| # | Title | Artist | Rating | Length |
|---|
| 1 | I Got a Woman- producer:
- Ahmet Ertegun and Jerry Wexler
- baritone saxophone:
- David “Fathead” Newman (on 1954-11-18)
- bass:
- Jimmy Bell (on 1954-11-18)
- drums (drum set):
- Glenn Brooks (on 1954-11-18)
- guitar:
- Wesley Jackson (on 1954-11-18)
- piano:
- Ray Charles (on 1954-11-18)
- solo tenor saxophone:
- Donald Wilkerson (on 1954-11-18)
- trumpet:
- Joe Bridgewater (on 1954-11-18) and Charles "Clanky" Whitley (on 1954-11-18)
- vocals:
- Ray Charles (on 1954-11-18)
- arranger:
- Ray Charles
- recorded at:
- WGST Studio in Atlanta, Georgia, United States (on 1954-11-18)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Blues Hall of Fame: Classic of Blues Recording Single (number: 2019) and Rolling Stone: 500 Greatest Songs of All Time (number: 235)
- recording of:
- I Got a Woman (on 1954-11-18)
- writer:
- Ray Charles and Renald Richard
- publisher:
- Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. , Warner–Tamerlane Publishing Corp. and Warner/Chappell
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部 , ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Ray Charles | 4.5 | 2:53 |
| 2 | Hold On (I’m Coming) | Sam & Dave | | 2:42 |
| 3 | In the Midnight Hour | Wilson Pickett | | 2:29 |
| 4 | Sittin’ on the Dock of the Bay- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- WEA International Inc. and Atlantic Recording Corporation (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music , Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. , Warner Bros. Music Ltd. , Warner Chappell Music , Warner/Chappell Music Japan, Synch division , Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
- recording of:
- (Sittin’ on) The Dock of the Bay
- composer:
- Steve Cropper and Otis Redding
- arranger:
- Oliver Lake
- arrangement of:
- (Sittin’ on) the Dock of the Bay
| Otis Redding | 4.25 | 2:41 |
| 5 | Nutbush City Limits- recording of:
- Nutbush City Limits
- lyricist and composer:
- Tina Turner
- publisher:
- Copyright Control , EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing , EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
| Ike & Tina Turner | | 2:57 |
| 6 | You Ain’t Seen Nothing Yet- engineer:
- Mark Smith
- producer:
- Randy Bachman
- solo guitar and lead vocals:
- Randy Bachman
- phonographic copyright (℗) by:
- Mercury Records (in 1974), Phonogram, Inc. (in 1974, in 1978), PolyGram Records, Inc. (in 1974), The Island Def Jam Music Group (in 1974), Union Square Music Ltd. (in 2018) and Universal Music Operations Ltd. (in 2018)
- recording of:
- You Ain’t Seen Nothing Yet
- lyricist and composer:
- Randy Bachman
- publisher:
- BMG Music Publishing Ltd., Ranbach Music , Sony Music Publishing , Sony Songs Inc., Sony/ATV Songs LLC and Top Soil Music
- sub-publisher:
- Ranbach Music Ltd. and Sony/ATV Music Publishing (Germany) GmbH
| Bachman–Turner Overdrive | 4.5 | 3:37 |
| 7 | Only Women Bleed- assistant producer:
- Michael Sherman
- producer:
- Bob Ezrin
- bass:
- Prakash John
- drums (drum set):
- Whitey Glan
- guitar:
- Steve Hunter and Dick Wagner
- Rhodes piano:
- Jozef Chirowski
- slide guitar:
- Dick Wagner
- lead vocals:
- Alice Cooper
- vocals:
- Jozef Chirowski and Dick Wagner
- arranger:
- Bob Ezrin and Allan MacMillan
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1975) and WEA International Inc. (in 1975)
- produced for:
- My Own Production Company Ltd.
- recording of:
- Only Women Bleed
- writer:
- Alice Cooper and Dick Wagner
- publisher:
- BMG Music, Copyright Control , Early Frost Music Corp. (, from 1975 to ????), EMI Blackwood Music Inc., Ezra Music, Mushroom Music Pty. Ltd., Primary Wave Music Publishing, Sony Music , Sony/ATV Songs LLC, Spirit One Music, Universal Music Publishing Group, Warner Chappell, Warner–Tamerlane Publishing Corp. and Ezra Music Corp. (from 1975 to present)
- sub-publisher:
- フジパシフィックミュージック and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 3.5 | 5:49 |
| 8 | Walk on the Wild Side- producer:
- David Bowie , Lou Reed and Mick Ronson
- baritone saxophone:
- Ronnie Ross (in 1972-08)
- double bass and electric bass guitar:
- Herbie Flowers (in 1972-08)
- drums (drum set):
- John Halsey (in 1972-08)
- background vocals:
- The Thunder Thighs (in 1972-08)
- lead vocals:
- Lou Reed (in 1972-08)
- brass arranger and strings arranger:
- Mick Ronson
- arranger:
- David Bowie , Lou Reed and Mick Ronson
- phonographic copyright (℗) by:
- BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (in 1972) and Sony BMG Music Entertainment (in 1972)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1972-08)
- mixed at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom
- samples from:
- Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (number: 221)
- recording of:
- Walk on the Wild Side (in 1972-08)
- lyricist and composer:
- Lou Reed
- publisher:
- Dunbar Music, EMI Music Publishing Australia Pty. Limited , EMI Music Publishing Ltd. , Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. and Six Continents Music Publishing Inc.
