Missa

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD: Du moyen age à la renaissance
2CD: Messes solennelles de l’âge classique
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1Assumpta est Maria, mass for 6 voices, chorus, instruments & continuo, H. 11: Symphonie & Kyrie 1 (2 sopranos, basse, chœur et orchestre)
instruments and vocals:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Missa, H. 11 "Assumpta est Maria": Kyrie I
composer:
Marc‐Antoine Charpentier (composer)
part of:
Missa, H. 11 "Assumpta est Maria"
recording of:
Missa, H. 11 "Assumpta est Maria": Simphonie
composer:
Marc‐Antoine Charpentier (composer)
part of:
Missa, H. 11 "Assumpta est Maria"
Marc‐Antoine Charpentier3:46
2Mass in B minor, for soloists, chorus, & orchestra, BWV 232 (BC e1): Gloria in excelsis Deo
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:42
3Mass in B minor, for soloists, chorus, & orchestra, BWV 232 (BC e1): Et in terra pax hominibus bonae voluntatis
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:49
4Mass in B minor, for soloists, chorus, & orchestra, BWV 232 (BC e1): Laudamus te
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1996-07)
assistant engineer:
Frédéric Briant (in 1996-07)
choir vocals:
Collegium Vocale Gent (in 1996-07)
soprano vocals:
Véronique Gens (soprano) (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
Sint-Gilliskerk in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:27
5Mass in B minor, for soloists, chorus, & orchestra, BWV 232 (BC e1): Gratias agimus tibi
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:43
6Mass in B minor, for soloists, chorus, & orchestra, BWV 232 (BC e1): Domine Deus
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
soprano vocals:
Johannette Zomer (soprano) (in 1996-07)
tenor vocals:
Christoph Prégardien (tenor) (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:42
7Mass in B minor, for soloists, chorus, & orchestra, BWV 232 (BC e1): Qui tollis peccata mundi
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:08
8Mass in B minor, for soloists, chorus, & orchestra, BWV 232 (BC e1): Qui sedes ad dexteram patris
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
alto vocals:
Andreas Scholl (countertenor) (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:44
9Mass in B minor, for soloists, chorus, & orchestra, BWV 232 (BC e1): Quoniam tu solus sanctus
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
bass vocals:
Hanno Müller‐Brachmann (bass-baritone) (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:31
10Mass in B minor, for soloists, chorus, & orchestra, BWV 232 (BC e1): Cum sancto spiritu
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge (Bruges), West-Vlaanderen (West Flanders), Flanders (Flemish Region), Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (in 1996-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:02
11Mass no. 17 for soloists, chorus & Orchestra in C minor (Fragment, « Great mass »), K. 427 (K. 417a): CredoWolfgang Amadeus Mozart3:27
12Mass no. 17 for soloists, chorus & Orchestra in C minor (Fragment, « Great mass »), K. 427 (K. 417a): Et incarnatus est
soprano vocals:
Christiane Oelze (German soprano) (in 1991-09)
orchestra:
Orchestre des Champs‐Élysées (in 1991-09)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1991-09)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIIb. Credo: “Et incarnatus est” (in 1991-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1782 until 1783)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): III. Credo
Wolfgang Amadeus Mozart8:18
13Mass no. 17 for soloists, chorus & Orchestra in C minor (Fragment, « Great mass »), K. 427 (K. 417a): SanctusWolfgang Amadeus Mozart3:34
14Mass no. 17 for soloists, chorus & Orchestra in C minor (Fragment, « Great mass »), K. 427 (K. 417a): Benedictus
bass vocals:
Peter Kooij (Peter Kooy, baritone)
soprano vocals:
Jennifer Larmore (mezzo-soprano) and Christiane Oelze (German soprano)
tenor vocals:
Scot Weir (tenor)
orchestra:
Orchestre des Champs‐Élysées (in 1991-09)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1991-09)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): V. Benedictus (in 1991-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1782 until 1783)
part of:
Missa in c-Moll, K. 427/417a ('Große Messe') (Great Mass in C minor, K. 427/417a, fragment)
Wolfgang Amadeus Mozart5:44
15Mass for soloists, chorus & orchestra in D major (« Missa solemnis »), op. 123: Agnus Dei
bass vocals:
Cornelius Hauptmann (operatic bass)
choir vocals:
La Chapelle Royale (French baroque vocal ensemble) and Collegium Vocale Gent
soprano vocals:
Rosa Mannion (soprano) and Birgit Remmert (operatic mezzo‐soprano and contralto)
tenor vocals:
James Taylor (operatic tenor)
orchestra:
Orchestre des Champs‐Élysées
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Missa solemnis D-Dur, op. 123: Va. Agnus Dei: Adagio: Agnus Dei, qui tollis peccata mundi
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
Missa Solemnis D‐Dur, op. 123: V. Agnus Dei
Ludwig van Beethoven15:35
3CD: Messes romantiques & Modernes