Love Is the Song We Sing: San Francisco Nuggets 1965–1970

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Seismic Rumbles
2▶CD: Suburbia
3▼CD: Summer of Love
Nr.TitelKünstlerBewertungLänge
1Alabama Bound
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (in 1967-07)
Produzent(in):
The Charlatans (1960's San Francisco psychedelic band)
autoharp:
George Hunter (design) (in 1967-07)
Bass:
Richard Olsen (in 1967-07)
Gitarre:
Mike Wilhelm (in 1967-07)
Instrumente:
George Hunter (design) (in 1967-07) und Richard Olsen (in 1967-07)
Klavier:
Michael Ferguson (American organist) (in 1967-07)
Schlagzeug:
Dan Hicks (in 1967-07)
vocals:
Dan Hicks (in 1967-07) und Mike Wilhelm (in 1967-07)
phonographisches Urheberrecht (℗) von:
The Charlatans (1960's San Francisco psychedelic band) (in 1996)
recording of:
Alabama Bound (The Charlatans arrangement) (in 1967-07)
arranger:
Michael Ferguson (American organist), Dan Hicks, George Hunter (design), Richard Olsen und Mike Wilhelm
Arrangement von:
I’m Alabama Bound
The Charlatans6:26
2Carl Street
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (in 1967-07)
Produzent(in):
Jon Sägen
Bass:
Larry Bennett (in 1967-07)
Gitarre:
John Gregory (US guitarist vocalist for Seatrain/Mystery Trend) (in 1967-07)
Klavier und Sologesang:
Ron Nagle (in 1967-07)
Schlagzeug:
John Luby (in 1967-07)
Hintergrundgesang:
John Gregory (US guitarist vocalist for Seatrain/Mystery Trend) (in 1967-07) und John Luby (in 1967-07)
phonographisches Urheberrecht (℗) von:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1999)
recording of:
Carl Street (in 1967-07)
Verfasser(in):
Ron Nagle
The Mystery Trend2:49
3Somebody to Love (LP version)
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (in 1966-06)
Produzent(in):
Peter Abrams (producer)
Bass:
Peter van Gelder (in 1966-06)
Gitarre:
David Miner (electric and double bassist) (in 1966-06) und Darby Slick (in 1966-06)
Schlagzeug:
Jerry Slick (in 1966-06)
Hintergrundgesang:
David Miner (electric and double bassist) (in 1966-06)
Sologesang:
Grace Slick (in 1966-06)
recording of:
Somebody to Love (Jefferson Airplane song) (in 1966-06)
Texter und Komponist(in):
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
live recording of:
Somebody to Love (Jefferson Airplane song)
Texter und Komponist(in):
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
cover recording of:
Somebody to Love (Jefferson Airplane song)
Texter und Komponist(in):
Darby Slick
publisher:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
The Great Society34:20
4Superbird
recorded in:
Berkeley, California (Kalifornien), Vereinigte Staaten (in 1967)
Produzent(in):
Sam Charters
Bass:
Bruce Barthol (bassist and songwriter) (in 1967)
Gitarre:
David Bennett Cohen (in 1967) und Barry Melton (in 1967)
Schlagzeug:
Gary "Chicken" Hirsh (in 1967)
Sologesang:
Country Joe McDonald (in 1967)
recording of:
Super Bird (in 1967)
Verfasser(in):
Country Joe McDonald
Country Joe and the Fish2:04
5Two Days ’Til Tomorrow
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1967-02)
Produzent(in):
Lenny Waronker
Bass:
Ron Meagher (in 1967-02)
Gitarre:
Ron Elliott (guitarist/songwriter, member of The Beau Brummels) (in 1967-02)
Hintergrundgesang:
Ron Elliott (guitarist/songwriter, member of The Beau Brummels) (in 1967-02) und Ron Meagher (in 1967-02)
Sologesang:
Sal Valentino (in 1967-02)
recording of:
Two Days 'til Tomorrow (in 1967-02)
Verfasser(in):
Bob Durand und Ron Elliott (guitarist/songwriter, member of The Beau Brummels)
The Beau Brummels3:50
6Omaha
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1967-04)
Produzent(in):
David Rubinson
Bass:
Bob Mosley (bass player from Moby Grape) (in 1967-04)
Gitarre:
Peter Lewis (member of The Cornells and Moby Grape) (in 1967-04), Jerry Miller (US songwriter, guitarist & vocalist) (in 1967-04) und Alexander “Skip” Spence (in 1967-04)
Schlagzeug:
Don Stevenson (Drummer, Moby Grape) (in 1967-04)
vocals:
Peter Lewis (member of The Cornells and Moby Grape) (in 1967-04), Jerry Miller (US songwriter, guitarist & vocalist) (in 1967-04), Bob Mosley (bass player from Moby Grape) (in 1967-04), Alexander “Skip” Spence (in 1967-04) und Don Stevenson (Drummer, Moby Grape) (in 1967-04)