| Lou Reed | 4.25 | 4:13 |
| 9 | Ramblin’ Man | The Allman Brothers Band | | 3:39 |
| 10 | American Pie- engineer:
- Tom Flye
- producer:
- Ed Freeman
- electric guitar:
- David Spinozza (from 1971-05 until 1971-06)
- piano:
- Paul Griffin (from 1971-05 until 1971-06)
- vocals:
- Don McLean (from 1971-05 until 1971-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1971, in 2000)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (number: 131)
- recording of:
- American Pie (from 1971-05 until 1971-06)
- lyricist and composer:
- Don McLean
- publisher:
- Benny Bird Co. Inc. , Illegal Songs Inc., Mayday Music, MCA Music , MCA Music Publishing , MCA Publishing Ltd., Songs of Universal, Inc. , Universal , Universal Music Publishing Ltd. , Universal Records , Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Don McLean | 4.15 | 8:34 |
| 11 | You Really Got Me- producer:
- Shel Talmy (in 1964-07)
- additional piano:
- Perry Ford (in 1964-07)
- bass guitar:
- Pete Quaife (in 1964-07)
- drums (drum set):
- Bobby Graham (in 1964-07)
- guitar:
- Harry Fryer (in 1964-07)
- guitar [lead guitar]:
- Dave Davies (in 1964-07)
- guitar [rhythm guitar], harmonica, keyboard and lead vocals:
- Ray Davies (in 1964-07)
- phonographic copyright (℗) by:
- Sanctuary Records Group Ltd. (in 1964)
- miscellaneous support:
- PRT Records (task: Courtesy of / c/o Celebrity Licensing, Inc.)
- recorded at:
- IBC Studios in London , England, United Kingdom (in 1964-07)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 13), NME: 50 Greatest Guitar Riffs of All Time (number: 20), Rolling Stone: The 100 Greatest Guitar Solos of All Time (number: 36), VH1: 100 Greatest Hard Rock Songs (number: 57), Rolling Stone: 500 Greatest Songs of All Time (number: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 162) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 176)
- recording of:
- You Really Got Me (in 1964-07)
- lyricist and composer:
- Ray Davies
- publisher:
- Copyright Control , Edward Kassner Music Co. Ltd. and Jay Boy
| The Kinks | 4.25 | 2:16 |
| 12 | Wild Thing | The Troggs | | 2:39 |
| 13 | The House of the Rising Sun | The Animals | 4.2 | 4:31 |
| 14 | Fire | The Crazy World of Arthur Brown | | 2:58 |
| 15 | Something in the Air | Thunderclap Newman | 4 | 3:53 |
| 16 | Gimme Some Lovin’- producer:
- Chris Blackwell and Jimmy Miller
- phonographic copyright (℗) by:
- Island Records Ltd. (in 1966)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 244)
- recording of:
- Gimme Some Lovin’
- writer:
- Spencer Davis, Muff Winwood and Steve Winwood
- publisher:
- Kobalt Music Publishing Ltd. , Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. , Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. , Warner Chappell Music Ltd. , Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
| The Spencer Davis Group | 4.15 | 2:55 |
| 17 | I Don’t Like Mondays | The Boomtown Rats | 4.5 | 3:49 |
| 18 | Love Is Like Oxygen | The Sweet | 4.5 | 6:52 |
| 19 | Black Night- drums (drum set):
- Ian Paice (in 1970-05)
- electric bass guitar:
- Roger Glover (in 1970-05)
- electric guitar:
- Ritchie Blackmore (in 1970-05)
- Hammond organ:
- Jon Lord (in 1970-05)
- lead vocals:
- Ian Gillan (in 1970-05)
- recorded at:
- De Lane Lea Studios in Soho, Westminster, London , England, United Kingdom (in 1970-05)
- recording of:
- Black Night (in 1970-05)
- writer:
- Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
- publisher:
- EMI Music Publishing , Glenwood Music Corp., HEC Music and Henrees Music co.
- sub-publisher:
- EMI Music Publishing France, EMI Music Publishing Japan C.F. division (until 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Deep Purple | 4.25 | 3:30 |
| 20 | Tubular Bells | Mike Oldfield | | 4:03 |
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