| # | Title | Artist | Rating | Length |
|---|
| 1 | H-Moll-Messe: Kyrie eleison | Johann Sebastian Bach | | 12:12 |
| 2 | H-Moll-Messe: Christe eleison- producer:
- Walter Legge
- contralto vocals:
- Marga Höffgen (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- soprano vocals:
- Elisabeth Schwarzkopf (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- orchestra:
- Philharmonia Orchestra (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (from 1952-11-28 until 1952-11-30)
- conductor:
- Herbert von Karajan (on 1952-11-23, on 1953-07-16)
- balance engineer:
- Robert Beckett and Harold Davidson
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London , England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- recording of:
- h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (from 1952-11-23 until 1953-07-16)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 5:59 |
| 3 | H-Moll-Messe: Kyrie eleison | Johann Sebastian Bach | | 3:11 |
| 4 | H-Moll-Messe: Gloria in excelsis Deo | Johann Sebastian Bach | | 5:57 |
| 5 | H-Moll-Messe: Ladamus te- producer:
- Walter Legge
- soprano vocals:
- Elisabeth Schwarzkopf (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- orchestra:
- Philharmonia Orchestra (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (from 1952-11-28 until 1952-11-30)
- conductor:
- Herbert von Karajan (on 1952-11-23, on 1953-07-16)
- balance engineer:
- Robert Beckett and Harold Davidson
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London , England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- recording of:
- h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (from 1952-11-23 until 1953-07-16)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 5:37 |
| 6 | H-Moll-Messe: Gatias agimus tibi- producer:
- Walter Legge
- choir vocals:
- Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
- orchestra:
- Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
- conductor:
- Herbert von Karajan (from 1952-11-02 until 1952-11-07)
- balance engineer:
- Robert Beckett and Harold Davidson
- recorded at:
- Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien , Austria (from 1952-11-02 until 1952-11-07)
- recording of:
- h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (from 1952-11-02 until 1952-11-07)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:57 |
| 7 | H-Moll-Messe: Domine Deus- producer:
- Walter Legge
- soprano vocals:
- Elisabeth Schwarzkopf (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- tenor vocals:
- Nicolai Gedda (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- orchestra:
- Philharmonia Orchestra (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (from 1952-11-28 until 1952-11-30)
- conductor:
- Herbert von Karajan (on 1952-11-23, on 1953-07-16)
- balance engineer:
- Robert Beckett and Harold Davidson
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London , England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- recording of:
- h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (from 1952-11-23 until 1953-07-16)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 6:05 |
| 8 | H-Moll-Messe: Qui tollis peccata mundi | Johann Sebastian Bach | | 4:04 |
| 9 | H-Moll-Messe: Qui sedes ad dextram Patris- producer:
- Walter Legge
- contralto vocals:
- Marga Höffgen (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- orchestra:
- Philharmonia Orchestra (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (from 1952-11-28 until 1952-11-30)
- conductor:
- Herbert von Karajan (on 1952-11-23, on 1953-07-16)
- balance engineer:
- Robert Beckett and Harold Davidson
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London , England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- recording of:
- h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (from 1952-11-23 until 1953-07-16)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 5:30 |
| 10 | H-Moll-Messe: Quoniam tu solus sanctus- producer:
- Walter Legge
- bass vocals:
- Heinz Rehfuss (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- orchestra:
- Philharmonia Orchestra (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (from 1952-11-28 until 1952-11-30)
- conductor:
- Herbert von Karajan (on 1952-11-23, on 1953-07-16)
- balance engineer:
- Robert Beckett and Harold Davidson
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London , England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- recording of:
- h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (from 1952-11-23 until 1953-07-16)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 5:23 |
| 11 | H-Moll-Messe: Cum Sancto Spiritu | Johann Sebastian Bach | | 3:48 |
| 12 | H-Moll-Messe: Credo in unum Deum | Johann Sebastian Bach | | 2:47 |
| 13 | H-Moll-Messe: Patrem omnipotentem- producer:
- Walter Legge
- choir vocals:
- Wiener Singverein
- orchestra:
- Philharmonia Orchestra (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (from 1952-11-28 until 1952-11-30)
- conductor:
- Herbert von Karajan (on 1952-11-23, on 1953-07-16)
- balance engineer:
- Robert Beckett and Harold Davidson
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London , England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (from 1952-11-23 until 1953-07-16)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:01 |
| 14 | H-Moll-Messe: Et in unum Dominum- producer:
- Walter Legge
- contralto vocals:
- Marga Höffgen (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- soprano vocals:
- Elisabeth Schwarzkopf (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- orchestra:
- Philharmonia Orchestra (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16) and Herbert von Karajan (from 1952-11-28 until 1952-11-30)
- conductor:
- Herbert von Karajan (on 1952-11-23, on 1953-07-16)
- balance engineer:
- Robert Beckett and Harold Davidson
- recorded at:
- Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London , England, United Kingdom (on 1952-11-23, from 1952-11-28 until 1952-11-30, on 1953-07-16)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (from 1952-11-23 until 1953-07-16)
- composed in:
- Leipzig, Sachsen , Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 5:12 |
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