recording of:
Omaha (in 1967-04)
Texter und Komponist(in):
Alexander “Skip” Spence
Moby Grape2:24
7Up and Down
recorded in:
Berkeley, California (Kalifornien), Vereinigte Staaten (in 1967)
Produzent(in):
Sam Charters
Bass:
David Stenson (in 1967)
Gitarre:
Denny Ellis (in 1967) und David Meltzer (in 1967)
Orgel:
John Payne (keyboardist) (in 1967)
Schlagzeug:
Clark Coolidge (poet) (in 1967)
Hintergrundgesang:
David Meltzer (in 1967)
Sologesang:
Tina Meltzer (in 1967)
recording of:
Up and Down (in 1967)
Verfasser(in):
David Meltzer
The Serpent Power3:37
8The Golden Road (to Unlimited Devotion)
Techniker(in):
Dick Bogert (Recording and mixing engineer)
Produzent(in):
Dave Hassinger
Bass:
Phil Lesh (in 1967-01)
Gitarre:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1967-01) und Bob Weir (in 1967-01)
Orgel:
Ron “Pigpen” McKernan (in 1967-01)
Schlagzeug:
Bill Kreutzmann (in 1967-01)
Hintergrundgesang:
Phil Lesh (in 1967-01) und Bob Weir (in 1967-01)
Sologesang:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1967-01)
arranger:
Grateful Dead
aufgenommen bei:
Coast Recorders in San Francisco, California (Kalifornien), Vereinigte Staaten (in 1967-01)
recording of:
The Golden Road (to Unlimited Devotion) (in 1967-01)
Verfasser(in):
Jerry Garcia (guitarist / vocalist in Grateful Dead), Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan und Bob Weir
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ice Nine Publishing Company, Inc. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Grateful Dead42:11
9Codine
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (in 1967)
Produzent(in):
Ben Shapiro (drummer)
Bass und Sologesang:
David Freiberg (in 1967)
Gitarre:
John Cipollina (in 1967) und Gary Duncan (guitarist with Quicksilver Messenger Service) (in 1967)
Schlagzeug:
Greg Elmore (drummer for Quicksilver Messenger Service) (in 1967)
cover recording of:
Cod’ine (in 1967)
Texter und Komponist(in):
Buffy Sainte‐Marie
publisher:
Gypsy Boy Music Inc.
Quicksilver Messenger Service5:21
10Down on Me (live)
Produzent(in):
Elliot Mazer
Bass und Hintergrundgesang:
Peter Albin (in 1968-02)
Gitarre:
Sam Andrew (in 1968-02) und James Gurley (in 1968-02)
Schlagzeug:
Dave Getz (drummer and songwriter) (in 1968-02)
Sologesang:
Janis Joplin (in 1968-02)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
aufgenommen bei:
Grande Ballroom in Detroit, Michigan, Vereinigte Staaten (in 1968-02)
live recording of:
Down on Me (in 1968-02)
Texter und arranger:
Janis Joplin
Komponist(in):
[traditional] (special purpose artist)
Version von:
Down on Me
Big Brother & the Holding Company2:50
11Think Twice
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1967)
Produzent(in):
Bob Thiele (producer & songwriter)
Bass:
Artie McLean (in 1967)
flute:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1967)
Gitarre:
Joe Tate (writer & producer from the 70s) (in 1967)
Mundharmonika und Sologesang:
Alfred Linde (in 1967)
Orgel:
Art Resnick (keyboardist, pianist) (in 1967)
Schlagzeug:
Teddy Stewart (drummer for Salvation) (in 1967)
recording of:
Think Twice (in 1967)
Verfasser(in):
Joe Tate (writer & producer from the 70s)
Salvation7:12
12White Rabbit
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (vom 1969-05-07 bis heute)
recording engineer:
David Hassinger (am 1966-11-03)
Produzent(in):
Rick Jarrard (von 1966-10-31 bis 1966-11-22)
Bass:
Jack Casady (von 1966-10-31 bis 1966-11-22)
Gitarre [lead guitar]:
Jorma Kaukonen (American blues, folk, and rock guitarist) (von 1966-10-31 bis 1966-11-22)
Gitarre [rhythm guitar]:
Paul Kantner (von 1966-10-31 bis 1966-11-22)
Schlagzeug:
Spencer Dryden (von 1966-10-31 bis 1966-11-22)
Sologesang:
Grace Slick (von 1966-10-31 bis 1966-11-22)
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1967)
aufgenommen bei:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-10-31 bis 1966-11-22)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 455) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 478)
recording of:
White Rabbit (von 1966-10-31 bis 1966-11-22)
Texter und Komponist(in):
Grace Slick
publisher:
Irving Music, Inc. und Rondor Music (London) Ltd.
