonographic copyright (℗) by:Geffen Records (in 2008)
remastered at:Universal Mastering West in Los Angeles, California, United States
Discogs:https://www.discogs.com/release/2704451 [info]
ASIN:US: B001G9LV9I [info]

Release group

Wikidata:Q16961542 [info]