basiert auf:
Alice’s Adventures in Wonderland (novel)
basiert auf:
Through the Looking‐Glass, and What Alice Found There (novel)
Jefferson Airplane4.352:31
13Roll With It
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1967)
Produzent(in):
Glyn Johns und Steve Miller Band (American rock band)
Bass:
Lonnie Turner (in 1967)
Gitarre:
Steve Miller (leader of Steve Miller Band) (in 1967) und Boz Scaggs (in 1967)
Orgel:
Jim Peterman (in 1967)
Schlagzeug:
Tim Davis (US drummer for Steve Miller Band) (in 1967)
Hintergrundgesang:
Tim Davis (US drummer for Steve Miller Band) (in 1967) und Boz Scaggs (in 1967)
Sologesang:
Steve Miller (leader of Steve Miller Band) (in 1967)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1968)
recording of:
Roll With It (in 1967)
Texter und Komponist(in):
Steve Miller (leader of Steve Miller Band)
recording of:
Roll With It (in 1968)
Texter und Komponist(in):
Steve Miller (leader of Steve Miller Band)
Steve Miller Band2:27
14Why Did You Put Me On
recorded in:
New York, New York, Vereinigte Staaten (in 1968)
Produzent(in):
Sam Charters
Bass:
Mike O'Connor (bassist) (in 1968)
Gitarre:
Mark Mandell (singer and guitarist) (in 1968) und Fred Sokolow (in 1968)
Orgel:
William Skip Rose (in 1968)
Schlagzeug:
Peter Ostwald (drummer) (in 1968)
Hintergrundgesang:
Mike O'Connor (bassist) (in 1968), William Skip Rose (in 1968) und Fred Sokolow (in 1968)
Sologesang:
Mark Mandell (singer and guitarist) (in 1968)
recording of:
Why Did You Put Me On (in 1968)
Verfasser(in):
Mark Mandell (singer and guitarist)
Notes from the Underground2:43
15Underdog
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1967-06)
Produzent(in):
Sly Stone
Bass:
Larry Graham (US bassist & singer) (in 1967-06)
Gitarre:
Freddie Stone (in 1967-06)
Keyboard und Sologesang:
Sly Stone (in 1967-06)
Saxophon:
Jerry Martini (in 1967-06)
Schlagzeug:
Greg Errico (in 1967-06)
Trompete:
Cynthia Robinson (in 1967-06)
Hintergrundgesang:
Larry Graham (US bassist & singer) (in 1967-06), Jerry Martini (in 1967-06), Cynthia Robinson (in 1967-06) und Freddie Stone (in 1967-06)
recording of:
Underdog (in 1967-06)
Texter und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music und Warner Tamerlane Publishing (publisher; do NOT use as release label)
Sly & the Family Stone33:58
16Summertime Blues
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1967)
Produzent(in):
Abe Kesh
Bass und Sologesang:
Dickie Peterson (in 1967)
Gitarre:
Leigh Stephens (in 1967)
Schlagzeug:
Paul Whaley (in 1967)
phonographisches Urheberrecht (℗) von:
Mercury Inc. (copyrights use only) (in 1968)
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 63)
cover recording of:
Summertime Blues (in 1967)
Verfasser(in):
Jerry Capehart und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Blue Cheer4.53:46
17Glue
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (in 1968-02)
Produzent(in):
The Ace of Cups
Bass:
Mary Gannon (in 1968-02)
Gitarre:
Denise Kaufman (1960s guitarist, member of Ace of Cups) (in 1968-02) und Mary Ellen Simpson (in 1968-02)
Orgel:
Marilyn Hunt (in 1968-02)
Schlagzeug:
Diane Vitalich (in 1968-02)
Hintergrundgesang:
Marilyn Hunt (in 1968-02), Mary Ellen Simpson (in 1968-02), The Ace of Cups (in 1968-02) und Diane Vitalich (in 1968-02)
Sologesang:
Mary Gannon (in 1968)
phonographisches Urheberrecht (℗) von:
The Ace of Cups (in 2003)
recording of:
Glue (in 1968-02)
Verfasser(in):
Denise Kaufman (1960s guitarist, member of Ace of Cups)
The Ace of Cups4:39
18Soul Sacrifice
Techniker(in):
Bob Breault und Eric Prestidge
Produzent(in):
Brent Dangerfield und Santana (US Latin, blues, & rock band)
Bass:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (in 1969-05)
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1969-05-12)
Conga und Perkussion:
Michael Carabello (percussionist) (am 1969-05-12)
Conga, Perkussion und Timbales:
José “Chepito” Áreas (am 1969-05-12)
Gitarre:
Carlos Santana (in 1969-05, am 1969-05-12)
Orgel:
Gregg Rolie (keyboardist and vocalist) (in 1969-05, am 1969-05-12)
Perkussion:
José “Chepito” Áreas (in 1969-05) und Michael Carabello (percussionist) (in 1969-05)
Schlagzeug:
Michael Shrieve (drummer) (in 1969-05, am 1969-05-12)
arranger:
Alberto Gianquinto
aufgenommen bei:
Pacific Recording Studio in San Mateo, California (Kalifornien), Vereinigte Staaten (in 1969-05, am 1969-05-12)
mixed at:
Pacific Recording Studio in San Mateo, California (Kalifornien), Vereinigte Staaten
recording of:
Soul Sacrifice (am 1969-05-12)
Komponist(in):
David Brown (US bassist for Santana/Allman Brothers/31st of February), Marcus Malone (US percussionist, member of Santana), Gregg Rolie (keyboardist and vocalist) und Carlos Santana
publisher:
Careers‐BMG Music Publishing, Petra Music und Universal Music (plain logo: “Universal Music”)
Santana3.356:42
19The Bells
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1968)
Produzent(in):
Rick Jarrard
Bass:
Bob Kridle (in 1968)
Gitarre:
Steve Dowler (in 1968)
Orgel:
Paul Fauerso (in 1968)
Saxophon:
Todd Anderson (saxophonist) (in 1968)
Schlagzeug:
George Newcom (in 1968)
Sologesang:
Linda Tillery (AKA Sweet Linda Divine) (in 1968)
cover recording of:
The Bells (in 1968)
Verfasser(in):
Rose Marks und Billy Ward (US r&b/soul vocalist)
The Loading Zone4:00
4▶CD: The Man Can’t Bust Our Music

Nennungen

Veröffentlichung

gedruckt in:Vereinigte Staaten
art direction:Hugh Brown (US art director and photographer)
Steve Vance
Fotografie:Ann Ehret
Herb Greene (U.S. Photographer and art director)
Paul Kagan
Yoram Kahana
Lisa Law (American photographer and filmmaker)
Don Leeper
Ann Markell
Jim Marshall (photographer)
Michael Howard (photographer)
Michael Rachoff
Ethan Russell
Bruce Steinberg
Ed Thrasher (US art director & photographer)
liner notes:Ben Fong-Torres
Alec Palao
Gene Sculatti
Produzent(in):Alec Palao
remastering:Dan Hersch (mastering engineer)
Bill Inglot (archival music producer/remastering engineer)
Dave Schultz
design:Prairie Prince
Steve Vance
hergestellt von und vermarkted von:Rhino Entertainment Company (not for release label use!)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Rhino Entertainment Company (not for release label use!) (in 2007)
lizensiert von:EMI Music Special Markets
Sony BMG Custom Marketing Group
Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.)
remastered at:DigiPrep Mastering in Los Angeles, California (Kalifornien), Vereinigte Staaten
Discogs:https://www.discogs.com/release/1970902 [Info]
ASIN:US: B000PHX0VE [Info]

Veröffentlichungsgruppe

Teil von:Nuggets (Nummer: 19) (Reihenfolge: 9)
Discogs:https://www.discogs.com/master/1940934 [Info]
Allmusic:https://www.allmusic.com/album/mw0000485085 [Info]
Wikidata:Q6690857 [Info]